Dungeon Classics #23: Payback

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Payback (1999, USA)

Director: Brian Helgeland
Cast: Mel Gibson, Gregg Henry, Maria Bello
Running Time: 100 mins.

In this highly entertaining remake of John Boorman’s Point Blank, Mel Gibson’s Porter (Lee Marvin’s Walker in Point Blank) takes on a powerful crime syndicate to get back the 70.000 dollars one of its members (Gregg Henry) stole from him. The cast of this little film is delicious, especially Gibson as the smart and ferocious robber (“what’s his first name?’ I don’t know, I’ve only ever known him as Porter”). Payback is like an ultra violent comic book noir movie with a wisecracking criminal in the lead who tears up the whole city for a lousy 70.000 bucks. It is the principle I guess. Why is Payback a Dungeon Classic? Because it is one of these special kinds of movies in which literally nothing sucks. Everything is kind of great about it, and that is why it deserves this special status. Get ready to root for the bad guy, is the tagline. And that is exactly right: you will be with Porter all the way. In Australia, where Mel Gibson was raised, they had to change the tagline by the way: to root is ‘to fuck’ in Ozzy slang.

A Fistful of Dollars

Director: Sergio Leone
Written by: Victor Andrés Catena, Jaime Comas, Sergio Leone
Cast: Clint Eastwood, Marianne Koch, Gian Maria Volontè, Wolfgang Lukschy

Year / Country: 1964, Italy / Spain / West Germany
Running Time: 96 mins.

During the filming of The Last Days of Pompeii in Europe, directors Sergio Leone and Sergio Corbucci were struck by the idea of using the landscapes they encountered as the backdrop for a western. Five years later, A Fistful of Dollars arrived – a groundbreaking and hugely influential film that launched both Leone’s and Clint Eastwood’s international careers.

For its plot, Leone drew inspiration from Akira Kurosawa’s classic samurai film Yojimbo. A mysterious stranger arrives in a desolate town where no one works except the coffin maker. The town is controlled by two rival gangs – the Baxters and the Rojos – who each try to buy his loyalty. But the stranger is playing his own game. Instead of choosing a side, he orchestrates a deadly conflict to eliminate both gangs and free the town from their oppression.

At the time, Eastwood was virtually unknown, with his biggest credit being the TV show Rawhide. Leone had considered other actors for the role – James Coburn, Charles Bronson, Lee Marvin, and Henry Fonda – but ultimately, Eastwood’s brilliant performance became a key factor in the film’s success. As the enigmatic gunslinger, he exudes effortless cool. With his cobra-quick draw, sharp intellect, and signature poncho, hat, and cigar, he creates an unforgettable character. Despite his stoic presence and minimal dialogue, he also delivers moments of dry humor, particularly in the scene where he demands apologies from four outlaws for scaring his horse – a comic masterpiece.

From the opening animated credit sequence, A Fistful of Dollars pulls you in. Leone’s direction is flawless, blending breathtaking widescreen cinematography with expertly staged duels that brim with tension. Despite the film’s modest budget, its visual and narrative execution mask any limitations. A major part of its success is owed to Ennio Morricone’s unforgettable score – one of his early masterpieces – that elevates the film’s atmosphere and impact.

Initially, A Fistful of Dollars developed a cult following in Italy before becoming a mainstream box-office sensation. Word spread quickly – this was the must-see film of the year. It was soon followed by two sequels, For a Few Dollars More and The Good, the Bad and the Ugly, completing what would become the legendary Dollars Trilogy.

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Biography: Sergio Leone (1929, Rome – 1989, Rome) made his debut in the cinema working as a voluntary assistant and extra, among other things, in The Bicycle Thieves by Vittorio de Sica. Later, he became assistant director to Mario Bonnard. In 1959, when Bonnard was ill, he took over from him on the set of The Last Days of Pompeii. In 1961 he directed his first full-length film: The Colossus of Rhodes. But the film that was to bring him to the general attention came out in 1964: A Fistful of Dollars. His next films, For a Few Dollars More and The Good, The Bad and the Ugly complete what came to be known as the Dollars Trilogy and were a great box-office success. He would only make three more films before tragically passing away in 1989. He was taken from us by a heart attack in his house in Rome, while working on an ambitious project for a film on the Siege of Leningrad.

Filmography: The Colossus of Rhodes (1961), A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, The Bad and the Ugly (1966), Once Upon a Time in the West (1968), A Fistful of Dynamite (1971), Once Upon a Time in America (1984)