Dungeon Classics #10: Gremlins 2: The New Batch

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Gremlins 2: The New Batch (1990, USA)

Director: Joe Dante
Cast: Zach Galligan, Phoebe Cates, John Glover
Running Time: 106 mins.

According to IMDb, director Joe Dante prefers this movie to the first one. Understandably so. Obviously, the makers had a lot of fun coming up with the overload of mayhem the new batch of gremlins cause. This time Billy finds Gizmo in a hyper modern office building, but leaves him unattended. So of course, he gets wet and the gremlins make a glorious return, creating an incredible amount of damage to the building. Since most of the human characters are unsympathetic, it is easy to root for the monsters. It is only because of Gizmo, who Spielberg insisted must remain good in the first film (originally he was to turn into Stripe), that we find satisfaction in the gremlins’ ultimate demise. This fast-paced sequel does indeed offer plenty of the good stuff that made the first movie such a resounding success.

Dungeon Classics #9: Gremlins

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Gremlins (1984, USA)

Director: Joe Dante
Cast: Zach Galligan, Phoebe Cates, Hoyt Axton
Running Time: 106 mins.

Billy gets a very special Christmas present: A mogwai (Kantonese for monster or devil). A cute little furry thing called Gizmo. The problem is: keeping mogwais ain’t that easy. You get them wet, they spawn more mogwais. You feed them after midnight, they morph into the little monsters called gremlins. And if you drop one in a swimming pool…you get violence, terror, and mayhem during the Christmas season. This Spielberg-produced creature feature became understandably very popular. It has many memorable scenes, a super cute hero and a terrific villain in Stripe, leader of the monstrous gremlins. The movie has aged pretty well due to the excellent creature effects (all animatronics). And since it is family oriented, it remains a favorite for the holidays. Not just for eighties nostalgists like me.

Hunter S. Thompson in de jaren ’80

Generation of Swine is de in 1988 verschenen bundel columns van een van mijn lievelingsschrijvers; gonzo-journalist Hunter S. Thompson. De 100 columns verschenen allemaal in de San Francisco Examiner in de periode 1985 tot 1988. Over Thompson schreef ik eerder o.a.:

Hunter S. Thompson in 1970 – Decadentie en verderfelijkheid in het Zuiden
De Hunter S. Thompson kronieken
Hunter Goes to Hollywood: Hunter S. Thompson Triple Bill

‘I have spent half my life trying to get away from journalism, but I am still mired in it – a low trade and a habit worse than heroin, a strange seedy world full of misfits and drunkards and failures. A group photo of the top ten journalists in America on any given day would be a monument to human ugliness. It is not a trade that attracts a lot of slick people; none of the Calvin Klein crowd or international just set types. The sun will set in a blazing red sky to the east of Casablanca before a journalist appears on the cover of People magazine.’

Zo denkt hij dus over zijn vak. Desondanks is hij er verslaafd aan en met name aan politieke verslaggeving. En dus reist hij door het land van hotelkamer naar hotelkamer om de realiteit van zijn tijd te beschrijven in zijn kenmerkende stijl. Het is de tijd van zure regen, AIDS, een seniele Ronald Reagan, een evil George Bush, Miami Vice, Gorbachev en Thatcher. Veel columns gaan over de midterm verkiezing van 1986 en zijn daarom inhoudelijk minder interessant, maar door Thompson’s waanzinnige pen toch zeer de moeite: ‘German politicians were not the only ones worried about the bent legs of Ronald Reagan last week. There were sounds of babbling and scrambling all over Washington, as many gentlemen of a distinctly rodentlike persuasion either quit or got pushed off the Ship. The Reagan Revolution was beginning to look like a secondhand Studebaker with bald tires.’

Andere columns zijn meer tijdloos: over een ontsnapte walvis in de Sacramento river, de Chinese minnares van Richard Nixon, het journalist-in-de-ruimte-programma van NASA, en uiteraard over zijn geldproblemen: ‘By the time I started having trouble with the hotel accountants I was not in a mood to be reasonable. The government of Tanzania was offering me $1000 a day to go there and help exterminate a herd of “killer crocodiles” that was threatening to turn the Ruvuma into a river of bones and blood, but day after day I was forced by a strange chain of circumstances to postpone my departure from San Francisco.’

Het is interessant om Thompson te lezen in tijden van fake news. Gonzo – de journalistieke stijl die hij heeft uitgevonden – is een subjectieve manier van verslag doen waarin de feiten puur in het hoofd van de verteller tot stand komen. Bijvoorbeeld in deze passage: ‘I could see the C.B.S. man through the warped convex glass of the peephole, and I yelled at him “Get away from here, you giddy little creep! Never bother the working press. Spiro Agnew was right. You people should be put in a cage and poked with sharp bamboo sticks.”

Het lijkt net of Spiro Agnew (vice president van de door Thompson gehate Nixon) dit echt gezegd heeft. Agnew was inderdaad kritisch op de media, en in die zin een voorloper van Trump, maar tv-mensen opsluiten in kooien is puur de interpretatie van de schrijver. En met die methode zit hij vaak dichter op de waarheid dan met conventionele journalistiek.

Generation of Swine is 300 pagina’s gevuld met dergelijk gebazel en pure waanzin. Komt het in de buurt van zijn jaren ‘70 verhalen, zoals het legendarische Fear and Loathing in Las Vegas? Zeker niet, maar Thompson heeft hier nog steeds het Gonzo-vuur en voor de liefhebber van zijn vreemde, maar vaak verbazend accurate beschrijvingen zeker een aanrader.