“Some people are better at being number twos”

In business, the entrepreneur or CEO at the top needs a unique set of skills to do their job perfectly. In my experience, what makes a leader great comes down to three things: having an inspiring vision for the future that others can relate to; knowing how to find the right people for the roles needed to achieve this vision and coaching them in that direction; and maintaining a relentless focus on what clients want and need, while executing the business to deliver it.

At Alex van Groningen, I learned from two very effective leaders – Alex and Melle – how this is done. During my own brief period as a manager, I discovered I’m a different type of leader. Not the centerpiece, but more of a behind-the-scenes guy: strategy, advice, and flawless execution of my own role.

In the leader’s seat, you must be very good at conflict resolution. I am not good at that. Silvio Dante, Tony Soprano’s number two (who spoke the quote above), noticed how difficult this is when he briefly took the top spot while Tony was incapacitated.

I can relate. I’m not good at dealing with unhappy people, nor does it energize me to constantly engage with others about their work and inspire them to do better. I much prefer to focus on my own job and deliver the best possible performance I can. In other words, I’m better at being number two. And I relate more to the consiglieri characters in movies.

Their bosses were often the big egos – think Michael Corleone, John Gotti, or Tony Soprano. They accomplished a lot, that’s for sure. But more than once, their number twos did things they couldn’t. A good number two understands the strategy like no other and often has an even better sense of the risks that might disrupt the strategic agenda. Like Tom Reagan in Miller’s Crossing realized that Leo shouldn’t protect Bernie Bernbaum because it would hurt their business.

Also, the consiglieri aren’t afraid to take decisive action when needed. Like when Silvio Dante whacked Burt Gervasi on his own initiative after discovering Burt was talking to their enemies in New York. In short, I relate more to number twos than to the boss in the top seat.

What about you – are you a top leader or more like a number two like me?

To give you a better sense of what makes a good second-in-command, here’s my Top 5 Consiglieri in Movies:

5. Genco Abbandando, The Godfather Part II

Genco Abbandando is a significant character in ‘The Godfather’ novel, though he hardly appears in the movies. In The Godfather Part II, he appears only in Vito’s 1920s flashback storyline, portrayed by Frank Sivero as a young man. Genco is shown as Vito’s childhood friend and ally in New York’s Little Italy, working at his father’s grocery store. Their early friendship is depicted, but he doesn’t actively advise Vito on-screen. Still, since he’s described as a legendary consigliere in the novel, I include him here.

4. Joe Armone, Gotti

In the movie Gotti, a realistic portrayal of John Gotti’s rise within the Gambino Family, Dominic Chianese (Uncle Junior in The Sopranos and Johnny Ola in The Godfather Part II) plays Joe Armone – consigliere first to Carlo Gambino and then to Paul Castellano, who was allowed to retire and start a coffee shop. There, he still gave advice free of charge. Gotti comes to see him, and Joe tells him the difficult truth: John broke the rules by whacking a boss without the commission’s approval. And now he’s breaking the oldest rule of Cosa Nostra: he’s appearing in the media. A mob boss doesn’t belong on the cover of Time Magazine, capeesh? But John Gotti, you know: you can’t tell him anything. He won’t listen to Joe’s sound advice and ends up in jail for life.

3. Tom Hagen, The Godfather

Tom Hagen served no fewer than three Corleones as consigliere: first Vito, then Sonny, and finally Michael. What makes him so effective is his supreme knowledge of law and business, which enables him to advise the Don on a wide range of affairs. The reason I rank him below numbers 1 and 2 is that Tom isn’t a very good wartime consigliere. He didn’t see through Barzini’s manipulations and the trap that eventually got Sonny killed. Still, he’s a very good guy to have in your corner.

2. Tom Reagan, Miller’s Crossing

While writing this blog, this is the first time I noticed his name rhymes with Tom Hagen. Funny, because Miller’s Crossing also starts with a Godfather-esque scene in the big boss’s office with his counselor Tom close behind him – very similar to the opening of the first Godfather film. So why is Tom Reagan a good consigliere despite acting against his boss’s will? Because of his wits, his sharp strategic mind, and his ability to see three steps ahead on the chessboard. It’s Tom who ultimately wins the gang war for his boss Leo. What more proof do you need of his skills?

1. Silvio Dante, The Sopranos

Yes, Silvio Dante is the ultimate consigliere. Extremely loyal and devoted to the Family. In The Sopranos, he constantly works on the guys, squashing dissent among the ranks and ensuring that Tony’s decisions are followed through to a T. He’s also not afraid to get his hands dirty when needed – like personally taking care of a number of rats for the crew (Jimmie Altieri and Adriana). In the final episode, when he’s in a coma, even the cold Tony seems to realize how good a friend and loyal associate Silvio has been.

READ ALSO: 10 Management Lessons From Highly Successful Gangsters

Witness to the Mob (1998)

Directed by:
Thaddeus O’Sullivan

Written by:
Stanley Weiser

Cast:
Nicholas Turturro (Sammy ‘The Bull’ Gravano), Tom Sizemore (John Gotti), Debi Mazar (Deborah Gravano), Michael Imperioli (Louie Milito), Abe Vigoda (Paul Castellano), Frankie Valli (Frank LoCascio), Katherine Narducci (Linda Milito), Arthur J. Nascarella (Bruce Mouw), Frank Vincent (Frankie DeCicco), Vincent Pastore (Mikey De Bat)

Sammy ‘The Bull’ Gravano is remembered as one of the most notorious informants in mob history. He betrayed the Dapper Don, John Gotti – whom he believed had first betrayed him. Before making that fateful decision, the story flashes back nineteen years to his childhood in Brooklyn. There, he and his best pal Louie (Michael Imperioli) begin their careers in organized crime as part of the powerful Gambino family.

Gravano rises quickly through the ranks. His willingness to follow orders to the letter – and to kill without hesitation – earns him the respect of higher-ups. Before long, he’s made an official member by boss Paul Castellano himself.

Around the same time, John Gotti (Tom Sizemore) is on the rise as well. When Castellano begins to break the mob’s code of honor, Gravano and Gotti conspire to take him out and seize control. Gotti becomes boss, while Gravano becomes his second-in-command. But Gotti’s flashy lifestyle draws unwanted attention from the press, the public, and the FBI – setting the stage for a conflict that will bring everything crashing down.

This made-for-TV film was released just two years after HBO’s Gotti. Both screenplays are based on the real Gravano–Gotti saga, and the similarities are striking – not only in story but also in style. Several familiar faces from The Sopranos and Goodfellas (Tony Sirico, Frank Vincent, Vincent Pastore) appear in both films. The key difference is perspective: Witness to the Mob is told through Gravano’s eyes, while Gotti presents Gotti’s side of the story.

Still, there’s something about Witness to the Mob that doesn’t quite ring true. Despite the strong ensemble, the interactions don’t always feel believable. Nicholas Turturro (brother of John) lacks the presence and charisma needed to carry Gravano’s role, and most of the actors have delivered stronger mob performances elsewhere. That said, fans of mob movie clichés – the talk, the mannerisms, the hits – may still enjoy Witness to the Mob. It has plenty of all that, even if it never quite rises above the familiar.

Rating:

Quote:
JOHN GOTTI: “So the boss of bosses is dead?”
SAMMY GRAVANO: “He lived a long life. His maid is gonna miss him.”
JOHN GOTTI: “His wife won’t.”

Trivia:
Arthur J. Nascarella plays FBI special agent Bruce Mouw, who is in charge of breaking up the Gambino family. In The Sopranos, his character Carlo Gervasi eventually betrays mob boss Tony Soprano.

Gotti (1996)

Directed by:
Robert Harmon

Written by:
Jerry Capeci (book ‘The Last Gangster: Winning the War Against John Gotti and the Mob’)
Gene Mustain (book ‘The Last Gangster: Winning the War Against John Gotti and the Mob’)
Steve Shagan (teleplay)

Cast:
Armand Assante (John Gotti), William Forsythe (Sammy Gravano), Richard C. Sarafian (Paul Castellano), Frank Vincent (Robert DiBernardo), Anthony Quinn (Neil Dellacrose), Dominic Chianese (Joe Armone), Robert Miranda (Frank DeCicco), Scott Cohen (Gene Gotti), Vincent Pastore (Angelo Ruggiero), Tony Sirico (Joe Dimiglia)

John Gotti seemed destined for the Mafia. He was smart, tough, loyal to the code of omertà, never skimmed from the top, and respected the boss’s policy on narcotics. These qualities helped him rise to become boss of the infamous Gambino family in the 1980s. But Gotti also had his flaws: he craved media attention and was too careless about discussing sensitive business in unsecured settings.

Gotti is the biography of one of history’s best-known mobsters. The story begins in 1973, when Gotti first comes to the attention of his crime family, the Gambinos – then the most powerful of New York’s Five Families. Boss of bosses Carlo Gambino asks Gotti for a personal favor, which nearly goes wrong due to the interference from underboss Paul Castellano. The conflict almost dooms Gotti, but his mentor, second underboss Neil Dellacroce (Anthony Quinn), steps in to resolve it.

In the years that follow, Gotti steadily rises through the ranks alongside his close associate and fellow captain Sammy Gravano. When Gambino dies of old age in 1976, he names Castellano as his successor, to the disapproval of Gotti and other top figures. While Gotti was seen as a true man of Cosa Nostra, Castellano was regarded more as a businessman. Tensions eventually culminate in one of the most infamous gangland hits in history: the 1985 assassination of Castellano and his partner outside Sparks Steak House in Manhattan.

Now John Gotti is the boss. But, as noted earlier, his weaknesses ensured that his reign would be relatively short-lived (until 1992 to be precise). As a biographical made-for-tv HBO production, Gotti stands out for offering a complete look at the life and times of a legendary mobster. Armand Assante is memorable in the lead. The supporting cast – featuring many future Sopranos actors – is also strong, with Anthony Quinn and William Forsythe delivering standout performances. If you watch only one television production about the mob, make it Gotti .

Rating:

Quote:
JOHN GOTTI: “A Mexican, a Puerto-Rican and a black guy are sitting in a car. Who’s driving? The police.”

Trivia:
According to IMDb, this film was the highest rated original telefilm in HBO history at that time. The success of the film convinced HBO to cast film co-stars, Dominic Chianese, Vincent Pastore and Tony Sirico in a series in development at the time called The Sopranos (1999).

Wiseguy Guide for Rookies

Terminology

Agita: Stress
A good earner: What wiseguys are supposed to be.
Associate: Involved with Mafia but not yet a made guy.
Bada Bing!: Stripclub owned by Silvio Dante (in The Sopranos).
Busting someone’s balls: Bothering somebody with sh*t.
Bust Out: Ordering on a company’s account till it runs out of credit and goes bankrupt.
Capo / Captain: Crew boss. Leads a number of soldiers. Reports to underboss.
Consigliere: Counselor of the Don. For example Tom Hagen in The Godfather and Silvio Dante in The Sopranos.
Contract: Someone needs to disappear by means of a hitman.
Don: Boss of organised crime family.
Fanook: Gay
Goomar: Steady girlfriend on the side. Of course most wiseguys are married like good Catholics ought to be.
Illegal gambling: A wiseguy’s main source of income
La Cosa Nostra (LCN): Literally ‘our thing’. Mafia. Organised crime families.
Made Guy: Connected to the mob by blood-oath.
Making one’s bones: Performing a first kill for the mob.
Mustache Pete: An old-fashioned mob boss.
OC: Short for Organised Crime. Term used by the FBI.
Omerta: Bow of silence. Never rat on your friends and always keep your mouth shut.
Opening the books: New members (made guys) are accepted by the mob commission.
Outstanding loan: It’s time for a weekly visit to collect or bust some skulls in.
Points: Interest over debt. Average mob rate is two points weekly.
Pop someone: To shoot someone.
Rat/stoolie/turncoat: Wiseguy that betrays his friends. Usually because he fears a lengthy prison sentence or getting whacked (or both).
RICO Laws: Main government tool for prosecuting members of the Mafia. Stands for ‘Racketeer-Influenced and Corrupt Organizations’. According to the federal statutes, RICO can be applied to anyone who is involved in the ‘operation or management’ of a ‘pattern of racketeering activity’ designed to acquire or maintain an interest in an ‘enterprise’.
Sit down: Conversation between the Don and two conflicting made members.
Soldier: Lowest rank under made guys.
To eat: To be allowed to earn.
To flip: To turn FBI informant.
Vig: Amount charged by bookmakers for services. Short for Vigorish. Also known as juice.
Whack someone: To kill someone.
Wiseguy, Goodfella: Made member of the mob.

Expressions from The Godfather

Moe Green Special: Gunshot clean through the eye because someone’s eyes became bigger than his stomach.
Going to the mattresses: Going to war.
‘Take the gun, leave the Cannoli’: What you say after you have popped a guy.
An offer you can’t refuse: Either your brains or signature will be on the contract.

Rules

Never insult, threaten or hit another made guy. (*GoodFellas, The Sopranos, Gotti)

Stick to the omerta (never rat out your friends). (*GoodFellas, The Sopranos, Gotti)

Money should be carried in a bundle. Not in a wallet. (*Donnie Brasco)

Mustaches are not acceptable. (*Donnie Brasco)

Who kills a don can never become a don. (*Mobsters, Gotti)

A made guy is untouchable for anyone except of course the bosses. (*GoodFellas)

A soldier kicks up money to his capo who gives a piece to the (under)boss. Never keep income secret from the bosses. (The Sopranos)

Never start an affair with another member’s wife. (Casino)

* Examples of movies in which those rules were broken.

Read also: The Sopranos – 100 Greatest Moments