Cannibalism Now!

In Cannibal Holocaust from 1980, a four-headed film crew heads into the Amazon jungle to shoot a documentary about cannibalism. They never return. When their cans of film are found later on, the gruesome truth about their faiths is uncovered. The film has been extremely controversial since its release and is still banned in several countries. Cannibal Holocaust remains a very unpleasant viewing today due its nauseatingly realistic scenes of violence and mutilation. Still, the shocking subject matter seems to have a certain appeal on many people. What is it with cannibalism that fascinates people so much and how is this fascination translated into cinema?

In Western civilization, cannibalism is considered as something perverted, disgusting, extremely primitive, sick and demented. In most countries there is not even a law against cannibalism. Whenever an occasional case of cannibalism does come to light, the perpetrator is mostly convicted of another act such as murder or necrophilia. The eating of individuals from the same species does still occur, but it happens very marginally. The fact that it still happens means that it is definitely human. We can only admit to this repressed fascination by engaging in fantasy. Through books, music and – off course – movies we can come to terms with the cannibal inside of us.

Cannibals in cinema go back a long time. As far as I can tell, the first movie that features cannibalism is the short Queenie and the Cannibal from 1912. It is the beginning of a very long list. Last century alone, 90 movies premiered with the notion ‘cannibalism’ in the title. Movies that feature the theme cannibalism encompass several genres and subgenres. Very often they are horrors, adventures or crossovers. Mostly, they are also exploitation and sexploitation flicks (or straight out porn). Many can also be classified as racist – as natives are portrayed as savage flesh eaters. Some examples of these types of cannibal movies include; Emanuelle and the Last Cannibals (1977), The Mountain of the Cannibal God (1978), Cannibal Ferox (1981), The Flesh (1991) and Diary of a Cannibal (2007). Human’s fascination with the subject is also translated into the zombie film. After all, despite the fact that they are dead, zombies are still humans that eat other human’s flesh.

Exploitation films that deal with cannibalism are often horrors, but there are quite a lot of comedies as well. Ivan Reitman’s second feature film is the Canadian comedy-horror Cannibal Girls about three beautiful young women who lure men with their seductive charm to their home in order to kill and eat them. By drinking their blood and eating their flesh the women maintain their youthfulness and immortality. Eating Raoul is a 1982 black comedy in which cannibalism is used for the central gag. Another black comedy and horror is Motel Hell (1980) about a farmer / hotel owner who makes meat products with special ingredients. Auntie Lee’s Meat Pies (1992) already tells you all you need to know with its title and Trey Parker from South Park made Cannibal! The Musical (1993) in his college days. This blend of comedy, biography and musical is loosely based on the history of Alfred ‘Alferd’ Packer who was convicted for cannibalism in 1874.

While Italians can often be credited for nasty exploitation cannibal films, the French are largely responsible for putting cannibals in the Art House. A Taste For Woman (1964) is a black comedy by French director Jean Leon from an adapted screenplay by Roman Polanski. This is about a vegetarian restaurant that acts as cover for a sect that eats women as part of a full moon ceremony. Jean-Luc Godards Week End (1967) shows the savage journey of a bourgeois couple through France. They eventually fall prey to hippy cannibals. In Delicatessen (1991) by Marc Caro and Jean-Pierre Jeunet a butcher / landlord sells human flesh to his odd tenants in a post-apocalyptic world. Finally Les amants criminels (1999, François Ozon) is a thriller that retells the Hansel and Gretel legend, only with the wicked witch replaced by a woodsman with cannibalistic tendencies.

While the Art House and Grindhouse cinemas have had their taste of cannibalism, mainstream Hollywood has also exploited the theme for big time box-office return. The Silence of the Lambs was a sleeper hit in 1991, and its main star Hannibal ‘The Cannibal’ Lecter, portrayed by Anthony Hopkins, returned in Hannibal (2001) and Red Dragon (2002). Especially the first sequel has scenes of explicit cannibalism in it, just look at the scene in which Lecter feeds on Ray Liotta’s brains. In Sin City (2005), the mute serial killer Kevin (Elijah Wood) kills prostitutes, mounts their heads on a wall like hunting trophies and cannibalizes their remains, feeding the leftovers to his pet wolf.

Not a Hollywood film, but immensely popular was The Texas Chain Saw Massacre in 1974. In it, a group of friends stumble upon a family of cannibals in rural Texas. The film was made independently by director Tobe Hooper for just around 140.000 dollars. Due to its graphic content, the film was banned in several countries, but did make 30.8 million dollars at the U.S. box office alone. It got five sequels and a remake in 2003. A quite similar film is The Hills Have Eyes, which is a cult classic directed by Wes Craven in 1977. The story revolves around a family of mutant cannibals that prey on a family who have been stranded in the Nevada desert. In 1991, Craven also made The People Under the Stairs about a psychotic and cannibalistic couple played by Everett McGill and Wendy Robie who also played a couple in Twin Peaks. They ‘keep’ people between the walls of their house and eat the occasional liver.

While Cannibal Holocaust and The Texas Chainsaw Massacre only pretend to be based on reality, there are also real real-life stories about cannibalism that have been turned into movies. Think about Grimm Love aka Rohtenburg. This movie is based on the true story of self-confessed cannibal Armin Meiwes and the ‘internet cannibal movement’. In March 2001 Meiwes killed and partially ate a man he had met on the internet. The eating was based on a mutual agreement. The movie was banned in Germany after Meiwes filed a complaint against it. True cannibalism is also found in Alive (1993). This film tells the story of the Uruguayan national rugby teams’ plane that crashed in the middle of the Andes Mountains in 1972. The survivors have to take desperate measures to stay alive, including eating their deceived friends and family members.

Except for voluntary cannibalism there are also quite a few examples of people who force or trick people into eating other humans. Look no further than The Cook, the Thief, His Wife & Her Lover (1989) and Titus (1999) based on a play by William Shakespeare. There is also Jennifer’s Body (2009), starring Megan Fox and Amanda Seyfried and written by Oscar winning screenplay writer Diablo Cody. In it, Megan Fox plays a high school beauty queen who eats her boyfriends.

Judging from this overview, movies that feature cannibalism come in many forms and vary strongly in quality. Compared to food, they range from the cheapest junk to the highest culinary achievement. Either way, the theme has successfully manifested itself into cinema and still fascinates people to this day and will undoubtedly continue to do so in the future.

TV Dungeon: Buffy the Vampire Slayer

(1997 – 2003, USA)

Creator: Joss Whedon
Cast: Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Stewart Head, James Marsters, Emma Caulfield, Michelle Trachtenberg, David Boreanaz

7 Seasons (144 Episodes)

‘In every generation, there is a chosen one. She alone shall stand against the vampires, demons, and forces of darkness. She is the Slayer.’

Specialists in the television medium consider Buffy the Vampire Slayer to be a genius show. In a poll ‘The 50 Greatest TV Shows Of All Time’ by Empire Magazine, it became second only after The Simpsons. Why this eminent status? Because it is daring, intelligent and superbly entertaining television.

Teenager Buffy Summers and her single mum move from L.A to small town Sunnydale, which just happens to be built on the Hellmouth; the perfect breeding ground for demons, vampires and all other sorts of nasties. Buffy soon learns that she is more than just an ordinary high school girl. She is the chosen one. The Slayer.

Slayers have been around since the beginning of time to fight the forces of darkness. In Sunnydale, this means one hell of a mammoth task. Luckily, Buffy is aided in her ass-kicking mission by Giles, the high school’s librarian and her watcher. A group of friends, including a lesbian witch, an ex-vengeance demon and a turned vampire also join the fight against evil.

For many people, their teenage and young adolescent years were hard and confusing. This certainly applies for Buffy and her close friends. All typical problems for this age group are personified in the form of monsters. A creepy stepdad turns out to be literally a robot; a boyfriends turns evil after the first time; etc. These clever metaphors are only one element in making this a terrific show.

What really makes Buffy the Vampire Slayer superb are the characters. From heroes Buffy, Willow and Xander, who go through enormous developments as they grow up, to mythological vampires like Angel and Spike, who have complex and detailed background stories.

Major credits also go to creator Joss Whedon for integrating every supernatural story ever invented and more into his series. Every episode is like a small horror film of its own. And they are always suspenseful, surprising and very often…funny.

In every season, Buffy and her friends (friendship is a major theme in Buffy) have to overcome new fears and challenges. There is always a new super villain to deal with. But that aside, there are plenty of issues having to do with growing up. Buffy’s tragic romance with good vampire Angel is a perfect example of this, but there are many, many more. As the characters become older, the show becomes darker and more adult.

The final result is a dynamic mix of high school drama, horror and action. Warning: Buffy is addicting stuff, but with 144 episodes, there is more than enough to go around. Once you get into it, the Scooby gang will become an important group of people in your life, and you will sincerely miss them once you have completed the show.

Of course, you can always do a re-watch, which I plan to do very soon.

TV Dungeon: The Wire

(2004 – 2006, USA)

Creator: David Simon
Cast: Dominic West, John Doman, Wendell Pierce, Lance Reddick, Deirdre Lovejoy, Sonja Sohn, Dominic Lombarozzi, Seth Gilliam, Clarke Peters, Andre Royo, Michael K. Williams

5 Seasons (60 Episodes)

It took a while before The Wire was noticed by critics and TV-enthusiasts alike. Not until later seasons, it was recognized and acknowledged as one of the best shows to ever hit the airwaves. Barack Obama, for one, called it his favorite television show of all time. For his five season strong social epic, former Baltimore crime reporter David Simon didn’t leave one corner of his city untouched. The Wire provides full insight into the whole spectrum of drug trade, law enforcement, politics, the working class, the school system and the media.

In the show’s first season, a special Baltimore police unit puts in place a wiretap on the drug empire, run by Avon Barksdale. Principle characters on both sides of the law are introduced: Jim McNulty, a smart Irish cop with authority problems and Stringer Bell, Barksdale’s first lieutenant, are just two of the many characters that are somehow involved in ‘the game’, a word used to describe the drug trade, which is a major social problem in Baltimore’s large slums.

The Wire takes its time to establish plotlines and characters, not just in the first season but throughout the series. But whenever it delivers punches, it is nothing short of amazing. There are few shows that dare to take this much time for build-up and risk losing viewers than The Wire does. There are also few shows that deliver such captivating details and immensely satisfying pay-off to those who invested their time to get into it. The final episodes of each season are especially enjoyable as the carefully laid-out plotlines are concluded and new stories take off.

Some critics have described The Wire as a modern version of a Charles Dickens story. This seems like a fair assessment. The often tragic tales of young delinquents, in which adults and authorities are unable to change the problem, are told in a very transparent and moving way. At times it becomes painfully frustrating to see all solutions fail and young drug traders rise, while the older ones get killed or go to jail (or both in case of one memorable character).

Every season focuses on another group that is part of the problem. That is why the show is called The Wire (besides the wiretap): it provides its audience with the opportunity to listen in on all the involved parties, whether it be cops, dealers, dockworkers, politicians, teachers, social workers or journalists. By closely observing the many different characters’ private and professional lives, remarkable insight is given into the larger context of Baltimore’s massive social problems.

All of the show’s characters serve a clear purpose and are portrayed excellently by the talented cast. A standout character is Omar Little, a modern Robin Hood of sorts who robs drug traders for a living. Not only is this anti-hero black, ruthless and intelligent, he is also a homosexual. America’s nightmare indeed. A brilliant move in the show’s casting is also the usage of real-life cops and criminals, adding to the show’s great authenticity.

David Simon and his team have really achieved to make something very fresh and truly original out of what initially looked like just another cop show. Besides academic insight, The Wire also offers tremendous entertainment, mainly achieved through compelling character studies, intriguing conflicts, a unique atmosphere and genius writing. The timing of the plot twists and many surprises is always precisely right. The Wire is just essential television.