Cannibalism Now!

In Cannibal Holocaust from 1980, a four-headed film crew heads into the Amazon jungle to shoot a documentary about cannibalism. They never return. When their cans of film are found later on, the gruesome truth about their faiths is uncovered. The film has been extremely controversial since its release and is still banned in several countries. Cannibal Holocaust remains a very unpleasant viewing today due its nauseatingly realistic scenes of violence and mutilation. Still, the shocking subject matter seems to have a certain appeal on many people. What is it with cannibalism that fascinates people so much and how is this fascination translated into cinema?

In Western civilization, cannibalism is considered as something perverted, disgusting, extremely primitive, sick and demented. In most countries there is not even a law against cannibalism. Whenever an occasional case of cannibalism does come to light, the perpetrator is mostly convicted of another act such as murder or necrophilia. The eating of individuals from the same species does still occur, but it happens very marginally. The fact that it still happens means that it is definitely human. We can only admit to this repressed fascination by engaging in fantasy. Through books, music and – off course – movies we can come to terms with the cannibal inside of us.

Cannibals in cinema go back a long time. As far as I can tell, the first movie that features cannibalism is the short Queenie and the Cannibal from 1912. It is the beginning of a very long list. Last century alone, 90 movies premiered with the notion ‘cannibalism’ in the title. Movies that feature the theme cannibalism encompass several genres and subgenres. Very often they are horrors, adventures or crossovers. Mostly, they are also exploitation and sexploitation flicks (or straight out porn). Many can also be classified as racist – as natives are portrayed as savage flesh eaters. Some examples of these types of cannibal movies include; Emanuelle and the Last Cannibals (1977), The Mountain of the Cannibal God (1978), Cannibal Ferox (1981), The Flesh (1991) and Diary of a Cannibal (2007). Human’s fascination with the subject is also translated into the zombie film. After all, despite the fact that they are dead, zombies are still humans that eat other human’s flesh.

Exploitation films that deal with cannibalism are often horrors, but there are quite a lot of comedies as well. Ivan Reitman’s second feature film is the Canadian comedy-horror Cannibal Girls about three beautiful young women who lure men with their seductive charm to their home in order to kill and eat them. By drinking their blood and eating their flesh the women maintain their youthfulness and immortality. Eating Raoul is a 1982 black comedy in which cannibalism is used for the central gag. Another black comedy and horror is Motel Hell (1980) about a farmer / hotel owner who makes meat products with special ingredients. Auntie Lee’s Meat Pies (1992) already tells you all you need to know with its title and Trey Parker from South Park made Cannibal! The Musical (1993) in his college days. This blend of comedy, biography and musical is loosely based on the history of Alfred ‘Alferd’ Packer who was convicted for cannibalism in 1874.

While Italians can often be credited for nasty exploitation cannibal films, the French are largely responsible for putting cannibals in the Art House. A Taste For Woman (1964) is a black comedy by French director Jean Leon from an adapted screenplay by Roman Polanski. This is about a vegetarian restaurant that acts as cover for a sect that eats women as part of a full moon ceremony. Jean-Luc Godards Week End (1967) shows the savage journey of a bourgeois couple through France. They eventually fall prey to hippy cannibals. In Delicatessen (1991) by Marc Caro and Jean-Pierre Jeunet a butcher / landlord sells human flesh to his odd tenants in a post-apocalyptic world. Finally Les amants criminels (1999, François Ozon) is a thriller that retells the Hansel and Gretel legend, only with the wicked witch replaced by a woodsman with cannibalistic tendencies.

While the Art House and Grindhouse cinemas have had their taste of cannibalism, mainstream Hollywood has also exploited the theme for big time box-office return. The Silence of the Lambs was a sleeper hit in 1991, and its main star Hannibal ‘The Cannibal’ Lecter, portrayed by Anthony Hopkins, returned in Hannibal (2001) and Red Dragon (2002). Especially the first sequel has scenes of explicit cannibalism in it, just look at the scene in which Lecter feeds on Ray Liotta’s brains. In Sin City (2005), the mute serial killer Kevin (Elijah Wood) kills prostitutes, mounts their heads on a wall like hunting trophies and cannibalizes their remains, feeding the leftovers to his pet wolf.

Not a Hollywood film, but immensely popular was The Texas Chain Saw Massacre in 1974. In it, a group of friends stumble upon a family of cannibals in rural Texas. The film was made independently by director Tobe Hooper for just around 140.000 dollars. Due to its graphic content, the film was banned in several countries, but did make 30.8 million dollars at the U.S. box office alone. It got five sequels and a remake in 2003. A quite similar film is The Hills Have Eyes, which is a cult classic directed by Wes Craven in 1977. The story revolves around a family of mutant cannibals that prey on a family who have been stranded in the Nevada desert. In 1991, Craven also made The People Under the Stairs about a psychotic and cannibalistic couple played by Everett McGill and Wendy Robie who also played a couple in Twin Peaks. They ‘keep’ people between the walls of their house and eat the occasional liver.

While Cannibal Holocaust and The Texas Chainsaw Massacre only pretend to be based on reality, there are also real real-life stories about cannibalism that have been turned into movies. Think about Grimm Love aka Rohtenburg. This movie is based on the true story of self-confessed cannibal Armin Meiwes and the ‘internet cannibal movement’. In March 2001 Meiwes killed and partially ate a man he had met on the internet. The eating was based on a mutual agreement. The movie was banned in Germany after Meiwes filed a complaint against it. True cannibalism is also found in Alive (1993). This film tells the story of the Uruguayan national rugby teams’ plane that crashed in the middle of the Andes Mountains in 1972. The survivors have to take desperate measures to stay alive, including eating their deceived friends and family members.

Except for voluntary cannibalism there are also quite a few examples of people who force or trick people into eating other humans. Look no further than The Cook, the Thief, His Wife & Her Lover (1989) and Titus (1999) based on a play by William Shakespeare. There is also Jennifer’s Body (2009), starring Megan Fox and Amanda Seyfried and written by Oscar winning screenplay writer Diablo Cody. In it, Megan Fox plays a high school beauty queen who eats her boyfriends.

Judging from this overview, movies that feature cannibalism come in many forms and vary strongly in quality. Compared to food, they range from the cheapest junk to the highest culinary achievement. Either way, the theme has successfully manifested itself into cinema and still fascinates people to this day and will undoubtedly continue to do so in the future.

Double Bill #02: Grindhouse (Planet Terror & Death Proof)

This was the first time I saw the Rodriguez / Tarantino double feature as it was originally intended: back to back and with fake trailers in between. Originally, I saw the films separately when they came out in 2007 in an open air cinema on Crete. This was a special experience in itself and I really liked the movies. So what is the real authentic Grindhouse experience like? Well, what do you think? It kicks complete ass! It starts with the Machete trailer, which is so good they decided to actually make the movie. Then the first feature Planet Terror opens with that pole dancing sequence, the sexiest ever committed to celluloid. Rose McGowan is amazing as Cherry Darling, a go-go dancer who’ll soon have a machine gun for a leg. Rodriguez’ his contribution is a bat shit crazy gory virus zombie splatterpiece, while the Tarantino film that follows is… well a masterful genre film (in this case a carsploitation-horror), like only the maestro knows how to make them. What’s beautiful is that the films actually go together like burgers and fries. Tarantino-Rodriguez is a unique partnership in the history of filmmaking and this is a once-in-a-lifetime project. The two films have a lot in common. Apart from the shared cast members, they feature lots of lethal ladies; girls who kick ass, though they also suffer a lot. The guys in the movies are mostly psychos. And one of them is unforgettable: Kurt Russell as Stuntman Mike McKay. Another Tarantino-character made for the cinema wax museum. The Grindhouse versions of the films are cut a little shorter than the films released separately. Death Proof now also has a missing reel. Not coincidentally, it is the lap dance scene that is missing (Tarantino and Rodriquez are suggesting that a horny projectionist stole the reels, in Planet Terror a sex scene between Cherry and Wray is missing). Also, included in all gory glory are the fake movie trailers: Rob Zombie’s Werewolf Women of the SS, Edgar Wright’s Thanksgiving and Eli Roth’s Thanksgiving. O man, cult cinema just doesn’t come any better than this.

Cult Radar: Part 9

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Tormented (UK, 2009)

Directed by: Jon Wright
Written by: Stephen Prentice
Cast: Alex Pettyfer, April Pearson, Dimitri Leonidas

Fat schoolboy Darren got bullied to the point where he committed suicide. Tormented opens at his funeral. Not only do Darren’s tormentors don’t have any regrets whatsoever, they even throw a party to celebrate his demise. That’s just too much… Soon after, each member of the group of bullies starts receiving text messages from the dead Darren. They first think that someone is playing a prank on them, but as soon as the first body drops, they know they’re totally screwed. Tormented is a very effective horror flick that is both funny and inventively satisfying. Whether you thought high school was fun or not, this will keep you entertained for an hour and a half easily. Reviewer Kim Newman, who runs a Dungeon over at Empire Magazine gave it four stars also. It’s a recommendation.

Nude Nuns with Big Guns (USA, 2010)

Directed by: Joseph Guzman
Written by: Joseph Guzman, Robert James Hayes II
Cast: Asun Ortega, David Castro, Perry D’Marco

Violence, drugs, guns, boobs and off course lesbian sex. Nude Nuns With Big Guns is an immoral cocktail delivered by Freak Show Entertainment, the team behind the similar Run Bitch Run!. An abused nun has a vision from God. She is told to slay all sinners that are somehow connected to an elaborate heroin network, led by a money hungry padre who uses naked nuns as personnel. Sister Sarah is not supposed to show any mercy and she doesn’t! Is this entertaining? It kind of is in the sense that it is well shot and cut. Your eventual appreciation of Nude Nuns With Big Guns will depend mostly on your tolerance for graphic sex and violence featuring nuns. If this is low, you can easily deduct a star from this rating.

Hobo with a Shotgun (Canada, 2011)

Directed by: Jason Eisener
Written by: John Davies, Jason Eisener, Rob Cotterill
Cast: Rutger Hauer, Molly Dunsworth, Gregory Smith, Brian Downey

The awesome film poster promises an exploitation film pur sang and delivers. Hobo With a Shotgun was originally a fake trailer that won a Grindhouse competition organized by Robert Rodriguez. The story is about a homeless guy (Rutger Hauer) that takes on psychopathic scum in a city riddled with crime and depravity. Since it was made on a modest budget and has no Hollywood stars in its cast, it is more convincing than Tarantino’s and Rodriquez’ own Grindhouse pictures Death Proof and Planet Terror. The cheap violence gives you the real sense of watching a cult flick from the seventies. However, the sadistic violence is so excessive and beastly that it is hard to care about the characters at all, even the protagonists. The build-up is also not entirely effective; Hauer changes into a bloodthirsty vigilante in minutes, taking away some of the pleasure when he settles the score. Still, the underlying message about the human condition is well delivered and the exploitation feel is sublime; you can almost hear the exciting screams in the grindhouse theater. This hobo is certainly worth spending some loose change on.

Orcs! (USA, 2011)

Directed by: Andrew Black, James MacPherson
Written by: Anne K. Black, Jason Faller, Kynan Griffin and Justin Partridge
Cast: Adam Johnson, Renny Grames, Maclain Nelson

‘It’s an orc! No, it’s not. There is no such thing.’ A movie in which orcs show up in modern times sounds pretty horrendous. While certainly no masterpiece, Orcs! manages to entertain during its first half, which is basically a comedy about two idiot park rangers. Some jokes and The Lord of the Rings references are pretty funny. The second half is one long and tiresome battle against the orcs. This is the boring part. The costumes and special effects are laughable. All in all, don’t watch Orcs!. Just don’t!

Killer Klowns from Outer Space (USA, 1988)

Directed by: Stephen Chiodo
Written by: Charles Chiodo, Edward Chiodo, Stephen Chiodo
Cast: Grant Cramer, Suzanne Snyder, John Allen Nelson

From the special effects team behind Critters and Team America: World Police comes an original eighties classic. On a Friday night in Cove Crescent, a couple of youngsters witness a shooting star land nearby. At the place of impact, a circus tent appears, but what’s inside aint no funhouse… The acting in Killer Klowns From Outer Space may not be world class, but the production design is very well done and reason enough to check this out. It certainly beats cotton candy.

En de award voor coolste filmposter ever gaat naar…

‘Hobo with a Shotgun’

Zoals het de poster van de betere exploitation film betaamt is de poster van ‘Hobo with a Shotgun’ een getekende poster die de sfeer van de film perfect in één beeld visualiseert. De held van de film is uiteraard het grootste afgebeeld. In het geval van ‘Hobo’ is dat Rutger Hauer die het titelpersonage speelt. Hij heeft een echte zwerverslook met een schitterende nasty gezichtsuitdrukking. Om de hoofdpersoon heen zijn alle belangrijke scènes en personages uit de film te zien. Ik kreeg echt direct zin om de film te gaan bekijken, iets wat alleen de beste posters voor elkaar krijgen. De titel, logo en tagline zijn ook nog eens te gek. Kortom, een dikke tien.

Behalve de vette poster is de film zelf ook behoorlijk geslaagd. Hij begint met een naamloze zwerver die met een goederentrein arriveert in een naamloze stad. Een beetje zoals Clint Eastwood in de westerns over the man with no name. Door de mooie georchestreerde muziek krijg je helemaal het gevoel naar een film uit de jaren zeventig te zitten kijken.

De stad waar de hobo arriveert, is een smerige plek waar sadistische psychopaten de dienst uitmaken. Tussen de vele hobo’s worden bumfights georganiseerd en gefilmd, vrouwen worden gebruikt als lust- en martelobjecten en de politie wordt betaald door de leider van al het tuig, de über sicko Drake. Hauer’s dakloze heeft door een paar slechte ervaringen al snel genoeg van alle smeerlappen en besluit aan het moorden te slaan. Gewapend met een shotgun richt hij een bloedbad aan onder het tuig. In zijn missie wordt hij bijgestaan door prostituee Abby.

‘Hobo with a Shotgun’ was oorspronkelijk een namaaktrailer die deelnam aan een fake trailer competitie georganiseerd om de première van ‘Grindhouse’ te promoten, het grootse exploitation project van Quentin Tarantino en Robert Rodriquez. De trailer won de competitie en werd in sommige Canadese bioscopen vertoond als onderdeel van ‘Grindhouse’. Het is de tweede aan ‘Grindhouse’ verbonden trailer die het tot een speelfilm schopt. De andere is ‘Machete’ van Robert Rodriguez zelf.

Omdat de film met een relatief bescheiden budget is gemaakt en geen grote Hollywood sterren in de cast heeft, is het een overtuigendere exploitation film dan de ‘Grindhouse’ films van Rodriguez en Tarantino zelf. Het excessieve geweld en sadisme maakt wel dat het moeilijk is om veel te geven om de personages, inclusief de protagonist. Ook is de opbouw niet helemaal geslaagd; Hauer verandert in een paar minuten in een massamoordenaar, wat ook de genoegdoening wat teniet doet. Maar de boodschap over de human condition is toch overtuigend neergezet. Ook is het exploitation gehalte optimaal; je kunt je het geschreeuw en gejuich bij de vele bloederige scenes in het theater levendig voorstellen. Deze hobo is het zeker waard om wat kleingeld aan uit te geven.