Death Proof

Director: Quentin Tarantino
Written by: Quentin Tarantino
Cast: Kurt Russell, Vanessa Ferlito, Rosario Dawson, Sydney Poitier

Year / Country: 2007, USA
Running Time: 114 mins.

The tone of Death Proof is set right at the beginning. We hear loud engine sounds and follow a pair of feet bungling out the window of a driving car as the credits roll by. Tarantino’s half of Grindhouse is obviously some homage to cheap car chase and serial killer exploitation films. Originally part of a double bill with Robert Rodriquez’s Planet Terror, it was released outside the US as a separate movie to increase box office revenue. Not a great decision from an artistic viewpoint, but Death Proof does work as a stand-alone film.

Kurt Russell plays Stuntman Mike, a weird and burned-out stunt driver who happens to be a psycho as well. He ‘suffers’ from a chick habit: stalking and eventually killing groups of beautiful young girls by crashing his ‘death proof’ car into them. Out of this he gets his sexual kicks. The first time, his plan works fine, but the second time around he should have done a little more research on his targets. This group of girls consist of fellow stunt drivers who get quite homicidal when Mike tries to pull his crap.

Tarantino uses various techniques, such as a damaged print and deliberate continuity mistakes to make Death Proof appear as a typical film that would have been shown in grindhouse theaters in the seventies. He has also included his typical trademark movie references, this time to genre classics such as Vanishing Point. In order to make it match with Planet Terror, the film also shares some characters with that film, such as Dr. Block and of course Texas ranger Earl McGraw.

One problem I have with Death Proof is that the dialogues, that normally seem effortless in a Tarantino film, come across here as sort of synthetic. This is probably done deliberately to fit the film’s campy B-style, but it is still distracting and it takes up a large part of the movie. Luckily this is made up with an interesting structure, a groovy soundtrack and a great old-school car chase scene at the end. Kurt Russell is also awesome as the movie’s central character. Stuntman Mike is a serial killer who belongs in the gallery of great Tarantino characters.

This may not be a masterpiece but it works very well as the type of experience it attempts to simulate. It is also a better balanced movie than Planet Terror. Sometimes it is a little ‘too Tarantino’ if there is such a thing, most noticeable by the casting of ‘super cool’ chicks and the overly hip dialogues. But Death Proof is nevertheless a film that has plenty of excitement and genuine coolness to offer.

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Biography: Quentin Tarantino (1963, Knoxville, Tennessee) made a big impression on the international film world when his feature debut Reservoir Dogs premiered at Sundance in 1992. After his second film Pulp Fiction screened at Cannes in 1994 and won the Palme D’or, Tarantino quickly became a household name. Since then he has enjoyed his fame by making more homages to the films he loves and grew up with.

Filmography (a selection): My Best Friend’s Birthday (1987), Reservoir Dogs (1992), Pulp Fiction (1994), Four Rooms (1995, segment ‘The Man From Hollywood’), Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Sin City (2005, special guest director), CSI (2005, TV episodes), Grindhouse (2007, segment ‘Death Proof’), Inglourious Basterds (2009), Django Unchained (2012), The Hateful Eight (2015), Once Upon a Time… in Hollywood (2019)

Vanishing Point

Director: Richard C. Sarafian
Written by: Malcolm Hart, G. Cabrera Infante
Cast: Barry Newman, Cleavon Little, Dean Jagger, Victoria Medlin

Year / Country: 1971, USA
Running Time: 94 mins.

This classic carsploitation movie really has two main characters; Kowalski and a 1970 white Dodge Challenger. That’s right, the same Dodge Challenger used by Tarantino in Death Proof. Kowalski is a born driver who has no real purpose. Except to bring the Dodge from Denver to San Francisco. He drives across Colorado, Nevada and California with the police on his tail who want to bust them for some minor felonies.

Kowalski is assisted by the DJ of a radio station named Super Soul, who provides him with police frequency info. He also entertains his listeners with a groovy rock soundtrack. Through flashbacks we learn more about the cool Kowalski. How he is a Vietnam vet, a former cop, and a professional road racer. Over the years he has lost everything, including his girlfriend. The flashbacks also offer some sort of explanation for his unexpected action at the end, though it remains mysterious.

The excellent race scenes and car stunts alone make this film worth your while. But apart from that, it offers an interesting view on existentialism. It’s about a guy who just drives and only stops to tank, buy some speed or meet the occasional strange and colorful character like an old snake catcher, a pacifist biker and two weird hitchhikers’ who want to rob him. The beautiful landscapes also help in making this a very enjoyable road trip.

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Biography: Richard C. Sarafian (1930, New York – 2013, Santa Monica) was an American screenwriter, actor and director who started his long career by directing episodes for successful western and crime series. In 1981 he produced what is probably his greatest success; The Gangster Chronicles, an emmy-winning TV series about the rise of Lucky Luciano and Meyer Lanski. He also portrayed real-life gangsters Jack Dragna and Paul Castellano himself in the films Bugsy and Gotti.

Filmography (a selection): Maverick (1961, TV episode), Bronco (1961, TV episode), The Roaring 20’s (1961, TV episode), Cheyenne (1961/62, TV episodes), Terror at Black Falls (1962), Lawman (1961/62, TV episodes), The Gallant Men (1962/63, TV episodes), 77 Sunset Strip (1962/63, TV episodes), The Twilight Zone (1963, TV episode), Andy (1965)
Ben Casey (1963-65, TV episodes), The Wild Wild West (1965, TV episodes), Batman (1966, TV episodes), Jericho (1966, TV episodes), The Iron Horse (1967, TV episode), The Guns of Will Sonnett (1967, TV episodes), I Spy (1966-68, TV episodes), Gunsmoke (1965-68, TV episodes), Run Wild, Run Free (1969), Fragment of Fear (1970), Vanishing Point (1971), Man in the Wilderness (1971), Lolly-Madonna XXX (1973), The Next Man (1976), The African Queen (1977, TV), Sunburn (1979), The Gangster Chronicles (1981, TV series), The Bear (1984), Wildside (1985, TV episodes), Eye of the Tiger (1986), Street Justice (1989), Solar Crisis (1990)