Dungeon Classics #38: Foxy Brown

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Foxy Brown (1974, USA)

Director: Jack Hill
Cast: Pam Grier, Antonio Fargas, Peter Brown
Running Time: 92 mins.

After the success of Coffy (1973), one of the defining films of the Blaxploitation era, director Jack Hill reunited with Pam Grier for Foxy Brown – a spiritual sequel that cranks up the style, violence, and attitude even further. Grier stars as Foxy Brown, a bold and beautiful woman who takes justice into her own hands after her undercover-cop boyfriend is betrayed and murdered. The snitch? Her own brother Link (Antonio Fargas), a small-time hustler desperate to pay off his debts to a ruthless drug syndicate led by the cold-blooded Miss Katherine Wall. Determined to take down the criminals who destroyed her life, Foxy infiltrates their front – a high-end modeling agency that’s really a cover for prostitution and drug trafficking. Undercover as the seductive ‘Misty Cotton’, she soon finds herself captured, drugged, and brutalized on a remote farm. But Foxy is far from finished. Escaping captivity, she joins forces with a militant Black community group to unleash righteous, bloody revenge on her enemies. The acting in Foxy Brown may not always aim for subtlety, but that’s hardly the point. What it delivers in spades is raw, unfiltered exploitation energy: flashy ’70s fashion, a killer soul-funk soundtrack, outrageous violence, razor-sharp one-liners, and some jaw-dropping set pieces – including a wild brawl in a lesbian bar where Foxy famously warns, “I got a black belt in bar stools!” Like many films of its kind, Foxy Brown is packed with gritty, shocking, and often deeply problematic content — misogyny, racism, drug abuse, and sadistic violence – but it’s also a defiant celebration of Black power, female strength, and street-level justice. By the end, Foxy ensures the villains get exactly what they deserve – and in true exploitation fashion, revenge has never tasted sweeter.

Dungeon Classics #37: Coffy

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Coffy (1973, USA)

Director: Jack Hill
Cast: Pam Grier, Booker Bradshaw, Robert DoQui
Running Time: 90 mins.

‘Coffy is the color of your skin’, sings Denise Bridgewater in the opening theme of Coffy – a blaxploitation classic starring Pam Grier and one of Quentin Tarantino’s all-time favorite films. From the moment the stylish opening credits roll, it’s clear this movie is something special. Grier plays Flower Child ‘Coffy’ Coffin, a nurse whose sister’s life is shattered by heroin addiction. Fueled by rage, she sets out on a ruthless mission of revenge. Disguising herself as a drug-addicted prostitute, she lures street-level pushers into a trap – before blowing their brains out. But she doesn’t stop there. Determined to take down the real power players, she goes after the slick pimp and drug dealer King George, as well as the dangerous mob boss Vitroni. Directed by Jack Hill – an early collaborator of Roger Corman and Francis Ford Coppola before cementing his legacy as the king of blaxploitation – Coffy delivers everything the genre is known for: gritty action, bloody vigilante justice, and plenty of nudity, not least from Grier herself. While her acting faced some criticism at the time, her sheer star power is undeniable. She owns this film, elevating it beyond mere exploitation and securing its place in movie history as an absolute cult classic.

Cult Radar: Part 6

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Attack of the 50 Ft. Woman (USA, 1993 TV)

Directed by: Christopher Guest
Written by: Mark Hanna, Joseph Dougherty
Cast: Daryl Hannah, Daniel Baldwin, William Windom

‘She is a female colossus, her mountainous torso, skyscraper limbs, giant desires.’ Daryl Hannah plays Nancy in this remake of the original Attack of the 50 Foot Woman from 1953. Nancy is the girl who always eats shit from everybody. During a lonely drive in the desert, she is laser beamed by an alien spaceship. Initially there are no effects, but after her cheating husband (Daniel Baldwin) and her bastard father piss her off for the millionth time, she grows 50 feet tall and goes apeshit. This is a movie with obviously a lot of cult potential, but the story takes too long to take off. The revenge mayhem does not start until the final 20 minutes! When it does take off it is pretty cool. Not in the least bit because of the amusing special effects.

The Big Bird Cage (Philippines / USA, 1972)

Directed by: Jack Hill
Written by: Jack Hill
Cast: Pam Grier, Anitra Ford, Candice Roman, Teda Bracci

Terry Rich (Anitra Ford) is sent to a women’s prison camp, because she slept around with too many men (?). The camp is a nightmare. Hundreds of woman are forced to work a sugar cane mill under supervision of gay guards. Off course there are loads of catfights, scenes of torture and some sexual content. It ends in a cliché: a massive escape. This exploitation film is an addition to the ‘woman in prison’ subgenre. Writer/director Jack Hill has certainly done better, for example on this film’s predecessor The Big Doll House. This is boring and the atmosphere is just plain unpleasant. Pam Grier brings two great features into the mix though, so let’s not write it off as complete failure.

Awakening of the Beast (Brazil, 1970)
OT: O Despertar da Besta

Directed by: José Mojica Marins
Written by: Rubens F. Lucchetti. José Mojica Marins
Cast: José Mojica Marins, ngelo Assunção, Ronaldo Beibe

Weird and incomprehensible exploitation film by the Brazilian Argento Coffin Joe. It’s an attempt at social commentary, but completely fails to deliver a message of any significance. All we see is a bunch of people degrading themselves, resulting in a very unpleasant viewing. What makes it worse is that it attempts to be artsy, while it’s plain trash of the worst kind. It will be a while before I watch another Coffin Joe flick, because this one sucks monkey balls.

Gonin 2 (Japan, 1996)

Directed by: Takashi Ishii
Written by: Takashi Ishii
Cast: Ken Ogata, Shinobu Ootake, Kimiko Yo, Maj Kitajima

Also known as Five Woman, this is the sequel to Takashi’s Ishii’s extremely violent Gonin. The plot is kind of similar. The wife of an old man is raped by the Yakuza because he is late paying of his debt. After she has committed harakiri because of the shame, he forges a sword and starts slaying the responsible Yakuza men. At the same time five women, who have never met before, take off with the proceeds of a Yakuza heist. These developments lead to gore, lot’s of gore in this stylish and surrealistic gangster film.

Alien Nation (USA, 1988)

Directed by: Graham Baker
Written by: Rockne S. O’Bannon
Cast: James Caan, Mandy Patinkin, Terence Stamp

A police movie with a sci-fi twist. It’s about an alien race, similar to humans, who have landed on earth. Like immigrants, they have to fit in with the rest of the population. This creates racial tension, as some humans are prejudiced against the newcomers. James Caan plays one of these prejudiced people. He is a cop, who teams up with one of the aliens after his partner is killed. Initially they are trying to solve this case, but they soon stumble upon a bigger threat to society. This is about as entertaining as it sounds. The aliens look like they have come right out of Star Trek, the deeper layer of the film is very subtle (not) and the jokes are pretty lame. Altogether, it is still a reasonably entertaining cop movie. But unfortunately nothing more.