Tagarchief: FilmDungeon

Diary of the Dead

Posted on by Jeppe Kleijngeld

Director: George A. Romero
Written by: George A. Romero
Cast: Michelle Morgan, Joshua Close, Shawn Roberts, Amy Lalonde

Year / Country: 2007, USA
Running Time: 95 mins.

Romero is back in form after the mixed reception of Land of the Dead. Once again he successfully combines social satire with zombie horror. Diary of the Dead is not part of the timeline established in Romero’s earlier ‘Dead’ films. It stands on its own as the new millennium update of his zombie world in which media is the central theme.

The movie starts with a common news story that has an uncommon outcome. A man has killed his wife and daughter and then turned the gun on himself. As their bodies are carried out on stretchers, filmed by a TV-crew, they come back to life and start attacking the social workers and media present at the scene. This is the beginning of a new living dead outbreak.

The movie continues with a group of film students who are shooting a low-budget horror flick. Their accompanying tutor describes it as a stupid horror movie with a social satire red line (as in a Romero movie). During the shoot, the first signs of crisis start showing and the crew decides to drive back home to Pittsburgh (Romero’s home and regular film setting). Soon after, they end up in a massive crisis that is as bloody as it is devastating.

Diary of the Dead brings back some of the elements that made Romero’s older movies so brilliant. The scenes in which zombies and humans are killed off in inventive and gruesome ways haven’t been done this well since Romero’s ultimate masterpiece Dawn of the Dead. It also contains hilarious lines and situations which make this probably Romero’s funniest film to date.

The underlying social satire is also fairly well communicated. The media controls our lives. Everybody now has the means to display their vision using cameras and the internet. But as we see in this film, footage is easily manipulated (this movie is edited during the story), so how can we ever know what’s really going on? And even if we can, does it even matter? The media makes us insensitive to the world around us and cruelty rapidly becomes normal.

Are we worth saving? Decide for yourself.

Rating:

Biography: George A. Romero (1940, New York – 2017, Toronto), who lived in Pittsburgh, made his feature debut with Night of the Living Dead. It was a low budget zombie movie that was both groundbreaking and shocking in its time. Quickly, it became a major horror classic. He then directed some smaller, personal films in which he often combined horror and social commentary. In 1978 he topped the success of Night of the Living Dead with his brilliant follow-up Dawn of the Dead. In the eighties his career stagnated a bit when he created the third part in his zombie series Day of the Dead. It was a failure both commercially and critically. It is more appreciated nowadays. In a recent feature by Empire – The 25 Best Zombie Movies Of All Time – it is ranked second only after Dawn of the Dead. In 2005 Romero made a small comeback with Land of the Dead. He died in 2017.

Filmography (a selection): Night of the Living Dead (1968), There’s Always Vanilla (1971), Season of the Witch (1972), The Winners (1973, TV episodes), The Crazies (1973), O.J. Simpson: Juice on the Loose (1974, TV doc), Martin (1977), Dawn of the Dead (1978), Knightriders (1981), Creepshow (1982), Day of the Dead (1985), Monkey Shines (1988), Two Evil Eyes (1990) [with Dario Argento], The Dark Half (1993), Bruiser (2000), Land of the Dead (2005), Diary of the Dead (2007), Survival of the Dead (2009)

Dawn of the Dead

Posted on by Jeppe Kleijngeld

Director: George A. Romero
Written by: George A. Romero
Cast: David Emge, Ken Foree, Scott H. Reiniger, Gaylen Ross

Year / Country: 1978, Italy / USA
Running Time: 139 mins.

Ten years after the towering success of low-budget zombie flick Night of the Living Dead, its director George A. Romero finally delivered a follow-up. And when he did it exceeded all expectations. In this appropriately titled sequel, the zombie threat has grown alarmingly. There are barely places left that are zombie-free. In this apocalyptic nightmare, we follow a group of four survivors that want to fly to safety by helicopter.

They manage to land on the roof of a zombie infested shopping mall. Once they have sealed off a ‘living room’, they realize this isn’t such a bad location considering the times. After all, a shopping mall offers them plenty of supplies and relative protection against the flesh eating things outside. But new problems arrive. Tensions within the group are a constant factor and a gang of sadistic bikers, armed to the teeth, want to invade the shopping mall.

Never before (and after) were zombie movies this tense, entertaining and metaphorically rich. Its basic concept works incredibly well. We have the heroes, the location and the multiple threats that ensure an amazing two-and-a-half hours. Typically for Romero, the group consists of two white men, one black man and a pregnant woman who together form an interesting Utopia in the barricaded shopping mall.

The zombies, a metaphor for consumerist society, are great in evoking a varied set of emotions. They can be scary, funny and sad. That the humans are more frightening than the monsters is shown through the constant infighting of the heroes, the bloodthirsty rednecks and the bikers pointless torturing of zombies. Romero effectively makes the point that humans are incapable of dealing with crises. The extremely gory effects by Tom Savini require a strong stomach – especially during the finale – and the Italian rock band Goblin provides the fitting musical score. All the wonderful elements combined ensure a movie experience that is both intelligent and a lot of fun.

Rating:

Biography: George A. Romero (1940, New York – 2017, Toronto), who lived in Pittsburgh, made his feature debut with Night of the Living Dead. It was a low budget zombie movie that was both groundbreaking and shocking in its time. Quickly, it became a major horror classic. He then directed some smaller, personal films in which he often combined horror and social commentary. In 1978 he topped the success of Night of the Living Dead with his brilliant follow-up Dawn of the Dead. In the eighties his career stagnated a bit when he created the third part in his zombie series Day of the Dead. It was a failure both commercially and critically. It is more appreciated nowadays. In a recent feature by Empire – The 25 Best Zombie Movies Of All Time – it is ranked second only after Dawn of the Dead. In 2005 Romero made a small comeback with Land of the Dead. He died in 2017.

Filmography (a selection): Night of the Living Dead (1968), There’s Always Vanilla (1971), Season of the Witch (1972), The Winners (1973, TV episodes), The Crazies (1973), O.J. Simpson: Juice on the Loose (1974, TV doc), Martin (1977), Dawn of the Dead (1978), Knightriders (1981), Creepshow (1982), Day of the Dead (1985), Monkey Shines (1988), Two Evil Eyes (1990) [with Dario Argento], The Dark Half (1993), Bruiser (2000), Land of the Dead (2005), Diary of the Dead (2007), Survival of the Dead (2009)

American Gangster (2007)

Posted on by Jeppe Kleijngeld


‘There are two sides to the American dream.’

Directed by:
Ridley Scott

Written by:
Steven Zaillian (screenplay)
Mark Jacobson (article)

Cast:
Denzel Washington (Frank Lucas), Russell Crowe (Richie Roberts), Josh Brolin (Detective Trupo), Lymari Nadal (Eva), Chiwetel Ejiofor (Huey Lucas), Ted Levine (Lou Toback), John Hawkes (Freddy Spearman), RZA (Moses Jones), Armand Assante (Dominic Cattano), Cuba Gooding Jr. (Nicky Barnes)

Ridley Scott has worked in a lot of different genres, including science fiction (Alien, Blade Runner), historic epic (Gladiator), road movie (Thelma and Louise) and thriller (Hannibal). With American Gangster he added another genre to his very impressive resume.

As with many of the great gangster films, the basis of American Gangster is a true story. Frank Lucas (Washington) is a special kind of incarnation of the American dream. When his mentor, drugs kingpin Bumpy Johnson dies, Lucas replaces him as Harlem’s number one drug lord. His power quickly spreads throughout the whole of New York and New Jersey and he even becomes bigger than the Italian Mafia. He is opposed by Richie Roberts (Crowe). An honest cops who fights corruption and injustice while all of his colleagues are on the take.

So far nothing new. Scott attracted many great talents for his movie, but what makes Lucas’ story special? When viewing this, it is hard not to think of other films that have preceded American Gangster. The cop Vs. the gangster story reminds of Heat, and Lucas buying drugs in the Southeast Asian jungle is reminiscent of Blow. And when observing black dealers and users in the streets, countless of Blaxploitation films come to mind. Not in the least place because Scott uses the all-familiar song Across 110th Street, like Tarantino did in Jackie Brown.

Well, one of the things that makes the story special, is the way Lucas smuggles his dope into the USA. Namely in body bags of killed US soldiers that served in Vietnam. The fact that Lucas profits from his country’s pointless struggle against communism and narcotics has a great taste of irony. That aside, we have seen most of this before. But it doesn’t really matter. The film is so entertaining that one can easily forgive it for its little original premise. The great casting, production design and visual style alone make this a totally enjoyable experience. Washington is very convincing in his first gangster portrayal and Crowe also turns in another excellent performance as law enforcer.

The supporting cast features many great familiar faces such as Josh Brolin, Armand Assante, Jon Polito, RZA and Idris Elba, who have all played gangster types before. The cast, Scott’s visual style and the detailed seventies settings ensure that there is not a boring moment in the whole movie. Kudos to Scott who was already seventy years old when making this. He definitely made the grade.

Rating: 

Quote
FRANK LUCAS: “Nobody owns me though. That’s because I own my own company, and my company sells a product that’s better than the competition. At a lower price than the competition.”

Trivia
James Gandolfini was offered the role of detective Trupo, but turned it down.

Army of Darkness

Posted on by Jeppe Kleijngeld

Director: Sam Raimi
Written by: Sam Raimi, Ivan Raimi
Cast: Bruce Campbell, Embeth Davidtz, Marcus Gilbert, Richard Grove

Year / Country: 1992, USA
Running Time: 85 mins.

You want some more Evil Dead? Come get some! Ash is back with a chainsaw attached to his wrist and a boomstick on his back. This time around he’s kicking Evil’s ass in medieval times. Isn’t it groovy? Well, yes it is.

Some horror fans have argued that this third and final entry in the Evil Dead series is too comical to be considered horror. While this notion might be true, Raimi should be applauded for taking his franchise in this direction. This movie is hilarious! And there is plenty of horror as well.

We literally get sucked into the action when our hero Ash disappears into a vortex. He is transported to the age of King Arthur where he is captured and mistaken for an ally of Arthur’s enemy Henry the Red. Arthur sentences him to a one-way ticket to ‘the pit’. After he has shown the primates some of his fancy tricks and gadgets they believe him to be the chosen one, who is to deliver them from evil.

Ash is sent on a holy quest to find the occult book Necronomicon. He finds it, but screws up the book lifting procedure and Evil is awoken. An army of deadites head towards Arthur’s castle to retrieve the book. Now Ash has to lead Arthur’s men into battle while he simultaneously has to rescue his girlfriend Sheila, who has been kidnapped by the evil forces.

Army of Darkness contains some fantastic set-pieces around which dynamic action scenes take place. My personal favorites are the pit and the S-Mart finale. The skeleton army is also an impressive accomplishment. Stop-motion pioneer Ray Harryhausen would certainly approve.

Besides Raimi’s action-packed script and trademark camera tricks, fans can enjoy a brilliant double turn from B-Movie star Bruce Campbell as Good Ash and Bad Ash. With his masterful comic timing, loads of one-liners and his lady man skills, he makes Ash a truly lovable hero. Not to mention a horror icon. Hail to the King baby!

Rating:

Biography: Sam Raimi (1959, Royal Oak, Michigan) started making 8mm films when he was around ten years old. In his teenage years he first collaborated with his good friend Bruce Campbell, who would later appear in almost all of his films. The style of Raimi is influenced by the Three Stooges, of whom he is a huge fan. By making the short movie Within the Woods he managed to raise the required funds to make his first feature; the outrageous horror flick The Evil Dead. After that he made similar films with varying commercial success. In his films Raimi displays a great talent for creating inventive visuals. Most of his movies also feature slapstick and comic book elements. In 2002 Raimi made Spiderman, his biggest film to date. It was an enormous box-office success and Raimi would go on to make two sequels. Throughout his career Raimi has also produced many films and TV-series, mostly in the horror/fantasy genre. He remains a director with a huge fan base and many exciting future prospects.

Filmography (a selection): It’s Murder! (1977, short), Within the Woods (1978, short), Clockwork (1978, short), The Evil Dead (1981), Crimewave (1985), Evil Dead II (1987),  Darkman (1990), Army of Darkness (1992), The Quick and the Dead (1995), A Simple Plan (1998), For Love of the Game (1999), The Gift (2000), Spider-Man (2002), Spider-Man 2 (2004), Spider-Man 3 (2007)