New Jack City (1991)


‘It was a time that there was a new gangster in………’

Directed by:
Mario Van Peebles

Written by:
Thomas Lee Wright
Barry Michael Cooper

Cast:
Wesley Snipes (Nino Brown), Ice-T (Det. Scotty Appleton), Allen Payne (Gee Money Wells), Chris Rock (Pookie Robinson), Mario Van Peebles (Stone), Michael Michele (Selina), Bill Nunn (Duh Duh Duh Man), Russell Wong (Park), Bill Cobbs (Old Man), Christopher Williams (Kareem Akbar), Judd Nelson (Det. Nick Peretti), Vanessa Williams (Keisha)

This trip back to the nineties opens with shots of New York and a news report about economic hardship. “The deficit now stands at an astounding 221 billion dollars, and income inequality is at its worst level since the Great Depression”, the voice-over says. Oh boy, if only they could see us now.

In an amazing shot, the camera swoops in on a bridge where a gangster is dangling a man by his feet. Drug kingpin Nino Brown (Wesley Snipes) steps out of his car and orders the man dropped, apparently over a drug dispute.

The movie sets the year at 1986, the height of the crack epidemic in Harlem. Brown, along with his lieutenants Gee Money and the Duh Duh Man – collectively known as the Cash Money Brothers – has seized control of the drug trade. They take over an entire apartment block called The Carter and run their crack empire from within its walls.

Ice-T plays Scotty Appleton, a detective with a personal grudge against Brown. He joins a special police unit tasked with taking down the increasingly megalomaniacal Brown and his CMB crew. The team is led by Stone (Mario Van Peebles, who also directed the film), Detective Nick Peretti (Judd Nelson), and the ex-junkie turned informant Pookie (an excellent Chris Rock).

New Jack City is a true product of its time: the nineties, the crack era, rap music, and capitalism gone wrong (though nothing like today). The costume designers clearly had a field day. The film is also distinctly postmodern: Nino Brown watches Scarface even as he heads toward the same mistakes Tony Montana made. Overall, it’s an effective crime flick: it pulls you in like a crack pipe does a junkie, and you ride it out until the end, when Nino Brown’s empire inevitably comes crashing down.

Rating:

Quote:
NINO BROWN: “You cut a side deal with that motherfucker. Yes, you did, Gee. Fucking Cain. My brother’s keeper. Was it this glass dick you’ve been sucking on? Was that it? Now I see how you let that motherfucker infiltrate. He used you, Gee. What ever happened to, ‘Am I my brother’s keeper?’”

Trivia:
Wesley Snipes originally wanted to play Scotty Appleton. However, Mario Van Peebles and screenwriter Barry Michael Cooper insisted that he play Nino Brown, as the part was written especially for him.

Brainfood: A JK Screenplay (synopsis)

Recently, I released a precious childhood amateur film of mine called Brains For Breakfast. If you haven’t seen it yet, feel free to check it out by clicking the icon below.

It’s still a dream of mine to one day expand this short horror-comedy into a full-length feature. To that end, I’ve developed a treatment for a screenplay. If you’re interested in getting involved in any way, I’d love to hear from you – just reach out at jeponline@hotmail.com.

BRAINFOOD — Treatment

Genre: Comedy / Horror / Science Fiction / Action
Setting: The Netherlands (alternative universe) – Bergen, Heiloo, Alkmaar, Schermer Region

Tagline: The ultimate drug in the galaxy has been found… and they want it.

LOGLINE
In an alternate Netherlands where alien encounters are routine, a disgraced psi-soldier must rejoin his disbanded elite unit to stop a violent race of interdimensional drug-hunters from stealing the most powerful psychedelic ever created.

SYNOPSIS

A Violent Return
In a parallel universe version of the Netherlands – an English-speaking, militarized, right-wing nation used to alien visitors – an aggressive alien race known as the Atomics breaches into Earth via a ‘Dimension Traveller’ device.

Primitive in appearance – some resemble lizards, some skeletons, some monkeys and the leader – Taurus – a bull –.the Atomics wear long dusters and wield antique-looking rifles. They land in the dunes near Bergen, killing a dune ranger and parasitizing another using a leech-like creature that implants a mind-controlling worm through the ear.

On their way to their concealed base, they murder a police officer, triggering a national military alert.

General Glorious, the army chief responsible for alien containment, recognizes the race instantly. The Atomics were here two years ago, on a drug-harvesting mission for Netherweed, and escaped with their stash despite heavy casualties inflicted by the elite Psychedelic Unit, a special-forces team of psi-sensitive soldiers.

A Broken Hero
One of the Psychedelic Unit’s finest, Max Crunch, has spent the past two years at home in the small rural village of Schermer, crippled by PTSD. He feels alienated, mocked by locals, and increasingly distant from his girlfriend Nina. His psychiatrist has given him an ‘anchor’ technique to keep him grounded during flashbacks, but his trauma remains unresolved.

When the government cuts off his benefits and Nina leaves him, Max reluctantly answers the army’s summons. General Glorious reveals that the Atomics have returned and the Psychedelic Unit must be reassembled. If Max helps, he’ll receive permanent paid leave afterward. Reluctantly, Max agrees.

Reforming the Psychedelic Unit
Max reunites with the scattered members of his old team:

• Captain Jimmie Lombardo – alpha-male, tough, impatient, the unit’s brash leader.
• Henry ‘Cowboy’ Waterman – laconic sharpshooter in a cowboy hat.
• Steve ‘Suicide Steve’ Hoskins – fearless, volatile, and racist and fascist tendencies.
• Thomas ‘Tank’ Larson – the team’s powerhouse
• Olaf ‘Bulldog’ Braat – sniper with perfect accuracy

The group once used the substance Daylyrium, enabling psychic attunement and interspecies telepathic tracking. But this time, Max can’t make a connection at the scene of the cop killing – the Atomics are clearly using psi-blockers.

With telepathy off the table, the squad turns to old-school detective work: Find the drugs, find the aliens.

The New Drug
They discover that eccentric chemist Dr. Schnobel has invented the ultimate psychedelic, dubbed Entheogen, a liquid that dissolves the ego and induces cosmic unity. Rejected by corporate drug monopolies, Schnobel distributed product through two major dealers, called Frans Hario and Teeg Brown.

Unbeknownst to humanity, Alien scouts monitoring Earth’s drug trade identified Entheogen as the most valuable substance in the galaxy. In response, the Atomics sent a forty-soldier strike team to harvest the drug and abduct its creator.

Two Raids
The Psychedelic Unit and the Atomics both converge on the dealers:
• At Hario’s home, a chaotic gunfight erupts. The squad kills all Atomics on site and captures Frans.

• At Teeg Brown’s, the Atomics strike first and abduct Brown without resistance.

Interrogation leads both sides to the same destination: Dr. Schnobel’s lab.

Ambush by the Terrifying Five
Taurus anticipates pursuit and dispatches the Atomics’ elite hunters – The Terrifying Five – to ambush the Psychedelic Unit. The squad barely survives the devastating encounter, but Schnobel is abducted and brought to the Atomics’ commandeered villa base in the forests of Heiloo.

There, Schnobel is forced to teach an Atomic chemist the formula for Entheogen, while the villa’s parasitized owner serves as a puppet caretaker.

The Oracle of Bergen
With leads running dry, Max suggests visiting The Oracle of Bergen, a powerful psychic buried waist-deep in a forest hill, clad in a Hawaiian shirt and aviator shades, flanked by two similarly dressed psychic companions.

The Oracle reveals:
• The Atomics are master chemists from Atom X, a devastated world stripped of natural resources.
• Another alien race gifted them the Dimension Traveller to scavenge resources from other worlds.
• The Atomics’ return, and the showdown to come, is part of a cosmic design.
• Their leader is Taurus, the same figure responsible for Max’s trauma.

Max’s PTSD surges at the mention of Taurus.

But the Oracle also gives the squad the Atomics’ exact location.

The Assault on the Villa
The team launches a coordinated three-front assault:
• Max and Steve attack through dense forest.
• Jimmie and Cowboy approach from a rear field.
• Tank and Bulldog hold the front to intercept escapees.

Fierce firefights rage as both teams carve their way toward the villa.

Schnobel completes the Entheogen formula, but Taurus prepares to flee. He releases the Terrifying Five once more. The squad manages to kill them, but Cowboy falls in battle, enraging Suicide Steve into a berserker and foreigner hating rampage.

Taurus escapes with the Entheogen sample and formula, fleeing in the same van the Atomics used upon arrival. Bulldog manages to plant a tracker before Taurus escapes.

Showdown in the Dunes
Max takes the tracker and pursues Taurus alone. In the dunes, Max is attacked by the mind-controlled dune ranger. Back at the villa, Jimmie kills the leech-creature controlling the ranger, and the ranger dies instantly. Max continues the chase.

Taurus reaches the Dimension Traveller, a lift-like mechanism atop a dune. Before he can signal home, Max confronts him and a traumatic flashback hits:

Two years earlier, during the first invasion, Max and the squad pursued Taurus to a similar base. Among the team then was Max’s younger brother Patrick Crunch. Patrick was parasitized and attacked Max, who was forced to shoot his own brother. Taurus laughed as he escaped with stolen Netherweed.

Back to the present. Both characters draw their guns and Max blows Taurus his brains out.

A Gift for Atom X
At the Atomics’ base on barren Atom X, Taurus appears to call home. But it’s actually Max holding up Taurus’s severed face to the camera, mimicking his grunt. The Atomics activate the teleportation system.

Instead of Taurus, the bag of C4 appears and detonates. The Atomic base is obliterated.

Enlightenment on the Lawn
Max returns to the villa. Dr. Schnobel lies dying, but hands Jimmie one final vial of Entheogen:

“Take it together. This is enlightenment in a bottle.”

Jimmie proposes sharing the drug with the last surviving Atomics they captured. Steve objects, but the others agree.

On the villa lawn, surrounded by the bodies of friends and foes alike, the five surviving members of the Psychedelic Unit sit with five captured Atomics. They ingest the Entheogen together.

As the purple sky stretches endlessly above them, they gaze upward, united in a moment of pure transcendence.

For the first time, they truly understand: they are all one.

Vacation Reading: Three Philip K. Dicks

A Scanner Darkly (1977)

Semi-autobiographical novel about Dick’s experiences of living with a group of dope users. The main character is Bob Archtor, an undercover agent who gets addicted to a futuristic drug (the novel is set in 1994 in Orange County) called ‘Substance D’, a drug that soon leads to serious brain malfunction, and Archtor starts to lose his identity. Dick wrote it after a period in which he wasn’t able to produce any fiction due to drug consumption, so this novel functioned as a turbocharger of sorts. It contains flashes of brilliance, especially when it commentates on the lifestyle of heavy drug users, but as a whole it is quite a dull read, especially for a terrific writer as Dick. Turned into a 2006 movie by Richard Linklater, starring Keanu Reeves, Woody Harrelson, Winona Rider and Robert Downey Jr. The book ends with a list of all the dopers Dick hung out with who had died since then. It is quite a long list.

The Man in the High Castle (1962)

Who is the Man in the High Castle? It is the author Hawthorne Abendsen who wrote a subversive novel in which the allies won the Second World War. You see, this classic novel by science fiction legend Philip K. Dick is set in an alternative America which is governed by the Nazi’s and Japanese who have won WWII. In this world, American culture is quickly vanishing from existence, and an artificial America is rising. The novel follows various American, Japanese and European characters who try to make their way in this reality, thereby using the Taoist book ‘I Ching or Book of Changes’ as their guidance. The fascinating thing about ‘The Man in the High Castle’ is how believable Dick has crafted this alternate world. It makes the reader realize that we live in such a world ourselves, the result of countless choices and actions. We take it for granted, but everything could easily be very different. Turned into a television series by Amazon in 2015.

VALIS (1981)

‘VALIS’ follows the adventures of Horselover Fat (great name for a character!), an alter ego of the writer. This later, partly autobiographical book, is about Dick’s religious experiences. VALIS stands for Vast Active Living Intelligence System and represents the writer’s vision of God, which is that God is actually one huge macro-mind that connects everything. Unfortunately, the book – that was published one year before his death – contains not much more than endless philosophizing about the divine, madness and alien intelligence. Yes, Dick certainly had some fascinating thoughts and ideas, but they lack clarity here. And a plot is also sorely missing in ‘VALIS’. I’m afraid I am more a fan of Dick’s earlier works, like the phenomenal ‘Ubik’. ‘VALIS’ is part of a trilogy that also included ‘The Divine Invasion’ and ‘The Transmigration of Timothy Archer’, his final novel.

TV Dungeon: The Wire

(2004 – 2006, USA)

Creator: David Simon
Cast: Dominic West, John Doman, Wendell Pierce, Lance Reddick, Deirdre Lovejoy, Sonja Sohn, Dominic Lombarozzi, Seth Gilliam, Clarke Peters, Andre Royo, Michael K. Williams

5 Seasons (60 Episodes)

It took a while before The Wire was noticed by critics and TV-enthusiasts alike. Not until later seasons, it was recognized and acknowledged as one of the best shows to ever hit the airwaves. Barack Obama, for one, called it his favorite television show of all time. For his five season strong social epic, former Baltimore crime reporter David Simon didn’t leave one corner of his city untouched. The Wire provides full insight into the whole spectrum of drug trade, law enforcement, politics, the working class, the school system and the media.

In the show’s first season, a special Baltimore police unit puts in place a wiretap on the drug empire, run by Avon Barksdale. Principle characters on both sides of the law are introduced: Jim McNulty, a smart Irish cop with authority problems and Stringer Bell, Barksdale’s first lieutenant, are just two of the many characters that are somehow involved in ‘the game’, a word used to describe the drug trade, which is a major social problem in Baltimore’s large slums.

The Wire takes its time to establish plotlines and characters, not just in the first season but throughout the series. But whenever it delivers punches, it is nothing short of amazing. There are few shows that dare to take this much time for build-up and risk losing viewers than The Wire does. There are also few shows that deliver such captivating details and immensely satisfying pay-off to those who invested their time to get into it. The final episodes of each season are especially enjoyable as the carefully laid-out plotlines are concluded and new stories take off.

Some critics have described The Wire as a modern version of a Charles Dickens story. This seems like a fair assessment. The often tragic tales of young delinquents, in which adults and authorities are unable to change the problem, are told in a very transparent and moving way. At times it becomes painfully frustrating to see all solutions fail and young drug traders rise, while the older ones get killed or go to jail (or both in case of one memorable character).

Every season focuses on another group that is part of the problem. That is why the show is called The Wire (besides the wiretap): it provides its audience with the opportunity to listen in on all the involved parties, whether it be cops, dealers, dockworkers, politicians, teachers, social workers or journalists. By closely observing the many different characters’ private and professional lives, remarkable insight is given into the larger context of Baltimore’s massive social problems.

All of the show’s characters serve a clear purpose and are portrayed excellently by the talented cast. A standout character is Omar Little, a modern Robin Hood of sorts who robs drug traders for a living. Not only is this anti-hero black, ruthless and intelligent, he is also a homosexual. America’s nightmare indeed. A brilliant move in the show’s casting is also the usage of real-life cops and criminals, adding to the show’s great authenticity.

David Simon and his team have really achieved to make something very fresh and truly original out of what initially looked like just another cop show. Besides academic insight, The Wire also offers tremendous entertainment, mainly achieved through compelling character studies, intriguing conflicts, a unique atmosphere and genius writing. The timing of the plot twists and many surprises is always precisely right. The Wire is just essential television.