Up in Smoke


Director: Lou Adler
Written by: Tommy Chong, Cheech Marin
Cast: Cheech Marin, Tommy Chong, Stacy Keach

Year / Country: 1978, USA
Running Time: 86 mins.

Cheech & Chong are a comedy duo founded in Vancouver, consisting of American Cheech Marin and Canadian Tommy Chong. They rose to commercial and cultural prominence in the 1970s and 1980s through their stand-up routines, comedy albums, and feature films. Their work drew heavily from the hippie and free-love era, the drug-fueled counterculture movement, and, most famously, their unabashed love for cannabis.

Up in Smoke marks the big-screen debut of the stoner duo who would go on to become synonymous with the genre itself. This first film launched a series of follow-ups: Cheech and Chong’s Next Movie (1980), Nice Dreams (1981), Things Are Tough All Over (1982), Still Smokin (1983), Cheech & Chong’s The Corsican Brothers (1984), and, much later, Cheech & Chong’s Animated Movie (2013).

In their debut, they are not yet known as Cheech and Chong, but as Pedro and ‘Man’ (Chong’s character is officially named Anthony, though this is mentioned only once). Man is under pressure from his father to find a job or face being sent to military school. He leaves home, disguises himself as a large-breasted woman to hitch a ride, and ends up meeting Pedro. The two quickly bond, smoke copious amounts of weed, start a band, and spend most of their time trying to avoid getting busted by the LAPD. In many ways, they practically invent the stoner comedy genre right here.

The plot eventually centers on the duo unknowingly smuggling a van made entirely out of marijuana across the border from Mexico, all while being chased by an especially dim-witted police unit led by Sgt. Stedenko (Stacy Keach). The character would return in Cheech & Chong’s second follow-up, Nice Dreams.

“Hey, do you wanna get high, man?”
“Does Howdy Doody got wooden balls?”

Lines like these are delivered nonstop, and while the humor is simple, it works remarkably well. There are plenty of genuine laugh-out-loud moments. Director and producer Lou Adler famously screened the film privately for his friend Jack Nicholson, who had recently been in a car accident and suffered a dislocated shoulder. The screening turned out to be a painful experience for Nicholson – his shoulder hurt every time he laughed, which was often.

The film also boasts a great soundtrack, featuring classics like ‘Low Rider’ alongside Cheech & Chong originals such as ‘Framed’. Shot largely in Los Angeles, the movie has a relaxed, sun-soaked atmosphere, enhanced by memorable visual touches like the opening credits being spray-painted over Pedro’s lowrider.

Up in Smoke was a massive success, grossing over 100 million dollars worldwide despite its modest budget. In 2024, it was selected for preservation in the United States National Film Registry by the Library of Congress, recognized as ‘culturally, historically, or aesthetically significant.’

Rating:

Biography: Lou Adler (1933, Chicago, Illinois, USA) is a producer, known for The Rocky Horror Picture Show (1975), Up in Smoke (1978) and Witness (1985). He has been married to Page Hannah since March 28, 1992. They have four children.

Filmography: Up in Smoke (1978), Ladies and Gentlemen, the Fabulous Stains (1982)

A Special Christmas Viewing of Lethal Weapon

Ah, wonderful Christmas time… I always love Christmas because I’m off, and I enjoy the whole atmosphere. I love Christmas trees, Christmas food, and those miniature Christmas villages. But also – of course – Christmas movies. Or simply movies set during Christmas, because they make me feel all warm and fuzzy inside.

When I was a child, there were always great Christmas films on television. But an action movie set around Christmas time can really hit my sweet spot as well. A few Christmases ago, I discussed Die Hard and Die Hard 2, perhaps the ultimate Christmas films.

But let us not forget Lethal Weapon – written by Shane Black, produced by Joel Silver and directed by Richard Donner. Like Die Hard, it’s one of the best action movies of the late eighties and early nineties, and it can definitely be considered a Christmas movie too. So let’s take a look at all the Christmas elements the film contains.

It opens with ‘Jingle Bell Rock’ by Bobby Helms, one of the greatest Christmas tracks, and a girl in an apartment building snorting ‘snow’ (X-mas) before she jumps to her death. It’s the investigation into this death that brings detectives Roger Murtaugh (Danny Glover) and Martin Riggs (Mel Gibson) together as a police duo, and later, as besties.

We meet Murtaugh, who’s feeling old on his 50th birthday. His house is warm and cozy, and he can’t believe how pretty his daughter looks in her New Year’s dress. His wife tells him his old Vietnam buddy Michael Hunsaker called about his daughter, who, as we soon discover, is the jumper from the opening scene.

Riggs goes undercover to bust a drug ring at a Christmas tree lot. It quickly turns into a bullet festival, and Riggs reveals just how unhinged he is, and that he apparently has a death wish. This is Riggs’ proper introduction in the theatrical version of Lethal Weapon. In the director’s cut on DVD, there’s an earlier introduction in which Riggs risks his life to take down a sniper at a school.

The suicide attempt scene… Very intense. Great acting by Gibson. He almost does it, but Bugs Bunny on TV saves the day by wishing Yosemite Sam a Merry Christmas.

Cops singing Silent Night. We meet Captain Murphy (Steve Kahan) and the police psychologist (Mary Ellen Trainor) who is evaluating Riggs.

A colleague of Murtaugh admits to crying in bed because he was lonely, and he wishes Murtaugh a Merry Christmas. Afterwards, Murtaugh jumps on Riggs because he’s carrying a gun and he doesn’t realize he’s a cop. Riggs floors him in seconds. Nice to meet you.

Meet the bad guys. In a club, main baddie General McAlister (Mitchell Ryan) proves to a customer just how loyal his men are by holding a Zippo under his henchman Mr. Joshua’s (Gary Busey) hand for eleven seconds. He then wishes the impressed drug wholesaler a Merry Christmas.

Roger talks to Hunsaker. His old friend says Roger owes him, and he wants him to find the bad guys who killed his daughter (it turns out she was poisoned, so she would have died even if she hadn’t jumped) and kill them.

The jumper scene. A santa clause is among the onlookers. And Riggs opens the conversation with the jumper with “Merry Christmas.”

Murtouch tries to get the truth out of Riggs against a Christmas background: “You wanna die?”
Riggs tells him that he’s considering eating a bullet and even has a special one for the occasion.

They follow up on a lead and a young woman invites them inside. They just warmed up to each other a little bit. “Merry Christmas”, she says as she drives off. Friendly people in L.A. The reception is less friendly (shotgun) and Riggs makes another kill.

At the shooting range, Riggs and Murtaugh are clearly closer after their dinner at Murtaugh’s place. Murtaugh jokes that if Riggs doesn’t behave, he won’t be invited for Christmas dinner. “My luck is changing by the day”, Riggs says, taking a playful dig at Murtaugh’s wife’s cooking.

“Fuck easy!”
Roger puts the screws on Hunsaker. They know it’s his illegal activities that got his daughter killed. Then Hunsaker starts spilling his guts about a heroin smuggling operation, but before he can give details he is snipered to death from a helicopter while drinking eggnog from a carton. 🙂

“The bastards got my daughter…”

“You know they’re gonna kill her, don’t you? We’re gonna get bloody on this one, Roger.”

After an intense torture session, the Lethal Weapon team breaks out and enter the club where we first met the baddies. The Christmas decorations are all there. It is time for payback.

Surprise! A note for the bad guys.

Riggs Vs. Mr. Blonde. Riggs wins of course. Then Joshua takes a gun from an officer, and they shoot him dead in response. They are one, the ultimate cop duo.

“Merry Christmas Victoria Lynn.”

A bullet as a Christmas gift…

Riggs no longer has a death wish. Murtaugh invites him in because he refuses to eat “the world’s lousiest turkey by himself.”

‘I’ll Be Home for Christmas’ plays over the end credits while Sam the Dog and Burbank the Cat fight it out inside.

The Doorway (2): DMT

DMT (Dimethyltryptamine) is an extremely powerful hallucinogenic found throughout nature that has a profound impact on human consciousness.

The structure of DMT is very simple: there are only four positions where chemical groups can attach. It’s everywhere in nature. All organisms have the two key enzymes that lead to the synthesis of DMT. It is also the visionary ingredient in ayahuasca, a very popular psychedelic in the West nowadays.

Ayahuasca is created by combining two Amazon plants, one containing DMT and one containing an enzyme inhibitor, needed for the DMT to have effect. How did these Amazonian Indians know how to combine these plants? A trip created by orally consuming DMT can last three to four hours. That is much more time than the bullet train trip you get when smoking or injecting DMT.

So DMT is everywhere in nature, but what is it for? Many leading experts say they are messenger molecules. It is a powerful tool to explore the whole mysterious question: what is consciousness?

DMT is often referred to as the spirit molecule, which is a conundrum. The spirit is the inner world and the molecule is the external world. So the psychedelic is an entheogen; they take us from the science to the spirit.

DMT can also be produced by the human brain in extremely small amounts. The enzymes necessary for its production are expressed in the cerebral cortex, the choroid plexus, and the pineal gland.

Rick Strassman – a professor in psychiatry – has done extensive research in DMT and non-ordinary states of consciousness. It is his belief that the pineal gland, a tiny, pinecone-shaped endocrine gland in the center of the brain, at times releases DMT to facilitate the entering and exciting of the soul in the body.

Through various practices, like fasting, chanting and praying, a release might be triggered that is correlated with mystical experiences. A DMT trip is described as a ‘psychedelic bungee jump’. Just like that, you find yourself in a completely different reality, and – bang! – just like that, you’re out of it again.

Why are these plants made illegal in our ‘enlightened’ Western societies? “It is very revealing about these societies”, says writer and journalist Graham Hancock. “Our society devalues non-ordinary states of consciousness. Any other consciousness that is not related to the production or consumption of material goods is stigmatized in our society today.”

There is fear in the powers that be that ended the psychedelic revolution in the sixties. Fear that if enough people take these substances, the very fabric of our societies would be picked apart.

After a near ban of psychedelic research, Rick Strassman got approval in 1989 to do a DMT study. It was the first psychedelic research in a generation. He did not approach the work as psychotherapy, but as pure scientific research, focusing on what happened in the body and brain. He recorded the experiences of participants and later published them in his book ‘DMT: The Spirit Molecule’, a fascinating byproduct of the study.

So what is the experience like? Time crumbles. The linearity of time is totally meaningless in a DMT experience. You are at the God Head, the point where all time folds in on itself. You are no longer a human being. In fact, you are no longer anything you can identify with. It is a terrifying experience. You are blasted out of your body at warp speed, backwards through your own DNA out the other end into the universe.

DMT users often report encountering pure consciousness, sometimes perceived as a vastly advanced civilization; far beyond anything known on Earth. “My sense was that at some point there was an implicit realization: this is the divine realm”, one user said.

“It’s a place I’ve been many times before. A place where souls await rebirth. An incredible, transcendent peace came over me. I have never felt such peace in my life. Every fear, hope, and attachment to the material world was stripped away. I was free to simply be the essence of a soul.”

Strassman’s explanation: The brain, the organ of consciousness, was transformed in such a way that it could receive information that it couldn’t normally receive. “It rips that filtering mechanism away for just a few minutes and for this time you are immersed in raw data: sensory input, memories, associations. It seems your brain builds reality out of these things. You associate and synthesize these things together and tell yourself a story basically.”

During DMT experiences, encounters with aliens, angels, and other entities are common, as are visions of other civilizations. An intelligence is often perceived, one that does not seem to exist within three-dimensional space.

DMT is a messenger that offers a glimpse into possible future stages of human evolution. It may be the ultimate psychedelic compound: a doorway to another reality.

The documentary ‘DMT: The Spirit Molecule’ is available on YouTube.