Tagarchief: FilmDungeon

Dungeon Classics #34: Dark City

Posted on by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Dark City (1998, Australia, USA)

Director: Alex Proyas
Cast: Rufus Sewell, Kiefer Sutherland, Jennifer Connelly
Running Time: 100 mins.

A man with memory loss is being hunted by both the police and a group of scary looking bald guys. The police suspect him of murdering prostitutes, and the bald men want him for the special gift he appears to possess: the ability to alter reality with his mind. Slowly, the man begins to unravel the frightening truth about the dark city he lives in and the creatures who govern it, creatures who – like him – are able to ‘tune’ and change this world at will. Alex Proyas (The Crow) has directed a very atmospheric and fascinating film that looks beautiful. It preceded The Matrix by a year, which has a similar mind bending plot, a surprise revelation half way, and a chosen one with special powers. But it is still distinct in many ways. The Matrix is very much a sci-fi action film, while Dark City is closer to a film noir detective movie. It features great performances by lead man Rufus Sewell, a sniffling Kiefer Sutherland, an engaging Jennifer Connelly, and a sympathetic William Hurt. It also features impressive special effects for what doesn’t feel like a mainstream film at all. Highly recommended.

The Verdict: Beverly Hills Cop: Axel F.

Posted on by Jeppe Kleijngeld

Axel Foley is back! 40 years after the original and 30 years after the disappointing third movie, Foley enters the era of streaming. Some things have changed while other things remained the same. ‘The Heat Is On’ and the Axel F. theme by Harold Faltermeyer are still there and sound as catchy as ever. Eddie Murphy is back as well and his Axel can still do all these fantastic character impressions to get things done. The movie also sees the return of the original loved supporting characters, including Taggart who wasn’t even in the third one. Beverly Hills itself is pretty much the same as well: a five star resort for the rich and fabulous. Then some differences: these guys surely have aged although Murphy obviously took some Beverly Hills style cosmetic measures to hide it. It is a bit uncanny to see especially Eddie Murphy and Judge Reinhold (Billy Rosewood) as these two old geezers. Two new players in the Beverly Hills Police Department are played by Joseph Gordon-Levitt and Kevin Bacon. Good calls! There is not really a main bad guy though, so that must mean… You get the picture. Storywise, it is all very familiar. Foley returns to Beverly Hills to solve a case. The only difference is that Foley now has an estranged daughter who is working as a lawyer there. Since she is threatened by the same bad guys from Foley’s case, this gives him the opportunity to catch two birds with one stone. Three even, because he has some amends to make to his daughter. I was a bit worried about this movie, because keeping legendary heroes alive for too long isn’t always a good idea (see Indiana Jones for example), but in this case it worked: the humor, the action and most importantly the chemistry are still there.

Beverly Hills Cop: Axel F. is now available on Netflix

The verdict: to stream or not to stream? To stream

Bad Lieutenant: Port of Call New Orleans

Posted on by Jeppe Kleijngeld

Director: Werner Herzog
Written by: William M. Finkelstein
Cast: Nicolas Cage, Eva Mendes, Val Kilmer

Year / Country: 2009, USA
Running Time: 122 mins.

Loose remake of Abel Ferrara’s 1992 cult classic. Ferrara was pretty pissed when he heard about it and said he wanted the makers to ‘die in hell’. Nicolas Cage is the deranged central character who uses his badge to do bad things.

In the aftermath of the hurricane Katrina, Terence McDonagh (Cage) saves a convict from drowning which earns him a medal and a major back injury. He starts to take huge amounts of drugs for the pain. It starts with Vicodin, but soon he turns to heroin, cocaine and crack.

After he is promoted to lieutenant, McDonagh starts investigating the murder of a Senegalese family which eventually leads him to local dope boss Big Fate. His increased drug intake in the meantime, causes him to lose grip on reality. He also has a gambling debt that is getting way out of control.

Herzog’s version is a little lighter than Ferrara’s although there are some intense scenes as well, like the one in which McDonagh withholds oxygen from an old lady in a wheelchair to get information out of her. Another difference is that Keitel’s character is terrible from the beginning, while McDonagh degenerates more gradually during the film.

Cage is in one of his more weird modes, and it is a lot of fun to watch. So are his hallucinations of lizards and the sweet interactions with his girlfriend, the prostitute Frankie (Eva Mendes). Around her, he’s a different character. Cage and Mendes have a great chemistry.

This remake was perhaps a strange choice for a renowned filmmaker such as Herzog. It is not amongst his finest works, but it does have a lot of quality. Ferrara and Herzog met years after its release at the Locarno Film Festival and made peace. Despite its sound reviews, Bad Lieutenant: Port of Call New Orleans was a box office flop.

Rating:

Biography: The German filmmaker Werner Herzog (1942, Munich) is considered as one of the most important directors alive. In 1961, when Herzog was 19, he started work on his first short film Herakles. He has since produced, written, and directed over 60 films and documentaries. Among his most important films are Aguirre, the Wrath of God (1972), Fitzcarraldo (1982), and the documentary Grizzly Man (2005).

Filmography (a selection): Herakles (1962, short) / Lebenszeichen (1968) / Auch Zwerge haben klein angefangen (1970) / Fata Morgana (1971) / Aguirre, der Zorn Gottes (1972) / Kaspar Hauser (1974) / Herz aus Glas (1976) / Stroszek (1977) / Nosferatu: Phantom der Nacht (1979) / Woyzeck (1979) / Fitzcarraldo (1982) / Wo die grünen Ameisen träumen (1984) / Cobra Verde (1987) / Echos aus einem düsteren Reich (1990) / Glocken aus der Tiefe – Glaube und Aberglaube in Rußland (1993) / Little Dieter Needs to Fly (1997) / Invincible (2001) / Wheel of Time (2003) / Grizzly Man (2005) / Rescue Dawn (2006) / Bad Lieutenant: Port of Call New Orleans (2009) / Into the Abyss (2011) / Lo and Behold: Reveries of the Connected World (2016, doc)

Bad Lieutenant

Posted on by Jeppe Kleijngeld

Director: Abel Ferrara
Written by: Zoë Lund, Abel Ferrara
Cast: Harvey Keitel, Victor Argo, Paul Calderón

Year / Country: 1992, USA
Running Time: 96 mins.

Harvey Keitel is the Bad Lieutenant in Abel Ferrara’s disturbing cop drama. He’s the kind of guy who starts snorting cocaine in his car right after he has dropped his two boys off at school. LT, as he’s credited, is a hopeless addict. He’s addicted to alcohol, crack, smack and gambling. He is also a walking time bomb.

Harvey Keitel was on a roll this year. First he appeared in Reservoir Dogs and then in this, probably the most well known and appreciated movies by New York artist and filmmaker Abel Ferrara. His performance in Bad Lieutenant is very raw, angry and animallike. LT is like a whacked out version of Keitel’s Mean Streets character.

Speaking of that movie, there are some definite links there, and with Scorsese in general. New York plays a big role, and so does religion. In his most desperate moment, LT even hallucinates of Jesus.

So how bad is LT? Pretty bad. He steals illegal drugs from evidence and puts them in the market and he steals money from two guys who just robbed a store owner while he sends the poor guy over to the station to file a report. He uses his badge only to blackmail two underaged girls to perform sexual acts, and his gun is strictly for blowing out his car radio after he lost another basebal bet.

Like Ferrara’s other drug movie The Addiction, Bad Lieutenant is a very effective film about addiction as it shows the constant hunger and the madness of it. LT is just going around frantically feeding the beast, but it’s never going to be enough. We know he is never going to fill that void and his inevitable downfall draws ever nearer. The despair that Keitel expresses is very well acted. The level of self destruction and self hatred is at times hard to watch though.

Rating:

Biography: Abel Ferrara (1951, New York) is a New York artist and filmmaker. He started making amateur films on Super 8 in his teens before making his mark as independent film director with bloody underground films such as The Driller Killer. Ferrara has an independent way of working, uses low budgets, but is still able to attract Hollywood talent for his movies, such as Christopher Walken and Harvey Keitel. His raw, realistic style and controversial content has earned him a position as an important voice in American cult cinema.

Filmography (a selection): Nicky’s Film (1971, short) / 9 Lives of a Wet Pussy (1976) / Not Guilty: For Keith Richards (1977, short doc) / The Driller Killer (1979) / Ms. 45 (1981) / Fear City (1984) / Cat Chaser (1989) / King of New York (1990) / Bad Lieutenant (1992) / Body Snatchers (1993) / The Addiction (1995) / The Funeral (1996) / The Blackout (1997) / New Rose Hotel (1998) / ‘R Xmas (2001) / Mary (2005) / Go Go Tales (2007) / Chelsea on the Rocks (2008, doc) / Napoli, Napoli, Napoli (2009) / Welcome to New York (2014) / Pasolini (2014) / Alive in France (2017, doc) / Piazza Vittorio (2017, doc) / The Projectionist (2019, doc) / Tommaso (2019) / Siberia (2019) / Padre Pio (2022)