Tagarchief: Cult Movies

Barbarella

Posted on by Jeppe Kleijngeld

Director: Roger Vadim
Written by: Terry Southern, Roger Vadim, Claude Brulé
Cast: Jane Fonda, John Phillip Law, Anita Pallenberg

Year / Country: 1968, France / Italy
Running Time: 94 mins.

The sexy space adventurer Barbarella comes to life in this adaptation from the notorious comic series by Jean-Claude Forest. Jane Fonda is perfectly cast as the well-shaped and pretty naïve protagonist. Fonda was married to director Roger Vadim at the time, who had the habit of casting his beautiful wives (Brigitte Bardot / Catherine Deneuve) in sensual roles.

Barbarella is out to prevent a war that is threatening intergalactic peace. She uses every talent she possesses to get the job done. Yes, that does include sleeping with the men that help her in her quest. She is assigned to go to planet SoGo and retrieve doctor Durand Durand (pronounced as Duran Duran, the British pop band was named after this character). She meets many people on her way, including the Catchman, the blind angel Pygar and the Great Tyrant. She makes love to quite a few of them. Although the sex is never explicitly shown, the sensual atmosphere is certainly felt.

The title sequence of Barbarella, in which she undresses in zero gravity, became quite famous. The film was met with critique upon release though. It also didn’t perform well at the box-office. Later, the movie did establish a huge cult following and it influenced many products of popular culture. When viewed today it is outdated, but there is nevertheless plenty to enjoy: Fonda, the supporting cast including the excellent Law, the psychedelic images by talented director Vadim and the great comic book atmosphere.

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Biography: Roger Vadim (1928, Paris – 2000, Paris) was a French actor, director, writer and producer who also wrote several books. He started his career as a stage actor at the age of 16. His movie career began when he became an apprentice of director Marc Allégret. Then, he started a relationship with Brigitte Bardot and made his acting debut with her in 1952, although he remained uncredited. The same year they got married. Their groundbreaking film …And God Created Woman was Vadim’s directorial debut. It was a massive box-office hit and catapulted them both to stardom. In his later career Vadim also had relationships with Jane Fonda and Catherine Deneuve, but the films he made with them aroused less interest. He died of cancer in 2000.

Filmography (a selection): …And God Created Woman (1956), No Sun in Venice (1957), Dangerous Liaisons 1960 (1959), Blood and Roses (1960), Love on a Pillow (1962), Circle of Love (1964), The Game is Over (1966), Barbarella (1968), Pretty Maids All in a Row (1971), Don Juan 73 (1973), Charlotte (1974), The Faithful Woman (1976), Night Games (1980), The Hot Touch (1981), Surprise Party (1983), And God Created Woman (1988), Amour fou (1993, TV)

Faster, Pussycat! Kill! Kill!

Posted on by Jeppe Kleijngeld


SUPERWOMEN! Belted, buckled and BOOTED!

Director: Russ Meyer
Written by: Russ Meyer, Jack Moran
Cast: Tura Satana, Haji, Lori Williams, Sue Bernard

Year / Country: 1965, USA
Running Time: 83 mins.

Three thrill-seeking superwomen, working as dancers in a go-go bar, set out on a violent odyssey through the desert, killing men along their way. They have a car each that they use to race against – or drive over their victims.

The women drug and kidnap a young girl after they have wasted her boyfriend. After that, they hatch the plan to rob a crippled father and his sons. These patronizing men deserve a lesson, but it soon becomes clear that this is a journey from which there is no return. Varla, the leader, deliberately goes down the path of her own self-destruction, dragging her two buxotic cohorts along with her.

In a time when men were still considered superior, these three women level the score. It is therefore a feminist film, despite the fact that these women are portrayed as sex objects. This female empowerment is typical for its director, Russ Meyer, the undisputed master of large breasted women, campy humour and sly satire.

Faster, Pussycat! Kill! Kill! stands as Meyer’s masterpiece, a cult movie pur sang. Funny, sexy, exploitative and provocative: a FilmDungeon favourite! They don’t make them like this anymore. Well Tarantino surely tries. But the originality and cult appeal of Faster, Pussycat! Kill! Kill! is rarely matched and never bettered. Watch these pussycats roar and love it!

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Biography: Russ Meyer (1922, California – 2004, California) is known primarily for making a large number of sexploitation flicks, such as Faster, Pussycat! Kill! Kill! and Vixen! He did almost everything – directing, writing, editing – himself. He even did the distribution of his own movies. In the cult / exploitation circuit his films did very well and made him more than enough money to continue his film career. In the late seventies, Meyer retired as a wealthy man. Many of his films are nowadays considered as cult classics.

Filmography: The French Peep Show (1950, short doc), The Immortal Mr. Teas (1959), The Naked Cinema (1961, short), Eve and the Handyman (1961), Erotica (1961), Wild Gals of the Naked West (1962), Skyscrapers and Brassieres (1963, short), Europe in the Raw (1963, doc), Heavenly Bodies (1963), Lorna (1964), Fanny Hill (1964), Mudhoney (1965), Faster, Pussycat! Kill! Kill! (1965), Motor Psycho (1965), Mondo Topless (1966), Common Law Cabin (1967), Good Morning… and Goodbye! (1967), Finders Keepers, Lovers Weepers! (1968), Vixen! (1968), Cherry, Harry & Raquel! (1970), Beyond the Valley of the Dolls (1970), The Seven Minutes (1971), Black Snake (1973), Supervixens (1975), Up! (1976), Beneath the Valley of the Ultra-Vixens (1979), Pandora Peaks (2001, short)

Glen or Glenda

Posted on by Jeppe Kleijngeld


“I Changed My Sex!”

Director: Edward D. Wood Jr.
Written by: Edward D. Wood Jr.
Cast: Bela Lugosi, Lyle Talbot, Tomothy Farrell, Dolores Fuller, Edward D. Wood Jr.

Year / Country: 1953, USA
Running Time: 68 mins.

In the making of this film, which deals with a strange and curious subject, no punches have been pulled – no easy way out is taken. Many of the smaller parts are portrayed by persons who actually are, in real life, the character they portray on the screen. This is a picture of stark realism…taking no sides…but giving you the facts…All the facts…as they are today… You are society…JUDGE YE NOT…..

This is how it starts. Director Ed Wood sure meant business. As a cross dresser, he was driven to bring his ‘dilemma’ to the screen. Glen is what medical science calls ‘a transvestite’. The world doesn’t understand it. A very serious subject. But if you want the audience to take it seriously, throwing in Bela Lugosi in improvised talkie scenes, completely unrelated to the story, is probably not the best idea.

Director Edward D. Wood Jr.’s breakthrough movie suffers from way too much explanation. There are some very funny scenes though. Glenda in front of the store window, Bela Lugosi’s ‘pull the strings’ monologue intercut with buffalos, Bela being entertained by sexy girls. Hilarious then, hilarious now. Glen or Glenda belongs in any cult geeks collection.

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Biography: Edward D. Wood Jr. (1924, New York – 1978, Hollywood) is widely considered as the world’s worst filmmaker. His low-budget movies, usually mergers of science-fiction and horror, are mostly complete disasters in terms of production values and continuity. In 1994, Edward D. Wood Jr. became the subject of an amazing biopic directed by Tim Burton called Ed Wood.

Filmography: The Sun Was Setting (1951, TV short), Trick Shooting with Kenne Duncan (1953, short), Glen or Glenda (1953), Crossroad Avenger: The Adventures of the Tuscon Kid (1953, TV short), Boots (1953, short), Jail Bait (1954), Bride of the Monster (1955), The Night the Banshee Cried (1957, short), Final Curtain (1957, short), Plan 9 from Outer Space (1959), Night of the Ghouls (1959), The Sinister Urge (1960), Take It Out in Trade (1970), The Young Marrieds (1971), Necromania: A Tale of Weird Love (1971)

Repo Man

Posted on by Jeppe Kleijngeld

Director: Alex Cox
Written by: Alex Cox
Cast: Harry Dean Stanton, Emilio Estevez, Tracey Walter, Olivia Barash

Year / Country: 1984, USA
Running Time: 92 mins.

Repo men are repossessors. They take back cars from bad debtors who have failed to pay their bills. They often work through the night and rely on speed to keep up with the demands of the job. Suburban punk Otto (Emilio Estevez) lands a position with the Helping Hand Corporation, where his mentor becomes veteran repossessor Bud (Harry Dean Stanton), who shows him the ropes.

Together, Bud and Otto make an effective car-recovery team, but the job comes with plenty of threats: the fierce Rodriguez brothers as rival operators, a gang of punks, and even the government. Trigger-happy car owners frequently complicate matters as well. The story really gains momentum when a highly valuable Chevy Malibu is flagged for repossession. What no one realizes, however, is that the car originates from Roswell, New Mexico and that its trunk contains a mysterious alien device.

Writer-director Alex Cox once worked as a repo man himself, and he blends that firsthand experience with sci-fi elements to create something decidedly unconventional. Repo Man carries a strong cult vibe, which is both rare and appealing. The downside is that this atmosphere sometimes feels like the film’s main selling point. Still, a number of funny moments and consistently enjoyable performances make it a very watchable movie, just not quite the cult masterpiece it might have been.

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Biography: Alex Cox (1954, Liverpool) left law school to study film at Bristol University. Then he worked as a repo-man. He used his experiences in this profession to write and direct his feature debut Repo Man. After that, he worked as an actor, writer and director. He was successful in the eighties, especially with Sid and Nancy. Since the nineties, he mostly directed TV-movies and documentaries.

Filmography: Sleep is for Sissies (1980, short), Repo Man (1984), Sid and Nancy (1986), Straight to Hell (1987), Walker (1987), Red Hot and Blue (1990, TV), Highway Patrolman (1991), Death and the Compass (1992), The Winner (1996), Three Businessmen (1998), Kurosawa: The Last Emperor (1999, TV-doc), A Hard Look (2000, TV-doc), Revengers Tragedy (2002), Mike Hama, Private Detective: Mike Hama Must Die! (2002, TV), I’m a Juvenile Delinquent, Jail Me! (2004, TV), Searchers 2.0 (2007), Repo Chick (2009), Straight to Hell Returns (2010)