Brainfood: A JK Screenplay (synopsis)

Recently, I released a precious childhood amateur film of mine called Brains For Breakfast. If you haven’t seen it yet, feel free to check it out by clicking the icon below.

It’s still a dream of mine to one day expand this short horror-comedy into a full-length feature. To that end, I’ve developed a treatment for a screenplay. If you’re interested in getting involved in any way, I’d love to hear from you – just reach out at jeponline@hotmail.com.

BRAINFOOD — Treatment

Genre: Comedy / Horror / Science Fiction / Action
Setting: The Netherlands (alternative universe) – Bergen, Heiloo, Alkmaar, Schermer Region

Tagline: The ultimate drug in the galaxy has been found… and they want it.

LOGLINE
In an alternate Netherlands where alien encounters are routine, a disgraced psi-soldier must rejoin his disbanded elite unit to stop a violent race of interdimensional drug-hunters from stealing the most powerful psychedelic ever created.

SYNOPSIS

A Violent Return
In a parallel universe version of the Netherlands – an English-speaking, militarized, right-wing nation used to alien visitors – an aggressive alien race known as the Atomics breaches into Earth via a ‘Dimension Traveller’ device.

Primitive in appearance – some resemble lizards, some skeletons, some monkeys and the leader – Taurus – a bull –.the Atomics wear long dusters and wield antique-looking rifles. They land in the dunes near Bergen, killing a dune ranger and parasitizing another using a leech-like creature that implants a mind-controlling worm through the ear.

On their way to their concealed base, they murder a police officer, triggering a national military alert.

General Glorious, the army chief responsible for alien containment, recognizes the race instantly. The Atomics were here two years ago, on a drug-harvesting mission for Netherweed, and escaped with their stash despite heavy casualties inflicted by the elite Psychedelic Unit, a special-forces team of psi-sensitive soldiers.

A Broken Hero
One of the Psychedelic Unit’s finest, Max Crunch, has spent the past two years at home in the small rural village of Schermer, crippled by PTSD. He feels alienated, mocked by locals, and increasingly distant from his girlfriend Nina. His psychiatrist has given him an ‘anchor’ technique to keep him grounded during flashbacks, but his trauma remains unresolved.

When the government cuts off his benefits and Nina leaves him, Max reluctantly answers the army’s summons. General Glorious reveals that the Atomics have returned and the Psychedelic Unit must be reassembled. If Max helps, he’ll receive permanent paid leave afterward. Reluctantly, Max agrees.

Reforming the Psychedelic Unit
Max reunites with the scattered members of his old team:

• Captain Jimmie Lombardo – alpha-male, tough, impatient, the unit’s brash leader.
• Henry ‘Cowboy’ Waterman – laconic sharpshooter in a cowboy hat.
• Steve ‘Suicide Steve’ Hoskins – fearless, volatile, and racist and fascist tendencies.
• Thomas ‘Tank’ Larson – the team’s powerhouse
• Olaf ‘Bulldog’ Braat – sniper with perfect accuracy

The group once used the substance Daylyrium, enabling psychic attunement and interspecies telepathic tracking. But this time, Max can’t make a connection at the scene of the cop killing – the Atomics are clearly using psi-blockers.

With telepathy off the table, the squad turns to old-school detective work: Find the drugs, find the aliens.

The New Drug
They discover that eccentric chemist Dr. Schnobel has invented the ultimate psychedelic, dubbed Entheogen, a liquid that dissolves the ego and induces cosmic unity. Rejected by corporate drug monopolies, Schnobel distributed product through two major dealers, called Frans Hario and Teeg Brown.

Unbeknownst to humanity, Alien scouts monitoring Earth’s drug trade identified Entheogen as the most valuable substance in the galaxy. In response, the Atomics sent a forty-soldier strike team to harvest the drug and abduct its creator.

Two Raids
The Psychedelic Unit and the Atomics both converge on the dealers:
• At Hario’s home, a chaotic gunfight erupts. The squad kills all Atomics on site and captures Frans.

• At Teeg Brown’s, the Atomics strike first and abduct Brown without resistance.

Interrogation leads both sides to the same destination: Dr. Schnobel’s lab.

Ambush by the Terrifying Five
Taurus anticipates pursuit and dispatches the Atomics’ elite hunters – The Terrifying Five – to ambush the Psychedelic Unit. The squad barely survives the devastating encounter, but Schnobel is abducted and brought to the Atomics’ commandeered villa base in the forests of Heiloo.

There, Schnobel is forced to teach an Atomic chemist the formula for Entheogen, while the villa’s parasitized owner serves as a puppet caretaker.

The Oracle of Bergen
With leads running dry, Max suggests visiting The Oracle of Bergen, a powerful psychic buried waist-deep in a forest hill, clad in a Hawaiian shirt and aviator shades, flanked by two similarly dressed psychic companions.

The Oracle reveals:
• The Atomics are master chemists from Atom X, a devastated world stripped of natural resources.
• Another alien race gifted them the Dimension Traveller to scavenge resources from other worlds.
• The Atomics’ return, and the showdown to come, is part of a cosmic design.
• Their leader is Taurus, the same figure responsible for Max’s trauma.

Max’s PTSD surges at the mention of Taurus.

But the Oracle also gives the squad the Atomics’ exact location.

The Assault on the Villa
The team launches a coordinated three-front assault:
• Max and Steve attack through dense forest.
• Jimmie and Cowboy approach from a rear field.
• Tank and Bulldog hold the front to intercept escapees.

Fierce firefights rage as both teams carve their way toward the villa.

Schnobel completes the Entheogen formula, but Taurus prepares to flee. He releases the Terrifying Five once more. The squad manages to kill them, but Cowboy falls in battle, enraging Suicide Steve into a berserker and foreigner hating rampage.

Taurus escapes with the Entheogen sample and formula, fleeing in the same van the Atomics used upon arrival. Bulldog manages to plant a tracker before Taurus escapes.

Showdown in the Dunes
Max takes the tracker and pursues Taurus alone. In the dunes, Max is attacked by the mind-controlled dune ranger. Back at the villa, Jimmie kills the leech-creature controlling the ranger, and the ranger dies instantly. Max continues the chase.

Taurus reaches the Dimension Traveller, a lift-like mechanism atop a dune. Before he can signal home, Max confronts him and a traumatic flashback hits:

Two years earlier, during the first invasion, Max and the squad pursued Taurus to a similar base. Among the team then was Max’s younger brother Patrick Crunch. Patrick was parasitized and attacked Max, who was forced to shoot his own brother. Taurus laughed as he escaped with stolen Netherweed.

Back to the present. Both characters draw their guns and Max blows Taurus his brains out.

A Gift for Atom X
At the Atomics’ base on barren Atom X, Taurus appears to call home. But it’s actually Max holding up Taurus’s severed face to the camera, mimicking his grunt. The Atomics activate the teleportation system.

Instead of Taurus, the bag of C4 appears and detonates. The Atomic base is obliterated.

Enlightenment on the Lawn
Max returns to the villa. Dr. Schnobel lies dying, but hands Jimmie one final vial of Entheogen:

“Take it together. This is enlightenment in a bottle.”

Jimmie proposes sharing the drug with the last surviving Atomics they captured. Steve objects, but the others agree.

On the villa lawn, surrounded by the bodies of friends and foes alike, the five surviving members of the Psychedelic Unit sit with five captured Atomics. They ingest the Entheogen together.

As the purple sky stretches endlessly above them, they gaze upward, united in a moment of pure transcendence.

For the first time, they truly understand: they are all one.

Cult Radar: Part 11

FilmDungeon.com is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Q: The Winged Serpent (USA, 1982)

Directed by: Larry Cohen
Written by: Larry Cohen
Cast: David Carradine, Michael Moriarty, Candy Clark, Richard Roundtree

A series of unexplainable crimes occur in New York City: a girl sunbathing on a rooftop vanishes, and a window cleaner at the Empire State Building is decapitated. Two NYPD detectives (David Carradine and Richard Roundtree) investigate a ritualistic Aztec murder and soon discover that these crimes are connected. This entertaining supernatural fantasy-horror film by Larry Cohen (Black Caesar) was produced by legendary B-movie mogul Samuel Z. Arkoff and grew from a single idea by Cohen: what if the Chrysler Building housed the nest of a giant prehistoric bird? The special effects are mostly reserved for the film’s climax and they’re not even that bad. The characters are also surprisingly engaging. All in all, Q: The Winged Serpent is an enjoyable B-movie that will certainly appeal to fans of Arkoff’s cult film library.

A Lizard in a Woman’s Skin (Italy, France, Spain, 1971)

Directed by: Lucio Fulci
Written by: Lucio Fulci, Roberto Gianviti, José Luis Martínez Mollá
Cast: Florinda Bolkan, Stanley Baker, Jean Sorel

A Lizard in a Woman’s Skin is a strong example of the giallo genre – an Italian cinematic style that blends elements of slasher, thriller, psychological horror, and sexploitation, and that predates the later wave of American slasher films. The story follows the daughter of an influential politician (Florinda Bolkan), who dreams of an orgy at her ‘liberated’ neighbour’s house and of killing her after having sex with her. She recounts this dream to her psychiatrist, only to discover that the murder actually occurred exactly as she described. I initially took the film’s title literally and expected a Cronenberg-style body horror, but it turned out to be more of a lesson in Freudian dream analysis combined with a murder mystery set in London in the Swinging Sixties. One of the film’s most notorious moments is a dream sequence in which a dog is cut open so convincingly that director Lucio Fulci and his special effects artist were taken to court to prove it was fake. It’s a well-crafted film – stylish, atmospheric, and intriguing – though at times a bit slow and uneventful.

Street Trash (USA, 1987)

Directed by: J. Michael Muro
Written by: Roy Frumkes, J. Michael Muro
Cast: Mike Lackey, Vic Noto, Bill Chepil, Mark Sferrazza

Just how trashy is a movie called Street Trash? Renowned Steadicam operator J. Michael Muro directs this body-horror comedy about hobos – an often underrepresented group in movies. The story centers on a cheap liquor called Viper that causes anyone who drinks it to melt. This independent production is a prime example of the curious horror subgenre known as ‘melt movies’ (The Blob is another prime example). The film has little in the way of a traditional plot; instead, it’s a series of loosely connected vignettes linked by the effects of the Viper drink. Among the recurring characters are a psychopathic Vietnam veteran terrorizing hobos and a mobster played by Tony Darrow (GoodFellas, The Sopranos). Street Trash has understandably gained quite a cult following over the years, though I didn’t enjoy it much myself. The scene in which a bunch of hobos toss a severed penis around with the owner running after it was a bit too much for me.

Requiem for a Vampire (France, 1972)

Directed by: Jean Rollin
Written by: Jean Rollin
Cast: Marie-Pierre Castel, Mireille Dargent, Philippe Gasté

This French cult treasure begins intriguingly: two girls and a man dressed as clowns are chased by a car and shot at. They fire back. The man doesn’t survive the pursuit, but the two girls manage to escape, eventually hiding near an abandoned water tower. They’re clearly on the run, but from whom? No explanation is given. It feels like a deliberate play with mise-en-scène that nonetheless holds your attention. Only after a while does a plot emerge, when the girls stumble upon strange rituals taking place in a remote château. The film is captivating – almost like a silent movie. The two leads don’t speak until they’re hypnotized by a vampire, who commands them to lure in victims for the resurrection of an ancient race. To do so, however, they must first lose their virginity. The lead actresses are well cast, and the combination of eerie locations, sensual imagery, haunting music, and dreamlike camerawork creates a mood that never lets go.

Quatermass and the Pit (United Kingdom, 1967)

Directed by: Roy Ward Baker
Written by: Nigel Kneale
Cast: James Donald, Andrew Keir, Barbara Shelley, Julian Glover

This Hammer production is more of a sci-fi mystery than the studio’s typical brand of horror. During the excavation of a new subway tunnel, workers uncover skulls and skeletons of ancient apemen. Professor Bernard Quatermass, a space scientist, is called in to investigate. When a strange metallic object is found nearby, he begins to suspect an alien origin and searches for the missing link in human evolution. This Quatermass film, the third based on a BBC television serial, feels very much like an old Star Trek episode, complete with familiar sci-fi elements such as telekinesis, telepathy, and alien insects. Though the pacing is a bit slow, several production aspects – especially the sound design – are excellently executed. The film also presents some intriguing science-fiction ideas, including the notion of recording the memories of a susceptible brain, revealing visions of insect wars that once took place on Mars.