Tagarchief: Cult Movies

Cult Radar: Part 9

Posted on by Jeppe Kleijngeld

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Tormented (UK, 2009)

Directed by: Jon Wright
Written by: Stephen Prentice
Cast: Alex Pettyfer, April Pearson, Dimitri Leonidas

Fat schoolboy Darren got bullied to the point where he committed suicide. Tormented opens at his funeral. Not only do Darren’s tormentors don’t have any regrets whatsoever, they even throw a party to celebrate his demise. That’s just too much… Soon after, each member of the group of bullies starts receiving text messages from the dead Darren. They first think that someone is playing a prank on them, but as soon as the first body drops, they know they’re totally screwed. Tormented is a very effective horror flick that is both funny and inventively satisfying. Whether you thought high school was fun or not, this will keep you entertained for an hour and a half easily. Reviewer Kim Newman, who runs a Dungeon over at Empire Magazine gave it four stars also. It’s a recommendation.

Nude Nuns with Big Guns (USA, 2010)

Directed by: Joseph Guzman
Written by: Joseph Guzman, Robert James Hayes II
Cast: Asun Ortega, David Castro, Perry D’Marco

Violence, drugs, guns, boobs and off course lesbian sex. Nude Nuns With Big Guns is an immoral cocktail delivered by Freak Show Entertainment, the team behind the similar Run Bitch Run!. An abused nun has a vision from God. She is told to slay all sinners that are somehow connected to an elaborate heroin network, led by a money hungry padre who uses naked nuns as personnel. Sister Sarah is not supposed to show any mercy and she doesn’t! Is this entertaining? It kind of is in the sense that it is well shot and cut. Your eventual appreciation of Nude Nuns With Big Guns will depend mostly on your tolerance for graphic sex and violence featuring nuns. If this is low, you can easily deduct a star from this rating.

Hobo with a Shotgun (Canada, 2011)

Directed by: Jason Eisener
Written by: John Davies, Jason Eisener, Rob Cotterill
Cast: Rutger Hauer, Molly Dunsworth, Gregory Smith, Brian Downey

The awesome film poster promises an exploitation film pur sang and delivers. Hobo With a Shotgun was originally a fake trailer that won a Grindhouse competition organized by Robert Rodriguez. The story is about a homeless guy (Rutger Hauer) that takes on psychopathic scum in a city riddled with crime and depravity. Since it was made on a modest budget and has no Hollywood stars in its cast, it is more convincing than Tarantino’s and Rodriquez’ own Grindhouse pictures Death Proof and Planet Terror. The cheap violence gives you the real sense of watching a cult flick from the seventies. However, the sadistic violence is so excessive and beastly that it is hard to care about the characters at all, even the protagonists. The build-up is also not entirely effective; Hauer changes into a bloodthirsty vigilante in minutes, taking away some of the pleasure when he settles the score. Still, the underlying message about the human condition is well delivered and the exploitation feel is sublime; you can almost hear the exciting screams in the grindhouse theater. This hobo is certainly worth spending some loose change on.

Orcs! (USA, 2011)

Directed by: Andrew Black, James MacPherson
Written by: Anne K. Black, Jason Faller, Kynan Griffin and Justin Partridge
Cast: Adam Johnson, Renny Grames, Maclain Nelson

‘It’s an orc! No, it’s not. There is no such thing.’ A movie in which orcs show up in modern times sounds pretty horrendous. While certainly no masterpiece, Orcs! manages to entertain during its first half, which is basically a comedy about two idiot park rangers. Some jokes and The Lord of the Rings references are pretty funny. The second half is one long and tiresome battle against the orcs. This is the boring part. The costumes and special effects are laughable. All in all, don’t watch Orcs!. Just don’t!

Killer Klowns from Outer Space (USA, 1988)

Directed by: Stephen Chiodo
Written by: Charles Chiodo, Edward Chiodo, Stephen Chiodo
Cast: Grant Cramer, Suzanne Snyder, John Allen Nelson

From the special effects team behind Critters and Team America: World Police comes an original eighties classic. On a Friday night in Cove Crescent, a couple of youngsters witness a shooting star land nearby. At the place of impact, a circus tent appears, but what’s inside aint no funhouse… The acting in Killer Klowns From Outer Space may not be world class, but the production design is very well done and reason enough to check this out. It certainly beats cotton candy.

They Live

Posted on by Jeppe Kleijngeld


‘You see them on the street. You watch them on TV. You might even vote for one this fall. You think they’re people just like you. You’re wrong. Dead wrong.’

Director: John Carpenter
Written by: Ray Nelson (story), John Carpenter
Cast: Roddy Piper, Keith David, Meg Foster, George ‘Buck’ Flower

Year / Country: 1988, USA
Running Time: 90 mins.

The concept for They Live is brilliant. A drifter (wrestler Roddy Piper) discovers an underground movement. When he puts on a pair of sunglasses – produced by this movement, he finds that the world is dominated by an evil alien race. Street signs and television programmes contain hidden messages, such as ‘obey’, ‘buy’ and ‘consume’ and normal people suddenly look like monsters. The whole world is enslaved by these aliens.

The drifter finds a few allies and cooks up a plan to disrupt the alien operations. If they can turn off the signal at the source, the world will have a serious wake-up call. But the aliens are everywhere and they have human accomplices to help them. These humans sold-out their own species in return for promotions and bigger bank accounts.

In this entertaining story, director Carpenter inserted a not-so-well hidden meaning himself. People are only focussed on wealth and making more money. Thus, they are vulnerable to becoming slaves to their own greed. The humans in They Live are sedated and therefore insensitive to their surroundings, only wanting to consume more. The poor have become the unwilling worker bees for the rich.

This message runs through the film, but luckily Carpenter does not take himself too seriously. They Live is above all a fun sci-fi/action thriller with lots of tongue-in-cheek humour. Highlights are Piper’s discovery of the alien conspiracy, a ridiculous wrestling match between Piper and Keith David in an alley and the final minutes in which both aliens and humans get a big surprise.

Rating:

Biography: John Carpenter (1948, New York) was born in Carthage, New York. He attended Western Kentucky University and then USC film school in Los Angeles. While there, he started work on his feature debut Dark Star (1974). Although Carpenter has directed films in numerous other genres (dark comedy, sci-fi, romance), he is known primarily for making horror films: Halloween (1978), The Fog (1980), The Thing (1982), et cetera. He is also known as the ‘Master of Horror’ or the ‘Prince of Darkness’ (after one of his films).

Filmography (a selection): Revenge of the Colossal Beast (1962, short), Gorgo Versus Godzilla (1969, short), Dark Star (1974), Assault on Precinct 13 (1976), Halloween (1978), The Fog (1980), Escape from New York (1981), The Thing (1982), Christine (1983), Starman (1984), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), Memoirs of an Invisible Man (1992), In the Mouth of Madness (1994), Village of the Damned (1995), Escape from L.A. (1996), Vampires (1998), Ghosts of Mars (2001)

Cult Radar: Part 8

Posted on by Jeppe Kleijngeld

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Roadgames (Australia, 1981)

Directed by: Richard Franklin
Written by: Richard Franklin, Everett De Roche
Cast: Stacy Keach, Jamie Lee Curtis, Marion Edward, Grant Page

Pat Quid (Stacy Keach) is an American ‘truckie’ in Australia, assigned to drive a load of pork from Melbourne to Perth. Along the road in the outback, he gets suspicious of a fellow driver. He suspects the man might be a wanted serial killer and shares his suspicions with hitchhiker Pamela (Jamie Lee Curtis). Then she vanishes and the deadly cat and mouse game with the killer really takes off. Roadgames is an Ozploitation flick released in 2008 by Optimum Home Entertainment, who released many other Ozploitation classics around that time following the success of Not Quite Hollywood: The Wild, Untold Story of Ozploitation (2008). It is clearly inspired by Hitchcock of whom director Richard Franklin (Patrick, Psycho II) is a major fan. Although the screenplay certainly has elements of engaging mystery, an adequate dosage of tension is missing in its direction. The musical score is composed by Mad Max’s Brian May (not to be confused by Queen’s Brian May). The killer is portrayed by famous Australian stunt performer Grant Page.

The Car (USA, 1977)

Directed by: Elliot Silverstein
Written by: Michael Butler Dennis Shryack, Lane Slate
Cast: James Brolin, Kathleen Lloyd, John Marley

A large, black two-door sedan is killing people randomly in a small desert town, blaring its horn rhythmically whenever it makes a kill. There doesn’t appear to be a driver in the car, as if Evil itself is behind the steering wheel. Sheriff Wade Parent (James Brolin) must find a way to stop the sedan, while also protecting his beloved ones. The Car is an unusual and entertaining thriller from the director of Cat Ballou. Although the dialogues and some of the acting sucks, the pretty awesome car action, the surroundings (Utah) and some eerie moments make it a decent movie in its kind.

Patrick (Australia, 1978)

Directed by: Richard Franklin
Written by: Everett De Roche
Cast: Susan Penhaligon, Robert Thompson, Robert Helpmann

A comatose killer named Patrick uses psychokinesis to infiltrate the life of his new nurse, the attractive Kathy (Penhaligon). Low budget ozzy flick does little to shock the viewer. It is, however, stylishly directed by director Franklin, who knows some tricks to create suspense. The cinematography and editing are also pretty well done. Thompson is at times effectively scary as Patrick, but because the film is overlong and outdated, he won’t get much shock out of the contemporary viewer.

Long Weekend (Australia, 1978)

Directed by: Colin Eggleston
Written by: Everett De Roche
Cast: John Hargreaves, Briony Behets, Mike McEwan

‘Their crime was against nature… Nature found them guilty.’ When this is your tagline, you know you got a potential cult classic on your hands. Long Weekend is about a loathsome couple who head into nature for a camping trip. They arrive at a beautiful, abandoned beach area and start treating nature like shit. Their irreverent behavior causes repugnance from the viewer. Luckily nature feels the same way and gives them what they got coming. Hilarious when you think about it and very satisfying as well. From the writer of Patrick and Roadgames and the director of Fantasm Comes Again comes a very awesome Australian cult flick. Besides funny, Long Weekend is also effectively chilling when it needs to be. Excellent work.

Election (Hong Kong, 2005)
OT: Hak se wui

Directed by: Johnnie To
Written by: Nai-Hoi Yau, Tin-Shing Yip
Cast: Simon Yam, Tony Leung Ka Fai, Louis Koo

Stylish crime film by Johnnie To about the election of a new Triad boss. Two rivals, Big D and Lok, both want the position which leads to a bloody internal battle. What is always good about Johnnie To’s gangster flicks is that there is a slight absurd touch about them. Election also has this in spades. The result is a violent, comical Hong Kong movie that offers some insight into the workings of a Triad family. Followed one year later by Election 2.


Patrick

Fast Times at Ridgemont High

Posted on by Jeppe Kleijngeld

Director: Amy Heckerling
Written by: Cameron Crowe
Cast: Sean Penn, Jennifer Jason Leigh, Judge Reinhold, Robert Romanus

Year / Country: 1982, USA
Running Time: 90 mins.

Adolescence is way too confusing. Hormones go haywire and temptations arise everywhere. Fast Times at Ridgemont High is about this foggy period. Like Dazed and Confused, it deals with teenagers discovering life: Two girls experimenting with sex (Phoebe Cates and Jennifer Jason Leigh), a surfer who is permanently stoned (Sean Penn) and a popular guy who has to work stupid fast food jobs (Judge Reinhold).

Along the way they make discoveries: One of the girls finds out that she wants romance rather than sex, a teacher turns out to be cooler than initially thought and it is possible to quit a stupid job. The film is written by Cameron Crowe, who was one time named as ‘spokesman for the post-baby boom generation’ because his first films focussed on this age group. His screenplay for Fast Times at Ridgemont High is based on his experiences at Clairemont High School in San Diego, where he went undercover as a student for a year.

There isn’t much of a story – just a bunch of kids hanging around a mall – but it is the characters that count. And those are a lovely bunch. Jennifer Jason Leigh is adorable as the young experimenting high school girl Stacy, Sean Penn’s Jeff Spicoli adds a new dimension to the classic stoner character and Robert Romanus is very smooth as the cool hustler Mike Damone. Too bad he never really broke through since he is very charismatic.

Fast Times at Ridgemont High will make you flash back to your own teenage years in no time. There are many great scenes – such as Reinhold’s masturbation scene, Romanus and Leigh’s sex scene and Penn’s stoner dream – that will stick with you for years to come. Best of all, the film has got a heart. A big one.

Rating:

Biography: Amy Heckerling (1954, New York) studied Film and TV at New York University. She got her breakthrough with Fast Times at Ridgemont High in 1982. Since then she has made a number of successful comedies, most notably Look Who’s Talking, which she thought up while she was pregnant, and Clueless.

Filmography: Getting It Over with (1977, short), Fast Times at Ridgemont High (1982), Johnny Dangerously (1984), European Vacation (1985), Fast Times (1986, TV episodes), Look Who’s Talking (1989), Look Who’s Talking Too (1990), Clueless (1995), Clueless (1996, TV episodes), A Night at the Roxbury (1998), Loser (2000), The Office (2005, TV episode), I Could Never Be Your Woman (2007)