Cult Radar: Part 3

FilmDungeon.com is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Dracula A.D. 1972 (UK, 1972)

Directed by: Alan Gibson
Written by: Don Houghton
Cast: Christopher Lee, Peter Cushing, Stephanie Beacham

This is the sixth Hammer production that stars Christopher Lee as the uncanny Count Dracula. This time he appears in London during the seventies, as one of his descendants. Johnny Alucard (spell his surname backwards), performs a ritual which brings his old master back to life. Dracula rapidly starts to suck the blood out of young girls. Luckily for the London hippie community, a descendant of the legendary Van Helsing (Peter Cushing), discovers what’s going on and he bows to destroy the evil count forever. Lee and Cushing are a joy to watch as always. They are very charismatic speakers, both equipped with a great voice that enables them to make almost everything they say sound interesting. It’s only a shame that Lee gets too little screen time. Also, the actors playing the hippie characters are extremely unconvincing. Just because someone’s on acid doesn’t mean he will barely react to strange and shocking occurrences. One of the weaker and duller Hammer Dracula flicks.

 

The Galaxy Invader (USA, 1985)

Directed by: Don Dohler
Written by: Don Dohler, David Donoho, Anne Frith
Cast: Richard Ruxton, Faye Tilles, George Stover

It starts with a Predator-like intro-shot of a fireball flying towards earth, followed by a pulpy credit sequence, including the typical cheesy synthesizer score. The fireball (spaceship) lands in Maryland and the aggressive alien creature onboard starts to roam the outside. A group of rednecks start to hunt it down for the money and a deadly confrontation ensues, while a UFO hobbyist and his former pupil get involved when they attempt to rescue the alien. The first time the Galaxy Invader appears (within five minutes), you’ll see a guy in a suit so ridiculous, it makes you wonder why they even bothered continuing this production at all. Despite these crappy effects, the movie is often quite hilarious because of the stupid (inter)actions of the yokels and the ludicrous action scenes. The alien shoots firework rockets from his gun for Christ sakes! It looks as though the budget was just a few thousand dollars. Great movie though, if you got a thing for the ultra-cheap stuff.

 

Kong Island (Italy, 1968)

Directed by: Robert Morris
Written by: Chang Cheh
Cast: Brad Harris, Marc Lawrence, Esmeralda Barros

Released on a Grindhouse double feature DVD together with The Galaxy Invader. The picture quality of this film is so bad that you can barely see what’s going on at times. Not that the story is very complicated. In the Nairobi jungle, a mad scientist creates a number of brain-controlled killer gorillas. They kidnap the young girl Diana who belongs to a local expedition group. Mercenary Burt leads a rescue party into the labyrinth jungle, financed by Diana’s father, a bastard who also secretly sponsors the scientist’s experiments. The rescue party gets ambushed and all except for Burt die. Soon after, he meets the ‘sacred monkey’, a girl raised by apes, who helps him find the scientist’s underground lab for a final showdown. Dull movie with virtually nothing to make it worth your while. Also known as Eve, The Wild Woman and King of Kong Island. Best to avoid.

 

Lucker (Belgium, 1986)

Directed by: Johan Vandewoestijne
Written by: Johan Vandewoestijne, John Kupferschmidt
Cast: Nick Van Suyt, Helga Vandevelde, Let Jotts

The heavily insane John Lucker (Nick Van Suyt) escapes from a mental institution. We learn that he has killed eight woman and performed sexual acts with their already decomposing corpses. That already says it all right? Lucker doesn’t talk much, which makes him all the more scary when he brutally murders someone. Not that it is so much better when he does talk. A prostitute, one of his victims, tells him “this is not my idea of a good time”. Same goes for the viewer: it’s all very unpleasant and nasty. But despite its dark and gloomy ugliness, there is something fascinating about Vandewoestijne’s approach. He created a visually impressive work that features good acting. Hats off for those poor victim girls, who make their torment seem very real. Also kudos for Van Suyt’s disturbing portrayal of John Lucker. A deeply messed-up maniac filled with misogyny. If you decide to watch this, prepare for the worst though.

 

Nightmare Concert (Italy, 1990)
OT: Un gatto nel cervello

Directed by: Lucio Fulci
Written by: John Fitzimmons, Lucio Fulci, Giovanni Simonelli, Antonio Tentori
Cast: Lucio Fulci, Brett Halsey, Ria De Simone

The DVD-cover of Nightmare Concert aka A Cat in the Brain describes this as Fulci’s bloodiest film. Hard to believe, but it is actually kind of true. I can’t remember many films with this much red in it. It is a special film as well: Fulci stars as himself, a film director with a taste for gore, who begins having violent fantasies. He visits a shrink who hypnotizes him. As a result, Fulci can no longer see the difference between his films and reality which results in loads of brutal slayings. The idea is crystal clear: screen violence leads to real violence. Many recognizable Fulci elements are present in Nightmare Concert: inventive kills (driving over a corpse ten times), less inventive kills (body part dismemberment by chainsaw), some sex and quite a lot of black humour. It is also completely over the top and contains a few lovely moments of self-parody. Just as trashy as most of Fulci’s films, but when the man is on a roll, who’s complaining?

 

Dracula A.D. 1972

Blood In, Blood Out (1993)


‘An epic story of three brothers. Bound by blood. Divided by fate. Driven by destiny.’

Directed by:
Taylor Hackford

Written by:
Ross Thomas (story)
Jimmy Santiago Baca (screenplay)
Jeremy Lacone (screenplay)
Floyd Mutrux (screenplay)

Cast:
Damian Chapa (Miklo), Jesse Borrego (Cruz), Benjamin Bratt (Paco), Enrique Castillo (Montana), Victor Rivers (Magic Mike), Delroy Lindo (Bonafide), Tom Towles (Red Ryder), Carlos Carrasco (Popeye), Teddy Wilson (Wallace), Billy Bob Thornton (Lightning), Lanny Flaherty (Big Al)

Blood In, Blood Out explores the brutal initiation ritual of Latino gangs: to join, one must kill or risk being killed.

Miklo, a half-blatino outsider with white skin and blue eyes, returns to East L.A.’s barrios after a falling out with his Caucasian father. Reuniting with his cousins Paco and Cruz – members of the ‘Vatos Locos’ gang – he faces constant ridicule for his appearance. But when Miklo proves his loyalty by confronting the rival ‘Tres Puntos’ gang, he earns his place with a ‘VL’ tattoo on his hand.

Tragedy strikes soon after: a violent clash with ‘Tres Puntos’ leaves Cruz permanently disabled and Miklo imprisoned for murder. The film’s second act splits into three powerful narratives: Miklo’s harrowing first stint in San Quentin, Cruz’s descent into drug addiction, and Paco’s unexpected career as a narcotics agent.

Director Taylor Hackford delivers a gripping, if slightly overlong (nearly three hours), portrait of Latino life, where crime and poverty loom large, yet family bonds remain unbreakable. Inspired by poet Jimmy Santiago Baca’s real-life experiences, the intertwined stories are compelling and well-crafted, with Miklo’s prison arc standing out as the most gripping.

Jesse Borrego shines as Cruz, delivering a performance that is both heartbreaking and authentic. The film’s rich supporting cast – including standout turns from Danny Trejo and Billy Bob Thornton – adds depth to this intense, entertaining saga. Despite its length, Blood In, Blood Out offers enough raw emotion and drama to hold your attention until the end.

Rating:

Quote:
POPEYE: “Hey, Cinderella, go find yourself a fella, you’re on the clock bitch and midnight is coming, you got the wrong man.”

Trivia:
The original cut for this film lasted five and a half hours.

Roadracers

Director: Arthur Swerdloff
Written by: Stanley Kallis, Edward J. Lasko
Cast: Joel Lawrence, Marian Collier, Skip Ward, Sally Fraser

Year / Country: 1959, USA
Running Time: 73 mins.

Roadracers is not to be confused with Robert Rodriquez’ 1994 TV-movie of the same name. Interesting detail about that film is that it was part of the Rebel Highway series that took the titles of 1950’s-era B-movies and was produced by Lou Arkoff, son of Samuel Z. Arkoff, the producer of this movie, and according to IMDb 138 other B-movies.

The story revolves around Rob Wilson, a young racer who was involved in a lethal accident years ago and recently started driving again. His father, a racing fanatic, wants him to be the best racer on the track. But Rob realizes he doesn’t like racing at all and breaks with his father. He goes to Europe where he continues his racing career, while his father takes Rob’s former competitor as his apprentice. Rob returns to the States to challenge his father in one last race: the Grand Prix.

Many Arkoff movies were shot in a couple of days and this appears to be one of them. A simple plot, lots of stock footage and some notable editing problems expose it for a B-movie pur sang. The upsides are some impressive black and white visuals and a couple of cool songs on the soundtrack. Unfortunately, despite its pleasant speed, Roadracers is a quite boring flick at the end of the day.

Rating:

Biography: Arthur Swerdloff (1921, Baltimore – 2008, Los Angeles) has directed a number of educational documentaries, mostly revolving around social themes. His only effort as feature director is Roadracers.

Filmography: Show ‘Em the Road (1954, short doc), Gang Boy (1954, short), Age 13 (1955, short), Roadracers (1959), What’s the Big Hurry (1977, short doc / co-dir)20

Smokey and the Bandit Part 3

Director: Dick Lowry
Written by: Stuart Birnbaum, David Dashey
Cast: Jackie Gleason, Jerry Reed, Paul Williams, Pat McCormick

Year / Country: 1983, USA
Running Time: 81 mins.

Smokey and the Bandit Part 3 lives up to the Hollywood law of always making sequels to box office hits, but fails to make it bigger and better. The movie starts with a recap of the first two films with references to Star Wars and Patton thrown in. After that, the usual plot unfolds about Big and Little Enos, offering a fat reward for the transportation of a large stuffed shark from Florida to Texas.

Burt Reynolds doesn’t return as the Bandit (except in a small cameo at the end), so Snowman (Jerry Reed) decides to play the Bandit instead. Both him, and Sheriff Buford T. Justice aka Smokey (Gleason) accept the Enos’ challenge. Buford even bets his badge against the 250.000 dollars reward money. The Bandit, and the girl Dusty he picked up, outperform Smokey and his dim-witted son Junior in a cross-country race filled with the usual obstacles.

A logical disappointment to fans when it came out, due to the absence of Reynolds and the questionable necessity of another sequel. It contains the usual car stunts and funny dialogues, but both to a lesser extent. This can probably be explained by the non-involvement of original director and stunt professional Hal Needham and the re-dubbing of Gleason’s originally crude dialogues. A crying shame, because those could have made the film much more enjoyable. Smokey and the Bandit Part 3 became a box office flop. Not entirely without reason, I must conclude after eighty wasted minutes. Far from recommended.

Rating:

Biography: Dick Lowry (1944, Oklahoma) started his movie career in the seventies with directing episodes of TV-series Barnaby Jones. He would spend most of his career making TV films and mini-series, including western series The Gambler, starring Kenny Rogers. He also made a TV movie of Alf, the famous furry alien who lives in a garage after crashing down. Lowry also directed Tom Selleck in Last Stand at Saber River, adopted from the novel by Elmore Leonard. He currently lives in Los Angeles with his wife and three children.

Filmography (a selection): Barnaby Jones (1973, TV episodes), The Draught (1975), Buck Rogers in the 25th Century (TV episodes), Kenny Rogers as The gambler (1980, TV), The Jayne Mansfield Story (1980, TV), Missing Children: A Mother’s Story (1982, TV), Smokey and the Bandit Part 3 (1983), Kenny Rogers as The Gambler: The Adventure Continues (1983, TV), Murders with Mirrors (1985, TV), Kenny Rogers as The Gambler, Part III: The Legend Continues (1987, TV), Case Closed (1988, TV), Miracle Landing (1990, TV), The Gambler Returns: The Luck of the Draw (1991, TV), Skin (1992, short), Her Final Fury: Betty Broderick, the Last Chapter (1992, TV), One More Mountain (1994, TV), Texas Justice (1995, TV), Smoke Jumpers (1996, TV), Project: ALF (1996, TV), Mr. Murder (1998, TV), Atomic Train (1999, TV), Attila (2001, TV), NYPD Blue (2001, TV episode), Silver Bells (2005, TV)