“Some people are better at being number twos”

In business, the entrepreneur or CEO at the top needs a unique set of skills to do their job perfectly. In my experience, what makes a leader great comes down to three things: having an inspiring vision for the future that others can relate to; knowing how to find the right people for the roles needed to achieve this vision and coaching them in that direction; and maintaining a relentless focus on what clients want and need, while executing the business to deliver it.

At Alex van Groningen, I learned from two very effective leaders – Alex and Melle – how this is done. During my own brief period as a manager, I discovered I’m a different type of leader. Not the centerpiece, but more of a behind-the-scenes guy: strategy, advice, and flawless execution of my own role.

In the leader’s seat, you must be very good at conflict resolution. I am not good at that. Silvio Dante, Tony Soprano’s number two (who spoke the quote above), noticed how difficult this is when he briefly took the top spot while Tony was incapacitated.

I can relate. I’m not good at dealing with unhappy people, nor does it energize me to constantly engage with others about their work and inspire them to do better. I much prefer to focus on my own job and deliver the best possible performance I can. In other words, I’m better at being number two. And I relate more to the consiglieri characters in movies.

Their bosses were often the big egos – think Michael Corleone, John Gotti, or Tony Soprano. They accomplished a lot, that’s for sure. But more than once, their number twos did things they couldn’t. A good number two understands the strategy like no other and often has an even better sense of the risks that might disrupt the strategic agenda. Like Tom Reagan in Miller’s Crossing realized that Leo shouldn’t protect Bernie Bernbaum because it would hurt their business.

Also, the consiglieri aren’t afraid to take decisive action when needed. Like when Silvio Dante whacked Burt Gervasi on his own initiative after discovering Burt was talking to their enemies in New York. In short, I relate more to number twos than to the boss in the top seat.

What about you – are you a top leader or more like a number two like me?

To give you a better sense of what makes a good second-in-command, here’s my Top 5 Consiglieri in Movies:

5. Genco Abbandando, The Godfather Part II

Genco Abbandando is a significant character in ‘The Godfather’ novel, though he hardly appears in the movies. In The Godfather Part II, he appears only in Vito’s 1920s flashback storyline, portrayed by Frank Sivero as a young man. Genco is shown as Vito’s childhood friend and ally in New York’s Little Italy, working at his father’s grocery store. Their early friendship is depicted, but he doesn’t actively advise Vito on-screen. Still, since he’s described as a legendary consigliere in the novel, I include him here.

4. Joe Armone, Gotti

In the movie Gotti, a realistic portrayal of John Gotti’s rise within the Gambino Family, Dominic Chianese (Uncle Junior in The Sopranos and Johnny Ola in The Godfather Part II) plays Joe Armone – consigliere first to Carlo Gambino and then to Paul Castellano, who was allowed to retire and start a coffee shop. There, he still gave advice free of charge. Gotti comes to see him, and Joe tells him the difficult truth: John broke the rules by whacking a boss without the commission’s approval. And now he’s breaking the oldest rule of Cosa Nostra: he’s appearing in the media. A mob boss doesn’t belong on the cover of Time Magazine, capeesh? But John Gotti, you know: you can’t tell him anything. He won’t listen to Joe’s sound advice and ends up in jail for life.

3. Tom Hagen, The Godfather

Tom Hagen served no fewer than three Corleones as consigliere: first Vito, then Sonny, and finally Michael. What makes him so effective is his supreme knowledge of law and business, which enables him to advise the Don on a wide range of affairs. The reason I rank him below numbers 1 and 2 is that Tom isn’t a very good wartime consigliere. He didn’t see through Barzini’s manipulations and the trap that eventually got Sonny killed. Still, he’s a very good guy to have in your corner.

2. Tom Reagan, Miller’s Crossing

While writing this blog, this is the first time I noticed his name rhymes with Tom Hagen. Funny, because Miller’s Crossing also starts with a Godfather-esque scene in the big boss’s office with his counselor Tom close behind him – very similar to the opening of the first Godfather film. So why is Tom Reagan a good consigliere despite acting against his boss’s will? Because of his wits, his sharp strategic mind, and his ability to see three steps ahead on the chessboard. It’s Tom who ultimately wins the gang war for his boss Leo. What more proof do you need of his skills?

1. Silvio Dante, The Sopranos

Yes, Silvio Dante is the ultimate consigliere. Extremely loyal and devoted to the Family. In The Sopranos, he constantly works on the guys, squashing dissent among the ranks and ensuring that Tony’s decisions are followed through to a T. He’s also not afraid to get his hands dirty when needed – like personally taking care of a number of rats for the crew (Jimmie Altieri and Adriana). In the final episode, when he’s in a coma, even the cold Tony seems to realize how good a friend and loyal associate Silvio has been.

READ ALSO: 10 Management Lessons From Highly Successful Gangsters

R.I.P. Big Pussy Bonpensiero

Vincent Pastore, the Italian-American actor from New York who played the legendary Salvatore ‘Big Pussy’ Bonpensiero in The Sopranos, has died. He was 80 years old.

Pastore was a former club owner in New Rochelle, New York. He became friends with Matt Dillon and Kevin Dillon – two of his regulars – who convinced him to try acting. He was in his forties when he got into the business. He died with nearly 200 film credits to his name (including Flodder in Amerika!).

In 1990, he had a small role in GoodFellas (credited as ‘Man with Coatrack’), one of the greatest gangster films ever made. That year marked the start of the decade of the mob movie, and Pastore appeared in many of them: State of Grace, New Jack City, Carlito’s Way, Sugar Hill, Gotti, The Last Don, A Brooklyn State of Mind, and Witness to the Mob.

In 1999, he was cast in The Sopranos as Big Pussy Bonpensiero, one of Tony Soprano’s crew members. His character’s name was based on a real gangster, apparently – something show creator David Chase had picked up somewhere. In fact, there were two Pussys in the mob: Big Pussy and Little Pussy. This became one of the big mob jokes in the pilot episode:

HESH: I hear Junior wants to whack Pussy Bonpensiero?
TONY: Pussy Malanga.
HESH: Oh, Little Pussy?
TONY: Yeah, Little Pussy. What, you think he’s gonna fuck with Big Pussy? My Pussy?

In the first season, Big Pussy became one of the leading characters. Then, in episode 11, Tony is told by a corrupt cop on his payroll that Pussy is a rat. A heartbroken Tony tells his soldier Paulie to go and check, and after a tense confrontation, Pussy flees.

Later that season, Tony suspects the cop was actually referring to Jimmy Altieri, another “fat fuck with black hair”, and Jimmy is killed on Tony’s orders. Pussy is exonerated, but he remains on the run, fearing his friends want to whack him.

When season one became a phenomenal success, fans wondered what happened to Pussy. David Chase realized he had to bring him back for season two. And so Pussy returns – only for us to quickly discover he’s working with the FBI to get Tony indicted. The way Tony eventually discovers this, and deals with it, leads to my favorite moment in The Sopranos in my favorite television episode of all time, from any show.

He would always remain famous for this role. I remember him coming on the ‘Talking Sopranos’ podcast, telling the story of how he took his grandchildren to the zoo and people recognized him: “Hey, it’s Pussy!”

So, 26 years after his fictional death in Funhouse, now Pussy has joined Tony (James Gandolfini) and Paulie (Tony Sirico) in Tony’s heaven crew.

Rest in peace, my friend.

Read some of Big Pussy’s best lines on The Sopranos here.

Dungeon Classics #46: Bound

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Bound (1996, USA)

Director: Lana Wachowski, Lilly Wachowski
Cast: Jennifer Tilly, Gina Gershon, Joe Pantoliano
Running Time: 109 mins.

Extremely tense and entertaining crime movie by the brothers (now sisters) who brought us The Matrix three years later. The movie kind of plays like a male fantasy. Two pretty girls called Violet and Corky meet on the elevator of an apartment building and make eye contact. Violet lives there with her Mafia boyfriend Caesar and Corky has just been released from jail and works in the building as a handygirl. Soon after, Violet starts seducing Corky. After some hot and steamy sex, they cook up the plan to steal two million dollars from Caesar. This is the start of a tense and bloody rollercoaster ride. Bound is kind of like the Wachowski’s Reservoir Dogs. It is their debut and mostly plays at one location – an apartment building – and is all the more exciting for it. After the set-up in the first half, the second half is a true edge-of-your-seat thriller. With lots of great twists and turns. It is not hard to spot the camerawork and visual touches that the Wachowski’s would later employ for the Matrix-films. The cast, consisting mostly of the central three leads, all portray believable and interesting characters. Pantoliano is hilarious in his mobster role (almost exactly his role in The Sopranos from years later) and Tilly and Gershon have some real chemistry going. If only the Wachowski’s could make a film like this every year.

Dungeon Classics #45: Eastern Promises

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Eastern Promises (2007, UK, Canada, USA)

Director: David Cronenberg
Cast: Viggo Mortensen, Naomi Watts, Armin Mueller-Stahl
Running Time: 100 mins.

The master of body horror David Cronenberg made an outing in the gangster genre with A History of Violence, one of the surprise hits of 2005. I guess he liked it, because he soon followed it up with another gangster movie called Eastern Promises, once again starring Viggo Mortensen. A young Russian girl dies in childbirth, leaving a diary found by nurse Anna (Naomi Watts), who wants to return the baby to its family. Unable to read Russian, Anna seeks help and meets Semyon, a restaurant owner and leader of the brutal Russian mob Vory v Zakone. His enforcers – Kirill (Vincent Cassel), a violent, closeted homosexual, and Nikolai (Viggo Mortensen), a cunning newcomer – compete for Semyon’s approval. The diary reveals the girl was one of Semyon’s prostitutes, her life story unfolding in voice-over as the film’s central thread. The casting of non-Russians in the leading roles turns out very well. Mortensen speaks Russian like a pro. The details of the reality the filmmakers created are also spot-on: the underworld body tattoos that tell a person’s life story, the folk music, the accents, it is all very well executed. A few scenes stand out: Nikolai’s initiation ritual and a brutal fight in a bathhouse most notably. The characters are also beautifully realized, especially Cassel’s Kirill. You can feel the tension rise as his father swaps Nikolai for Kirill like he swaps a Ukrainian girl for a case of cheap booze. The cast and crew’s craftsmanship make Eastern Promises another small masterpiece by Cronenberg.