Half a Shot at Redemption

A Sci-Fai Short Story

The saloon doors of The Rusty Spur creaked shut behind Jason Terry as he stepped into the dust-choked street, his revolver holstered low. The air smelled of gunpowder and regret. He had one destination: the Iron Trigger Showdown, the fastest-draw tournament west of the Mississippi. One problem: Jason wasn’t just there to compete. He was there to prove something—to himself, to the ghost of his pa, to the whiskey-soaked memories of every draw he’d ever lost.

He hadn’t gone twenty miles out of town when the stranger appeared. Leaning against a sun-bleached post, hat tipped just enough to hide whatever passed for eyes, the figure looked like any other drifter—except for the way the light bent around him, like heat off a desert mirage. His duster was too clean, his boots too quiet in the dirt.

“You got the look of a man riding toward something he ain’t ready for,” the stranger said. His voice was smooth, like oil on a freshly sharpened blade.

Jason’s hand twitched toward his Colt. “Who the hell are you?”

“Name’s Joe.” The stranger pushed off the post and stepped into the light. His face was all sharp angles, skin too perfect, like polished metal under a layer of dust.

“And you, Jason Terry, are riding toward a 97% chance of dying before sundown tomorrow.”

Jason’s fingers froze. “You calling me a liar or a fool?”

“Neither.” Joe tilted his head. “Just stating facts. You’re fast. Not Blaine Rodgers fast.”

The name hung between them like a noose. Blaine Rodgers—the undefeated, the untouchable. The man who’d put a bullet in his pa’s chest in a “fair draw” that had lasted less time than it took to blink. The man who’d laughed as Jason’s father bled out in the dirt, saying, “Should’ve practiced more, boy.”

“Against him, you got a 3% chance of walking away. Want me to break it down?”

Joe tilted his head. The movement was too smooth, too mechanical. “I know you’re 0.23 seconds too slow on the draw. I know you hesitate when you aim, because you’re afraid of missing. I know Blaine Rodgers has killed eighteen men in duels, and he has wounded dozens more. Your father was the only one who ever came close to beating him. I know you’ve been drinking too much, sleeping too little, and your hands shake when you think about the showdown four days from now.”

He paused. “I also know you didn’t come here to win. You came here to die.”

Jason’s throat went dry. “Who—what—are you?”

“A calculation.” Joe swung down from his horse. “And right now, I’m calculating that you’re going to throw your life away for revenge. Unless you let me help you.”

“Help me how?”

“By making you faster than a man.”

Joe didn’t explain where he came from, or why he was here. He just knew things—like how to break down Jason’s draw into a hundred tiny movements, each one shaved down to perfection. He made Jason practice until his fingers bled, until his arm screamed, until he could draw and fire before his mind even caught up. They worked with weights, with wires, with mirrors that showed Jason his own flaws in cruel detail.

“You’re not just slow,” Joe said on the second night, as Jason collapsed by the fire, his muscles screaming. “You’re thinking. Blaine doesn’t think. He reacts. You want to beat him? You gotta stop being human.”

“I ain’t no machine,” Jason snapped.

“No.” Joe’s voice was empty of judgment. “But you can be better.”

By the third day, Jason’s shots were cleaner. His draw was sharper. His aim was true.

“Now you’re at 17%,” Joe said.

Jason wiped sweat from his brow. “That all?”

“It’s enough.”

The tournament was a circus of death. Blaine Rodgers stood at the center of the ring, his reputation preceding him like a shadow. He’d already killed one man that morning—a hotheaded kid from Texas who’d thought he could make a name for himself. The crowd roared as Blaine holstered his smoking revolver, his grin wide as the devil’s.

Jason’s stomach twisted when he stepped into the ring. Blaine’s eyes locked onto him, and that same smirk from five years ago spread across his face. “Well, well. If it ain’t little Terry, all grown up.” He drew his revolver and spun it on his finger. “Your pa sent you to avenge him?”

The referee raised his hand. “Gentlemen. On my mark—”

Jason’s mind went blank. No hesitation. No fear. Just the weight of his Colt, the tension in his fingers, the memory of his father’s blood in the dirt.

The referee’s hand dropped.

Jason moved.

His shot took Blaine in the chest before the champion’s gun had even cleared leather. The crowd gasped. Blaine staggered, his eyes wide with something almost like surprise. He looked down at the spreading red stain on his shirt, then back up at Jason.

“How?,” Blaine wheezed.

Jason’s hand didn’t shake. His breath was steady. He didn’t lower his gun.

Blaine’s knees hit the dirt. “Finish it,” he rasped.

Jason’s finger hovered over the trigger. Five years of rage, of grief, of whiskey-soaked nights spent dreaming of this moment. He could pull it. End it. Make it fair.

Then Joe’s voice cut through the noise, quiet as a whisper: “17.3%.”

Why is he giving me the odds? Jason thought. I have already won the duel. Unless…

Jason’s finger relaxed.

Blaine coughed, blood bubbling at his lips. “You… you don’t have the guts.”

Jason holstered his Colt. “Ain’t about guts.” He turned and walked away, leaving Blaine choking in the dust. The crowd’s murmurs followed him, but he didn’t care. He’d come here to kill a man, but he’d left something else behind—the need for revenge.

Joe was waiting at the edge of town, mounted on his black horse.

“You didn’t take the shot,” Joe said.

“Didn’t need to.” Jason swung up onto his own horse. “What now?”

Joe tipped his hat. “Now you live with it.”

Jason rode on, the weight in his chest lighter than it had been in years. Behind him, a gunshot rang out—someone putting Blaine out of his misery. Jason didn’t look back. Maybe the odds had been against him. Maybe they still were.

But for the first time, Jason Terry had beaten them. And then some.

Idea, characters, outline: Jeppe Kleijngeld
Writing: Le Chat (Mistral AI)
Inspirator: Jan Bletz

In Brussels (2)

“The mind is not only an internal phenomena, but an external landscape thing as well. When you walk around a city, it is located in your mind and you’re creating every external object you observe in this cityscape. Those objects wouldn’t be present without you. They don’t exist in the world, they exist strictly in observers.”
― Nicky Mento, ObserverWorld

[22-05-25] The road was becoming familiar by now. As I approached Belgium, five towers loomed on the outskirts of Antwerp, overlooking the highway. What a terrible, unnatural way to live, I thought. But I suppose, in this day and age, that qualifies as prime real estate.

Other landmarks slipped past on the A12: the Duvel brewery, the gleaming geometry of the Atomium, and of course, the beautiful cathedral that greets you as you enter Brussels. I was in the city for the second time that week – this time for an interview with the head of the Belgian antitrust authorities, which, in the world of M&A, is no small thing.

It was a week before my 45th birthday, and I felt good. Energized, even. Ready to explore this engaging city once more. The interview went well, and afterward, I ducked into a café to get some work done. Later, I made my way to De Brouckère Square again. But instead of stopping at the Metropole like last time, I went to the UGC cinema to watch Mission Impossible: Dead Reckoning.

I’d noticed Tom Cruise’s face of posters scattered across the city when I drove in. In this eighth – and possibly final – installment, he was truly up against the impossible: defeating a rogue artificial intelligence that had seized control of the internet.

The film wasn’t perfect, it dragged on in parts, but the finale was spectacular. The airplane sequence was a genuine triumph. It also tapped into one of the most pressing threats facing the modern world: the drift from information war to potential nuclear conflict. So kudos to Cruise and director Christopher McQuarrie for pulling it off.

Luther had the last word, and it was a hopeful one: there are countless possibilities ahead, and we can choose well: not just for ourselves, but for others. “Nothing is written.” A message that harmonizes beautifully with quantum physics – and fittingly so, given this city’s history. In 1927, the world’s leading physicists gathered at the Metropole on De Brouckère Square to grapple with the implications of their discoveries.

They didn’t phrase it in those exact terms, but the idea was present: the universe arises from unmanifested potential, and it is consciousness – expressed through living beings – that brings it into form, shaping reality within the space-time field they themselves create.

In the film, the AI, known simply as The Entity, can calculate the probabilities of human choices, predicting the future with uncanny accuracy. To defeat it, the characters must make wildly improbable decisions, thereby evading its forecasts. That concept stuck with me: What improbable choice should I make? Should I invest everything into Free-Consciousness and try to get the platform off the ground?

I wandered into a sushi restaurant to think it over. The waiter greeted me with a nod and showed me to my table. I felt a bit like Robert De Niro’s character, Noodles, in Once Upon a Time in America, being led to a bed in the Chinese opium den – where he proceeds to dream the second half of the film into existence. Or so it seems. Only my opium was sushi and cola from an unfamiliar brand.

But I was there to dream. To dream about life, about work, about writing and movies. The week before, I’d come to a realization: I have too many passions. And by trying to do them all, none of them is really going anywhere. I started Free-Consciousness to bring a small spark of awareness to a world in decline. But if I want it to succeed, do I need to go all in?

To help answer that question, I brought along a trusted companion: the I Ching, or Book of Changes – one of humanity’s oldest living oracles. For more than three thousand years, this ancient Chinese system of divination and wisdom has helped emperors, sages, and ordinary people navigate life’s complexities. While traditionally understood through classical philosophy, new interpretations suggest the I Ching might be an early interface for the consciousness field; a symbolic system for engaging with probability patterns and glimpsing potential futures.

My question to the book was simple: Is it okay to dabble in all my hobbies, or should I focus on just one and fully commit?

The system revolves around 64 hexagrams – six-line figures made up of either solid (yang) or broken (yin) lines. Each hexagram represents a universal situation or process. I took three coins from my wallet and cast them six times to determine which lines to draw.

The result was Hexagram 53: Chien / Development. And it was exactly what I needed to hear.

The text read:

‘The image of this hexagram is that of a tree growing high on a mountaintop. If this tree grows too quickly, without properly rooting itself, it becomes vulnerable to the wind and may be torn apart. But if it takes time to establish strong roots and is content to grow gradually, it will enjoy a long life and a lofty view. Human beings are no different. While we often crave rapid progress – immediate achievement of all our goals – we must eventually come to understand that the only lasting progress is gradual. Chien urges you to accept this truth and shape your thoughts, attitudes, and actions accordingly.’

Word. Free-Consciousness is like that tree. It needs time to root before it can rise.

This is the Significant Moment When Everything Went to Hell for America

America is turning into an autocracy very fast. Every week there are new lows – like last week the arrest of a judge and the week before that Trump (He/him) regime’s refusal to return Kilmar Abrego Garcia from an El Salvador prison camp – despite the supreme court ordering them to do so.

Of the 71 million Americans who voted him in office, some might be wondering; how did we get here? I’ll argue that one significant moment played a key role in creating this disaster.

On the eve of the election day, on October 26, 2024, the extremely popular podcaster Joe Rogan interviewed Trump. I couldn’t bear to listen to his horse crap, but I recently watched one minute of the three hour interview on YouTube. In the fragment, Trump asked Rogan: “Come on, you’re not a Harris guy”.

And you see Rogan thinking: ‘shit, this guy is right. I am not a Harris guy’. Joe Rogan is manipulated at the spot. He lets himself be fooled by this con man. After that, he lets Trump get away with blatant lies about the 2020 election, which looks very bad for his interview ethos. I stopped viewing right after that.

What I took away from this short moment is that Trump – terrible person that he is – has at least one ‘quality’ that enabled him to become the 47th president of the USA: he knows just what to say to people to make them vote for him.

Of course this won’t work with everybody, but then again, he didn’t need everybody. He needed 71 million voters. He already had his loyal fan base secured, so he had to convince millions of others to vote for him. He and his campaign team put in all their efforts to convince right leaning people like Rogan to go for the Orange Turd. They were successful.

After the show, Rogan did something he had previously said he wouldn’t do: he endorsed Trump. With his immense reach amongst people for whom Rogan is their single source of news – tragic as this may be – he may have decided the fate of the United States.

How will he feel now, three months after Trump took office, and the country is sliding fastly into an authoritarian regime?

What we are watching right now might be the End of the American Empire.

The country is ruled by a mad king. Trump’s cabinet meetings are excruciatingly horrifying to watch. Every cabinet member that speaks, including Musk, first praises Trump for the absolutely brilliant leader that he is. And what an incredible honor it is to serve in his cabinet.

Then they proceed to tell absurd bullshit to cover up for their criminal actions. In the last cabinet meeting, Musk – in full Dr. Evil mode – bullshits about how he found 150 billion dollars in waste, fraud and abuse in the federal government. He says that ‘people are receiving social security that aren’t even born yet.’

This is just too much bullshit to handle.

Everybody knows how he is going to get this 150 billion. He will do it by slashing social security, medicaid, and other programmes for the poor – and recklessly fire tens of thousands of essential government employees. And Trump is gonna let him do it. The money saved will be given to billionaires like them as a tax cut.

Some still consider Trump a brilliant businessman, but he’s terrible in business – and that’s a fact. I mean, he bankrupted a casino once. Now, he’s going to bankrupt the country. He’s a fuck-up and a major fraudster.

The financial markets – who foolishly believed Trump would be good for business before – have now realised the terrible truth. Trump is so totally unstable and deranged that the risk for the world economy (countries, companies, currencies, and debt) is great. They finally realised, just like some voters did, that having a psychopathic gangster in charge of the largest economy in the world, might be bad for business.

It would have been exactly the same if they would have handed the reigns of the American government to Vladimir Putin or Kim Jung Un. That’s what the American’s did who voted this nut job into the White House.

Thank you, Joe Rogan.

Now maybe I am thinking too much of his endorsement. On the other hand, Trump thanked Rogan especially at his inauguration. Imagine that; that you would be responsible by having a cruel psycho elected who would then go on to create terrible suffering for millions of people. Who would send innocent people to an El Salvadorian prison camp to be tortured.

I have no idea how he feels about it, but this is a wound that he will have to live with. The same goes for all Americans, whether they voted for Trump or not. This is a national trauma and it will take decades to recover from it.

But first, they will have to remove Trump from office. Can it be done?

It will be very hard, that’s for sure. And even if they succeed, they will have a massive challenge waiting for them.

Let’s say they’ll have a revolution and remove Trump from office, will the two sides – the MAGA and the WOKE – reconcile and together restore the damage the Trump regime has caused? Will they think: ‘let’s go look at the root causes of this whole thing? Where did we go wrong? What laws are we going to introduce together to make sure something like this never happens again?’

The probability that this will happen is very small. Trump is a very severe symptom of a lethal disease: a mind virus that once it spreads through society – enhanced by anti-social media and AI – makes the country divided and ungovernable.

To stop this mind virus, we – the world – must regulate social media and AI. With AI becoming more powerful every day, we need to move fast to prevent every other democracy from sliding off the rails in the coming years and decades.

This will not be an easy feat – and America is in terrible shape. Still, the possibility also exists that the right leaders arise out of this sink hole and put the country on the right course again. A crisis can do that sometimes.

Right now, the crisis is not yet big enough. There are still many people, inside and outside of the USA, deluded by Trump and think it might not be so bad. But if enough people conclude: ‘this is not what we want’ and start fighting back in every way they can, it might bring about a new era of hopeful change.

Is this the end for the USA of merely the passage into a new prosperous era? Only time will tell.

Graphic Novel Classics: The Thirteenth Floor

Graphic novel which ran from 1984 till 1987 in the weekly comic magazines Scream! and Eagle. The story is about a tower building and the A.I. Max that governs it. Max his primary directive is ensuring the welfare of his tenants, a job he takes extremely seriously. Whenever their wellbeing is being threatened by outsiders, he takes these perps to the thirteenth floor, a nightmarish virtual world Max invented, where he can treat them to a frightening punishment for their wrongdoings. We, as readers, quickly become accomplices of the friendly Max, who has the most creative mind for coming up with the most fiendish lessons for horrible people who deserve a lesson. But after more and more people start dying or disappearing, a nosy detective figures something strange might be happening at Maxwell Tower… The beautiful black and white art work is drawn by José Ortiz and the stories are written by John Wagner and Alan Grant. Rebellion Developments, who also re-published classic ‘The Rise and Fall of the Trigan Empire’ by Don Lawrence, recently published ‘The Thirteenth Floor’ in a number of beautiful books. Highly recommended. Not to be confused with the science fiction movie The Thirteenth Floor (1999) which is also about virtual worlds.