Categorie archief: Films

Zombie Flesh Eaters

Posted on by Jeppe Kleijngeld

OT: Zombi 2

Director: Lucio Fulci
Written by: Elisa Briganti
Cast: Tisa Farrow, Ian McCulloch, Richard Johnson, Al Cliver

Year / Country: 1979, Italy
Running Time: 91 mins.

Sun, sea and zombies in Lucio Fulci’s unofficial sequel to George A. Romero’s Dawn of the Dead, which is weird considering that was a sequel itself (to Night of the Living Dead). Also, this film has nothing to do with Dawn. Well, it’s about zombies obviously and it pretty much kicks ass as well.

A seemingly abandoned sailboat is found in the New York harbor with a zombie on board (zombies are called ‘zombies’ in this flick. Cool huh?). A reporter and the daughter of the missing boat owner head for the Atlantic to find out what happened. Along with two friendly sailors they meet in St. Thomas, they head out for the supposedly cursed island Matool. Already underway they stumble upon a zombie who is fighting a shark underwater. This is a spectacular scene: classic stuff!

On the island, the struggle for survival really begins. The horror starts with the infamous eye splinter scene, another classic moment, but perhaps not so brutal if you see it coming. From then on it is kill or be killed for the main characters. Fulci is not known for delivering a subtle underlying message. Neither is he specialized in directing actors to towering heights. No, he is a man of the gore. And he does what he does best with this movie.

Compared to Romero’s classic to which this is supposedly a sequel, it is done in a more low budget style. There are fewer zombies and it certainly misses the intellectual layer. But, the tropical location is almost as cool as Dawn’s shopping mall, the make-up and special effects are far out, and the music adds to a creepy atmosphere. This might just be Fulci’s best film. Definitely a must see for zombie aficionados.

Rating:

Biography: Lucio Fulci (1927, Rome – 1996, Rome) originally studied medicine but quickly turned to filmmaking instead. He started his film career with directing comedies, musicals and spaghetti westerns. Later he turned to Italian shock horror films and made a name for himself as the goriest director ever. His international career came off the ground in 1979 when he directed Zombi 2, an unofficial sequel to George A. Romero’s Dawn of the Dead, which had been released in Italy under the title Zombies. Fulci died from diabetes in 1996.

Filmography (a selection): The Thieves (1959) / The Jukebox Kids (1959) / Getting Away with It the Italian Way (1962) / The Strange Type (1963) / The Maniacs (1964) / 002 Operation Moon (1965) / How We Stole the Atomic Bomb (1967) / The Conspiracy of Torture (1969) / A Lizard in a Woman’s Skin (1971) / Don’t Torture Donald Duck (1972) / White Fang (1973) / Challenge to White Fang (1974) / Four of the Apocalypse (1975) / Silver Saddle (1978) / Zombi 2 (1979) / City of the Living Dead (1980) / The Beyond (1981) / The New York Ripper (1982) / Evil Eye (1982) / The New Gladiators (1984) / Dangerous Obsession (1986) / Zombi 3 (1988) / Demonia (1990) / Door to Silence (1991)

Pusher

Posted on by Jeppe Kleijngeld

Recentelijk verscheen voor het eerst de Pusher trilogie op DVD. Deze films werden al in 1997, 2005 en 2006 vertoond op het International Film Festival Rotterdam, waar ze op veel waardering konden rekenen van de cult/art house crowd.

Het kijken naar een ‘Pusher’ film is een genot voor de zintuigen. Nicolas Winding Refn (recentelijk bekend geworden met ‘Drive’) schetst een schemerige onderwereld waar criminele freaks en losers zich staande moeten zien te houden. De beloning is dat ze leven, maar in de troosteloze milieus waarin ze verkeren is dat nauwelijks een beloning te noemen.

De losjes aan elkaar verbonden films hebben ieder een eigen verhaal. De protagonist is altijd een pusher (drugsdealer) die zijn positie probeert te handhaven in de drugscene van Kopenhagen. Die positie komt dan onder druk te staan door concullega’s of bovenbaasjes, maar bovenal door fouten die de hoofdpersonen maken in hun dagelijkse handelen.

Het geweld is erg gedoseerd waardoor het extra hard binnenkomt wanneer het zich voordoet. In het eerste deel is er een scene met een honkbalknuppel die de kijker lang zal bijblijven en in deel 3 zorgt het wegwerken van een paar lijken voor een grafisch geweldsspectakel.

Ieder deel heeft gemeenschappelijke ‘Pusher’ kwaliteiten die er voor zorgen dat je ze gefascineerd en zonder onderbreking wilt afkijken. Deze kwaliteiten omvatten hypnotiserend camerawerk, montage, geluidsaffecten en een boeiend verhaal. Daarnaast zijn er afzonderlijke elementen die het tot losstaande meesterwerkjes maken. Deel 1 brengt de wanhoop van een crimineel in de penarie geweldig naar voren. Deel 2 is een ijzersterke tragedie met veel psychologische diepgang. Het derde deel combineert keiharde misdaad met zwarte komedie tot een niet te versmaden mix.

De cast verdient ook nog wat woorden van lof. De onbekende hoofdpersoon van deel 1 mist het charismatische van Mads Mikkelsen (deel 2) en Zlatko Buric (deel 3), maar weet de kijker wel in zijn verhaal te zuigen en niet meer los te laten. Mikkelsen, die een paar jaar later internationaal zou doorbreken als bad guy in Bond-film ‘Casino Royale’, is een geweldig acteur die van zijn Tonny een tragisch personage van Shakespeariaanse proporties weet te maken. En Buric is niet minder dan briljant als de Servische gangster Milo.

De ‘Pusher’ trilogie verdient een plek tussen de Europese misdaadmeesterwerken, en de films hebben het in zich als tijdloze klassiekers herkeken te worden.

Where the Buffalo Roam

Posted on by Jeppe Kleijngeld

Director: Art Linson
Written by: Hunter S. Thompson (stories), John Kaye (screenplay)
Cast: Bill Murray, Peter Boyle, Bruno Kirby, R.G. Armstrong

Year / Country: 1980, USA
Running Time: 95 mins.

‘I hate to advocate weird chemicals, alcohol, violence or insanity to anyone, but in my case it worked.’ Where the Buffalo Roam is the first movie adaptation of the work of legendary Gonzo journalist Hunter S. Thompson, who is portrayed by Bill Murray in the movie.

The story of Where the Buffalo Roam deals with Thompson’s encounters with his equally legendary ‘mutant’ attorney Oscar Zeta Acosta, who is called Carl Lazlo here and is portrayed by Peter Boyle. The movie is based on Thompson’s obituary for his attorney who disappeared in Mexico in 1974, three years after their two trips to Las Vegas that were immortalized in Thompson’s masterpiece ‘Fear and Loathing in Las Vegas’.

Screenplay writer John Kaye also drew from other works of Thompson, including ‘Fear and Loathing on the Campaign Trail 72’’, ‘Fear and Loathing in Las Vegas’ and ‘The Great Shark Hunt’. The final result depicts three journalistic adventures of Thompson in which Lazlo shows up. The first one involves San Francisco drug trials in which Lazlo represents wrongfully indicted youngsters. The second story shows Thompson missing the Super Bowl to accompany Lazlo on a failed activist mission. Finally, Thompson is seen on the presidential campaign where he has a one-on-one encounter with his self proclaimed nemesis Richard Nixon.

Most of the people involved, including Thompson himself, didn’t like the final result or even hated the movie. It is easy to see why. Much of Thompson’s razor sharp journalism resorts into a bunch of silliness. The second half is especially very uneven. Still, it is a lot of fun hearing a number of great Thompson quotes being uttered by Bill Murray, who’s excellent in the role of Gonzo journalist. Boyle is also enjoyable as his dope crazed attorney.

As a whole, the movie is indeed too silly to be perceived as a success or an effective movie translation of Thompson’s writing. However, separate parts range from funny to almost great. Especially the sequences in which Thompson has to meet deadlines, but is too preoccupied with weirdness and dope frenzies. Also includes an excellent soundtrack featuring: Neil Young, Bob Dylan, Jimi Hendrix and Creedence Clearwater Revival.

Rating:

Biography: Art Linson (1942, Chicago) was born in Chicago, but grew up in Hollywood. He graduated from UCLA Law School in 1967 but never practiced. Linson has distinguished himself in Hollywood by developing scripts and stories that attract the highest caliber talent, resulting in some of the most admired and successful motion pictures of the last two decades, including Heat, Fight Club and The Untouchables. In 1995, Linson published his first book, ‘A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood’. His second book, ‘What Just Happened? Bitter Hollywood Tales From the Front Line’, was published in 2002.

Filmography: Where the Buffalo Roam (1980) / The Wild Life (1984)

Cult Radar: Part 9

Posted on by Jeppe Kleijngeld

FilmDungeon is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of Course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Tormented (UK, 2009)

Directed by: Jon Wright
Written by: Stephen Prentice
Cast: Alex Pettyfer, April Pearson, Dimitri Leonidas

Fat schoolboy Darren got bullied to the point where he committed suicide. Tormented opens at his funeral. Not only do Darren’s tormentors don’t have any regrets whatsoever, they even throw a party to celebrate his demise. That’s just too much… Soon after, each member of the group of bullies starts receiving text messages from the dead Darren. They first think that someone is playing a prank on them, but as soon as the first body drops, they know they’re totally screwed. Tormented is a very effective horror flick that is both funny and inventively satisfying. Whether you thought high school was fun or not, this will keep you entertained for an hour and a half easily. Reviewer Kim Newman, who runs a Dungeon over at Empire Magazine gave it four stars also. It’s a recommendation.

Nude Nuns with Big Guns (USA, 2010)

Directed by: Joseph Guzman
Written by: Joseph Guzman, Robert James Hayes II
Cast: Asun Ortega, David Castro, Perry D’Marco

Violence, drugs, guns, boobs and off course lesbian sex. Nude Nuns With Big Guns is an immoral cocktail delivered by Freak Show Entertainment, the team behind the similar Run Bitch Run!. An abused nun has a vision from God. She is told to slay all sinners that are somehow connected to an elaborate heroin network, led by a money hungry padre who uses naked nuns as personnel. Sister Sarah is not supposed to show any mercy and she doesn’t! Is this entertaining? It kind of is in the sense that it is well shot and cut. Your eventual appreciation of Nude Nuns With Big Guns will depend mostly on your tolerance for graphic sex and violence featuring nuns. If this is low, you can easily deduct a star from this rating.

Hobo with a Shotgun (Canada, 2011)

Directed by: Jason Eisener
Written by: John Davies, Jason Eisener, Rob Cotterill
Cast: Rutger Hauer, Molly Dunsworth, Gregory Smith, Brian Downey

The awesome film poster promises an exploitation film pur sang and delivers. Hobo With a Shotgun was originally a fake trailer that won a Grindhouse competition organized by Robert Rodriguez. The story is about a homeless guy (Rutger Hauer) that takes on psychopathic scum in a city riddled with crime and depravity. Since it was made on a modest budget and has no Hollywood stars in its cast, it is more convincing than Tarantino’s and Rodriquez’ own Grindhouse pictures Death Proof and Planet Terror. The cheap violence gives you the real sense of watching a cult flick from the seventies. However, the sadistic violence is so excessive and beastly that it is hard to care about the characters at all, even the protagonists. The build-up is also not entirely effective; Hauer changes into a bloodthirsty vigilante in minutes, taking away some of the pleasure when he settles the score. Still, the underlying message about the human condition is well delivered and the exploitation feel is sublime; you can almost hear the exciting screams in the grindhouse theater. This hobo is certainly worth spending some loose change on.

Orcs! (USA, 2011)

Directed by: Andrew Black, James MacPherson
Written by: Anne K. Black, Jason Faller, Kynan Griffin and Justin Partridge
Cast: Adam Johnson, Renny Grames, Maclain Nelson

‘It’s an orc! No, it’s not. There is no such thing.’ A movie in which orcs show up in modern times sounds pretty horrendous. While certainly no masterpiece, Orcs! manages to entertain during its first half, which is basically a comedy about two idiot park rangers. Some jokes and The Lord of the Rings references are pretty funny. The second half is one long and tiresome battle against the orcs. This is the boring part. The costumes and special effects are laughable. All in all, don’t watch Orcs!. Just don’t!

Killer Klowns from Outer Space (USA, 1988)

Directed by: Stephen Chiodo
Written by: Charles Chiodo, Edward Chiodo, Stephen Chiodo
Cast: Grant Cramer, Suzanne Snyder, John Allen Nelson

From the special effects team behind Critters and Team America: World Police comes an original eighties classic. On a Friday night in Cove Crescent, a couple of youngsters witness a shooting star land nearby. At the place of impact, a circus tent appears, but what’s inside aint no funhouse… The acting in Killer Klowns From Outer Space may not be world class, but the production design is very well done and reason enough to check this out. It certainly beats cotton candy.