32. Road to Perdition (2002)

Director: Sam Mendes
Writers: Max Allan Collins, Richard Piers Rayner, David Self
Stars: Tom Hanks, Tyler Hoechlin, Paul Newman, Daniel Craig

This review is part of the feature:

The 33 Gangster Films You Can’t Refuse

In this adaptation from the beautiful graphic novel from Max Allan Collins (writing) and Richard Piers Rayner (art), Tom Hanks plays Michael Sullivan, an enforcer for Irish mob boss John Rooney (Paul Newman).

Rooney treats Michael like a son, but this dynamic is fractured by the reckless actions of Rooney’s actual son, Connor (Daniel Craig), whose betrayal leads to the brutal murder of Michael’s wife and youngest child. Gutted, Michael embarks on a chilling journey of vengeance across the snow-draped Midwest, with his surviving son, Michael Jr., by his side.

Director Sam Mendes brings together a stellar cast in this gripping, yet understated gangster epic. The performances are a masterclass in subtlety and intensity, with Hanks, Newman, and Craig delivering powerhouse portrayals that highlight the complex interplay of loyalty, betrayal, and familial bonds.

The cinematography by Conrad L. Hall is equally compelling, painting 1931 Chicago and the small-town landscapes of Illinois with a haunting, almost poetic beauty. Each shot is meticulously crafted, making the film as visually breathtaking as it is emotionally poignant.

The story is borrowed from the classic Japanese manga Lone Wolf and Cub, which is about an extremely skillful samurai who takes his son on a journey of revenge after being betrayed.

Thematically, Road to Perdition delves into the intricate relationships between fathers and sons, exploring how their love and loyalty can be both a source of strength and a cause of strife. The evolving dynamic between Michael and his son is moving, offering moments of connection and understanding amidst the violence and tragedy.

With its evocative storytelling, exceptional acting, and unforgettable imagery, Road to Perdition remains a standout in the gangster genre, as well as a deeply affecting meditation on family and redemption.

Double Bill #14: Yesterday & Nowhere Boy

For the ultimate Beatles movie experience, we’ll have to Wait until 2028, when Sam Mendes is set to release a series of four biopics – one for each Beatle. This promises to be a magnificent, once-in-a-lifetime cinematic event. Until then, there are already some great films out there that celebrate the legacy of the Greatest Band Ever. A perfect place to start is with this Double Bill, featuring two films inspired by Beatles’ songs – one named after a John Lennon track and the other after a Paul McCartney classic. Once you’ve enjoyed these two movies, Across the Universe (2007) is another highly recommended Beatles-inspired film. For a deeper dive into their early days, Backbeat (1994) dramatizes the band’s formative years in Hamburg. But back to this Double Bill: Nowhere Boy (2009) explores John Lennon’s troubled childhood. Raised by his strict aunt Mimi after his parents couldn’t – or wouldn’t – take care of him, the film delves into his complex relationship with his biological mother Julia, beautifully played by Anne-Marie Duff, alongside Kristin Scott Thomas as Mimi. It also highlights the origins of The Quarrymen, the band that would eventually evolve into the Beatles, and Lennon’s legendary first meeting with Paul McCartney. Aaron Johnson shines as the young Lennon, perfectly capturing his wit, imagination, and artistic genius. Having read Lennon’s biography, I feel this film authentically portrays his early life and character. Mendes’ upcoming film will likely draw inspiration from Nowhere Boy, especially in its portrayal of touching moments from the band’s early days, such as their first gigs and the tragic loss of John’s mother, Julia. Yesterday (2019) takes a more fantastical approach, blending comedy and romance with a unique premise: what if the world forgot the Beatles, except for one profoundly unsuccessful singer-songwriter called Jack Malik? Malik suddenly finds himself performing these forgotten classics and skyrocketing to fame. The film delivers plenty of laughs, with witty lines like “The White Album has some diversity issues” and “A Hard Day’s Night – what does that even mean?” But it also offers deeper, more poignant moments, including a memorable scene where Jack competes in a songwriting duel with Ed Sheeran. Perhaps the film’s most touching sequence is Jack’s encounter with John Lennon, who, in this alternate reality, never became a Beatle but instead lives quietly as a fisherman, much like his father once did. It’s a beautifully imagined moment, one that makes the film much more than just a fun, nostalgic ride. Ultimately, both Nowhere Boy and Yesterday share a common message: All you need is love… and The Beatles.