TV Dungeon: Shameless

(2004 – 2009, UK)

Creator: Paul Abbott
Cast: David Threlfall, Gerard Kearns, Elliot Tittensor, Rebecca Ryan, Samantha Siddall, Jody Latham, Rebecca Ryan

6 Seasons (66 Episodes)

The comedy-drama Shameless provides a compelling look into the underbelly of British society. The central family, the Gallaghers, live in Chatworth Estate, Manchester. One of these British slumps where nobody has money, petty criminal enterprises are standard practice and the quality of life is mainly the result of partying, drugs and family bonding.

The show was created and, at least initially, mainly written by Paul Abbott, who is also the series’ Executive Producer. Much of the show is based on Abbott’s own experiences growing up in a similar situation to the Gallaghers in Burnley.

Family patriarch Frank Gallagher is a professional drinker and e-popper, who spends all of his days in local pub ‘The Jockey’. Despite his overall unconscious state, he frequently shares his philosophical outlook on life with the viewer. ‘Make poverty history, cheaper drugs now’, is one of his typical statements.

Frank’s kids (six in total) are used to living on a shoestring budget, as they grow up in this no future environment. This situation has shaped them into very effective problem solvers. This combined with their greatest virtue, their warm loyalty towards each other, helps them to cope with the everyday challenges, often involving the authorities, that they have to face.

The humor in Shameless is very well done, provided you don’t mind crudeness and profanity. Also the drama touches the viewer in the heart. This is mainly due to the strong cast. Some situations may feel unbelievable, but the characters never do. Their strong bonding, opposed to the more distant relations in the higher classes of society, even makes it tempting to join the this ‘unlucky’ bunch at times.

The first three seasons are just great. After that, the series loses quite a few important characters that are replaced by the Maguires, a family of lowlifes. This harms the series in a major way. The acting capabilities of the actors portraying the Maguires are very limited, making their far fetched story-lines hard to swallow. Luckily David Threlfall’s memorable performance as Frank saves the series from sinking to mediocrity.

TV Dungeon: Cold Feet

(1997 – 2003, UK)

Creator: Mike Bullen
Cast: James Nesbitt, Helen Baxendale, Robert Bathurst, Hermione Norris, John Thomson, Fay Ripley, Jacey Sallés, Kimberley Joseph

5 Seasons (35 Episodes)

The British comedy-drama Cold Feet follows the lives and times of three young couples in Manchester. Both their ages and the times they live in, make it hard for them to commit to any one person. Adam (James Nesbitt) is the typical bachelor who just can’t stick in a relationship. Until he meets the attractive Rachel that is. They start a relationship in the pilot which will prove a challenging enterprise in the five seasons that follow.

Adam’s best friend Pete is married to the inglamorous Jenny. They are past the early ‘in love’ stage and face another challenge: their first child. Through Pete and Jenny, Adam and Rachel meet another young couple, the more upper-class David and Karen Marsden. The three couples deal with all the typical relationship problems; cheating, cold feet, honesty, commitment and sometimes separation. The themes are treated in a light and comical way, but a little drama is thrown in as well. Especially in the later seasons.

What is impressive about the series is that the writers work around the same subjects, but no episode ever feels repetitive. Every minute of Cold Feet feels fresh and inspired. They do an equally outstanding job in developing the very recognizable characters. Who doesn’t know an Adam? Always funny and charming, but in a relationship constantly on the brink of either cheating or running off. Or a Rachel: pretty and a tad demanding, but irresistible for Adam beyond any doubt. In fact all three couples are perfectly cast, forming matches that feel absolutely natural.

As the series progresses the characters go through thick and thin together and for the viewer it will become harder and harder to say goodbye to them. Only towards the end of the series, the writers slip up a bit. A dramatic event occurs which, although it’s part of life, changes the tone of the series and makes it a bit more soapy. Nevertheless, this is a magnificent feel-good series that you are likely to get hooked on after viewing the amazing pilot episode.

The acting deserves mention as well. Especially Nesbitt and Norris stand out. Nesbitt is the biggest provider of laughs through marvelous comic timing, while Norris gives the most balanced performance showing a wide spectrum of emotions throughout the course of the series. Neither actors won awards for their roles, but the series did win a number of awards for writing and best TV comedy. Cold Feet is great because it perfectly captures the spirit of the nineties and one of the major problems of that age: sticking in relationships.

TV Dungeon: Corleone

(2007, mini-series, Italy)
AKA: Il capo dei capi

Directed by: Alexis Cahill & Enzo Monteleone

Cast: Claudio Gioè, Daniele Liotti, Simona Cavallari, Salvatore Lazzaro, Gioia Spaziani, Massimo Venturiello, Marco Leonardi

How does one become ‘il capo dei capi’ or boss of all bosses? That question is answered in the mini-series Corleone. In a fifty year period, Toto Riini grows up from little boy in Corleone on Sicily to the highest ranking member of the Sicilian Cosa Nostra (literally ‘Our Thing’). He does so by slowly murdering anybody who opposes him or who has any real power within the Mafia.

The Corleoneses, Toto Riina and his underboss Bernardo Provenzano, are provincial Mafiosi. They join the Mafia at a young age to escape from poverty. They rise to the top of the organisation quickly. In Sicily’s capital Palermo, the Corleoneses are perceived as hicks by the Mafia, but they are smart, ambitious and extremely ruthless as the Palermeans are about to find out. Riina was known as ‘the Beast’. It is a well chosen name considering the extreme high bodycount that can be attributed to him.

The mini-series is based on the book by Giuseppe D’Avanzo and Attilio Bolzoni. The makers wanted to not only show Riini’s rise to power and how he made it to the top, but also show the struggles of the law that wanted to put an end to him and his Mafia. Many judges and policemen died in this decade long battle. That much becomes clear in Corleone. For a long time, the law didn’t stand a real chance, but through sacrifice and perseverance they eventually got results.

To make the distinction between the good side and the evil side, the writers of this mini-series introduced a fictional character in this otherwise largely fact-based story. The true-hearted Biagio Schirò grows up with Riini in Corleone, but rather than becoming a mobster like his friends he joins the police. He follows Riini’s career closely and tries to bring him down, along with many real historical law figures, such as judge Giovanni Falcone. They stand for everything that the mob doesn’t.

In terms of production design, the makers did a good job of capturing the old times on the beautiful Sicily. Dramatically however, the series falls short. There isn’t enough suspense or character development to keep the viewer entertained for six times 100 minutes. Not even close. They could have told this story in a three hour mini-series. Now it quickly becomes repetitious. A shame, because the right basis is there.

TV Dungeon: The Sopranos


‘Meet Tony Soprano. If one family doesn’t kill him… the other family will.’

(1999 – 2007, USA)

6 Seasons (86 Episodes)

Creator: David Chase

Cast: James Gandolfini, Edie Falco, Lorraine Bracco, Michael Imperioli, Jamie-Lynn Sigler, Robert Iler, Dominic Chianese, Tony Sirico, Steve Van Zandt, Aida Turturro

For a period of eight blissful years, The Sopranos answered the TV-prayers of me and millions of other TV-maniacs. As a huge fan of GoodFellas, a quality series about a New Jersey mob family sounded like music to my ears. It delivered on its high expectations. No, it exceeded them by far.

Tony Soprano, family matriarch, mob boss and psychiatric patients. The perfect characteristics for a leading man of a drama show. This complex character is wonderfully portrayed by the now legendary James Gandolfini. He is a fat, bald ladykiller, He’s a murderer. You just couldn’t ask for a more captivating main character.

But it isn’t just Tony who delivers. The supporting cast is delicious as well. We all have our favorites (mine is Silvio Dante), but I give praise to all; the hilarious psycho Paulie Walnuts, shrink Melfi, money-grabbing Carmela, crazy uncle June. Too many to mention, but all marvelous indeed!

So, what gives this show its ridiculous appeal? The guns, the girls, the gabagool? I guess this I just one of those very rare productions in which everything fits in perfectly; the screenplays, the actors, the soundtrack, the look and feel…it is perfect. Brilliant even.

When talking about classic mob movies, The Godfather and GoodFellas always come up first. The Sopranos can now be added to the mix. Mind you, this isn’t some ordinary rip-off. Since the pilot episode it has stood on its own feet. It is a highly original and modern take on mobsters and the gangster genre. It placed mobsters with old values in the 21th century with all of its problems: depression, terrorism, capitalism, you name it.

For 86 episodes you are watching killers, who lack any form of empathy for their victims. Most of the time they are still a lovable bunch though. But very often the audience is reminded of who these people really are. So how does one cope with all these horrible crimes on his conscience? Being a sociopath helps, but otherwise there is therapy (Tony), the catholic church (Carmela) or drug abuse (Christopher). High concept TV at its best.

Creator David Chase, who in the past worked on shows such as Northern Exposure and The Rockford Files, has created a cultural phenomenon. The Sopranos must be viewed, loved and treasured. Seriously, you’d be a douchebag to miss it.