Tagarchief: Shaw Brothers

Cult Radar: Part 2

Posted on by Jeppe Kleijngeld

FilmDungeon.com is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Policewomen (USA, 1974)

Directed by: Lee Frost
Written by: Wes Bishop, Lee Frost
Cast: Sondra Currie, Tony Young, Phil Hoover

A foxy police woman called Lacy Bond takes on the dangerous task of infiltrating a criminal gang of females. Luckily she is good with weapons and martial arts, so ass-kicking the baddies forms little problem for Lacy. This film was released on a ‘Welcome to the Grindhouse’ double DVD with Las Vegas Lady. This is apparently the better half. Though no masterpiece it at least has a pleasant rhythm and some camp value. At moments the dialogues and karate scenes get a bit too silly, but most of the time these ‘problems’ are easily ignored. Sondra Currie is also a very charming presence.

Las Vegas Lady (USA, 1975)

 

Directed by: Noel Nosseck
Written by: Walter Dallenbach
Cast: Stella Stevens, Stuart Whitman, George DiCenzo

Las Vegas in the seventies must have been more fun than this boring TV-movie makes it look. The plot revolves around three ladies who want to steal half a million dollars from a criminal casino owner. Or something. The unfocused plot and stretched dialogues make it nearly impossible to get into this movie. Stella Stevens and the other dames are visual assets, but censorship robbed this film of any sex that might have been originally inserted. The action that could be expected during the climax is also missing. Jeppe says: not worth wasting your time on.

Cannibal ferox (Italy, 1981)

Directed by: Umberto Lenzi
Written by: Umberto Lenzi
Cast: Giovanni Lombardo Radice, Lorraine De Selle, Danilo Mattei

An anthropology student and two companions travel to Mañyoca, a small village located in the Amazon jungle of Paraguay. She is writing a thesis on the myth of cannibalism and is searching for evidence to support her cause. A maniacal New York drug dealer is also in the area committing cruelties to a local Indian tribe who in their turn want revenge on the intruders. Your ‘enjoyment’ of this film depends on your tolerance for graphic torture of both humans and animals. If you can stand it, this is a pretty well-paced and in a strange way ‘entertaining’ viewing. However many will justifiably wonder what the significance is of showing (and watching) such horrors and very few won’t feel slightly depressed afterwards. The most memorable gruesome act? Hard to say, but I’ll go for the hooks in Fiamma Maglione’s breasts.

The Magnificent Trio (Hong Kong, 1966)
OT: Bian cheng san xia

Directed by: Chang Cheh
Written by: Chang Cheh
Cast: Chin Ping, Margaret Tu Chuan, Fanny Fan

Farmers kidnap the daughter of a corrupt magistrate in order to make him lose his grip on them. They are protected by the mighty warrior Master Lu, who later teams up with the equally powerful Huang and Yan Ziquin, forming a magnificent trio against the army of the magistrate. In 1966, the martial art genre was still undeveloped at the Shaw Brother Studios. In it’s time The Magnificent Trio must have been an exciting feature. By today’s standards however, it barely contains enough action and spectacle to please the genre enthusiasts. On the other hand, those interested in the development of this movie niche will probably find some value here, as well as beautiful art-direction and a finale worthy of director Chang Cheh’s reputation.

Frogs (USA, 1972)

Directed by: George McCowan
Written by: Robert Hutchison, Robert Blees
Cast: Ray Milland, Sam Elliot, Joan Van Ark

A production by Samuel Z. Arkoff, who has produced over a hundred similar campy movies. Some are better than others. This dull film unfortunately belongs among his weaker productions. Millionaire Jason Crocket (Milland) hosts a family party at his Southern estate. Nature photographer Picket Smith (a young Sam Elliot) arrives and soon finds out that nature-hater Crocket has abused the area with pesticides and poisons. The many frogs and other creatures from the local ecosystem start taking revenge on Crocket and his family leading to a number of strange and painful deaths. The movie’s uneventful first hour could have been forgiven if the second half would have offered some satisfying pay-off. This never happens. The characters remain caricatures and their uncreative deaths therefore leave the viewer cold as ice. A shame, but what can you expect from a film that carries this title?


Policewomen

Cannonball!

Posted on by Jeppe Kleijngeld

Director: Paul Bartel
Written by: Paul Bartel, Don Simpson
Cast: David Carradine, Bill McKinney, Veronica Hamel, Gerrit Graham

Year / Country: 1976, USA
Running Time: 94 mins.

Your liking of Cannonball! aka Carquake will mainly depend on how you generally appreciate B-movies about car-racing. I personally like them a lot. Cool-ass heroes in slick cars; pretty girls; highway chase scenes; crashes; mayhem: the works. This movie is based on real illegal cross-continental road races that took place around the time this movie was made.

The seventies was a fruitful era for this type of film. In 1976, the year this movie came out, The Gumball Rally, was also released about the same topic. A year earlier, its director Paul Bartel had considerable B-movie success with the very similar film Death Race 2000 which also had David Carradine in the lead role and covered a road race through America. This is not exactly a sequel though. It’s no sci-fi for one thing and unlike Death Race 2000, it has not been produced by Roger Corman, but by Run Run Shaw (one of the Shaw Brothers). Corman does have a small cameo. So do Martin Scorsese, Joe Dante and Sylvester Stallone. The movie was written by Bartel and Don Simpson. That’s right, the now deceased Don Simpson who formed a team with Jerry Bruckheimer and made one Hollywood smash hit after another. This is the first film on his resume.

David Carradine plays Coy ‘Cannonball’ Buckman, a former convict who participates in the Trans-America Grand Prix, an illegal annual race from L.A. to New York City. The prize money for winning is 100.000 dollars, so most of the participants play any dirty trick in the book to rid themselves of the competition. The police also finds out about the race and plans to arrest all the participants. Buckman has to overcome many obstacles to reach the finish line, such as car damage, malicious competitors and hand-to-hand combat. The latter of course is no problem for David ‘Kung Fu’ Carradine, but the driving proves to be a bigger challenge. Buckman is no Frankenstein (Carradine’s character in Death Race 2000), who had a mechanical hand to shift his gears faster and who was designed to win. Buckman is not that mythological. At least it looks that way initially…

Director Bartel usually offers more satire in his films, but Cannonball! doesn’t seem to have any pretensions except to offer simple entertainment. The campy fun consists mostly of the drivers competing with each other through racing moves and fist fights. Unfortunately the lack of real excitement makes it look like a cheap cash-in on its predecessors.

Because besides its subversive character, Death Race 2000 had intriguing characters and many outrageous action scenes and dialogues. It appeared to have been made with great enthusiasm and care to provide the audience with as much entertainment as possible. And it worked. Cannonball! doesn’t really try to excel in anything. Not in the acting, the writing or the directing.

Even Carradine, an actor I normally love (to me he is the ultimate B-movie star) seems a bit out of his depth here. Some good stunts and a final scene of appropriate demolition save this from being a complete failure, but there is little to recommend it for. A shame really because all those involved did a lot of good work elsewhere. Oh well, if you’re up for a no-brainer, this flick may suit you well. Otherwise Death Race 2000 is the far better alternative.

Rating:

Biography: Paul Bartel (1938, New York – 2000, New York) majored in theater arts at UCLA and studied film directing in Rome. After getting his first work experience with Roger Corman he directed a number of low budget cult films. He also worked as a writer and an actor. He died in 2000 from a heart attack.

Filmography: The Secret Cinema (1968, short), Naughty Nurse (1969, short), Private Parts (1972), Death Race 2000 (1975), Cannonball! (1976), Eating Raoul (1982), Not for Publication (1984), Lust in the Dust (1985), The Longshot (1986), Amazing Stories (1986/87, TV episodes), Shelf Life (1993), The Comic Strip Presents…(1993, TV episode), Clueless (1996, TV episode)