Tagarchief: Edward D. Wood Jr.

Bride of the Monster

Posted on by Jeppe Kleijngeld

Director: Edward D. Wood Jr.
Written by: Edward D. Wood Jr., Alex Gordon
Cast: Bela Lugosi, Tor Johnson, Tony McCoy, Loretta King

Year / Country: 1955, USA
Running Time: 68 mins.

Bride of the Monster is perhaps the greatest display of director Ed Wood’s ‘talents’. It might also be his best film and the only one that was financially successful upon release. A true salute to incompetence.

In this homage to classic monster movies like Frankenstein, the uncanny scientist Eric Vornoff (Bela Lugosi) lives in a mysterious house in the swamps, performing experiments in terror. He is aided by the huge butler Lobo (wrestler Tor Johnson) and a gigantic octopus.

When a number of people disappear, the police, the press and a Van Helsing type of monster expert start an investigation around Vornoff. They find out he has been tempering with God’s creations, resulting in the beginning of an ‘atomic super race’.

There are quite a few hilarious scenes and dialogues in this movie. The highlight by far is the octopus monster. Wood inserted real footage for the underwater scenes and an incredibly fake rubber octopus for the surface ones. The mismatch between the two is spectacularly funny. Whenever a victim is struggling with the dead tentacles you can only think ‘this can’t be serious’. Still, Wood’s passion for the medium is undeniable.

The movie ends with an atomic explosion as a warning for the use of nuclear power. This was one of the demands of the film’s financier. Believe it or not, it is very fitting in the context of this film. Conclusion: if you watch one Ed Wood movie, watch Bride of the Monster. Oh yeah, it’s that bad.

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Biography: Edward D. Wood Jr. (1924, New York – 1978, Hollywood) is widely considered as the world’s worst filmmaker. His low-budget movies, usually mergers of science-fiction and horror, are mostly complete disasters in terms of production values and continuity. In 1994, Edward D. Wood Jr. became the subject of an amazing biopic directed by Tim Burton called Ed Wood.

Filmography: The Sun Was Setting (1951, TV short), Trick Shooting with Kenne Duncan (1953, short), Glen or Glenda (1953), Crossroad Avenger: The Adventures of the Tuscon Kid (1953, TV short), Boots (1953, short), Jail Bait (1954), Bride of the Monster (1955), The Night the Banshee Cried (1957, short), Final Curtain (1957, short), Plan 9 from Outer Space (1959), Night of the Ghouls (1959), The Sinister Urge (1960), Take It Out in Trade (1970), The Young Marrieds (1971), Necromania: A Tale of Weird Love (1971)

Plan 9 from Outer Space

Posted on by Jeppe Kleijngeld

Director: Edward D. Wood Jr.
Written by: Edward D. Wood Jr., Alex Gordon
Cast: Gregory Walcott, Mona McKinnon, Duke Moore, Tom Keene

Year / Country: 1959, USA
Running Time: 78 mins.

According to Tim Burton’s biography Ed Wood, this is Edward D. Wood Jr.’s favourite movie. It is easy to see why. It is his most epic film if you will, containing all the elements that made his movies so bad in spades; the minimalist sets; the casting of non-talents or over the hill B-stars; the archive footage and the hilarious action.

The story revolves around a hostile alien race that wants to resurrect an army of the dead to march on the capitals of the world, hence the original title Grave Robbers from Outer Space. So far, the aliens only managed to create three zombies, but that doesn’t bother them.

Fans of Ed Wood’s movies will have a riot with Plan 9 guaranteed. This is the movie that set his name in stone as the world’s worst filmmaker. All of Ed Wood’s favourite cast members are present; Vampira, Chriswell, Tor Johnson and Bela Lugosi. For Lugosi, this is his final film. For the first two scenes that is. After his death, he was replaced by Wood’s chiropractor, who holds a cape before his face the whole film. Hilarious.

There are many, many more extremely funny things in Plan 9. The airplane cabin; the army footage that doesn’t match at all with the rest of the film; the flying saucers that are obviously hubcaps; the sudden transitions from night to day in the same scene, etcetera, etcetera.

The beauty of it is that Wood was being serious. There is actually a message in this film about human stupidity for messing with nuclear power. Maybe this is not the most convincing work that tries to bring that message across, but Wood deserves respect for trying. And his tombstone credit sequence IS excellent filmmaking.

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Biography: Edward D. Wood Jr. (1924, New York – 1978, Hollywood) is widely considered as the world’s worst filmmaker. His low-budget movies, usually mergers of science-fiction and horror, are mostly complete disasters in terms of production values and continuity. In 1994, Edward D. Wood Jr. became the subject of an amazing biopic directed by Tim Burton called Ed Wood.

Filmography: The Sun Was Setting (1951, TV short), Trick Shooting with Kenne Duncan (1953, short), Glen or Glenda (1953), Crossroad Avenger: The Adventures of the Tuscon Kid (1953, TV short), Boots (1953, short), Jail Bait (1954), Bride of the Monster (1955), The Night the Banshee Cried (1957, short), Final Curtain (1957, short), Plan 9 from Outer Space (1959), Night of the Ghouls (1959), The Sinister Urge (1960), Take It Out in Trade (1970), The Young Marrieds (1971), Necromania: A Tale of Weird Love (1971)

Night of the Ghouls

Posted on by Jeppe Kleijngeld

Director: Edward D. Wood Jr.
Written by: Edward D. Wood Jr.
Cast: Kenne Duncan, Duke Moore, Tor Johnson, Valda Hansen

Year / Country: 1959, USA
Running Time: 69 mins.

Boy, this is bad. Made in the same year as Plan 9 from Outer Space , this is another travesty by Ed Wood. It is the sequel to Bride of the Monster, which is actually pretty good compared to this.

The ghouls from the title are initially just two women, one dressed in white and one in black, who act in service of the mad spiritualist Dr. Acula (clever name huh?). The police starts to investigate some strange occurrences in the woods around where the late Dr. Eric Vornoff (Bela Lugosi) conducted his crazy experiments in Bride of the Monster. His assistant Lobo (Tor Johnson) apparently survived and is now working for Dr. Acula.

The hilarious Chriswell narrates the ‘story’ and a bunch of other Ed Wood regulars can be seen in small roles. Paul Marco for example plays patrolman Paul Kelton (same character as in Plan 9). He is supposed to be the comic relief, but is very annoying instead. Other performances are perhaps even more dreadful, especially Kenne Duncan in the villain role.

There is some typical Wood stuff that is entertaining. The sets for example are so minimalist that shots can only be taken from two or three angles and never in wide shot. The mise-en-scène is also hysterically funny. Film was probably too expensive so everything had to be done in one shot. The problem is that the scenes are stretched out way too long, so even though it only takes 69 minutes, it is hard to finish this flick.

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Biography: Edward D. Wood Jr. (1924, New York – 1978, Hollywood) is widely considered as the world’s worst filmmaker. His low-budget movies, usually mergers of science-fiction and horror, are mostly complete disasters in terms of production values and continuity. In 1994, Edward D. Wood Jr. became the subject of an amazing biopic directed by Tim Burton called Ed Wood.

Filmography: The Sun Was Setting (1951, TV short), Trick Shooting with Kenne Duncan (1953, short), Glen or Glenda (1953), Crossroad Avenger: The Adventures of the Tuscon Kid (1953, TV short), Boots (1953, short), Jail Bait (1954), Bride of the Monster (1955), The Night the Banshee Cried (1957, short), Final Curtain (1957, short), Plan 9 from Outer Space (1959), Night of the Ghouls (1959), The Sinister Urge (1960), Take It Out in Trade (1970), The Young Marrieds (1971), Necromania: A Tale of Weird Love (1971)

The Violent Years

Posted on by Jeppe Kleijngeld

Director: William Morgan
Written by: Edward D. Wood Jr.
Cast: Jean Moorhead, Barbara Weeks, Arthur Millan

Year / Country: 1956, USA
Running Time: 57 mins.

The Violent Years is about a gang of four girls that commit violent robberies and take their thrills unashamed! The script was written by none other than the famed Ed Wood. Although he didn’t direct this himself, it has certainly got his signature all over it. Especially, the patronising voice-over is typical of Mr. Wood.

The theme of the movie is juvenile delinquency. Parents should bring up good children as their duty to society. Kids should strive for good citizenship, self restraint, politeness and loyalty. The way in which this message is delivered is laughable though. It reminds of Reefer Madness with the condescending tone that is insulting to the viewer. And then I haven’t even mentioned the terrible acting and clumsy direction.

At the end of the movie, when the leader of the gang Paula is in front of the judge, you realise the true ridiculousness of the film. The speech of the judge goes something like this; ‘The Thrillseeker is much like the drug addict. With his continual increase of dosage until its climax: a murder.’ I had expected more from Wood than a piece of propaganda about juvenile delinquency sold as an exploitation movie. Don’t waste your time on this one folks.

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Biography: William Morgan (1899, London – 1964) worked as an editor from the early thirties till the late fifties. His resume contains films of many different genres, including science fiction movies like Tarantula and the TV-show Lassie. In the forties he directed quite a few features, including a series of westerns starring Gene Autry. His final film as a director was the Ed Wood scripted film The Violent Years.

Filmography: Bowery Boy (1940), Mr. District Attorney (1941), The Gay Vagabond (1941), Sunset in Wyoming (1941), Mercy Island (1941), Sierra Sue (1941), Cowboy Serenade (1942), Heart of the Rio Grande (1942), Home in Wyomin’ (1942), Stardust on the Sage (1942), Bells of Capistrano (1942), Secrets of the Underground (1942), Headin’ for God’s Country (1943), Fun & Fancy Free (1947), The Violent Years (1956)