Gangs of New York Vs. King of New York

Gangs of New York
Historisch epos van Martin Scorsese over kolonisatie in New York gedurende halverwege de 18de eeuw. Destijds waren de verwachtingen erg hoog en als gevolg viel de film wat tegen, maar een herevaluatie is op zijn plaats. Amerika is echt gebouwd op bloed en dat zie je hier in al zijn glorie. Briljant zijn de kostuums, de sets, het camerawerk en de legendarische vertolking van Bill the Butcher door Daniel Day Lewis.

King of New York
Een gangster film geschoten als vampierfilm. De psychopathische drugsbaas Frank White – briljante vertolking van Christopher Walken – neemt de macht over in New York. Een groep agenten die er niet voor terugdeinzen zelf te moorden zit achter hem aan. Donkere visie op de misdaad van filmmaker en kunstenaar Abel Ferrara met een uitstekend script en ditto cast.

Als je er maar één mag kijken, welke wordt het dan?
Beide zijn het net geen perfecte films, en hebben ze een paar dingen die niet goed werken. In ‘Gangs’ o.a. het optreden van Cameron Diaz en in ‘King’ is het einde niet optimaal. Toch zijn beide wel behoorlijk essentieel. Met het pistool op het hoofd dan maar ‘Gangs’ vanwege de geschiedenisles die je bij blijft.

Dungeon Classics #12: Snatch

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Snatch (2000, UK | USA)

Director: Guy Ritchie
Cast: Jason Statham, Stephen Graham, Brad Pitt, Alan Ford
Running Time: 104 mins.

Two years after his formidable debut Lock, Stock and Two Smoking Barrels, Guy Ritchie, now one of the hottest new directors around, returned with Snatch: a crime comedy with exactly the same formula. Poker is replaced with bare knuckle boxing, stolen antique rifles became a stolen diamond, and Big Chris is renamed Bullet Tooth Tony. The visual gimmickry is still there. And a few cast members returned, most notably Jason Statham, now as leading man. Ritchie had more money this time around, so he could also hire A-listers like Brad Pitt and Benicio Del Toro. Both are great as usual, but Pitt plays one of his most memorable roles ever as Mickey, a ‘pikey’ boxer with an indecipherable accent. What also returns most prominently is the humour. Snatch has sequences – like the black guys attempt to rob the bookies – that will make you piss your pants. It’s one of the funniest crime movies ever made. And the dialogues are one of a kind. In short, Snatch is 86 carats. Or is it 84?

Dungeon Classics #11: Lock, Stock and Two Smoking Barrels

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Lock, Stock and Two Smoking Barrels (1998, UK)

Director: Guy Ritchie
Cast: Nick Moran, Jason Flemyng, Dexter Fletcher, Jason Statham
Running Time: 107 mins.

Guy Ritchie’s low-budget debut is still his best film, although its hilarious follow-up Snatch comes close. Four friends raise 100.000 pounds to let one of them – card wonder Eddy – participate in the high stakes game of underworld figure Hatchet Harry. They lose 500.000 due to foul play on Harry’s part and have one week to pay back the ‘porn king’ or his enforcers will start collecting their fingers and Eddy’s father’s (played by Sting) pub. This is the beginning of an exhilarating quest for money, featuring dumb criminals, antique rifles and an unconscious traffic warden. Ritchie employs all editing and camera tricks he can come up with which makes the movie – groovily shot in shades of yellow, brown, and grey – a visually rip-roaring experience. The clever screenplay, brilliant soundtrack and delicious cockney accents add to the enjoyment. Not to be missed this one! Allright?

The Funeral (1996)


‘One family, one murder, too many lies’

Directed by:
Abel Ferrara

Written by:
Nicholas St. John

Cast:
Christopher Walken (Ray), Chris Penn (Chez), Annabella Sciorra (Jean), Isabella Rossellini (Clara), Vincent Gallo (Johnny), Benicio Del Toro (Gaspare), Gretchen Mol (Helen), John Ventimiglia (Sali), Paul Hipp (Ghouly), Victor Argo (Julius)

Abel Ferrara is an interesting director and The Funeral – his second gangster film after King of New York (1990) – is an a-typical, but interesting film that is set in the 1930’s. Christopher Walken plays Ray Tempio, boss of a mob clan. His young brother was killed and the body is brought to his house where relatives and associates gather for what will be a three day funeral.

Soon, his other brother Chez (Chris Penn) arrives, a hothead who’s mentally unstable. The brothers want to go after the killer and their suspect number one is gangster Gaspare (Benicio Del Toro).

Through flashbacks we learn more about the Tempios although it is hardly information overload. Ferrara and his regular screenwriter St. John are holding back! But first the positive points. The film is shot beautifully. From the images of mourning relations to the gangster nightlife that is portrayed, it all looks stunning. Also, performances are great all around. Two cast members deserve special mention. Chris Penn gives a career best performance as the craziest mobsters ever. And Annabella Sciorra is truly excellent as Ray’s wife Jean, who is openly critical of the gangster lifestyle.

What I am less thrilled about is the build-up. The movie ends with a dramatic act by Chez, but it is not really clear how he comes to this act, apart from the fact that he is crazy. We are not given enough pieces to work out this psychological puzzle. Same for the youth flashbacks from Ray. It is obvious that they have impacted him greatly, but exactly how remains elusive. Is the screenwriting the problem here? Or does Ferrara just enjoy leaving things a little vague? Judging by most of his films, it is the latter. Normally, this is good. A true artist knows as well what to leave out as what to put in. But this time he used the scissors too rigorously.

Rating:

Quote
JEAN: “They’re criminals, and there’s absolutely nothing romantic about it.”

Trivia
In 2009, Empire Magazine named The Funeral #16 in a poll of the ‘20 Greatest Gangster Movies You’ve Never Seen (Probably)’.