TV Dungeon: Oz

(1997 – 2003, USA)

Creator: Tom Fontana
Cast: Ernie Hudson, Harold Perrineau, Lee Tergesen, J.K. Simmons, Dean Winters, Terry Kinney, Eamonn Walker, Kirk Acevedo

6 Seasons (56 Episodes)

Welcome to Oz! A high security federal prison, called Oswald State Correctional Facility (‘Oz’ in slang). This series is set entirely in a section of this nightmarish prison called Emerald City, run by its creator Tim McManus. Em City is an experiment, whereby various criminal gangs of different ethnicity (blacks, Latino’s, Italian wiseguys, white supremacists, etc) are put together to live in a simulated society. To say that this experiment doesn’t run too smoothly would be somewhat of an understatement.

Because like outside of the prison, the aim of every criminal group or individual is to gain in power. When stripped of almost everything, other means must be used to achieve this, such as rape or violence. This quest for power runs through Oz like a red line. But there are other matters that the inmates pursue, like love, success or even redemption.

The problem is jealousy. Humans of whom everything is taken away, tend to get disagreeable about other people’s achievements. So whenever they sense a shred of happiness around another inmate, they will take the cause away indefinitely. This doesn’t only apply to prisoners, but to the guards as well. Like the one guard who gets a pro-basketball contract. His ankles are slices, putting him out of the game for good.

Plainly put, once you get into Oz, you’re a dead man. Sometimes literally. If Oz teaches us one thing, it is that inside Emerald City, anybody can die at any given time. Even main characters! The ones that manage to survive have to deal with the harrowing psychological effects of prison life. If they ever get out, they are likely to return. Sometimes by their own doing, or by the doing of a fellow inmate who likes to keep them around.

Absolutely hopeless.

Oz, that was there even before TV-gamechanger The Sopranos, is the show that put pay channel Home Box Office (HBO) firmly on the map. It differentiates itself from typical network shows by allowing things to unfold naturally. That means shocking content at times: rapes, gruesome violence, male frontal nudity and homosexual relations are not filtered out for the audience. That gives the series a very raw feel to it. It may be unpleasant at times, it is also very addicting.

What starts out as a realistic show, becomes more fantastical in later seasons. It is stunning either way. While the main goal of Oz, seems to be making a political statement, it also manages to provide superbly entertaining drama. This is mainly due to the brilliantly realized characters, both inmates and staff, that know how to surprise the audience every time.

Some of those characters are present from the start like Beecher, Schillinger, O’Reilly, Alvarez, Adabisi and Kareem Said. Logically their personal stories and relationships are the most fascinating, but what Oz also does very well is keeping the in- and outflow of inmates up to a pleasant level. It is not really possible to explain some of the characters’ stories as it would do injustice to the writing, but believe the reviewer: it is fascinating.

Watching Oz is basically like observing a monkey cage. There is a brawl every few minutes and the smartest inmates (best schemers) live the longest. If you’re up for great drama with a message, Oz is your fix. Just don’t get too attached to any of the characters.

Dungeon Classics #30: The Wild Bunch

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

The Wild Bunch (1969, USA)

Director:
Sam Peckinpah
Cast: William Holden, Ernest Borgnine, Robert Ryan
Running Time: 145 mins.

Pike Bishop (William Holden) is an aging outlaw who runs a gang called the Wild Bunch in the new American West of 1913, a time of trains and automobiles in which they no longer seem to fit. They get ambushed during their latest score and flee to Mexico, while being hunted by bounty hunters led by one of their former gang members (Robert Ryan). Once in Mexico, they agree to rob a train and steal weapons for a corrupt general after which Pike plans to retire. But if you think the Wild Bunch will disappear quietly into the night, you’re in for a very noisy surprise! The Wild Bunch was controversial at the time for the graphic violence on display and immoral characters in the lead. This was new indeed and clearly an inspiration for filmmakers like Quentin Tarantino. The movie looks and feels very gritty and raw, and the bloody bullet festival in slow motion at the end is a masterful sequence: one of the all-time greatest scenes in cinema history! Fun trivia: actor Robert Ryan was constantly whining to director Peckinpah that he wanted first billing. The director punished him by listing him third on several horses’ asses.

Dungeon Classics #29: The Getaway

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

The Getaway (1972, USA)

Director: Sam Peckinpah
Cast: Steve McQueen, Ali MacGraw, Sally Struthers, Al Lettieri
Running Time: 101 mins.

Seventies classic with a terrific Steve McQueen as bank robber Carter ‘Doc’ McCoy who goes on the run with his wife (Ali MacGraw) after a job went awry. Both the police and criminals are on their tail. What makes this movie work is that it is in fact a love story. McCoy was in jail for five years and his wife had to have sex with a parole board member to get him out. This man – Beynon – was also the one who ordered the bank job and assigned two amateurs to Doc’s team. They are the ones who screwed it up and one of them (Rudy played by The Godfather villain Al Lettieri) is now after them. McCoy can’t forgive his wife for what she did, despite her good intentions, and this psychological drama makes the movie rise above the routine lovers on the run story. Director Peckinpah’s trademark slow motion violence is on display during the finale in a memorable sequence in a hotel.

Tijdloze klassiekers

Rosa is nu op een leeftijd gekomen (tien, bijna elf) dat ze ‘volwassen’ films met me kan kijken. Alhoewel volwassen? Veel mensen zouden Star Wars omschrijven als kinderfilm. Ik zal nog even moeten wachten tot ik mijn gewelddadige favorieten zoals GoodFellas en The Godfather met haar kan bekijken, maar de lichtere klassiekers, zoals de originele Star Wars trilogie dus, zorgen al voor veel (darth)vader- en dochter-kijkplezier.

Ik ben expres begonnen met Star Wars: Episode IV – A New Hope, en niet met de prequel trilogie, omdat ik wilde dat ze de verrassing van episode V (“I am your father”) zou beleven als de oorspronkelijke bioscoopbezoekers in 1980. Ze vond het vreemd om te beginnen met de vierde aflevering van een serie, maar ik heb haar uitgelegd dat de beste verhalen vaak een ongeziene voorgeschiedenis hebben en dat die soms ongezien blijft, maar in het geval van Star Wars later alsnog verfilmd is (een understatement, aangezien Disney bezig is ieder personage en tijdperk een eigen film of serie te geven) .

Het was ook een test om te zien of deze films van 46 tot 40 jaar oud ook een nieuwe generatie zouden aanspreken en dat deden ze. Rosa is een nieuwsgierig kind en ze stelde me allemaal vragen over de personages en de mythologie van het Star Wars universum. Ook wisten de personages haar duidelijk in te pakken; van de komische C3PO en R2D2 en de mysterieuze Obi-Wan Kenobi tot de vurige Leia, koppige Han en dappere Luke. En natuurlijk vond ze de slechteriken fascinerend.

Het was geweldig om haar reactie te zien op legendarische scènes, zoals de ontsnapping uit de Death Star en natuurlijk de ultra-spannende finale. De special effects blijven geniaal. Af en toe doorzag ze de trucjes van het pre-digitale tijdperk, zoals de met stop motion geanimeerde tauntauns in The Empire Strikes Back. In deze fenomenale film leerde ze het personage Darth Vader pas echt kennen. Ze vond het hilarisch om te zien hoe hij zijn incompetente ondergeschikte straft door hem op afstand te force chocken terwijl hij via een monitor de collega naast hem promotie geeft. Dat geeft zelfvertrouwen.

Toen kwam natuurlijk dat moment waarop Vader aan Luke vertelt dat hij zijn vader is. De uitdrukking op haar gezicht was fantastisch en toen in Return of the Jedi volgde er nog een verrassing als Yoda Luke op zijn sterfbed meedeelt: “there is another Skywalker.” De films hebben de toets des tijds glansrijk doorstaan. Goed nieuws voor mij, want ik kan de lijst met films die we gaan kijken flink uitbreiden.

We zijn nu bezig met de prequel trilogie. Visueel staan deze films nog altijd als een huis en de visie erachter ook, maar de uitvoering kent de nodige gebreken. Rosa wist goed uit te leggen waarom ze de originele films beter vond (‘it’s the characters, stupid!’). Ik denk dat er wel een filmrecensent in haar schuilt en sowieso een filmfreak, zoals haar vader.