32. Road to Perdition (2002)

Director: Sam Mendes
Writers: Max Allan Collins, Richard Piers Rayner, David Self
Stars: Tom Hanks, Tyler Hoechlin, Paul Newman, Daniel Craig

This review is part of the feature:

The 33 Gangster Films You Can’t Refuse

In this adaptation from the beautiful graphic novel from Max Allan Collins (writing) and Richard Piers Rayner (art), Tom Hanks plays Michael Sullivan, an enforcer for Irish mob boss John Rooney (Paul Newman).

Rooney treats Michael like a son, but this dynamic is fractured by the reckless actions of Rooney’s actual son, Connor (Daniel Craig), whose betrayal leads to the brutal murder of Michael’s wife and youngest child. Gutted, Michael embarks on a chilling journey of vengeance across the snow-draped Midwest, with his surviving son, Michael Jr., by his side.

Director Sam Mendes brings together a stellar cast in this gripping, yet understated gangster epic. The performances are a masterclass in subtlety and intensity, with Hanks, Newman, and Craig delivering powerhouse portrayals that highlight the complex interplay of loyalty, betrayal, and familial bonds.

The cinematography by Conrad L. Hall is equally compelling, painting 1931 Chicago and the small-town landscapes of Illinois with a haunting, almost poetic beauty. Each shot is meticulously crafted, making the film as visually breathtaking as it is emotionally poignant.

The story is borrowed from the classic Japanese manga Lone Wolf and Cub, which is about an extremely skillful samurai who takes his son on a journey of revenge after being betrayed.

Thematically, Road to Perdition delves into the intricate relationships between fathers and sons, exploring how their love and loyalty can be both a source of strength and a cause of strife. The evolving dynamic between Michael and his son is moving, offering moments of connection and understanding amidst the violence and tragedy.

With its evocative storytelling, exceptional acting, and unforgettable imagery, Road to Perdition remains a standout in the gangster genre, as well as a deeply affecting meditation on family and redemption.

The 33 Gangster Films You Can’t Refuse


“It’s not just Italian American gangsters. It’s Cagney and Bogart movies, it’s Westerns. Americans seem to have some kind of fascination with outlaws in general. Maybe it’s because we were an outlaw nation to begin with. This nation was born of rebellion against authority, and in a weird way, that’s what these characters represent. That image is very attractive to Americans. It’s part of the national unconscious. It’s practically in our genetic code.”


― Steven Van Zandt in the article ‘A Harried Godfather struggles to balance his personal and professional lives’. By Matt Zoller Seitz in The Star-Ledger, 1-9-1999

Introduction

As far back as I can remember, I always loved gangster movies. Well, that’s not exactly true; I have always loved watching bad guys, so I definitely recognize myself in that Steven Van Zandt quote above – and I’m not even American. As a child, I loved cartoons and action films – like the James Bond movies – that featured inspiring villains.

Then, when I was 13, I saw GoodFellas for the first time. It immediately became my favorite film, my love for the gangster genre was awakened, and I have since watched countless gangster films. So now, more than 30 years later, I have decided to put together my personal ultimate ranking of gangster classics.

But what do I mean by ‘gangster film’? First, I had to get my criteria straight: gangsters must play a lead role in the movie. So is Heat a gangster movie? Definitely. Yes, fifty percent of the film is about the cops trying to catch the robbers, but those robbers play a huge role in the movie. In screen time alone, Neil McCauley’s gang can match most of the other gangsters on this list.

Of the final selection, I had the most doubts about The Untouchables and Lock, Stock and Two Smoking Barrels. The first is really about Elliot Ness and his special police force, but I still felt the gangsters play a very prominent part in the film. Robert De Niro’s Al Capone, in particular, is such a powerful gangster performance that the movie belongs on this list.

As for Lock, Stock: the main characters may not be arch criminals, but they are still up to their necks in crime. Besides, most of the other characters are legendary gangsters such as Hatchet Harry, Big Chris, and Barry the Baptist, so it’s pretty obvious it should be included.

One movie that didn’t make the cut is L.A. Confidential. A brilliant film, surely, but its ‘gangsters’ are mostly crooked cops, and therefore don’t count as gangster characters.

Great movies that almost made the cut: Scorsese’s Mean Streets, which I chose not to include because its characters are so low-level in the underworld and the film features few high-level mobsters.

The terrific A History of Violence, which is more an action thriller focused on the psychology of its characters rather than crime. And Bound, more an erotic thriller in which one main character (Joe Pantoliano’s Caesar) happens to be in the mob.

Movies that do live up to the criteria and almost made it, and therefore deserve an honorable mention: Gotti, A Bronx Tale, The Roaring Twenties, Little Caesar, Scarface (1932), Eastern Promises, and The Public Enemy.

So now, without further ado, I present the 33 gangster films that define the genre for me… Just don’t go busting my balls about the selection, okay?

The 33 Gangster Films You Can’t Refuse

32. Road to Perdition

31. American Gangster

30. The Killing

29. King of New York

28. The Departed

The Verdict: The Surfer

I originally wanted to see this at the International Film Festival Rotterdam (IFFR) in early 2025. I bought the tickets, but never took the ride: I got sick. Did I miss much? Can’t say that I did, since it’s now available to stream on HBO. Luna Bay, Australia. Nicolas Cage plays a surfer who wants to take his teenage son surfing at the beach where he grew up. But a group of local crazies won’t let him. Cage himself is a pretty crazy, cocky bastard, but you’ve still gotta love the guy. I know I do. As soon as these pricks start messing with him, you expect him to go apeshit. And he does, but the movie then takes a different, more psychological direction.The film deserves credit for not going down the clichéd revenge/survival route, but the story eventually becomes confusing, and for me it was not satisfying at all. Too bad. The cinematography and acting are excellent, but the screenplay was a major problem I couldn’t overlook.

The Surfer is now available on HBO.

The verdict: to stream or not to stream? Not to stream.

Why Donald Trump is the Best Socialist Reviver Imaginable

In a wide-ranging conversation on the Econoclasts podcast, the Marxist economist Richard Wolff laid out a sweeping account of where American capitalism stands today, why he believes the United States is past its peak as a global power, and why he sees a genuine, if still inchoate, socialist revival taking shape among a new generation of Americans. What follows is a summary of his argument, segment by segment.

Who is Richard Wolff?

Richard Wolff is a professor of economics emeritus at the University of Massachusetts, Amherst, and a visiting professor at the New School in New York City, where he now lives. Over a long career he has also taught at Yale, the City University of New York, and the Sorbonne in Paris.

Wolff describes himself as having spent most of his life working on the margins of acceptable American discourse – Marxist economics was, for decades, treated in the United States as barely tolerable even inside universities. He recalls that as a student he had to pursue his interest in Marxism largely on his own, in part by choosing to study at Stanford specifically so he could work with the radical economist Paul Baran in the final year of Baran’s life.

Today, Wolff says, the ideas he has spent a career developing have moved from the fringes toward the center of American political conversation, a shift he attributes in part, ironically, to Donald Trump. In his view, Trump’s presidency has done more to organize a socialist revival in America than any organizer on the left could have managed alone.

What is his view on this stage of capitalism?

Wolff argues that capitalism suffers from three structural flaws it has never managed to overcome. The first is its built-in tendency toward extreme inequality of wealth and income – a tendency so severe that, historically, it has periodically triggered uprisings from below before reasserting itself once those uprisings subside.

He points to the contrast between the celebration of Elon Musk’s path toward becoming the world’s first trillionaire and the fact that roughly two-thirds of Americans live paycheck to paycheck. Because capitalism enriches only a minority, he argues, that minority is perpetually anxious that democratic majorities might use the ballot to undo the inequality – which is why, in his account, the wealthy are compelled to corrupt politics to protect their position, something he says was made visible when billionaires sat arrayed on the dais at Trump’s 2025 inauguration.

The second flaw is instability: the recurring cycle of booms and busts that the National Bureau of Economic Research clocks at roughly every four to seven years, and which Wolff says has struck on schedule in 2000, 2008, and 2020, despite decades of Keynesian efforts to tame it. The third flaw is ecological – the way the profit motive drives capitalism to neglect or postpone the collective needs of both human beings and the natural environment.

Taken together, Wolff frames these as reasons to conclude, as humanity once concluded about slavery and feudalism, that a better system is both necessary and achievable.

What is happening to America that is quickly failing as a leading nation?

According to Wolff, the United States has passed its peak and entered a period of imperial decline, and he points to several converging signs. Militarily, he argues the U.S. failed to achieve its goals in Vietnam, Afghanistan, and Iraq, and is faring no better against Iran, while the outcome in Ukraine remains uncertain.

Diplomatically, he says Washington has squandered the ‘soft power’ that once made allies eager to align with it – citing, as a striking example, a petition drive in Canada, a longstanding ally, with more than 250,000 signatures calling for the expulsion of the American ambassador.

Domestically, he sees a historic collapse of trust in both major parties. As evidence, he points to New York City’s 2025 mayoral election, in which Zoran Mamdani – a democratic socialist and member of the Democratic Socialists of America – defeated the establishment-backed Cuomo family by a wide margin, despite carrying two labels (socialist, Muslim) that Wolff says have traditionally been politically fatal in America.

Wolff also connects this domestic decline to the country’s chronic government debt, which – echoing the interviewer’s framing – he treats not as a side effect but as part of the very mechanism that has funded American global dominance since the 1970s, as trading partners recycle dollars earned from U.S. imports back into American debt.

Is socialism on the rise?

Wolff believes it is, though he is careful to describe it as an awakening rather than a mature movement. He notes that support for both Trump and for left figures like Bernie Sanders and Mamdani spring from the same underlying source: a widespread recognition, across the political spectrum, that ordinary Americans’ economic security has been stripped away since the rollback of the New Deal began after 1945.

Polling, he says, shows that the younger the American, the more favorably they view socialism – even though, as he readily admits, most young people who hold this view know relatively little about socialism’s history or internal debates. What they are expressing, in his reading, is not yet a worked-out ideology but a rejection: a conviction that the current system is unbearable and cannot be reformed from within.

What would real socialism look like?

Wolff is emphatic that the socialism he has in mind bears little resemblance to the popular image of Soviet-style shortages and bureaucratic stagnation. For him, the USSR and similar systems represented state-run capitalism, in which the state simply replaced private owners as the boss while workers still had no say over their own workplaces – not genuine socialism at all.

The alternative he has spent much of his recent career developing is what he calls the Worker Self-Directed Enterprise, or WSDE. In a WSDE, there are no outside shareholders and no board of directors separate from the people who do the work; instead, the employees who work in an enterprise collectively and democratically decide what to produce, how to produce it, and – critically – what to do with the profits, or surplus, the business generates. Rather than that surplus flowing to distant owners, it stays with the people who created it, to be allocated toward wages, reinvestment, or community needs as the worker-members themselves decide. Wolff points to Spain’s Mondragon Corporation, a federation of more than 85,000 worker-members operating on a one-worker, one-vote basis, as the clearest real-world proof that the model can function at scale.

Wolff does not propose abolishing markets or nationalizing the economy overnight. Instead, he envisions a gradual, legally supported transition: laws that make it easier to convert existing firms into WSDEs or to start new ones, school curricula that teach the model alongside conventional corporate structures, and political movements that represent the interests of a growing WSDE sector the way today’s parties represent capital and labor.

The underlying principle, as he puts it, is that economic democracy inside the workplace is the necessary foundation for real political democracy, because a society cannot be genuinely self-governing at the ballot box while most people spend eight hours a day answerable to bosses they had no part in choosing.

SOURCE:
America is quietly losing the world – Yanis Varoufakis & Richard D. Wolff | The Econoclasts