Double Bill #11: The Truman Show & The Matrix

Posted on 11 september 2024 by Jeppe Kleijngeld

Two masterpieces from the late ’90s, The Truman Show (1998) and The Matrix (1999), both revolve around protagonists who discover they’ve been living in an artificial reality. In The Truman Show, Truman Burbank (Jim Carrey) realizes that his entire life has been a carefully orchestrated television show, where everyone around him – his wife, parents, and best friend – is merely an actor. Similarly, in The Matrix, Neo (Keanu Reeves) learns that humanity is trapped in a simulated reality controlled by artificial intelligence, with people’s minds imprisoned while their bodies serve as mere power sources. In Truman’s case, the man behind his imprisonment is Christof (brilliantly portrayed by Ed Harris), a visionary television producer who will stop at nothing to maintain control over Truman’s life, ensuring the continued success of his wildly successful show. Neo, on the other hand, faces a more intangible and insidious enemy, namely rogue artificial intelligence. In the first film, this AI is represented through sinister agents, with Hugo Weaving delivering an unforgettable performance as Agent Smith. Both films captivate as they depict the journey of discovery – watching Truman and Neo slowly unravel the truth about their worlds is nothing short of enthralling. The moment of revelation in each film remains awe-inspiring, evoking goosebumps even after repeated viewings. Truman’s world, we learn, is enclosed in an enormous dome, a massive set visible from space, while Neo’s reality reveals him as a human battery in a sprawling field of organic towers, where infants are cultivated as power sources for the AI’s machinery. Interestingly, both films imbue the protagonists’ names with deeper significance. Truman is the only ‘true man’ in his artificial world, while Neo is an anagram of ‘ONE’, symbolizing his status as the singular anomaly within the Matrix, with the potential to bend its rules. Neo’s discovery of his unique abilities leads to some of the most iconic moments in cinematic history. In the end, both The Truman Show and The Matrix conclude with their heroes breaking free from their respective confinements, delivering an exhilarating sense of liberation. It’s a triumphant and cathartic experience for the audience, as well – leaving us with the best feeling in the world.

Dungeon Classics #34: Dark City

Posted on 28 augustus 2024 by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Dark City (1998, Australia, USA)

Director: Alex Proyas
Cast: Rufus Sewell, Kiefer Sutherland, Jennifer Connelly
Running Time: 100 mins.

A man with memory loss is being hunted by both the police and a group of scary looking bald guys. The police suspect him of murdering prostitutes, and the bald men want him for the special gift he appears to possess: the ability to alter reality with his mind. Slowly, the man begins to unravel the frightening truth about the dark city he lives in and the creatures who govern it, creatures who – like him – are able to ‘tune’ and change this world at will. Alex Proyas (The Crow) has directed a very atmospheric and fascinating film that looks beautiful. It preceded The Matrix by a year, which has a similar mind bending plot, a surprise revelation half way, and a chosen one with special powers. But it is still distinct in many ways. The Matrix is very much a sci-fi action film, while Dark City is closer to a film noir detective movie. It features great performances by lead man Rufus Sewell, a sniffling Kiefer Sutherland, an engaging Jennifer Connelly, and a sympathetic William Hurt. It also features impressive special effects for what doesn’t feel like a mainstream film at all. Highly recommended.

The Verdict: Beverly Hills Cop: Axel F.

Posted on 7 juli 2024 by Jeppe Kleijngeld

Axel Foley is back! 40 years after the original and 30 years after the disappointing third movie, Foley enters the era of streaming. Some things have changed while other things remained the same. ‘The Heat Is On’ and the Axel F. theme by Harold Faltermeyer are still there and sound as catchy as ever. Eddie Murphy is back as well and his Axel can still do all these fantastic character impressions to get things done. The movie also sees the return of the original loved supporting characters, including Taggart who wasn’t even in the third one. Beverly Hills itself is pretty much the same as well: a five star resort for the rich and fabulous. Then some differences: these guys surely have aged although Murphy obviously took some Beverly Hills style cosmetic measures to hide it. It is a bit uncanny to see especially Eddie Murphy and Judge Reinhold (Billy Rosewood) as these two old geezers. Two new players in the Beverly Hills Police Department are played by Joseph Gordon-Levitt and Kevin Bacon. Good calls! There is not really a main bad guy though, so that must mean… You get the picture. Storywise, it is all very familiar. Foley returns to Beverly Hills to solve a case. The only difference is that Foley now has an estranged daughter who is working as a lawyer there. Since she is threatened by the same bad guys from Foley’s case, this gives him the opportunity to catch two birds with one stone. Three even, because he has some amends to make to his daughter. I was a bit worried about this movie, because keeping legendary heroes alive for too long isn’t always a good idea (see Indiana Jones for example), but in this case it worked: the humor, the action and most importantly the chemistry are still there.

Beverly Hills Cop: Axel F. is now available on Netflix

The verdict: to stream or not to stream? To stream

Beverly Hills Cop Revisited

Posted on 4 juli 2024 by Jeppe Kleijngeld

On July 1, Netflix released Beverly Hills Cop: Alex F, exactly 30 years after Beverly Hills Cop III was released. To celebrate, FilmDungeon checked out the original trilogy which was an enjoyable trip down memory lane.

Beverly Hills Cop (1984, Martin Brest)

The tune is great, his laugh is a riot, and his inventive tricks to get things done are inspiring. Eddie Murphy stars as the wise-ass Detroit cop who goes to Beverly Hills to investigate the murder of his friend. He quickly makes new friends, including detective Billy Rosewood (Judge Reinhold) and sergeant John Taggart (John Ashton) who both return in the new movie! He makes plenty of enemies too because not everybody loves Axel’s freewheeling style. In Beverly Hills everything is done by the book, which clashes with his street smart ways. This is the basic gimmick of the first movie and it works like a charm. Murphy is in top form here, delivering funny wisecracks rapid fire style. The banana in the tailpipe is still hilarious and the traffic light gag that follows it is even better. If the new movie can capture any of this comedy magic, it will be fantastic. Let’s hope so…

Beverly Hills Cop II (1987, Tony Scott)

The second movie sees many of the cast and crew members return. Only directing duties were taken over by Tony Scott who had just delivered Top Gun (produced by Jerry Bruckheimer and Don Simpson, who also produced the first two Beverly Hills Cop movies). When his friend Andrew Bogomil (Ronny Cox) is shot, Foley returns to Beverly Hills to help solve the so-called Alphabet Crimes, a series of expertly carried out robberies. There is a new Chief of Police, and he is the biggest asshole of all time and arguably the film’s greatest villain. Murphy still has all these ‘types’ he can play to get things done, and they are often pretty funny. Only the script is poor, and some jokes didn’t age particularly well. But the dynamics between Foley, Taggert and Rosewood is still great, and Rosewood’s development to gun-toting, Rambo-style hero, is hilarious. These are the best two things about this sequel.

Beverly Hills Cop III (1994, John Landis)

More bad guys, more guns, more violent kills, but less humor. The third film in the series was written by Steven E. de Souza, the screenplay writer of Die Hard and Die Hard 2, and he turned it into Die Hard in an amusement park. Only since many of the action scenes would be too expensive, they turned the action down and made it more about Axel’s investigation taking place in an amusement park. Boring! Worse still, Murphy told new director John Landis that he preferred to play Axel as a more mature character. Bronson Pinchot, who reprises his role of Serge from the first film here, later said Murphy was pretty depressed during the shoot. It shows on the screen: Murphy’s performance comes across as mostly joyless. The film does deliver the series most dangerous villain with Ellis DeWald, played perfectly by Timothy Carhart. Still, overall this third entry was a letdown, so let’s hope Beverly Hills Cop: Alex F rocks the house again, so the series can conclude on a high note after all.