What Will Be Tarantino’s 10th and Final Film?

It is well established that Quentin Tarantino wants to complete his career as director with a total of 10 films. With Once Upon a Time in Hollywood (2019) as his ninth, that that leaves just one final movie to cap off an iconic career.

Tarantino has taken long breaks between projects before. After Jackie Brown (1997), he didn’t return with another feature until Kill Bill: Vol. 1 in 2003. So the current six-year gap since Once Upon a Time in Hollywood isn’t unusual, but fans are still eagerly waiting for news.

In 2023, it looked like Tarantino had settled on his swan song: The Movie Critic. The film was to center on a character inspired by a real-life reviewer for an adult magazine Tarantino encountered as a teenager while restocking porno mag vending machines. During his work, Tarantino said he came to really appreciate the writing of this film critic.

“He was as cynical as hell. His reviews were a cross between early Howard Stern and what Travis Bickle might be if he were a film critic”, Tarantino said. Tarantino wanted an actor he had never worked with as the main character and Brad Pitt was said to be in talks to join the cast, though not as the title critic. The project sounded promising, but in 2024, Tarantino shelved it for artistic reasons. Just like that, The Movie Critic was off the table.

There was also buzz about Tarantino tackling a Star Trek film – an unusual move, given his preference for original stories (with Jackie Brown, adapted from Elmore Leonard, being the lone exception). But on the ReelBlend podcast, he suggested that a Star Trek film perhaps wouldn’t ‘count’ as his tenth. That project, too, now seems dead.

So what’s next? According to The Hollywood Reporter, while rewriting The Movie Critic, Tarantino toyed with an ambitious idea: a ‘farewell metaverse’ in which characters from his past films might reappear in a ‘movie within a movie’ format – either as their original characters or as fictionalized versions of the actors who played them. But for now, that’s just speculation.


In my DVD collection, I left over a single place for Tarantino’s final film. His filmography as director so far: 1. Reservoir Dogs, 2. Pulp Fiction, 3. Jackie Brown, 4. Kill Bill (counting as one film), 5. Death Proof, 6. Inglourious Basterds, 7. Django Unchained, 8. The Hateful Eight, and 9. Once Upon a Time in Hollywood.

The only concrete Tarantino-related project currently in the pipeline is The Continuing Adventures of Cliff Booth, a spin-off from Once Upon a Time in Hollywood. In this film, Brad Pitt’s character – stuntman and all-around tough guy Cliff Booth – becomes a Hollywood studio fixer. The film is being directed by David Fincher for Netflix, marking the first time since From Dusk Till Dawn (1996) that Tarantino is writing but not directing a film.

So what about the final film? At the 2025 Sundance Film Festival, Tarantino addressed this very question. “I don’t want to rush into production”, he said. “I’ve been in a hurry for the last 30 years, but not right now.” The reason? His family. “My son turns five next month, and my daughter is two and a half. The idea of taking on a huge project when my kids are so young doesn’t appeal to me.”

Tarantino added that he wants to wait until his son is at least six. “That way, he’ll know what’s going on, he’ll be there, and it’ll be a memory for the rest of his life.” That could mean production starts sometime next year, but only if inspiration strikes.

Interestingly, Tarantino revealed at Sundance that he’s currently working on a stage play. While he didn’t share any details, he hinted that if the play turns out well, it might be adapted into his final film. “If it’s a fiasco, it’s just a play. But if it succeeds, maybe it becomes the movie.”

So there you have it: while Tarantino’s tenth film remains a mystery, we know he’s not in a rush. In the meantime, The Continuing Adventures of Cliff Booth promises to deliver more of the filmmaker’s signature style even if he’s not in the director’s chair this time. And who knows? That stage play just might be the unexpected final chapter in a legendary career.

TV Dungeon: Justified

(2010 – 2015, USA)

Creator: Graham Yost
Cast: Timothy Olyphant, Nick Searcy, Joelle Carter, Jacob Pitts, Erica Tazel, Walton Goggins, Natalie Zea, Jere Burns

6 Seasons (78 Episodes)

“Harlan County, one hell of a place to make your fortune”, quips lawman Raylan Givens (Timothy Olyphant) in one of the final episodes of Justified. It is an homage to Deadwood, another modern reinvention of the western in which Olyphant plays the lead role as sheriff Seth Bullock.

Both Givens and Bullock inhabit a hostile environment, in which long term survival is only possible for the most cunning double crossers, those who are willing to do evil deeds. The lawmen who work these areas also have to adopt or die. And they do…

Justified is based on a short story by Elmore Leonard. The ‘crime laureate’ (1925 – 2013) had a background in Western writing, and it definitely shows. Justified’s hero Raylan Givens is a modern gunslinger, a US marshal who is sent from Miami to his former home region of Eastern Kentucky after a deadly shooting incident.

In this Wild West of the 21st century, he faces off against a whole assortment of rednecks, hillbilly’s, neo-Nazi’s and South-Eastern crime bosses. Not to mention several beautiful Southern dames who surely know how to complicate his life.

His main antagonist is local crime figure Boyd Crowder, who he is acquainted with from his coal mining days. What they have in common is a rotten father who is still active within the Harlan criminal underworld. But despite their similar, rough upbringings, Raylan and Boyd ended up on opposite sides of the law. Their complex relationship is one of the main threats that runs through Justified’s six thirteen-episode seasons.

Timothy Olyphant played a similar role in Deadwood (and as a homage appearance in The Book of Boba Fett), and he was excellent there, but it must be said that in Deadwood, Ian McShane completely steals the show as psychotic saloon boss Al Swearenegen. Although Walton Goggins is great as main villain Boyd Crowder, he doesn’t exactly outstage Olyphant’s hero. On the contrary, Raylan Givens is without a doubt the best performance of Olyphant’s career, and his memorable portrayal is one of the reasons Justified works so well.

Olyphant once jokingly said that Raylan was pretty much a Sam Elliot impression. Funny, because Elliot shows up in the final season as crime boss Avery Markham. He is only one of many interesting criminal characters that make Justified such an extremely enjoyable show. Some last only for an episode, while others make it for multiple seasons. Most eventually meet their demise at the hands of Raylan Givens, because make no mistake: he is a killer, a true violent American hero. And if he thinks a kill is justified, he won’t hesitate to draw and shoot you dead.

The second season is probably the best, but the show remains immensely entertaining throughout its duration. Towards the final seasons, it did find that the story-lines were becoming increasingly unbelievable, but the characters and the dialogues remain a real treat; In 2023, Raylan Givens would return in Justified: City Primeval.

Double Bill #04: Jackie Brown & Out of Sight

Both based on novels by the famous crime author Elmore Leonard and made roughly around the same time (Jackie Brown by Quentin Tarantino in 1997 and Out of Sight by Steven Soderbergh in 1998), the movies have a lot in common. They are both light hearted crime stories with not so much violence, especially compared to Tarantino’s other movies. They also both feature a romantic story about a love that doesn’t entirely come to fruition. Stewardess Jackie Brown (Pam Grier) tries to bond with bond bailsman Max Cherry (Robert Forster), but despite him being in awe of her, he doesn’t go for it for somewhat mysterious reasons. US Marshal Karen Sisco (Jennifer Lopez) and convicted bank robber Jack Foley (George Clooney) fall in love after he holds her hostage in the trunk of a car after a jailbreak, but because of their chosen professions, they cannot be together. Both movies also revolve around a big score (a half a million in cash and five million worth of uncut diamonds) that several parties try to get their hands on. And in both cases, the relative ‘good guys’ prevail and the badder (and stupider) ones meet their demise. As can be expected from the fantastic writer Leonard, the characters are top notch and the dialogues are both smart and funny. One character crosses over from one story to the next; Ray Nicolette, and Tarantino and Soderbergh cleverly casted the same actor for the role: Michael Keaton. Out of Sight also features quite a few actors from Pulp Fiction, which was one of the defining movies of the era: Ving Rhames, Paul Calderon and – in a surprise appearance at the end: Samuel L. Jackson. The better movie of the two? Jackie Brown for the brilliant screen adaptation by Tarantino and the unforgettable performances of Samuel L. Jackson and Robert De Niro as stupid criminal duo Ordell Robie and Louis Gara. Not to forget a superb Grier and Forster! But both movies are great and together form an ideal double feature.