Over Fragmenten.blog

Welkom op Fragmenten uit het Schemerland, mijn persoonlijke website en content-verzameling. Je vindt hier veel artikelen over films en series in de FilmDungeon. Ook vind je op deze site mijn achtergrondverhaal, een selectie van mijn professionele werk, en een groeiende collectie blogs – fragmenten genaamd – over uiteenlopende onderwerpen. Veel leesplezier en bedankt voor het bezoeken van mijn blog!

— Jeppe Kleijngeld

PS: Bezoek ook eens mijn andere website over bewustzijn en mijn visie op de ware aard van het universum:

Man on the Run: McCartney After the Beatles

Do you foresee a time when Lennon-McCartney becomes an active songwriting partnership again?

No.

What if you’ve been part of the greatest band in history and it breaks up, what do you do?

That is the central question of Paul McCartney: Man on the Run, a documentary about Paul McCartney in his post-Beatles years.

The Beatles officially disbanded in 1970, but the cracks had already begun to show a year earlier when John Lennon declared he wanted a “divorce.” Devastated, McCartney retreated to Scotland, sparking the infamous ‘Paul is Dead’ rumor.

Struggling with depression and heavy drinking, McCartney found solace in his family: his wife Linda, whom he had married just eight months prior; his adopted daughter Heather; and their newborn, Mary (named after his late mother). Slowly, he began composing again.

His first post-Beatles album, ‘McCartney’, was a homemade effort that received scathing reviews. His follow-up, ‘Ram’ – nowadays considered a classic – fared little better with critics at the time.

Determined to move forward, McCartney formed a new band. Linda, a photographer but capable singer and keyboardist, joined first, followed by guitarist Denny Laine (formerly of The Moody Blues), lead guitarist Henry McCullough, and drummer Denny Seiwell.

Yet to truly break free, McCartney had to legally dissolve The Beatles. The only way out was to sue his former bandmates, a painful but necessary step. “My mates would hate me for it, the public would hate me for it, and I would hate me for it”, he admitted. “But otherwise, I would never get out.”

To prove The Beatles were finished, McCartney played Lennon’s song ‘God’ for the court, in which Lennon sings, “I don’t believe in Beatles.” The case was settled.

In 1972, his new band, Wings, began rehearsing. McCartney wanted to start fresh, so they embarked on a modest UK tour, playing university gigs for little pay. Bigger tours soon followed, with the family in tow.

Musically, Wings was still finding its footing, and McCartney faced criticism for not matching his Beatles-era brilliance. Worse, he recorded ‘Mary Had a Little Lamb’ – hardly the revolutionary rock ‘n’ roll of the time.

Everything changed in 1973. Wings traveled to Nigeria to record their third album, but two members quit just before the sessions. Furious, McCartney declared, “I’m gonna make the best album you’ve ever heard.”

The result, ‘Band on the Run’, may not be the greatest album ever, but it’s undeniably terrific. It’s a thematic exploration of breaking free and embracing total creative freedom. The album was a hit, earning praise even from Lennon, who had been critical of McCartney’s post-Beatles work.

New members joined the band – Jimmy McCulloch on guitar and Geoff Britton on drums – and they learned enough new songs, so they could go on world tour. They did. In 1975 they did the Wings Over America tour. He had made it there, like more than ten years earlier with the Beatles. The word spread: this show is good. Wings brought a new sound for a new generation.

Wings was successful commercially. But the problem with the band was obvious. Paul wanted them to be equals, but obviously they weren’t. He was the only superstar in the band.

There were more changes in the line-up, and they produced more hit singles, like ‘Mull of Kintyre’. But when another member quit and another died of an overdose, Wings was heading towards the end.

Linda was pregnant and tired of touring, and even McCartney felt his enthusiasm for touring had peaked. So when they were going to Japan for a concert tour, he subconsciously sabotaged it. He smuggled marijana and got arrested at the airport. He spent time in jail and had time to think what he would do if “he ever got out of there.”

It was 1980, ten years after the end of the Beatles, and now it was the end of Wings as well. And just like in 1970 he released a solo album, aptly titled ‘McCartney II’. After two decades in which he had been the driving force beyond two wildly successful bands, McCartney was back again.

Backbeat: The Early Days of the Beatles


He had to choose between his best friend… the woman he loved… and the greatest rock ‘n’ roll band in the world.

Director: Iain Softley
Written by: Iain Softley, Michael Thomas, Stephen Ward
Cast: Sheryl Lee, Stephen Dorff, Ian Hart, Gary Bakewell

Year / Country: 1994, United Kingdom, Germany
Running Time: 100 mins.

Just let me hear some of that rock and roll music.
Any old way you choose it.
It’s got a backbeat, you can’t lose it.
Any old time you use it.
Gotta be rock and roll music.
If you want to dance with me.
If you want to dance with me.

Liverpool, 1960 – home of the soon-to-be-famous Liverpudlians John Lennon (Ian Hart), Paul McCartney (Gary Bakewell), and Stuart Sutcliffe (Stephen Dorff). Stu is a talented painter who uses the money from selling his first painting to buy a bass guitar. He joins the band of his best friend John, and John convinces him to come along to Hamburg, where they’ve been asked to perform in a nightclub for an extended period.

They arrive on the Reeperbahn in Hamburg and end up sleeping in a run-down porno theatre. Between strip acts in the Kaiserkeller, they play classic rock ’n’ roll songs for drunken German crowds. Their energy and raw talent spill out of every performance. But Stuart’s heart soon turns to something other than the music and the band: he falls in love with the local photographer Astrid.

Backbeat captures the true story of the Beatles before they were famous. It was in Hamburg that they learned to play together night after night (fueled by speed pills) and built up their insanely extensive repertoire. Ringo wasn’t in the band yet (Pete Best was the drummer), and the group still had five members rather than four. It is also the tragic story of John Lennon’s best friend and a beautiful love story. Stephen Dorff and Sheryl Lee are great in their lead roles.

What impresses most about the film is the music. It truly captures the spirit and passion of this incredible moment in history. I expect that Sam Mendes’ four biographical films scheduled for 2028 will draw heavily from the same sources – and from Backbeat – in capturing the beginnings of the sensational life story of the greatest band in history, and of the man who tragically never got to see what came after.

Rating:

Biography: Iain Softley (1956, London) is a British film director, screenwriter, and producer known for his visually distinctive style and interest in character-driven stories. He first gained professional recognition directing music videos and documentaries for the BBC before transitioning into feature films. Softley’s debut feature, Backbeat (1994), a drama about the early days of The Beatles in Hamburg, earned international acclaim and multiple award nominations. He followed this with the cult-favorite cyber-thriller Hackers (1995), which helped launch the careers of several actors, including Angelina Jolie. His subsequent films, including The Wings of the Dove (1997), K-PAX (2001) and The Skeleton Key (2005) showcased a wide stylistic range. Softley has also worked extensively in television and stage, including adaptations and original productions.

Filmography (a selection): Backbeat (1994), Hackers (1995), Toni Braxton: How Could an Angel Break My Heart (1997, music video), K-PAX (2001), The Skeleton Key (2005), Inkheart (2008), Playhouse Presents (2012, TV Episode), Trap for Cinderella (2013), The Outcast (2015, TV Episodes), Curve (2015), The Shepherd (2023, short)

Is America’s Existential Crisis Unsolvable?

The Trump regime has been in power for 15 months now, and its actions are becoming increasingly damaging for the country and the world. The start of the Iran war by rogue states US and Israel, in which a girls’ school has already been bombed (170 children dead) and U.S.-Israeli airstrikes on oil depots caused ‘acid rain’ poisoning the population, is only the latest in a long list of scandalous crimes and human tragedies.

There is certainly a loud call for Trump to be impeached, but despite a lot of talk of a rupture in the MAGA movement, he still has full support of MAGA and the Republican Party. That is despite all the campaign promises he has broken and crimes he has committed, including his name being mentioned in the Epstein files a million times.

What does that tell us about the state of the country? In short: America is cooked. A recent post by a MAGA canal really drove it home for me:

The post refers to a recent scandal in which it became known that Secretary of War Crimes Bourbon Pete Hegseth went on a mad spending spree at the Pentagon blowing millions on lobster and steak.

The way this message is framed is that if you are opposed to over-spending at the Pentagon, you are against American troops getting decent food. Even worse, if you’re against American soldiers getting fed lobster and steak, you are obviously in favor of spending huge amounts of money on insurance premiums for illegals.

The debate over public spending on undocumented immigrants is completely unrelated to Pentagon spending, but the division in the USA paints everything in a toxic black and white picture. Trump has amplified these tensions through persistent misinformation, inflammatory rhetoric, and the promotion of unfounded conspiracy theories.

A recent poll indicates how deep this distrust in American society goes:


A whopping 53 percent of Americans see their fellow citizens as immoral, and this is obvious from how they are portraying each other in the media. MAGA is condemned for supporting an obviously criminal and completely immoral president who is destroying democracy, while democrats are seen as evil people who want to overflow the country with illegal criminals and rapists. This has become such a widespread belief among a large part of the country that it will be hard to get them back from this – even if Trump would be gone.

And that’s the heart of the problem: Americans are now living in entirely separate realities, each shaped by fundamentally different value systems. Democrats generally believe America should strive to be a force for good – flawed as it may be – working to improve lives and promote democracy around the world, even if the execution isn’t always perfect. In contrast, the ‘America First’ ideology pushes for a vision rooted in white, Christian, male dominance, where the U.S. operates as an unapologetic superpower, taking what it can with little or no regard for others. Under this worldview, immigrants are not just excluded but actively demonized, treated as threats to be expelled or erased.

How do you convince the MAGA crowd that Trump and his party are only in it for personal gain, and their actions are severely damaging to the country in the short and especially the long term?

The media are a big part of the problem. Mainstream channels have chosen for Trump (like FOX ‘News’) or a middle of the road approach, which really doesn’t work in this environment. A newspaper headline, like ‘Trump wants to acquire Greenland’ really doesn’t reflect what is really going on: ‘Dictator Trump wants to aggressively annex Greenland with military force’.

So the media is not doing its job, and even worse, many Trump supporters now own all major media, especially after the recent acquisition of Warner Bros Discovery by Trumper Larry Ellison.

And this is one of the reasons I am so pessimistic about America’s future prospects. The media is extremely important to turn the tide, but the legacy media are not doing their job and social media (owned by Trump’s billionaire cronies) that monetize conflict are making things much much worse.

But it is far from the only problem. These are other major issues that make a turnaround in the short term very unlikely:

● The Republican party are the only ones who could really stop Trump, but they are not doing it. The old party – yes, they were assholes, but at least they had some independent thinking going on that would definitely be opposed to much of what Trump is doing – is dead. Trump has destroyed it, and they are now in it for 100 percent. No matter how insane their leader is, they won’t stop him.

● The democrats – while they have some good people – are far from united and they are not speaking with one voice. Take the Iran war, where is their reunited condemnation of this illegal war?

● The corporate political donor system is still very much in place. That means that not the American people, but the big corporations decide which policies will be implemented. At the same time, the concentration of wealth and a non-level playing field for the middle and working classes are turning American democracy into an oligarchy.

● The current U.S. Supreme Court is widely seen as both a reflection and an amplifier of the country’s deep political polarization. The Court now has six conservative justices and three liberal justices. This ideological split is the most pronounced in decades, and the Court’s rulings increasingly break along these lines. In recent terms, the number of cases decided by a purely partisan vote has tripled, while unanimous decisions have declined sharply. The Court’s rulings on issues like abortion (Dobbs), campaign finance, voting rights, and executive power have not only reflected, but also deepened political divisions. The Court’s growing alignment with partisan politics has led many Americans to view it less as an impartial legal institution and more as a political actor. This shift is evident in public opinion polls, where favorable views of the Court are near historic lows, especially among Democrats and younger Americans

What America needs is a huge turnaround, a systematic change in government and how it functions. I currently see no evidence of this happening. The focus is now – understandably – on winning the Mid Terms by democrats and then winning the 2028 election in order to stop Trump. And it will certainly be a relief to see Trump removed. If they can, and this is a huge if.

However, the problems mentioned above will still be there. Which democratic leader will really solve this mess? Bernie Sanders was that leader, but the dems thought nominating him was too risky. A new leader of that calibre has not yet emerged.

We have been here before. When Biden won the election in 2020 we were relieved. But 74 million people still voted Trump in 2020 even after his disastrous first term. Just as worrying: about 89 million eligible Americans did not vote in 2024, while the country was under threat by a fascist takeover by MAGA. That means the trust in politics to solve problems has sunk to rock bottom in the US.

Optimists note that the U.S. has navigated previous existential threats – including the Revolutionary and Civil Wars – suggesting a capacity to overcome deep crises.

That may well be, but I currently see no way out of the polarization, so my current analysis is that the American crisis is terminal. We, as Europeans, have to steadily derisk from the USA and realign ourselves with reliable partners, such as Canada.

Let’s hope that in the long term, the crisis is an opportunity for the US to address long-standing flaws (such as economic inequality or political dysfunction) and create a ‘new Renaissance’ or a more inclusive society.

But for now, this is unfortunately the status of the country:

😅

A Knight of the Seven Kingdoms

While waiting for season 3 of House of the Dragon – a show I am possibly enjoying even more than Game of Thrones – HBO has dropped a third Westeros show, which is titled: A Knight of the Seven Kingdoms. This is a prequel to Game of Thrones.

This is quite a different beast (dragon) than the previous two shows. It is lighter on its feet – in the beginning at least – and shorter in duration: season one consists of only six episodes of around 35 minutes each. It is however filled with interesting stories and memorable characters and is quite frankly a must see.

The show is an adaptation of ‘The Tales of Dunk and Egg’ series of novellas by George R. R. Martin, beginning with ‘The Hedge Knight’. It’s about a knight – Ser Duncan ‘Dunk’ the Tall (Peter Claffey) and his young squire Egg (Dexter Sol Ansell). Duncan’s master has died, but he made him a knight before he departed. Now Duncan wants to enter a tournament in Ashford.

At first glance, Dunc comes across as something of a lovable goof, but there’s an underlying depth to him that becomes evident early on and that’s what makes this series so compelling. The magic lies in the slow-burn revelation: as viewers, we’re right there with him on his journey, uncovering his layers as he uncovers them himself.

His partner in adventure, the quick-witted and resourceful Egg – brilliantly brought to life by Dexter Sol Ansell – adds the perfect dynamic: where Dunc stumbles, Egg steps in with sharpness and charm, making their bond one of the show’s strongest assets.

At the gathering in Ashford, a contingent of Targaryens arrives and, as we’ve come to expect from this family, their presence spells trouble. The tension escalates when Duncan strikes Prince Aerion ‘Brightflame’ Targaryen in defense of a lady’s honor, setting the stage for the fifth episode’s trial by combat.

This is where the show gets really exciting: a trial of seven, pitting seven knights against seven others in a brutal, no-holds-barred showdown. It’s easily one of the most visceral medieval battles I’ve ever seen on screen, with cinematography so stunning it leaves you breathless.

A Knight of the Seven Kingdoms feels refreshingly vibrant. It balances sharp humor, razor-sharp writing, and rich character development, all while delivering the lavish production values you’d expect from a Game of Thrones universe.

I eagerly await season 2 arriving in 2027. In the meantime, House of the Dragon Season 3 arrives in June 2026, promising an all-out war as the Dance of the Dragons erupts into full-scale battles. With the story hurtling toward its four-season climax, the stage is set for epic, fire-breathing chaos.