Tony and Carmela survey the land on which Carmela plans to build her spec house at the end of one of the most poignant episodes in the series. The ground coincidently looks similar to the woods where Adriana was murdered by Silvio a little earlier, as if Carmela is about to build her spec house on blood. Tony expresses sadness, most likely for his cousin. Things are really messed up now. There is the definite sense of impending doom as if the whole thing is about to collapse. This feels very much like the ending of The Godfather: Part II, when Michael Corleone is brooding after having his brother killed.
The beautiful instrumental version of ‘Paparazzi’ by Xzibit plays when the FBI is introduced in the series. At Junior’s inauguration as the new boss of the family, a waiter is secretly making pictures. Then we see that at the FBI headquarters, the late boss Jackie Aprile’s picture is replaced by new boss Junior’s. The editing of this scene is done excellently, as we get a new perspective on the scope and structure of the Jersey mob hierarchy.
A storm moves through Jersey, literally, that changes all relations and shakes current positions. The Season 1 conclusion is a beautiful moment in The Sopranos saga. Tony and his family seek shelter from the storm in Nuevo Vesuvio where they also meet Tony’s close mob relations. It is a moment where everybody is still as happy as they can be. When looking into the future it is easy to see trouble ahead, but now the times are good. Later in the series, this will be indeed a good memory for the characters involved like Tony tells his son. The final song of the season is a genius choice; ‘State Trooper’ by Springsteen. ‘License, registration, I ain’t got none, but I got a clear conscience about the things that I’ve done.’ Problems are solved for now, Junior’s crew is finished and Tony is gonna be the new boss from next season onwards. Hurrah!
The Hitchcock-like cat and mouse game in ‘College’ comes to a conclusion when Tony kills Mafia turncoat Fabian Petrulio by strangulation. With this murder – which is Tony’s first on the show – The Sopranos shows to be a truly uncompromising series. The audience comes to the realisation here that they are watching a cold-blooded murderer, a sociopath who enjoys the suffering of other people. It is therefore one of the most confronting moments in the series or television episodes in general. It is especially powerful because of its duality; the murder happens during a trip Tony is undertaking with his daughter Meadow to look for a college. After the murder, when Tony is at Bowdoin College, he is struck by a quote on display by Nathaniel Hawthorne. ‘No man… can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true.’ Very true in Tony’s case. No wonder he is in therapy.
06. Graduation Day
Episode: Funhouse (SE2, EP13)
Characters: Tony, Carmela, Meadow, A.J., Paulie, Silvio, Christopher, Furio, Uncle Junior, Artie, Adriana, Davey Scatino, Angie Bonpensiero, Hesh Rabkin, Carmela’s parents and Soprano Family associates
Season 2 of The Sopranos ends the way it started; with a beautiful montage. This concluding montage features happy images from Meadow’s graduation mixed with Soprano Family activities; garbage, porn, gambling, stock fraud, prostitution, et cetera. The very suitable ‘Thru and Thru’ from the Stones plays during the sequence, which is the perfect choice as the lyrics fill in the lack of dialogue and it helps to create the perfect atmosphere. The scene ends with a close-up of Tony smoking a cigar; he overcame all obstacles once again. Then we see the ocean where Big Pussy lies forever… This is a brilliant ending to an outstanding work of fiction.
After a long and heavy rollercoaster ride, this is finally it: the end of the line for Adriana. Her death at the hands of Silvio is a surprise during the first viewing because they left out the scene in which Christopher tells Tony about Adriana and the feds (as suggested by actors Drea de Matteo and Steve van Zandt). The way Silvio does it is very cold which makes the scene even more tragic. This is definitely one of the most iconic scenes in the entire series. Absolutely shattering. Adriana really is long term parking now and so is Christopher with Tony.
In The Sopranos’ very own Baptism scene (from The Godfather) beauty is mixed with ugliness. The beautiful part is Tony and Carmella attending Meadow’s school choir performing ‘All Through the Night’ (while on speed, but they don’t know that). Simultaneously, the ugly part takes place in which Junior extracts his vengeance on Christopher and Brendan Filone for hijacking his trucks. Christopher gets a mock execution, while Brendan gets killed for real. Junior’s hitter Mikey Palmice puts one in his eye, because his eyes were bigger than his stomach (‘Hi Jack, Bye Jack’). There are few scenes in The Sopranos in which the contrast between the dark New Jersey underworld and Tony’s ‘normal’ family life are shown more effectively.
03. A Very Good Year
Episode: A Guy Walks Into a Psychiatrist’s Office… (SE2, EP1)
Characters: Tony, Carmela, Meadow, A.J., Paulie & prostitute, Silvio, Raymond Curto, Christopher, Dr. Melfi, Irina, Uncle Junior and Livia
Tony and his crew are back! The introduction sequence of the second season is a wonderful montage of all the major characters in their day to day activities. Tony is now boss and the money is flowing in. Livia is still in the hospital, while Junior is doing the perp walk in an orange jumpsuit. Christopher is watching gangster movies and snorting coke, Paulie is doing a Bada Bing girl and Silvio is out buying new shoes. Tony is also hiding his infidelity, while Carmela is baking one dish after the other. Dr. Melfi is practicing therapy from a bungalow home. A.J. is worrying about his hair and Meadow is taking her first driving lessons from her father. The audience is all up to date again. The Frank Sinatra song ‘A Very Good Year’ perfectly sets the moods for Season 2. This is how you tell a story without dialogue.
“They had me, Tony.” After being confronted during a boat ride by Tony, Paulie and Silvio, Pussy confesses he has been ratting for quite some time. He briefly panics, but then accepts the fact that he will not be coming back to shore. They have a round of tequila, a few final laughs and then his three former best friends take shots at him, but not in the face as he requested. This is the first time the guys have to take out one of their own. It’s a bittersweet moment, but in Mafia terms; what has to go down, has to go down. Goodbye Big Pussy Bonpensiero.
In possibly the best episode of The Sopranos – Season’s 2 finale ‘Funhouse’ – Tony is having fever dreams while suffering from bad food poisoning. All dreams have certain elements in common; danger, cancer (destruction from the inside out) and Pussy. It all leads up to this final dream; the dream in which Pussy – in fish shape – reveals to Tony that he is working for the government. It is in moments like this that The Sopranos is at its most powerful; using a dream as a method to really push the plot forward. In the first season, when his mother wanted him whacked, Tony was in denial and started fantasising about a Madonna. But he didn’t acknowledge the truth until he heard his mother speak on the FBI tapes. Now, Tony has learned to listen to his subconscious. He has been having a strange feeling about Pussy for a long time and now he is open to the ultimate truth. When he wakes up he knows. The fish is also a brilliant find. In a macho gang like the Sopranos, it is considered unmanly to betray your friends. Therefore, it is Pussy – the guy with the feminine name – who’s a rat. There is also a pussy joke in there, pussy smells like… you get the picture. The reference is also to death, as in ‘sleeps with the fishes’, and it foreshadows Pussy’s ultimate resting place, the ocean. This dream is the perfect crossover between the series’ essentials; the mob and psychiatry.