Tagarchief: Mafia

Mobsters (1991)

Posted on by Jeppe Kleijngeld


‘They didn’t take orders…they took over’

Directed by:
Michael Karbelnikoff

Written by:
Michael Mahern
Nicholas Kazan

Cast:
Christian Slater (Charlie ‘Lucky’ Luciano), Patrick Dempsey (Meyer Lansky), Richard Grieco (Bugsy Siegel), Costas Mandylor (Frank Costello), Lara Flynn Boyle (Mara Motes), F. Murray Abraham (Arnold Rothstein), Anthony Quinn (Don Giuseppe ‘Joe the Boss’ Masseria), Michael Gambon (Don Salvatore Faranzano), Christopher Penn (Tommy Reina), Nicholas Sadler (Mad Dog Coll), Joe Viterelli (Joe Profaci), Seymour Cassel (Father Bonotto)

This 1991 gangster movie – also known as The Evil Empire – tells the true story of Charlie ‘Lucky’ Luciano. He grows up on Mott Street, New York in the twenties together with his friend Frank Costello. The two Italian kids start a partnership with the Jewish Meyer Lansky and Bugsy Siegel. As an organised gang, they start bootlegging and soon they team up with gambling genius Arnold Rothstein, the man who fixed the world series. Charlie becomes the leader of the gang.

The young men’s rise doesn’t go unnoticed by the two big bosses of New York; Don Masseria and Don Faranzano. They both want Charlie to work for them in order to become the biggest New York family. When Faranzano wants to hit them, Charlie and his friends have no choice but to temporarily join Masseria.

When the probation comes to an end, the time has come to knock off the traditional dons and start a nation-wide crime syndicate headed by a commission. But Masseria and Faranzano are no easy targets and start moving things themselves. It’s now a matter of who strikes first…

This movie, based on historic facts, doesn’t deliver on all fronts. The four leads are miscast as the ruthless, sociopathic criminals their characters are supposed to be. They’re just too mild-tempered and friendly looking to come across as anything near dangerous. Also the historic accuracy of the story is taken with a grain of salt to benefit the violent action the film contains.

What the movie does deliver on is beautiful production design. There are great montages of tommy guns, dancing girls, liqueur transports, crap games and spinning roulette wheels. The supporting cast is delicious with veteran actors such as Anthony Quinn, Michael Gambon and F. Murray Abraham. It’s a shame this film doesn’t fully live up to its promises, but it’s still worth a look, because of the impressive supporting cast and simply because the movie is so entertaining.

Rating:

Quote:
ARNOLD ROTHSTEIN: “What’s the secret of America? MONEY! Everything is money Charlie. But you’ll never make any money because you dress like a schmuck.”

Trivia:
This is the first American film that stars Michael Gambon.

This Thing of Ours (2002)

Posted on by Jeppe Kleijngeld


‘21st Century Criminals, 21st Century Payoff…’

Directed by:
Danny Provenzano

Written by:
Ted A. Bohus
Danny Provenzano

Cast:
Frank Vincent (Danny Santini), Vincent Pastore (Skippy), Danny Provenzano (Nicholas Santini), Edward Lynch (Johnny Irish), Louis Vanaria (Austin Palermo), Christian Maelen (Robert Biaggio), Chuck Zito (Chuck), Michael DelGaizo (Patsy deGrazio), Pat Cooper (John Bruno), James Caan (Jimmy ‘the Con’)

During the height of the phenomenon that was The Sopranos, this low budget independent mob movie was released starring many familiar mob actors, some of whom that were featured in the show, like Vincent Pastore (Big Pussy Ponpensiero), but also Frank Vincent – who would be introduced in The Sopranos two years later, and also James Caan (!), although he is just in one scene, yet featured on the cover in a clever marketing move.

But the film’s most intriguing element isn’t on-screen, it’s the backstory. Writer, director, and star Danny Provenzano was reportedly connected. His script was obviously strong enough to attract these mob-film veterans, yet he barely got to enjoy the release. Weeks before its nationwide theatrical debut, Provenzano pleaded guilty to racketeering and began serving a 10-year prison sentence.

Can wiseguys thrive in the 21st century? That’s the central question of the movie. Provenzano plays Nicky, a mobster with an ambitious plan: using a special microchip to transfer over a billion dollars to a secret Cuban bank account. His uncle Danny (Frank Vincent) must approve and finance the scheme. Success would bring not just massive profits but also a rise through the rigid ranks of their crime family. The problem is that both the FBI and rivals within their own family are making plans as well, leaving the multi-million-dollar heist balanced on a knife’s edge.

The concept is solid, but the execution stumbles. Only one scene truly delivers on the promise of 21st-century mobsters. This happens when Nicky and his crew pitch their digital heist to their greasy old bosses. The rest of the film offers the usual wiseguy dialogue and violence, none of it fresh. It adds nothing new to the overexploited genre, and Provenzano’s intended statement about the Cosa Nostra – whether they can adapt or if the life itself is a curse – never comes into focus.

Rating:

Quote:
ROBERT BIAGGIO: “It’s about time we brought that thing of ours into the 21st century, huh?”

Trivia:
Apart from mob veterans Frank Vincent, James Caan and Vincent Pastore, it also stars other mob regulars Joseph Rigano (Casino, Analyze This), Vinny Vella (Casino, The Sopranos), and Daniel P. Conte (GoodFellas, The Sopranos).

Brooklyn Rules (2007)

Posted on by Jeppe Kleijngeld


‘Not made to be broken’

Directed by:
Michael Corrente

Written by:
Terence Winter

Cast:
Freddy Prinze Jr. (Michael Turner Jr.), Scott Caan (Carmine Mancuso), Alex Baldwin (Caesar Manganaro), Jerry Ferrara (Bobby Canzoneri), Mena Suvari (Ellen), Monica Keena (Amy), Robert Turano (Mr. Canzoneri), Phyllis Kay (Mrs. Canzoneri), Ursula Abbott (Angela), Paulo Araujo (Young Michael)

The premise of friends growing up in a mob-infested neighborhood is a natural fit for coming-of-age dramas like A Bronx Tale. Brooklyn Rules unfolds against the backdrop of Aniello Dellacroce’s death, a pivotal moment that sparked a violent power struggle within the Gambino crime family.

Amid this turmoil, the film follows three close friends – Michael, Bobby, and Carmine – from their 1974 church service, where a young Michael (Freddie Prinze Jr.) steals from the collection plate, to their complicated lives in 1985. Perhaps because of his early lack of conscience, it’s Carmine (Scott Caan) who gravitates toward the mob, drawn into the orbit of Gambino captain Caesar (Alec Baldwin), a ruthless figure who dominates their neighborhood.

Bobby (Jerry Ferrara), the gentle soul of the group, dreams of a simple life: marrying his girlfriend and becoming a mail clerk. Michael, however, faces a more complex path. Though intelligent enough to attend Columbia and pursue a law career, he finds himself increasingly desensitized to the violence around him. A brutal brawl with a local thug forces the friends to confront their mortality, and Michael’s choices grow darker; stealing from a church is one thing, but murder is another.

Written by Terence Winter, known for his sharp work on The Sopranos, Brooklyn Rules delivers a solid screenplay about friendship, choices, and growing up. While it lacks the razor-sharp edge of The Sopranos, director Michael Corrente compensates with an authentic atmosphere, a stellar soundtrack (featuring ‘Sympathy for the Devil’), and evocative Brooklyn locations.

The trio of lead actors brings their characters to life, making their friendship feel genuine despite some uneven dialogue. The romantic subplot between Michael and Ellen (Mena Suvari of American Beauty) adds a welcome layer to the story. Though not groundbreaking, Brooklyn Rules is a worthy entry in its genre, offering an engaging 90 minutes for viewers.

Rating:

Quote:
MICHAEL: “He got a necklace with a fucking ear on. Cut it of some gook in the war.”

Trivia:
Scott Caan is the son of screen legend James Caan.

TV Dungeon: Corleone

Posted on by Jeppe Kleijngeld

(2007, mini-series, Italy)
AKA: Il capo dei capi

Directed by: Alexis Cahill & Enzo Monteleone

Cast: Claudio Gioè, Daniele Liotti, Simona Cavallari, Salvatore Lazzaro, Gioia Spaziani, Massimo Venturiello, Marco Leonardi

How does one become ‘il capo dei capi’ or boss of all bosses? That question is answered in the mini-series Corleone. In a fifty year period, Toto Riini grows up from little boy in Corleone on Sicily to the highest ranking member of the Sicilian Cosa Nostra (literally ‘Our Thing’). He does so by slowly murdering anybody who opposes him or who has any real power within the Mafia.

The Corleoneses, Toto Riina and his underboss Bernardo Provenzano, are provincial Mafiosi. They join the Mafia at a young age to escape from poverty. They rise to the top of the organisation quickly. In Sicily’s capital Palermo, the Corleoneses are perceived as hicks by the Mafia, but they are smart, ambitious and extremely ruthless as the Palermeans are about to find out. Riina was known as ‘the Beast’. It is a well chosen name considering the extreme high bodycount that can be attributed to him.

The mini-series is based on the book by Giuseppe D’Avanzo and Attilio Bolzoni. The makers wanted to not only show Riini’s rise to power and how he made it to the top, but also show the struggles of the law that wanted to put an end to him and his Mafia. Many judges and policemen died in this decade long battle. That much becomes clear in Corleone. For a long time, the law didn’t stand a real chance, but through sacrifice and perseverance they eventually got results.

To make the distinction between the good side and the evil side, the writers of this mini-series introduced a fictional character in this otherwise largely fact-based story. The true-hearted Biagio Schirò grows up with Riini in Corleone, but rather than becoming a mobster like his friends he joins the police. He follows Riini’s career closely and tries to bring him down, along with many real historical law figures, such as judge Giovanni Falcone. They stand for everything that the mob doesn’t.

In terms of production design, the makers did a good job of capturing the old times on the beautiful Sicily. Dramatically however, the series falls short. There isn’t enough suspense or character development to keep the viewer entertained for six times 100 minutes. Not even close. They could have told this story in a three hour mini-series. Now it quickly becomes repetitious. A shame, because the right basis is there.