Categorie archief: Films

Dungeon Classics #29: The Getaway

Posted on by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

The Getaway (1972, USA)

Director: Sam Peckinpah
Cast: Steve McQueen, Ali MacGraw, Sally Struthers, Al Lettieri
Running Time: 101 mins.

Seventies classic with a terrific Steve McQueen as bank robber Carter ‘Doc’ McCoy who goes on the run with his wife (Ali MacGraw) after a job went awry. Both the police and criminals are on their tail. What makes this movie work is that it is in fact a love story. McCoy was in jail for five years and his wife had to have sex with a parole board member to get him out. This man – Beynon – was also the one who ordered the bank job and assigned two amateurs to Doc’s team. They are the ones who screwed it up and one of them (Rudy played by The Godfather villain Al Lettieri) is now after them. McCoy can’t forgive his wife for what she did, despite her good intentions, and this psychological drama makes the movie rise above the routine lovers on the run story. Director Peckinpah’s trademark slow motion violence is on display during the finale in a memorable sequence in a hotel.

Dungeon Classics #28: Dead Man

Posted on by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Dead Man (1995, USA, Germany, Japan)

Director: Jim Jarmusch
Cast: Johnny Depp, Gary Farmer, Crispin Glover
Running Time: 121 mins.

A meek accountant called William Blake (Johnny Depp) travels through the old West. His destination is a place called Machine where he is supposedly hired for a job. But is this journey real, or is it a metaphorical journey undertaken by a dead man? He is in hell, a fellow passenger assures him. Things don’t get better when he arrives in Machine. There is no job for him, and he is soon forced to kill a man in self defense, which leads to him becoming a wanted man. He is then taken on a journey to nowhere by an Indian called nobody who believes he is the poet William Blake. Underway, he meets a long list of stupid white men to kill, played by well known actors/artists, including Lance Henriksen, Michael Wincott, Iggy Pop and Alfred Molina. Dead Man is a so-called acid western, a subgenre of the western that ‘subverts many of the conventions of earlier Westerns to conjure up a crazed version of autodestructive white America at its most solipsistic, hankering after its own lost origins’ (Wikipedia). It is another mesmerizing piece of art by writer-director Jim Jarmusch. The beautiful black and white imagery, accompanied by a moody electrical guitar score composed and performed by Neil Young, serves to create a truly unique atmosphere. Dead Man is best described as film as poetry. The images are the words and – like the poetry of William Blake – powerful words they are.

The Verdict: Clerks III

Posted on by Jeppe Kleijngeld

In the 1990’s, a glorious time for American, independent cinema, writer-director Kevin Smith debuted with the ultra low budget comedy Clerks. It was a terrific movie because of the characters, the delicious dialogues on pop culture, and mostly because it was very, very funny. Smith followed up his cult success with some pretty great (Chasing Amy / Jay and Silent Bob Strike Back) and not so great (Jay and Silent Bob Reboot) movies. Now Clerks III has arrived and it is Smith’s worst movie to date (from the ones I have seen). The main problem: it is not funny. And the dialogues don’t work. Also, the characters Dante and Randall are not interesting any more 26 years later. Randall is no longer harassing customers. And Dante’s self pity worked in the original because he had an actual big life decision to make. Now, it just gets tiresome. The one positive thing I can report about Clerks III is the ending. Spoiler alert: Dante dies! Not to be too harsh on Smith; I still love the guy. And not that I hated Dante so much that I wanted him to die. I just thought it was a fitting ending to the Clerks saga. Hopefully, Smith’s Mallrats follow-up will be better.

Clerks III is now available on Netflix

The verdict: to stream or not to stream? Not to stream. Watch the original instead.

Dungeon Classics #27: Clerks

Posted on by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Clerks (1994, USA)

Director: Kevin Smith
Cast: Brian O’Halloran, Jeff Anderson, Marilyn Ghigliotti
Running Time: 92 mins.

Writer-director-comedian Kevin Smith once said in an interview that Reservoir Dogs influenced him to make Clerks. “A bunch of guys talking about movies and making dick jokes, that counts?!?” So he maxed out his credit cards, sold his comic book collection and filmed at night at the quick stop grocery store where he worked. The protagonist is Dante ‘I’m not even supposed to be here today’ Hicks. An appropriate name because Dante literally thinks he’s in hell. He hates the store, the stupid customers and basically his whole existence. His partner is the foul mouthed Randall who ‘runs’ the video store next door, which means bitching about movies, abusing customers and playing hockey on the rooftop. Clerks follows Dante’s and Randall’s misadventures as they deal with weird customers, (ex-) girlfriends and two deaths happening that very same day. Now Smith is no Spielberg, but two things he can do: write a screenplay that is funny as hell and find the boys and girls who know how to deliver these great lines. Clerks started a whole franchise of Kevin Smith comedies with many of the cast members frequently returning. Some movies are good (Jay & Silent Bob Strike Back!), but like with Bond Girls, the first one is still the best. Clerks is clever, original and very, very re-watchable.