The 15 Greatest George Harrison Songs

During his formative years as lead guitarist of The Beatles, George Harrison, often called the quiet and spiritual Beatle, developed himself as a successful songwriter in his own right, who worked in the shadow of songwriting canon Lennon-McCartney. He ended up writing some of the group’s most iconic songs, and then – post-Beatles – continued to add a number of classics to his repertoire as a productive solo artist. These are my 15 favorites.

15. Blow Away

Day turned black, sky ripped apart. Rained for a year ‘til it dampened my heart. Cracks and the leaks, the floorboards caught rot. About to go down, I had almost forgotten… Great opening lyrics, this title song and single from of his 1979 album ‘George Harrison’. This easy listening song became one of Harrison’s most popular recordings from his solo career, and it’s easy to understand why.

14. I Want To Tell You

This was the third track George added to ‘Revolver’, and thereby the first time he contributed more than two tracks to a Beatles album. The song is about the difficulty of conveying the emotions you experience during an acid trip. It’s the opening song of ‘Live in Japan’, the fantastic album made of the concert tour George did in Japan with Eric Clapton as his guitarist and band leader.

13. Piggies

‘Piggies’ is a social satire inspired by George Orwell’s ‘Animal Farm’. Great combo of classical music, baroque pop and absurd lyrics (pigs eating bacon). Unfortunately it was, along with ‘Helter Skelter, used by Charles Manson and his cult as a foundation for his race-related counter cultural revolution. Still, it remains a terrific song, and Harrison’s second best song on the magnificent ‘White Album’ in my humble opinion.

12. Living in the Material World

This song’s title was chosen by Martin Scorsese for his documentary about Harrison. It’s another one of his spiritual songs and the title of his follow-up album to ‘All Things Must Pass’. It’s a very memorable tune in which George describes the limits of knowledge we have in this state as living beings and the clearer picture that will emerge after death. John and Paul are also mentioned in the lyrics.

11. If I Needed Someone

Along with ‘Think For Yourself’, this was George’s contribution to ‘Rubber Soul’. He apparently wrote it for Pattie Boyd, with whom he wasn’t yet married in 1965. It was inspired by the sound of the American band the Byrds who George and John liked and who were clearly inspired by the Beatles. The ambivalent lyrics are quite beautiful, and ‘If I Needed Someone’ was at the time considered to be George’s best song at that point.

10. Within You, Without You

One of the three Indian songs George composed for the Beatles (the others are ‘Love You To’ and ‘The Inner Light’) and his only song on ‘Sgt. Pepper’s Lonely Hearts Club Band’. “I think that is one of George’s best songs”, John Lennon later said. “I like the arrangement, the sound and the words. He is clear on that song. You can hear his mind is clear and his music is clear.” It was recorded in Abbey Road Studios in London without the other Beatles, and features Indian instruments such as the sitar, a tambura and a tabla.

09. I Me Mine

In Peter Jackson’s ‘Get Back’ about the ‘Get Back’ sessions in Twickenham Studio’s, George arrives one morning, and he starts playing a new song he’s been working on for Ringo and some crew members. It is called ‘I Me Mine’. They like it and so do I. The lyrics point to self-centredness as part of the human condition. It was the last song The Beatles, somewhat ironically, recorded before they split up and went to do their own thing.

08. Cheer Down

‘Cheer Down’ was the closing song of the tremendous action film Lethal Weapon 2 in 1989. It was picked by George’s friend Eric Clapton, who was in charge of the music. The title of the song is attributed to Harrison’s wife Olivia, who told her husband to ‘cheer down’ when he would get too enthusiastic. He wrote it together with Tom Petty, and released it as a single with ‘Poor Little Girl’ as the B-side. It was the last such release by Harrison as a solo artist during his lifetime.

07. Tax Man

On The Beatles’ legendary album ‘Revolver’, George got the opening track with ‘Tax Man’. It was the first political song by the group, written as a protest against the progressive super tax of 95 percent the band had to pay at that time. It was introduced by Harold Wilson, prime minister and Labour Party leader, who is mentioned in the lyrics along with conservative leader Ted Heath. The fantastic guitar solo is played by none other than Paul McCartney.

06. What Is Life

‘What Is Life’ is one of the hit singles of ‘All Things Must Pass’, Harrison’s triple album which was released in november 1970 after the breakup of the group. Background musicians on the song include Eric Clapton and the Delaney & Bonnie and Friends Band. It became one of Harrison’s most popular compositions and showed the depth of his talents that had been hiding in plain sight behind Lennon and McCartney. The songs was used in the final segment of GoodFellas, the part in which Henry Hill’s life as a gangster goes off the rails.

05. Here Comes The Sun

And what is currently the most streamed Beatles-song? It’s not a Lennon-McCartney composition, but by far Harrison’s ‘Here Comes The Sun’. It is currently on 1.1 billions streams on Spotify. George wrote this pearl at Eric Claptons’ country house on an acoustic guitar while skipping a business meeting at Apple Corps headquarter about The Beatles’ business affairs. It became one of his signature songs and together with ‘Something’ formed his genius contribution to ‘Abbey Road’, the final album they recorded. The beautiful composition shows his maturity as a songwriter.

04. Something

This classic love song from ‘Abbey Road’ became Harrison’s first A-side single (it was released as a double A-side single together with Lennon’s ‘Come Together’). It is considered as a definite highlight of Harrison’s career. Lennon called it “the best track on ‘Abbey Road’” and it was later covered by a.o. Frank Sinatra, Elvis Prestley, Ray Charles and Shirley Bassey. After ‘Yesterday’ it is the most covered song by The Beatles.

03. While My Guitar Gently Weeps

Rolling Stone Magazine ranked this song seventh in their list ‘The 100 Greatest Guitar Songs of All Time’. And justly so! The guitar work (played partly by Eric Clapton uncredited) is sweeping. The words that started this composition – gently and weeps – were randomly chosen from a book George found lying around. This reflects the meaning of the lyrics that appear to be about randomness and – typical for George – universal love. Inspired by the Taoist concept that everything is relative to everything else as opposed to the Western view that things are merely coincidental.

02. Give Me Love (Give Me Peace On Earth)

I am a sucker for George’s spiritual songs and this is reflected in my choice for his greatest two songs. ‘Give Me Love’ (1973) became George’s second number one single in the US knocking McCartney’s ‘My Love’ to the second spot. It contains beautiful slide-guitar solos, and I love his passionate pleading to the Lord, asking to be freed from birth (released from the karmic cycle of birth, death, and rebirth). Don’t miss the beautiful live version from the ‘Live in Japan’ album.

01. My Sweet Lord

Why ‘My Sweet Lord’ is my favorite George Harrison song? Because the songs heralded the arrival of Harrison’s slide guitar technique, and I absolutely love the sound of the guitars on this song. The solo especially is marvelous. Also, George’s passionate singing is terrific, and those background vocals: LOVE THEM! Lennon didn’t like it much, commenting: “Every time I put the radio on it’s ‘oh, my Lord.’ I’m beginning to think there must be a God.” But maybe he was a little jealous that George became the first ex-Beatle to score a number-one single. Later in the 1970s, Harrison was found guilty to have subconsciously plagiarized the song ‘He’s So Fine’ by The Chiffons.

New Beatles Compilations: The Yellow Album & The Green Album

‘I passed a record store that had a window display showing two ‘new’ Beatles albums – one with a red cover, the other a blue cover. On the red album were the four Beatles in their young mop-top days, and on the blue album, in exactly the same pose, were the bearded hippy Beatles that my mother had warned me about. Needless to say, I blew my double aircraft money on those two double albums and got back on the train with what, I came to learn later, were the most wonderful songs I’ve ever heard, tucked under my arm.’
– Peter Jackson in introduction ‘Get Back: The Book’

Now this article is a bit overtaken by time. Its purpose was to create alternative versions of the Beatles’ famous Red and Blue Albums: the ultimate compilations of their work. My feeling was that although they were great albums, many of my favorite songs were missing. My thesis was that I could create two albums that were just as good using the apparent B-songs only. And of course I was correct; the output of the Beatles is so brilliant that you can never capture this with just two albums.

The idea was good, but then last year, simultaneously with the release of Now and Then, Apple Corps also released new versions of these two albums featuring many songs I have included on these alternative compilations. I decided to publish the track listings anyway. These ‘albums’ can be found on Spotify as playlists.

The Yellow Album (1962 – 1965)

What Beatles fans might notice is that unlike the Red Album, this compilation only goes to 1965 and excludes ‘Revolver’. I figured this would be a better split for two reasons:
– 1962 till 1965 covers the Beatlemania years with ‘Rubber Soul’ (1965) being the transition albums between Beatlemania and the studio years.
– It gave me the chance to open both compilations with a 1, 2, 3, 4 countdown. The one from ‘Please Please Me’ sounds pretty ‘live’ and the ‘Revolver’ one sounds more studio-like.

I am happy with the track listing of the Yellow Album. Yes, the well known A-sides are missing, but look at the sheer quality of the tracks it does have: I Saw Her Standing There, I Should Have Known Better, If I Fell, You Can’t Do That, I’m A Loser, I’ve Just Seen A Face, If I Needed Someone, I’m Down… In any other band, these would be their absolute best songs.

Track Listing

1. I Saw Her Standing There
2. Do You Want To Know a Secret
3. I’ll Get You
4. This Boy
5. Hold Me Tight
6. Little Child
7. It Won’t Be Long
8. I Should Have Known Better
9. If I Fell
10. I’m Happy Just To Dance With You
11. When I Get Home
12. You Can’t Do That
13. I’ll Follow The Sun
14. No Reply
15. I’m A Loser
16. What You’re Doing
17. The Night Before
18. Tell Me What You See
19. I’ve Just Seen A Face
20. You Won’t See Me
21. Run For Your Life
22. What Goes On
23. Wait
24. If I Needed Someone
25. I Call Your Name
26. I’m Down

The Green Album (1966 – 1970)

The green album, I think, is an even more amazing compilation. It might even beat the Blue Album in my humble opinion. Compare for example the output from ‘Sgt. Peppers’ on the two compilations. Yes, A Day In The Life on the Blue Album is most likely John’s masterpiece, but the album doesn’t include Fixing a Hole, She’s Leaving Home and Being For The Benefit Of Mr. Kite!, three of my all time favorite Beatles songs.

Other absolute classics that are included: Here, There And Everywhere, And Your Bird Can Sing, Tomorrow Never Knows, Dear Prudence, Happiness Is A Warm Gun, Blackbird, Because, Golden Slumbers… I mean, it’s kind of ridiculous really…

Track Listing

1. Taxman
2. Here, There And Everywhere
3. And Your Bird Can Sing
4. For No One
5. Tomorrow Never Knows
6. Getting Better
7. Fixing A Hole
8. She’s Leaving Home
9. Being For The Benefit Of Mr. Kite!
10. Your Mother Should Know
11. Baby, You’re A Rich Man
12. Dear Prudence
13. Happiness Is A Warm Gun
14. Martha My Dear
15. Blackbird
16. Birthday
17. Sexy Sadie
18. Julia
19. Two Of Us
20. One After 909
21. Dig A Pony
22. I Me Mine
23. Maxwell’s Silver Hammer
24. Oh! Darling
25. Because
26. Golden Slumbers
27. Carry That Weight
28. The End

Read also: The White Album Compressed

The Beatles: ‘Get Back’ versus ‘Let It Be’

Jawel, ik ben de gelukkige bezitter van het album ‘Get Back’ van ‘The Beatles’. ‘Boeit mij dat wat?’, zul je vast denken, maar een Beatles verzamelaar zal het wel begrijpen. Ook al vond ik het album altijd onvoorstelbaar slecht (voor ‘The Beatles’ dan), het is niet meer te krijgen op Amazon, en iets bezitten dat schaars is maakt dat je er toch waarde aan toekent.

Onlangs heb ik ook ‘Let It Be’ aangeschaft en daarmee heb ik bijna alle muziek van ‘The Beatles’ compleet, wat niet zo indrukwekkend lijkt, maar je kunt je vergissen in hoeveel ze gemaakt hebben. George Harrison schreef hun productiviteit toe aan Paul McCartney in de documentaire over zijn leven ‘Living in the Material World‘. ‘Zaten we lekker in het zonnetje en ging de telefoon. We wisten dat het Paul was. Hij wilde dat we weer aan het werk gingen.’

The Beatles 2

Een klein stukje geschiedenis. ‘Let It Be’ is het laatst uitgebrachte album van de groep. Het verscheen in 1970, een maand nadat de groep definitief uit elkaar was gegaan. De opnames waren echter gemaakt voor de opnames van hun legendarische album ‘Abbey Road’ en veel fans vinden dat dat dan ook hun laatste album moet zijn. Wat in ieder geval duidelijk is, is dat ‘Abbey Road’ een onvoorstelbaar betere afsluiter zou zijn geweest dan ‘Let It Be’. Het verschil in kwaliteit is werkelijk enorm.

Op Amazon krijgt ‘Let It Be‘ veel vijf-ster kritieken en dat vind ik persoonlijk echt te veel eer voor wat zonder twijfel hun zwakste album is. Veel van de liedjes staan ook op ‘Get Back’ wat ik dus nooit wat vond. Ik weet nu waarom dat is. De titel ‘Get Back’ refereert aan het plan van de band om weer live te gaan toeren, iets dat ze op dat punt in 1969 (het jaar van de opnames) compleet verleerd waren. Het album – dat diende als soundtrack voor een film die ze toen aan het maken waren – zou vooral live opnames bevatten en geen dubbele lagen meer, zoals de briljante studioplaten die ze de jaren ervoor hadden afgeleverd.

Als groot fan van hun studioalbums, zoals ‘Rubber Soul’, ‘Revolver’ en ‘St. Peppers Lonely Hearts Club Band’ was ik verwend met de mooiste studio-opnames ooit gemaakt (nu nog steeds). Vanuit dat referentiepunt ‘Get Back’ luisteren is als slapen op een spijkermat als je gewend bent aan een hemelbed. Bij ‘Let It Be’ was mijn verwachtingspatroon compleet anders – ik verwachte het niet goed te vinden – en daardoor viel het album me erg mee.

Een meesterwerk is het niet, maar er staan wel pareltjes op. Drie om precies te zijn: ‘Two of Us’, ‘Let It Be’ en ‘The Long and Winding Road’. Bij het luisteren naar ‘Get Back’ waren deze drie toppers me ontgaan vanwege de slechte geluidskwaliteit. De andere songs lijken qua stijl vooral overblijfselen van ‘The White Album’ dat ze daarvoor opnamen. En er zitten best aardige tracks bij zoals ‘Dig a Pony’, ‘Across the Universe’ en natuurlijk ‘Get Back’.

Met een nieuwe blik, of liever een nieuw gehoor, ben ik vervolgens opnieuw naar het ‘Get Back’ album gaan luisteren en die ervaring is verbeterd. De gebrekkige geluidskwaliteit maakt het nog steeds lastig optimaal te genieten van de plaat, maar het is nu wel ‘iets’ terwijl het eerst niets was.

Wat zijn uiteindelijk de verschillende tussen ‘Get Back’ en ‘Let It Be’?
– De geluidskwaliteit van ‘Let It Be’ is een stukje beter, maar heeft nog wel dat ‘live performance’ gevoel dat ze nastreefden tijdens de ‘Get Back’ sessies. Verschillende tracks zijn ook live opnames van een concert.

– Op ‘Get Back’ (mijn bootleg versie tenminste) staan twee tracks die niet op ‘Let It Be’ staan: ‘Don’t Let Me Down’, een mooie compositie die zo van ‘Abbey Road’ afkomstig zou kunnen zijn, en ‘Teddy Boy’ dat nozem betekent in Liverpool, refererend aan ‘The Beatles’ in hun beginjaren, dat waren nozems.

– Op ‘Let It Be’ staan weer twee tracks die niet op ‘Get Back’ staan: ‘Across the Universe’ en ‘I Me Mine’ (de laatste Beatles song ooit opgenomen).

The Beatles 1

Dat is het wel. Natuurlijk zijn er ook verschillen in coverart. ‘Get Back’ is een visuele referentie aan hun eerste album ‘Please Please Me’. Op ‘Let It Be’ staan gewoon vier hoofden van de bandleden. Waarom ze daarvoor gekozen hebben weet ik niet; het is een lelijke cover. Misschien omdat de band toen al uit elkaar was en ze iets moesten doen waarvoor ze de band niet bij elkaar hoefden te brengen.

Vanwege de geluidskwaliteit zou ik toch kiezen voor ‘Let It Be’ als een keuze überhaupt nodig was. Moet je dit album hebben als Beatle Maniac? Ja, bij de drie eerder genoemde pareltjes vergeet je weer even dat de band hier op het punt stond uit elkaar te vallen, en wordt je herinnerd aan het geniale samenspel van deze vier muzikale genieën uit Liverpool.

My 10 Favourite Beatles Songs

The Beatles
Well, this was a tough challenge. ‘The Beatles’ made so many great songs, and in my life I loved them all. But I had to choose, and I did (I only cheated once). So here they are, my 10 favourites. Let it be…

10. Sexy Sadie
Lead vocals: John Lennon
Writer(s): John Lennon
Album: The White Album (B-side)

I just love the structure of this one with every line coming back. The history of how it came to be is amusing as well. Apparently Lennon started writing it in India where he and the boys were staying at the ashram of Maharishi Mahesh Yogi. Lennon became disillusioned after Maharishi made sexual advances towards several female group members. The song was originally called ‘Maharishi’, but George Harrison insisted they change the title.

9. Being For the Benefit of Mr. Kite
Lead vocals: John Lennon
Writer(s): Lennon-McCartney
Album: Sgt. Pepper’s Lonely Hearts Club Band

This one sounds like it was composed with a head full of acid and it probably was. The lyrics are based entirely on a circus poster from the Victorian age Lennon had at home. The final result, a combination of psychedelic rock, circus music and waltz is more an experience than a song. A truly unique sound that stimulates all senses. Brilliant.

8. The Fool on the Hill
Lead vocals: Paul McCartney
Writer(s): Paul McCartney
Album: Magical Mystery Tour

This musical power performance is full of sadness and wisdom. Makes heavy use of flutes that send shivers down my spine every time I listen to it.

7. Michelle
Lead vocals: Paul McCartney
Writer(s): Lennon-McCartney
Album: Rubber Soul

It a shame nobody on the talent shows like ‘The Voice’ ever picks a love ballad like ‘Michelle’. Maybe it’s not allowed, but even if they did, they would never be able to sing it like Paul McCartney. ‘Michelle’ is tasteful, romantic and lovely. Never fails to move me.

6. Happiness is a Warm Gun
Lead vocals: John Lennon
Writer(s): John Lennon
Album: The White Album (A-side)

Bizarre poetry from John Lennon. It is inspired by the cover of a gun magazine that read ‘Happiness Is a Warm Gun’. Lennon thought it was a fantastic, insane thing to say and he wrote these lyrics that are terrific and crazy. The song rocks so much it gives me a massive hard on whenever I play it insanely loud in my car.

5. Octopus’s Garden / Norwegian Wood
Lead vocals: Ringo Starr / John Lennon
Writer(s): Richard Starkey / Lennon-McCartney
Album: Abbey Road / Rubber Soul

It is truly amazing how much atmosphere these artists could create with their songs. ‘Octopus’s Garden’ – by far the greatest contribution from Ringo Starr – takes you deep into the ocean for a magical experience. ‘Norwegian Wood’ is extremely atmospheric as well due to the sitar played by George Harrison. The lyrics are beautiful and poetic. I love to go there any day of the week.

4. Because
Lead vocals: John Lennon, Paul McCartney, and George Harrison
Writer(s): John Lennon
Album: Abbey Road

I experience their final album ‘Abbey Road’ as one large and beautiful opera, and ‘Because’ is one of the highlights. Why? ‘Because’ it’s a powerful and astonishingly beautiful song. Can make me cry like a child.

3. In My Life
Lead vocals: John Lennon
Writer(s): Lennon-McCartney
Album: Rubber Soul

Wonderful trip down memory lane with John Lennon. It’s about love and friendship and you believe every word he so gently sings. It is ranked 23rd on Rolling Stone’s ‘The 500 Greatest Songs of All Time’. Mojo magazine named it the best song of all time in 2000.

2. She’s Leaving Home
Lead vocals: Paul McCartney
Writer(s): Lennon-McCartney
Album: Sgt. Pepper’s Lonely Hearts Club Band

Besides the hallucinogenic ‘Lucy in the Sky with Diamonds’ and the mood-setting ‘Fixing a Hole’ this is a song that makes me think of the love of my life. In the year that I met Loesje, I would listen to this all the time thinking about her. The lyrics are sad, but stunningly beautiful. McCartney came up with the runaway story, which he read about in a newspaper and Lennon added the Greek chorus, the parents’ view: ‘We gave her most of our lives, we gave her everything money could buy.’ Genius teamwork.

1. Here, There and Everywhere
Lead vocals: Paul McCartney
Writer(s): Paul McCartney
Album: Revolver

This is it: my funeral song. I don’t know what McCartney thought about when he wrote this powerful masterpiece, but for me it is about love and eternity.

Thanks again, Boys.