Today We Kill, Tomorrow We Die!

Director: Tonino Cervi
Written by: Dario Argento, Tonino Cervi
Cast: Montgomery Ford, William Berger, Tatsuya Nakadai, Bud Spencer

Year / Country: 1968, Italy
Running Time: 90 mins.

The angry Bill Kiowa (Montgomery Ford) has been in a jail cell for five years, practicing his gun draw with a self made wooden gun. “I don’t have any feelings, except maybe hate”, he tells the sheriff upon his release.

The man Kiowa is after is the evil Elfego (Kurosawa actor Tatsuya Nakadai), who leads a gang of Comancheros, half breeds of Comanche and Mexican descent. Kiowa musters four mercenaries to take on Elfego’s gang, including the giant O’Bannion (an early role from Bud Spencer) and a homosexual card playing gunslinger played by William Berger.

Halfway through the movie, we learn in a black and white flashback why Kiowa wants revenge on Elfego. Sounds familiar? That’s because horror maestro Dario Argento, writer of Once Upon a Time in the West is responsible for the screenplay. The vendetta between the two gangs ends in a beautiful autumn forest. The Comancheros meet a violent end one by one before Kiowa and Elfego have their final confrontation.

Although the story is not very original, the casting, locations and gritty atmosphere make Today We Kill, Tomorrow We Die! an enjoyable feature. Ford makes a good hero, with enough attention paid to his darker personality traits, while Nakadai seemingly enjoys his role as melancholic and perverted villain. The budget was obviously modest, but the excellent cinematography hides this fact well.

Producer Tonino Cervi, who directs his only western here, may not be Leone. But then again who is? He accomplished a stylish and entertaining B-film in the finest revenge tradition.

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Biography: Tonino Cervi (1929, Milan, Italy – 2002, Siena, Italy) is an Italian writer, producer and director. He collaborated with many famous Italian filmmakers throughout his career, including Federico Fellini and Vittorio De Sica on Boccaccio ‘70.

Filmography: Today We Kill, Tomorrow We Die! (1968), Queens of Evil (1970), La nottata (1974), Chi dice donna, dice donna (1976), Nest of Vipers (1977), The Imaginary Invalid (1979), Il turno (1981), The Naked Sun (1984), The Miser (1990), Looking for Madame Butterfly (1995, TV), Household Accounts (2003)

Trinity Is STILL My Name!


Director: Enzo Barboni
Written by: Enzo Barboni
Cast: Terence Hill, Bud Spencer, Yanti Somer, Enzo Tarascio

Year / Country: 1971, Italy
Running Time: 112 mins.

They Call Me Trinity, the first ‘Trinity’ film, was a major financial success and made Terence Hill and Bud Spencer international stars. This follow-up was an even greater success. It became the top-grossing Italian film of all time upon release.

In this sequel, Trinity (Hill) and his older brother Bambino (Spencer) want to make name for themselves as outlaws. This is the last wish of their dying father. They also promise him to work together from that point on.

Bambino takes the lead and the two brothers head north. Their plan to become outlaws doesn’t go too smoothly. They get mixed up in unsuccessful robbery’s, crooked card games and a massive scheme involving a monastery. They also pretend to be federal agents, which is not good for their outlaw status.

The first ‘Trinity’ film was no Citizen Kane, but for a comedy-western it was fair enough. Trinity Is STILL My Name! isn’t all that great honestly. While Hill and Spencer function better and better as a comic duo, it’s the writers that drop the ball here. There is no story and the dialogues are weak.

Mostly, the writers depend on running gags to raise a few laughs. Some are okay: ‘don’t call me Bambino’, but some – like the farting baby – are terrible. There are also fewer of the slapstick fights that made the first movie entertaining, although it ends similarly with a major brawl.

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Biography: Enzo Barboni (1922, Rome – 2002, Rome) was originally a cinematographer, but later turned to writing and directing as well. In 1966 he shot Django, which became one of the archetypes of the spaghetti western. His second film They Call Me Trinity was also a massive trendsetter for the comedy-western and launched the careers of Bud Spencer and Terence Hill. He also directed the sequels Trinity Is STILL My Name! and Sons of Trinity, which was his final movie. Barboni is often credited under his pseudonym E.B. Clucher.

Filmography: The Unholy Four (1970), They Call Me Trinity (1970), Trinity is STILL My Name! (1971), A Man from the East (1972), Even Angels Eat Beans (1973), Charleston (1974), Crime Busters (1977), The Odd Squad (1982), Go for It (1983), Double Trouble (1984), They Call Me Renegade (1987), Speaking of the Devil (1991), Sons of Trinity (1995)

They Call Me Trinity

Director: Enzo Barboni
Written by: Enzo Barboni
Cast: 5, Farley Granger

Year / Country: 1970, Italy
Running Time: 106 mins.

A man on a stretcher is carried through the desert by his horse. He doesn’t get up until he reaches Wells Fargo. This lazy bum is called Trinity. There is more to him than meets the eye. He is also known as the Devil’s right hand and he has the fastest gun in the West.

After saving a Mexican’s life, he goes to meet his brother Bambino, who is pretending to be the local sheriff. Bambino is the Devil’s left hand with a gun as fast as Trinity’s. Together they take on a band of outlaws that, under command of a corrupt mayor, want to drive a community of Mormon farmers from their land.

They Call Me Trinity is a significant movie for two reasons. Firstly, it initiated the Western-Comedy craze that swept Italy for a while. Secondly, this is the film that turned the duo Hill / Spencer into international stars, especially in Europe.

It also set the tone for many future Hill / Spencer collaborations: many brawls (with extremely LOUD sound effects), humorous dialogues and slapstick action. For its genre, it is pretty violent (Hill shoots a man in his crotch in one scene) and there is plenty of obscenity in the dialogues.

All in all, They Call Me Trinity is a fair vehicle for Spencer and Hill to show off their considerable (comedic) talents. Also features a fitting musical score by Franco Micalizzi.

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Biography: Enzo Barboni (1922, Rome – 2002, Rome) was originally a cinematographer, but later turned to writing and directing as well. In 1966 he shot Django, which became one of the archetypes of the spaghetti western. His second film They Call Me Trinity was also a massive trendsetter for the comedy-western and launched the careers of Bud Spencer and Terence Hill. He also directed the sequels Trinity is STILL My Name! and Sons of Trinity, which was his final movie. Barboni is often credited under his pseudonym E.B. Clucher.

Filmography: The Unholy Four (1970), They Call Me Trinity (1970), Trinity is STILL My Name! (1971), A Man from the East (1972), Even Angels Eat Beans (1973), Charleston (1974), Crime Busters (1977), The Odd Squad (1982), Go for It (1983), Double Trouble (1984), They Call Me Renegade (1987), Speaking of the Devil (1991), Sons of Trinity (1995)

God Forgives… I Don’t!


Director: Giuseppe Colizzi
Written by: Giuseppe Colizzi, Gumersindo Mollo
Cast: Terence Hill, Bud Spencer, Frank Wolff, Gina Rovere

Year / Country: 1967, Italy / Spain
Running Time: 109 mins.

Italian stars Terence Hill and Bud Spencer would star in 19 films together. God Forgives… I Don’t! is their first collaboration. Although they act as a duo, the main credit goes to Hill. His character’s quest for revenge is the story’s main driver. Hill got this part because he resembles western-star Franco Nero, who wasn’t available for this movie. Hill took the opportunity to become a major star himself.

The story: a payroll train is robbed and the bandits took off with 100.000 dollars in gold. They also murdered everybody on the train, but accidentally left one witness alive. This witness tells insurance agent Hutch (Spencer) that the supposedly dead Bill San Antonio was the lead robber. Together with gunslinger Cat (Hill), who has a bone to pick with Antonio, he goes on a quest with the intention to retrieve the stolen gold.

God Forgives… I Don’t! is typical spaghetti-western material; loner versus evil outlaw; betrayal; gold; revenge. Unfortunately the story unfolds way too slowly, so any tension is killed. This could have been a satisfying 80/90 minute film. Now, it is a boring one. Also lacking is the trademark Hill / Spencer humour. They moved to greener territory soon after, which is fortunate – because with more films like this, they would not have made it as far as they did.

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Biography: Giuseppe Colizzi (1925, Rome – 1978, Rome) only directed a handful of movies. The first three were spaghetti westerns with Terence Hill and Bud Spencer as Cat Stevens and Hutch Bessy. These films helped them launch their careers prior to the Trinity movies. He then made the non-western Spencer/Hill vehicle All the Way Boys. He returned to the western with Run, Run, Joe!, starring Keith Carradine.

Filmography: God Forgives… I Don’t! (1967), Ace High (1968), Boot Hill (1969), All The Way Boys (1972), Run, Run, Joe! (1974), Switch (1979)