Double Bill #16: The Punisher & Showdown in Little Tokyo

Posted on 5 februari 2026 by Jeppe Kleijngeld

Okay, these are not the best movies I’ve ever reviewed for this section. Still, they’re classic actioners from my favorite movie era: the glorious nineties. What they have in common is Dolph Lundgren taking on the Yakuza. Both films also feature a torture scene, and in both cases Lundgren escapes in much the same way, before giving his torturer a taste of his own medicine. In The Punisher (1989, Mark Goldblatt), based on the Marvel comic, the presumed-dead cop Frank Castle hunts down members of the Franco crime family for the murder of his own family (he’s already killed 125). The Francos, led by Giovanni Franco (Jeroen Krabbé), are under pressure as well from a ruthless Yakuza clan eager to take over their territory. In Showdown in Little Tokyo, Lundgren’s cop is likewise driven by revenge for the murder of his parents. This time he teams up with L.A. cop Brandon Lee of the Asian Task Force, and together they take on a Yakuza faction known as Tetsu No Tsume, or the Iron Claw. Frankly, Lundgren and Lee were B-choice action stars of this period, and these films are unmistakably B-style entertainment. That said, the villains are very well done. Lady Kanaka (Kim Miyori) in The Punisher especially leaves a strong impression. Furthermore, the non-stop action and violence are delivered in generous doses. In the end, this Double Bill may not be prestige cinema, but it’s a solid blast of grimy, old-school ’90s action that knows exactly what it is and never pretends otherwise.

Nice Dreams

Posted on 17 januari 2026 by Jeppe Kleijngeld

Director: Tommy Chong
Written by: Tommy Chong, Cheech Marin
Cast: Cheech Marin, Tommy Chong, Stacy Keach The Sarge Stedanko

Year / Country: 1981, USA
Running Time: 88 mins.

In their third feature, once again directed by Tommy Chong himself, the duo is dealing marijuana cones from an ice-cream truck. Police Sgt. Stedanko (Stacy Keach), whom we first met in Up in Smoke, the original Cheech and Chong movie, is addicted to dope and convinced that getting high is the best way to nail his suspected drug peddlers. Meanwhile, lizards are crawling all over the plants of the duo’s suppliers, and Stedanko begins to develop distinctly lizard-like features of his own.

As comedians, Cheech and Chong are known for heavy improvisation. Some of it works better than the rest, and not every joke or line of dialogue lands. Still, the movie is worth the price of admission for the sequence in which they attempt to have a threesome with a Latina woman, only for her animal-hating Mexican husband to come home unexpectedly. It’s a terrific stretch of pure slapstick chaos.

The film is also packed with wonderfully oddball characters, including Paul Reubens as the uniquely weird Howie Hamburger Dude and Dr. Timothy Leary playing himself, sending the guys on one hell of an acid trip inside an insane asylum. Nice Dreams is a cultural time capsule, a groovy museum piece of curious eighties pop culture. These dudes really knew how to conjure comedy magic.

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Biography: Tommy Chong (1938, Edmonton, Canada) is a comedian, actor, writer, and activist best known as one half of the legendary stoner duo Cheech & Chong. Raised partly in Canada and later the United States, Chong first made his mark in music and improvisational comedy before teaming up with Cheech Marin in the late 1960s. Together, they became countercultural icons with hit comedy albums and films like Up in Smoke, shaping weed humor for generations to come. Beyond comedy, Chong has appeared in films and TV shows, including a memorable role on That ’70s Show, and has been a vocal advocate for cannabis legalization, even serving a brief prison sentence in the early 2000s that further cemented his status as a counterculture symbol.

Filmography: Cheech and Chong’s Next Movie (1980), Nice Dreams (1981), Still Smokin (1983), Cheech & Chong’s The Corsican Brothers (1984), Toto: Without Your Love (1986, Music Video), Far Out Man (1990)

Up in Smoke

Posted on 2 januari 2026 by Jeppe Kleijngeld

Director: Lou Adler
Written by: Tommy Chong, Cheech Marin
Cast: Cheech Marin, Tommy Chong, Stacy Keach

Year / Country: 1978, USA
Running Time: 86 mins.

Cheech & Chong are a comedy duo founded in Vancouver, consisting of American Cheech Marin and Canadian Tommy Chong. They rose to commercial and cultural prominence in the 1970s and 1980s through their stand-up routines, comedy albums, and feature films. Their work drew heavily from the hippie and free-love era, the drug-fueled counterculture movement, and, most famously, their unabashed love for cannabis.

Up in Smoke marks the big-screen debut of the stoner duo who would go on to become synonymous with the genre itself. This first film launched a series of follow-ups: Cheech and Chong’s Next Movie (1980), Nice Dreams (1981), Things Are Tough All Over (1982), Still Smokin (1983), Cheech & Chong’s The Corsican Brothers (1984), and, much later, Cheech & Chong’s Animated Movie (2013).

In their debut, they are not yet known as Cheech and Chong, but as Pedro and ‘Man’ (Chong’s character is officially named Anthony, though this is mentioned only once). Man is under pressure from his father to find a job or face being sent to military school. He leaves home, disguises himself as a large-breasted woman to hitch a ride, and ends up meeting Pedro. The two quickly bond, smoke copious amounts of weed, start a band, and spend most of their time trying to avoid getting busted by the LAPD. In many ways, they practically invent the stoner comedy genre right here.

The plot eventually centers on the duo unknowingly smuggling a van made entirely out of marijuana across the border from Mexico, all while being chased by an especially dim-witted police unit led by Sgt. Stedenko (Stacy Keach). The character would return in Cheech & Chong’s second follow-up, Nice Dreams.

“Hey, do you wanna get high, man?”
“Does Howdy Doody got wooden balls?”

Lines like these are delivered nonstop, and while the humor is simple, it works remarkably well. There are plenty of genuine laugh-out-loud moments. Director and producer Lou Adler famously screened the film privately for his friend Jack Nicholson, who had recently been in a car accident and suffered a dislocated shoulder. The screening turned out to be a painful experience for Nicholson – his shoulder hurt every time he laughed, which was often.

The film also boasts a great soundtrack, featuring classics like ‘Low Rider’ alongside Cheech & Chong originals such as ‘Framed’. Shot largely in Los Angeles, the movie has a relaxed, sun-soaked atmosphere, enhanced by memorable visual touches like the opening credits being spray-painted over Pedro’s lowrider.

Up in Smoke was a massive success, grossing over 100 million dollars worldwide despite its modest budget. In 2024, it was selected for preservation in the United States National Film Registry by the Library of Congress, recognized as ‘culturally, historically, or aesthetically significant.’

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Biography: Lou Adler (1933, Chicago, Illinois, USA) is a producer, known for The Rocky Horror Picture Show (1975), Up in Smoke (1978) and Witness (1985). He has been married to Page Hannah since March 28, 1992. They have four children.

Filmography: Up in Smoke (1978), Ladies and Gentlemen, the Fabulous Stains (1982)

Dungeon Classics #40: Killing Zoe

Posted on 13 december 2025 by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Killing Zoe (1993, USA, France)

Director: Roger Avary
Cast: Eric Stoltz, Julie Delpy, Jean-Hugues Anglade
Running Time: 96 mins.

Before Tarantino and co-writer Roger Avary struck gold with Pulp Fiction in 1994, both had written and directed a feature. Tarantino made Reservoir Dogs in 1992. While searching for locations for that film, its producer Lawrence Bender found a great bank in downtown Los Angeles which, although not suitable for Reservoir Dogs, seemed perfect for a movie set in a bank. Bender called every screenwriter he knew, asking if they had a script set in a bank. Roger Avary lied and said he did, then furiously wrote the first draft in under two weeks. Although the film is supposed to be set in Paris, it was shot almost entirely in L.A., with only the opening and closing road sequences filmed in the actual city. The story follows a criminal named Zed (Eric Stoltz) – two links to Pulp Fiction right there – who joins his old friend Eric (Jean-Hugues Anglade) and his gang to pull off a robbery during Bastille Day. Beforehand, he orders a prostitute named Zoe (Julie Delpy), and the two immediately click. The night before the robbery, the crew goes out on a binge fueled by booze and heroin. This stretch of the movie drags, but once the robbery begins, the film shifts into the right gear. The heist goes spectacularly wrong, leading to a series of twisted and disturbing turns. Avary, whose filmmaking career never really went very far, proves himself a quite capable director here. Is this on the level of Tarantino? No, it’s too flawed for that, but this is still a memorable, exploitation movie known for its nihilistic tone and merciless violence.