The Master of Body Horror, David Cronenberg (now 79 years old), returns with a concept typical for him. In an unspecified future, evolution has taken a weird turn; humans don’t feel pain anymore and some grow new organs at rapid speed (‘accelerated evolution syndrome’). One of these persons is Saul Tensor (Viggo Mortensen, also getting older but he still ‘has it’). He forms a performance duo with Caprice (the always excellent Léa Seydoux). Together they perform the live removal of Saul’s newly developed organs in front of excited audiences. When Saul has a zipper in his stomach installed, which his partner finds sexually arousing and then performs fellatio on it, the movie reminds of a mix of Existenz (Cronenberg’s last science fiction film in which humans have a portal in their spine to connect them to virtual reality) and Cronenberg’s Crash (in which a group of people get sexually aroused from car crashes). It is typical of the Canadian writer/director to try to turn his audience on with images of grotesque organically shaped technology and horribly morphed bodies and their insides. It is a weird movie, even by the standards of the King of Venereal Horror, but those who have become accustomed to his style know it is probably also strangely fascinating. And it is. What also helps is the eerie music by his regular composer Howard Shore and the great cast, which also includes Kristen Stewart. How did he ever prepare his actors to get into character for this freakish story?

Crimes of the Future is now available on Amazon Prime

The verdict: to stream or not to stream? For Cronenberg completists, to stream. For all others it depends; can you stomach a dancer with his mouth and eyes sewn shut and ears attached all over his body?