The Hills Have Eyes

Director: Wes Craven
Written by: Wes Craven
Cast: Dee Wallace Stone, Michael Berryman, Robert Houston

Year / Country: 1977, USA
Running Time: 86 mins.

A lesser known movie by horror master Wes Craven is The Hills Have Eyes, the shocking account of a family (the Carters) trapped in the desert and attacked by a family of cannibals. It reminds very much of The Texas Chainsaw Massacre, both in story as in creepy execution.

Craven builds the tension up steadily. The cannibals are not seen for a long time (only heard) and then, during the nighttime, they appear and deliver a tremendous blow to the Carter family. Afterwards, the surviving Carters strike back and eventually become as brutal as their attackers when they seek revenge.

The movie is based on the legend of Sawney Beane and his family, a feral clan who inhabited and roamed the highlands of Scotland’s East Lothian County, near Edinburgh, in the early 1400s. They captured, tormented and ate several transients. They were eventually captured on the order of Scotland’s King James and brutally executed without a trial, inspiring the aspect of the film that the Carters become bloodthirsty themselves.

This is only Craven’s third movie after the horror movie The Last House On the Left (1972) and The Fireworks Woman (1975), an adult movie he directed under the alias Abe Snake. The Hills Have Eyes is very raw and contains violence that is still shocking by today’s standard. Some of Craven’s fans even say it is his best movie. It might just be true.

Rating:

Biography: Wes Craven (1940, Cleveland – 2015, Los Angeles) is the maker of a number of classic, genre bending horror films. The debut was the gruesome The Last House On the Left in 1972. In 1984 he reinvented the youth horror genre with A Nightmare on Elm Street, which became a genre classic and a popular horror franchise. Twelve years later, he again created a commercial and critical success with Scream. This film also spawned many sequels, three of them directed by Craven and all successful. Craven also occasionally worked within other genres, such as drama/music with Music of the Heart in 1999.

Filmography (a selection): The Last House on the Left (1972) / The Hills Have Eyes (1977) / Deadly Blessing (1981) / Swamp Thing (1982) / A Nightmare on Elm Street (1984) / The Hills Have Eyes Part II (1985) / The Twilight Zone (1985-86, TV-episodes) / The Serpent and the Rainbow (1988) / Shocker (1989) / The People Under the Stairs (1991) / New Nightmare (1994) / Vampire in Brooklyn (1995) / Scream (1996) / Scream 2 (1997) / Music of the Heart (1999) / Scream 3 (2000) / Cursed (2005) / Red Eye (2005) / Paris, je t’aime (2006, segment: ‘Pere-Lachaise’) / My Soul to Take (2010) / Scream 4 (2011)

Bad Taste

Director: Peter Jackson
Written by: Ken Hammon, Tony Hiles, Peter Jackson
Cast: Terry Potter, Pete O’Herne, Craig Smith, Mike Minett

Year / Country: 1987, New Zealand
Running Time: 88 mins.

The Lord of the Rings isn’t the only movie-project Peter Jackson worked on for years. His debut Bad Taste, an amateur movie turned cult classic, took him four years to complete. Jackson and his friends shot it on weekends. The title says it all; a clan of extraterrestrials, under management of Lord Crump of Crump’s Country Delights, land in New Zealand because they think that with the delicacy of human flesh they will conquer the universe. But the government sends an anti-alien force and it’s splatter galore.

Bad Taste was filmed with amateur cameras and it shows. Still, because of Jackson’s dedication and perfectionism, the movie runs like clockwork; the steadicam shots and editing are done excellently. Also the improvised – no budget – special effects are very impressive. It’s even got an exploding sheep! True New Zealand style. You don’t have to look very closely to see that Jackson is a young master at work here. With his very own airbrush I might add. The gore is definitely not suitable for all stomachs.

Jackson felt he couldn’t let his friends do all the acting, so he took on one of the main parts himself. Derek (“Derek’s don’t run”) is a twisted maniac, who’s so devoted to saving planet Earth, that he is willing to kill and torture as many aliens as he can in the process. He is having as much twisted fun as his creator is. Jackson said in an interview one time that he would love to make Bad Taste 2. Let’s hope that he does, because it will be a blast to see Derek and the boys take on a new Lord Crump. “Those bloody bastards!”

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Biography: Peter Jackson (1961, Pukerua Bay, New Zealand) started making films at around the age of eight. His early short films already featured special effects that would become one of Jackson’s trademarks. Together with friends and family he worked on his first feature length movie Bad Taste which took him four years to complete. What had started as a joke became a cult classic and opened many doors for Jackson. He then made a number of professional horror films, including genre classic Braindead. Then he embarked on one of the most ambitious movie projects of all time; The Lord of the Rings trilogy. Jackson succeeded with glory and the three LOTR films were enormously successful. He continued with a remake of the film that inspired him the most as a filmmaker: King Kong.

Filmography (a selection): The Valley (1976, short) / Bad Taste (1987) / Meet The Feebles (1989) / Braindead (1992) / Heavenly Creatures (1994) / Forgotten Silver (1995) / The Frighteners (1996) / The Lord of the Rings: The Fellowship of the Ring (2001) / The Lord of the Rings: The Two Towers (2002) / The Lord of the Rings: The Return of the King (2003) / King Kong (2005) / The Lovely Bones (2009) / The Hobbit: An Unexpected Journey (2012) / The Hobbit: The Desolation of Smaug (2013) / The Hobbit: The Battle of the Five Armies (2014) / They Shall Not Grow Old (2018, doc) / The Beatles: Get Back (2021, TV Mini Series)

Cult Radar: Part 8

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Roadgames (Australia, 1981)

Directed by: Richard Franklin
Written by: Richard Franklin, Everett De Roche
Cast: Stacy Keach, Jamie Lee Curtis, Marion Edward, Grant Page

Pat Quid (Stacy Keach) is an American ‘truckie’ in Australia, assigned to drive a load of pork from Melbourne to Perth. Along the road in the outback, he gets suspicious of a fellow driver. He suspects the man might be a wanted serial killer and shares his suspicions with hitchhiker Pamela (Jamie Lee Curtis). Then she vanishes and the deadly cat and mouse game with the killer really takes off. Roadgames is an Ozploitation flick released in 2008 by Optimum Home Entertainment, who released many other Ozploitation classics around that time following the success of Not Quite Hollywood: The Wild, Untold Story of Ozploitation (2008). It is clearly inspired by Hitchcock of whom director Richard Franklin (Patrick, Psycho II) is a major fan. Although the screenplay certainly has elements of engaging mystery, an adequate dosage of tension is missing in its direction. The musical score is composed by Mad Max’s Brian May (not to be confused by Queen’s Brian May). The killer is portrayed by famous Australian stunt performer Grant Page.

The Car (USA, 1977)

Directed by: Elliot Silverstein
Written by: Michael Butler Dennis Shryack, Lane Slate
Cast: James Brolin, Kathleen Lloyd, John Marley

A large, black two-door sedan is killing people randomly in a small desert town, blaring its horn rhythmically whenever it makes a kill. There doesn’t appear to be a driver in the car, as if Evil itself is behind the steering wheel. Sheriff Wade Parent (James Brolin) must find a way to stop the sedan, while also protecting his beloved ones. The Car is an unusual and entertaining thriller from the director of Cat Ballou. Although the dialogues and some of the acting sucks, the pretty awesome car action, the surroundings (Utah) and some eerie moments make it a decent movie in its kind.

Patrick (Australia, 1978)

Directed by: Richard Franklin
Written by: Everett De Roche
Cast: Susan Penhaligon, Robert Thompson, Robert Helpmann

A comatose killer named Patrick uses psychokinesis to infiltrate the life of his new nurse, the attractive Kathy (Penhaligon). Low budget ozzy flick does little to shock the viewer. It is, however, stylishly directed by director Franklin, who knows some tricks to create suspense. The cinematography and editing are also pretty well done. Thompson is at times effectively scary as Patrick, but because the film is overlong and outdated, he won’t get much shock out of the contemporary viewer.

Long Weekend (Australia, 1978)

Directed by: Colin Eggleston
Written by: Everett De Roche
Cast: John Hargreaves, Briony Behets, Mike McEwan

‘Their crime was against nature… Nature found them guilty.’ When this is your tagline, you know you got a potential cult classic on your hands. Long Weekend is about a loathsome couple who head into nature for a camping trip. They arrive at a beautiful, abandoned beach area and start treating nature like shit. Their irreverent behavior causes repugnance from the viewer. Luckily nature feels the same way and gives them what they got coming. Hilarious when you think about it and very satisfying as well. From the writer of Patrick and Roadgames and the director of Fantasm Comes Again comes a very awesome Australian cult flick. Besides funny, Long Weekend is also effectively chilling when it needs to be. Excellent work.

Election (Hong Kong, 2005)
OT: Hak se wui

Directed by: Johnnie To
Written by: Nai-Hoi Yau, Tin-Shing Yip
Cast: Simon Yam, Tony Leung Ka Fai, Louis Koo

Stylish crime film by Johnnie To about the election of a new Triad boss. Two rivals, Big D and Lok, both want the position which leads to a bloody internal battle. What is always good about Johnnie To’s gangster flicks is that there is a slight absurd touch about them. Election also has this in spades. The result is a violent, comical Hong Kong movie that offers some insight into the workings of a Triad family. Followed one year later by Election 2.


Patrick

Cult Radar: Part 7

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Hell Ride (USA, 2008)

Directed by: Larry Bishop
Written by: Larry Bishop
Cast: Larry Bishop, Michael Madsen, Eric Balfour

Larry Bishop, who played in trashy biker films in the sixties and seventies such as The Savage Seven, Angel Unchained and Chrome and Hot Leather writes, directs and stars in a Tarantinoesque homage to the biker film. In it, a decade long battle between two biker gangs takes place; the Victors, lead by Pistolero (Bishop) Vs. the 666ers, lead by Billy Wings (Vinnie Jones). The concept and promising cast (Michael Madsen, Dennis Hopper, David Carradine) raises expectations, but the execution is far below par. Tarantino should have rewritten the script apart from producing. The dialogues appear to have been written by a 14 year old. There is some humor to be found, but it can hardly make up for the terrible script. Also Bishop is unfit to play the lead role. Interesting trivia: Madsen and Bishop share a scene in Kill Bill: Vol. 2 (2004). Madsen plays Budd and Bishop plays his boss in the strip club scene.

The Host (South Korea, 2006)
OT: Gwoemul

Directed by: Bong Joon-ho
Written by: Baek Chul-hyun, Bong Joon-ho, Ha Jun-won
Cast: Song Kang-ho, Byeon Hie-bong, Ko Ah-sung

On orders of a US doctor, a toxic substance is dumped in the Han River. Four years later in Seoul, ordinary Korean folk are enjoying a leisurely day along the river when the final result reveals itself. In 2006, this entertaining monster movie made a successful journey along the important international film festivals and the tentacles of the host soon attained a large cult following. The Host effectively balances between comedy and campy horror. Only with nearly two hours running time and a main character who screams too much the fun is somewhat lessened. Also a monster that looks like sewer calamari can be hardly called scary. Still, a couple of really good jokes and scenes and its undeniable cult appeal make The Host a worthy contender for the Mega Monster Mash.

Bronson (UK, 2008)

Directed by: Nicolas Winding Refn
Written by: Brock Norman Brock, Nicolas Winding Refn
Cast: Tom Hardy, James Lance, Matt King, Amanda Burton

The wacky British indie flick Bronson gives you the life story of Charles Bronson. No not the movie star YOU CUNT! We’re talking about Britain’s most violent prisoner. Since it is directed by Danish director Nicolas Winding Refn from the violent and brilliant Pusher trilogy, I was kind of expecting a gut-wrenching gorefest. It is not that bad, in fact this is more like a comedy. Crucial to the film is the central character who wants to become famous. He can’t sing and he can’t fucking act. So what does he do? This original idea is brought to the screen with Winding Refn’s usual sense of style. Tom Hardy delivers a knock-out performance as the protagonist. Don’t expect a cliché prison drama and you might find a place in your heart for Bronson. Special mention goes to the soundtrack which includes gems such as ‘It’s a sin’ by Pet Shop Boys.

Zombie Self-Defense Force (Japan, 2006)

Directed by: Naoyuki Tomomatsu
Written by: Chisato Oogawara, Naoyuki Tomomatsu
Cast: Kenji Arai, Norman England, Masayuki Hase, Yû Machimura

On the cover of Zombie Self-Defense Force, this movie is compared to Peter Jackson’s Bad Taste. Although the extreme gore is sometimes similar – though far less creative – this is nothing like Jackson’s first movie. It totally misses a master’s touch – this is amateur night and they know it. Poor acting, horrible no budget FX and very little to enjoy overall. During the first half hour, a few nice character touches promise some cult delight, but as soon as a zombie baby appears (a homage to another Jackson classic), things start to look really bad. Pretty much a disgrace anyway you look at it.

Black Devil Doll (USA, 2007)

Directed by: Jonathan Lewis
Written by: Shawn Lewis, Mitch Mayes
Cast: Heather Murphy, Natasha Talonz, Christine Svendsen

He’s a lover! He’s a killer! He’s a muthafu**in’ puppet! ‘A Lewis Brothers fiasco’, credits state after Mubia, a member of the black power movement, is executed. His last words: ‘I like to eat white butt’. We’re up for something special that is for sure. Mubia is brought back to life by big boob teenager Heather while she is messing around with a Ouija Board. Guess what? The dangerous rapist and murderer returns in puppet form! So, the sexploitation version of Child’s Play begins. Not subtle, but sleazy, nasty and offensive. Black Devil Doll does exactly what it promises to do on the cover. At times it is too dirty, but quite often it is pretty hilarious.


Tom Hardy as Charles Bronson in Bronson