FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….
The Quick and the Dead (1995, USA / Japan)
Director: Sam Raimi
Cast: Sharon Stone, Gene Hackman, Russell Crowe, Leonardo DiCaprio
Running Time: 107 mins.
One of the my favorite movies! It’s just so damn entertaining. The story is about a sexy, female gunslinger (Sharon Stone) riding into the town of redemption to take revenge on local boss Herod (Gene Hackman). To do this, she has to enter a fast-draw contest in which the odds of surviving are about 3,2 percent. Five reasons I LOVE this movie:
1. The direction by Sam Raimi is top of the line. Never did he deliver more style and razzle-dazzle.
2. The camerawork. Every shot and angle is a little masterpiece. The gunfights are all shot in incredibly inventive ways.
3. The main cast and supporting cast are terrific. The chemistry and tension between Stone, Hackman, Crowe and DiCaprio is magnetic. And the supporting actors, gunfighters mostly, are hard, no impossible to forget.
4. The beautiful score by Alan Silvestri.
5. Some of the duels are the greatest scenes I’ve ever seen. This movie is scandalously underrated.
Director: Daniel Minahan
Writer: David Milch
Stars: Timothy Olyphant, Ian McShane, Molly Parker
Modern days are coming to Deadwood! A telephone for every business, keeping up with the times. But is it less savage than 13 years earlier (in 2006 the show was cancelled after three seasons)? Not a chance. Like the fairly satisfying El Camino is now doing for Breaking Bad, this TV-movie gives us (more) closure on one of the great HBO-shows of the early 2000s. It is sure good to be back in this South Dakota town in the 1880s. I didn’t know how much I missed those inhabitants! Especially Al Swearengen, the greatest TV-character since Tony Soprano, formidably played by Ian McShane. Good old Marshal Seth Bullock (Timothy Olyphant) is back as well. The two opposites clash with the murderous and power hungry senator George Hearst who is looking to purchase land around Deadwood. This leads to a satisfying finale to a monumental show. With dialogues composed of old English prose with hundreds of fucks and cocksuckers in between. This is the West how we’ve never seen it, but wished we had. It doesn’t go out with a bang, but with one of Swearengen’s finest fucking poetic lines yet. Time to watch the series if you haven’t seen it, and re-watch it if you have. It’s glorious.