Review Observer (2023, Robert Lanza, Nancy Kress)

“You are the observer. You create the universe every day, every hour, every nano-second. Everything that can exist, will exist, somewhere, including your beloved dead. They can once again be alive, walking around, solid as the chair you sit in now, solid as this book you hold in your hand.”

In the new science fiction novel ‘Observer’ – written by an actual scientist and a sci-fi writer – the mindblowing implications of quantum mechanics are taken to the next level.

The scientist is Robert Lanza, who in 2009 published his masterpiece ‘Biocentrism’, a non-fiction book about his theory based solely on science that concludes that life and consciousness create the universe, not the other way around. The writer is American science fiction author Nancy Kress, who won several awards for her work, which includes ‘After the Fall, Before the Fall, During the Fall’ and ‘Fountain of Age’.

In ‘Biocentrism’, and its sequels ‘Beyond Biocentrism’ and ‘The Grand Biocentric Design’, Lanza explained how observers (humans and other animals) create physical reality. Without observers, the universe (spacetime and matter) would remain in a state of superposition. Being alive means you are collapsing wavefunctions and you are transforming a cloud of probabilities into one manifest reality.

The premise of ‘Observer’ is that this is indeed how reality works, and a group of scientists has developed new technology which changes the algorithms by which the brain processes information. This enables the characters to create alternative branches of the universe in which their deceased loved ones can once again be alive.

It happens often that new scientific views are communicated to the general public through popular culture. ‘Biocentrism’ has not yet transformed the mainstream scientific view that sees the universe as a huge space filled with marbles that accidentally also contains life and consciousness. ‘Observer’ is a solid attempt to translate the ideas of ‘Biocentrism’ into a compelling science fiction story. It was a smart move to team up with a writer because it has believable characters and reads like a bullet train.

One of the characters is physicist George Weigert who is basically a fictionalized version of Lanza himself. It is he who has developed the biocentric theory which he calls ‘the primacy of the observer’. His main motivation to do it is to see his dead wife Rose again. The main character is surgeon Caroline Soames-Walkins who joins the team on Cayman Brac to perform the operations needed to install the brain-chips that participants need in order to create other branches of the universe. She remains in doubt the whole time about the project and suspects that what the participants see is just an elaborate hallucination. What could convince her of the truth?

The book contains many of the same explanations that ‘Biocentrism’ first pioneered about the true nature of space, time and reality. Sometimes, they have characters explain these concepts in a way that’s not entirely believable. It is obviously Lanza talking. But this is a minor critique. What ‘Observer’ does very well is explaining real, revolutionary science in an understandable way. This doesn’t mean it becomes easy, because as Lanza has pointed out many times; language is a limited tool when it comes to explaining fundamental truths like the illusion of time.

Luckily, you don’t have to fully understand all the science to enjoy the story. If observers indeed create reality, this opens up many staggering possibilities. Some of these are explored in this book, but the writers didn’t overdo it. There is definitely a sequel suspended in superposition in which the future possibilities are explored further. Perhaps ‘Creator’ is a suitable title for this sequel?

More about biocentrism, quantum physics and the true nature of reality: Check out my new platform Free-Consciousness.

TV Dungeon: Oz

(1997 – 2003, USA)

Creator: Tom Fontana
Cast: Ernie Hudson, Harold Perrineau, Lee Tergesen, J.K. Simmons, Dean Winters, Terry Kinney, Eamonn Walker, Kirk Acevedo

6 Seasons (56 Episodes)

Welcome to Oz! A high security federal prison, called Oswald State Correctional Facility (‘Oz’ in slang). This series is set entirely in a section of this nightmarish prison called Emerald City, run by its creator Tim McManus. Em City is an experiment, whereby various criminal gangs of different ethnicity (blacks, Latino’s, Italian wiseguys, white supremacists, etc) are put together to live in a simulated society. To say that this experiment doesn’t run too smoothly would be somewhat of an understatement.

Because like outside of the prison, the aim of every criminal group or individual is to gain in power. When stripped of almost everything, other means must be used to achieve this, such as rape or violence. This quest for power runs through Oz like a red line. But there are other matters that the inmates pursue, like love, success or even redemption.

The problem is jealousy. Humans of whom everything is taken away, tend to get disagreeable about other people’s achievements. So whenever they sense a shred of happiness around another inmate, they will take the cause away indefinitely. This doesn’t only apply to prisoners, but to the guards as well. Like the one guard who gets a pro-basketball contract. His ankles are slices, putting him out of the game for good.

Plainly put, once you get into Oz, you’re a dead man. Sometimes literally. If Oz teaches us one thing, it is that inside Emerald City, anybody can die at any given time. Even main characters! The ones that manage to survive have to deal with the harrowing psychological effects of prison life. If they ever get out, they are likely to return. Sometimes by their own doing, or by the doing of a fellow inmate who likes to keep them around.

Absolutely hopeless.

Oz, that was there even before TV-gamechanger The Sopranos, is the show that put pay channel Home Box Office (HBO) firmly on the map. It differentiates itself from typical network shows by allowing things to unfold naturally. That means shocking content at times: rapes, gruesome violence, male frontal nudity and homosexual relations are not filtered out for the audience. That gives the series a very raw feel to it. It may be unpleasant at times, it is also very addicting.

What starts out as a realistic show, becomes more fantastical in later seasons. It is stunning either way. While the main goal of Oz, seems to be making a political statement, it also manages to provide superbly entertaining drama. This is mainly due to the brilliantly realized characters, both inmates and staff, that know how to surprise the audience every time.

Some of those characters are present from the start like Beecher, Schillinger, O’Reilly, Alvarez, Adabisi and Kareem Said. Logically their personal stories and relationships are the most fascinating, but what Oz also does very well is keeping the in- and outflow of inmates up to a pleasant level. It is not really possible to explain some of the characters’ stories as it would do injustice to the writing, but believe the reviewer: it is fascinating.

Watching Oz is basically like observing a monkey cage. There is a brawl every few minutes and the smartest inmates (best schemers) live the longest. If you’re up for great drama with a message, Oz is your fix. Just don’t get too attached to any of the characters.

Dungeon Classics #30: The Wild Bunch

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

The Wild Bunch (1969, USA)

Director:
Sam Peckinpah
Cast: William Holden, Ernest Borgnine, Robert Ryan
Running Time: 145 mins.

Pike Bishop (William Holden) is an aging outlaw who runs a gang called the Wild Bunch in the new American West of 1913, a time of trains and automobiles in which they no longer seem to fit. They get ambushed during their latest score and flee to Mexico, while being hunted by bounty hunters led by one of their former gang members (Robert Ryan). Once in Mexico, they agree to rob a train and steal weapons for a corrupt general after which Pike plans to retire. But if you think the Wild Bunch will disappear quietly into the night, you’re in for a very noisy surprise! The Wild Bunch was controversial at the time for the graphic violence on display and immoral characters in the lead. This was new indeed and clearly an inspiration for filmmakers like Quentin Tarantino. The movie looks and feels very gritty and raw, and the bloody bullet festival in slow motion at the end is a masterful sequence: one of the all-time greatest scenes in cinema history! Fun trivia: actor Robert Ryan was constantly whining to director Peckinpah that he wanted first billing. The director punished him by listing him third on several horses’ asses.

Dungeon Classics #29: The Getaway

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

The Getaway (1972, USA)

Director: Sam Peckinpah
Cast: Steve McQueen, Ali MacGraw, Sally Struthers, Al Lettieri
Running Time: 101 mins.

Seventies classic with a terrific Steve McQueen as bank robber Carter ‘Doc’ McCoy who goes on the run with his wife (Ali MacGraw) after a job went awry. Both the police and criminals are on their tail. What makes this movie work is that it is in fact a love story. McCoy was in jail for five years and his wife had to have sex with a parole board member to get him out. This man – Beynon – was also the one who ordered the bank job and assigned two amateurs to Doc’s team. They are the ones who screwed it up and one of them (Rudy played by The Godfather villain Al Lettieri) is now after them. McCoy can’t forgive his wife for what she did, despite her good intentions, and this psychological drama makes the movie rise above the routine lovers on the run story. Director Peckinpah’s trademark slow motion violence is on display during the finale in a memorable sequence in a hotel.