An Open Letter to Bob Iger (and Other CEO’s)

Before Donald Trump was elected president, it was predicted that he would go full dictator the second time around. In his first term, he tested the waters and experienced the barriers of executive power. In the four years out of office, he figured out how he could change the game should he get in office again – helped by the Heritage Foundation, who drafted the diabolical Project 2025, an elaborate scheme to turn America into a conservative, Christian white nationalist hellhole.

So what the Trump regime is doing now is no surprise: he is implementing the authoritarian playbook step by step.

A little more surprising to me last year was how many business leaders in the US supported Trump. I thought: really? A convicted felon, con artist, and rapist with no morals whatsoever? I guess I was still pretty naive and did not realize yet that out-of-control capitalism in the United States is really in the terminal, self-destructive phase in which unlimited greed will bring down the entire system. I was naive because I thought that at least some leaders could also be a force for good and bring positive societal change.

These leaders – if they even existed – have now completely vanished. They supported Trump because they thought he would be good for business (boy, were they wrong). The level of greed is beyond appalling.

Just as appalling is the lack of push-back since Trump started his grand demolition of the former Land of the Free. I cannot name a single CEO who took a stance against Trump from a moral or even a business standpoint. Most CEOs, like Tim Cook of Apple, have sucked up to him and capitulated in advance. The disgusting tech billionaires have declared themselves morally bankrupt and decided to join the autocracy from Day 1.

The latest example of this cowardice and reprehensible behavior is Bob Iger’s (CEO of Disney) capitulation to Trump. And this is one of the most damaging instances for the nation yet. ABC, a subsidiary of Disney Entertainment, canceled the show of comedian Jimmy Kimmel. They did this after Brendan Carr, chairman of the Federal Communications Commission (FCC) and Trump sycophant, threatened to pull ABC’s license after Kimmel made remarks about Charlie Kirk’s killer’s political leanings (“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.” ) and cracked a joke about Donald Trump’s ultra short grieving process.

The canceling of a comedian on orders of the regime is really the final nail in the coffin of America’s democracy. And one man is responsible for this atrocity. I am talking about you, Bob Iger.

Iger had a good reputation, but now – with one fell swoop – he has torched it. He will go down in history as a gigantic coward who gave up to the fascists and didn’t even try to stand up to them.

And he didn’t even have to comply. The FCC doesn’t even have the power to revoke ABC’s license over their content. And besides, Kimmel hadn’t even said anything that was over the line. Compare his remarks to Fox Media Host Brian Kilmeade, who in the same week said that homeless people in the United States should get a lethal injection. A remark that has probably led to the shooting at a homeless shelter soon after. But this guy works for Fox News, which is already in Trump’s pocket, so he can get away with anything.

Bob Iger presumably did it because he wants to make deals (mergers and acquisitions), and he needs the FCC’s approval for that. So it was a cold and calculated business decision, as though morals, rules, and common decency don’t count anymore.

The irony is that Disney is the company that delivers America’s democracy this deathblow. Disney, with its classic movies about good versus evil. Disney, which was a stern advocate for inclusion and diversity. Now we know what these values really mean to them: jack shit.

Earlier this year, Disney released the second and final season of the Star Wars show Andor, the ultimate series about how to stand up to tyranny. The answer is that it takes thousands of actions by thousands of different heroes to defeat an authoritarian regime. Did you even watch that show, Bob? Then you might have picked up lines like: “The Empire cannot win. You will never be right unless you’re doing what you can to stop them.”

I think Iger, and these other gutless business leaders, made the wrong decision. For several reasons. First of all, you should never ever capitulate to a fascist leader unless perhaps your family is at risk. Otherwise, it is even better to be thrown in jail than to capitulate. Because when you do that, you’re corrupting your soul and enabling evil by which you make life more difficult for millions of people.

Secondly, if your bottom line is all you care about, this will suffer as well. Not only is Disney getting boycotted, but also Trump is wrecking the US economy. You might think authoritarianism is good for business, but only look at Vladimir Putin’s Russia to see that this is not the case. All right, the oligarchs might do okay for a while, but when things go south, they tend to start flying out of windows fast.

Thirdly, you may think that Trump is for sale, and sometimes he is, but as soon as you meet the demands of a bully he will always come back for more. With Trump, we have seen this countless times. Eventually, he will take you for everything you’ve got.

In other words, you fucked it up, Iger. Why don’t you grow a pair and go on television and tell Brendan Carr to go fuck himself and that Disney supports freedom and will resist authoritarianism in every type, shape, or form? The people will love you for it, and your bottom line will grow. Yes, you will probably lose your job, but at least you will be remembered as somebody who used his prominent position to stand up to the fascists.

Same goes for all the other CEOs out there… Shame on you for remaining silent in this time of crisis.

To conclude, I’d like to share this hilarious video my countryman Lubach made about Disney’s pathetic capitulation:

Andor Season 2: The Most Political Star Wars Show Arrives at Exactly the Right Moment

Andor (2022–2025 – 24 episodes)
Creator: Tony Gilroy
Starring: Diego Luna, Denise Gough, Stellan Skarsgård, Adria Arjona & Kyle Soller

The second season of Andor leads directly into the events of Rogue One, which itself sets the stage for A New Hope. It’s a story of rebellion, defiance, and resistance – values the world desperately needs right now but seems to be running short on. The timing of Andor is striking, coinciding with an authoritarian shift currently underway in the United States.

The series opens with a thrilling scene in which the main hero, Cassian Andor, steals a TIE fighter. He struggles to fly it, leading to a daring and spectacular escape. Before taking off, he tells a resistance ally: “The Empire cannot win. You will never be right unless you’re doing what you can to stop them.” It’s a line that feels less like fiction and more like prophecy.

In the original Star Wars films, the Empire was portrayed as an all-powerful, faceless regime with little internal resistance. Andor pulls back the curtain, revealing the machinery of authoritarianism – and the cracks within it. We see how such regimes function, and we meet those who make them work. These Imperial functionaries are a million times more competent than the members of Trump’s regime, but they still run into their share of challenges.

Among these enablers of evil, Dedra and Syril – introduced in Season 1 – are the most fascinating. Now involved in a love affair, their current mission is to work on an energy programme on the planet Ghorman. The Empire wishes to extract a valuable mineral called Kalkite. Sound familiar? Dedra gets the top job, and Denise Gough shines in the role – utterly convincing as a sycophantic bureaucrat championing a fascist program to “Make the Empire Great Again.”

Andor is a refreshingly original take on the Star Wars universe, offering a chilling portrayal of life under autocracy. Ironically, it’s produced by Disney which like so many other free institutions is currently under attack by the Trump government for its commitment to diversity and inclusion. But Andor responds in kind: with fierce resistance. Its rebels – Cassian, his partner Bix, Luthen, and Mon Mothma – are flawed, human, and fiercely dedicated. They’re all willing to risk everything for the cause.

The story unfolds slowly but deliberately, structured into four arcs of three episodes each, moving steadily toward the Battle of Yavin and the destruction of the Death Star. We follow Cassian as he escapes with resistance fighters in the stolen TIE fighter; Mon Mothma as she balances a strategic marriage for her daughter with her political double life; and Bix, suffering from PTSD, hiding during an immigrant crackdown on a farming planet; a clear parallel to current global events.

Meanwhile, Dedra and Syril navigate their lives on Coruscant. Dedra handles her overbearing mother-in-law while being invited to join a secret imperial operation on Ghorman.

The pacing can be slow at times, but the show remains compelling throughout. In episode 8, the tone turns especially grim when a massacre takes place on Ghorman – evoking contemporary parallels to the genocide in Gaza. The killer droids deployed during the assault give us a harrowing preview of what future wars might look like. The rebels – and the audience – finally discover that Orson Krennic (a scene stealing Ben Mendelsohn) has spent ten years developing the Death Star. The Ghorman minerals were essential to his work, regardless of the cost to the planet.

From that point on, the narrative builds steadily toward the beginning of Rogue One. With its second and final season, Andor now stands as the best Star Wars series Disney has produced. The visuals are stunning – hard to imagine 20 years ago that a series could look like this in 2025 – and the story offers a bold, original angle within the Star Wars mythology. The cast is uniformly excellent. While many deserve praise, Diego Luna (whose name feels fitting for the galaxy far, far away) anchors the series with a nuanced, committed performance.

The political parallels are unmistakable. A stormtrooper arresting a senator in the Senate, Mon Mothma’s colleagues afraid to vote against Palpatine, state propaganda distorting the truth: these are no longer just fantasy. They’re reflections of what’s happening in the real world.

Andor also reminds us what revolution really is. It’s not one dramatic act, but a thousand small ones by people willing to make sacrifices. In the end, everyone is drawn in. Everyone must choose: become an enabler of tyranny or a rebel prepared to risk everything. For the characters in Andor, the choice is stark. There are no grey areas anymore.

The heart of the show – and perhaps our current moment – is best captured in Mon Mothma’s impassioned Senate speech: “When truth leaves us. When we let it slip away, when it is ripped from our hands, we become vulnerable to the appetite of whatever monster screams the loudest.”

Return of the Dragon (House of the Dragon SE2)

Good morrow television lovers. In case you didn’t realize it yet, House of the Dragon is back with a vengeance! Right off the bat in the first episode, a shocking murder takes place. It’s revenge for a certain killing in season 1’s finale, which was a stunning ending to a brilliant first season.

House of the Dragon was my favorite series in 2022, which also saw the release of many other big fantasy shows like The Lord of the Rings: The Rings of Power on Amazon Prime, Andor on Disney Plus, and The Sandman on Netflix. These were all good, but HBO’s House of the Dragon ruled the streaming year by far if you ask me.

If you haven’t seen it yet, it is definitely not a repetition of Game of Thrones because rather than another epic adventure series, it is more like a Shakespearian family drama like The Godfather and executed perfectly. The Targaryans are a deliciously dysfunctional (and occasionally incestuous) family, and one bloody betrayal follows the other. It also has loads of politics and strategizing, which I love, so now that war between the Blacks and Greens is inevitable, it is set to be another immensely satisfying season.

Why is the drama so effective? First of all, the outstanding writing. There are many fantastic characters and every scene is bristling with emotion. It’s like a chess play taking place with fantastic dialogues and superb acting. All very real.

Each side has a powerful female leader. Rhaenyra Targaryen, the rightful heir to the Iron Throne is passionate and wise, and it’s hard not to be on her side. The Greens have Alicent Hightower, a very clever and determined political strategist who you definitely don’t want to have as your enemy.

Each side also has a Dragon riding sociopath. Daemon, who has been a fascinating scene stealer since the very first episode, is with the Blacks. He supports his wife Rhaenyra – if it suits him – but now he seems to be after the Iron Throne for himself. On the other side, we have the eyepatch wearing Aemond, who rides the biggest dragon of the realm: Vhagar. We know he is capable of terrible deeds, and whatever his destiny will be is one of the most intriguing questions for me (I don’t know because I never read the book ‘Fire & Blood’ on which the show is based).

After the shocking murder in the first episode, the following two episodes (2 and 3) are a little more quiet, and then in the fourth episode we are treated to one of the most spectacular finales in television history. I was amazed…

House of the Dragon has been renewed for a third season, so we won’t get served up a conclusion to this high drama with dragons any time soon. Like in Game of Thrones, the current rulers of the Iron Throne are not of our liking, and we very much would like to see the other party take over. But how this can be done is hard to say. One thing’s for certain: there will be much much more fire and blood before this historic feud in Westeros is over, and I will be there enjoying every minute of it.

5 topseries in ultieme fantasy streaming jaar 2022

Voor de liefhebber van fantasy wordt 2022 een topjaar. Deze vijf series wil je niet missen:

1. House of the Dragon

Streamen Via: HBO Max

HBO is het huis voor baanbrekende televisieseries. Eind jaren 90’ veranderde de kabeldienst het medium met series als The Sopranos, Deadwood en The Wire. En het vorige decennium deden ze dat nog een keer met Game of Thrones dat aantoonde dat televisie ook een plek kan zijn voor high budget fantasy spektakel. House of the Dragon wordt niet baanbrekend in die zin omdat het voortborduurt op een bestaand succes. Echter, de eerste vier afleveringen die nu zijn verschenen tonen aan dat HotD alles in zich heeft om een hit te worden: fantastische personages, acteurs (o.a. Paddy Considine en Matt Smith zijn fantastisch), speciale effecten en waanzinnige art direction. Als je na acht seizoenen Game of Thrones genoeg dacht te hebben van Westeros met al het brute geweld en politieke gekonkel, is het kijken van de eerste aflevering van HotD genoeg om je op andere gedachten te brengen. Dat was bij mij althans het geval.

2. The Lord of the Rings: The Rings of Power

Streamen Via: Amazon Prime

De langverwachte serie The Lord of the Rings: The Rings of Power is eindelijk gearriveerd en we kunnen weer ademhalen: het is in elk geval geen complete ramp geworden. Al zijn er de nodige Tolkien fans (en Elon Musk) die daar anders over denken. Naar mijn bescheiden mening hebben de eerste drie afleveringen een aantal forse plussen en minnen. Om te beginnen met de nadelen; er zit geen enkele payoff in de eerste afleveringen. Natuurlijk moet het verhaal opgebouwd worden, maar de beste scriptschrijvers maken van individuele afleveringen bevredigende mini-films. Deze storytelling is een opeenhoping van open vragen en dat werkt niet goed. Ook over de casting van een aantal acteurs heb ik m’n twijfels. Aan de positieve kant: dit is de duurste serie ooit en dat is te zien. Bij de eerste aanblik van het eilandkoninkrijk Númenor viel mijn mond letterlijk open; stunning. Ook zijn er al een aantal geslaagde actiescènes die de potentie van de show laten zien; dit gaat alleen nog maar beter worden. Het verhaal, over de opkomst van dark lord Sauron in Midden-Aarde, lijkt goed uitgewerkt te zijn en is zeker boeiend genoeg voor een serie van meerdere seizoenen. Kortom, de mega-investering van Amazon lijkt redelijk goed uit te pakken. Ik ben voorlopig zeker aan boord.

3. Andor

Streamen Via: Disney Plus

Na The Book of Boba Fett en Obi-Wan Kenobi is dit de derde live-action Star Wars serie die Disney Plus dit jaar naar buiten brengt. De output stelt tot nu toe nog niet teleur en de verwachtingen van Andor zijn dan ook hooggespannen. Voor wie de draad wat betreft het Star Wars universum even kwijt is: Andor (voornaam Cassian) is één van de helden van de film Star Wars: Rogue One uit 2016. Deze serie wordt een prequel van die behoorlijk goede film en zal gaan over de vroege strijd van de rebellen tegen het keizerrijk. De terugkeer van de tot nu toe succesvolste Star Wars spinoff The Mandalorian staat gepland voor 2023, dus Andor moet de fans tot die tijd zoet weten te houden. Aan de trailer te zien gaat dat waarschijnlijk prima lukken.

4. The Sandman

Streamen Via: Netflix

The Sandman, gebaseerd op de naar verluid briljante strip van Neil Gaiman, is een van de grotere Netflix-series dit jaar. Zoals gebruikelijk lanceerde de streamingdienst de serie integraal op het platform in augustus. De serie bestaat uit tien delen en later werd daar nog een bonusaflevering toegevoegd. The Sandman kreeg overwegend positieve kritieken en de serie is ontegenzeggelijk origineel. Maar het is niet echt mainstream-materiaal. Net als de strip is dit meer een cult succes te noemen. Een nadeel van The Sandman vond ik dat de afleveringen een beetje los zand zijn. Het overkoepelende verhaal wist me niet echt mee te trekken, vooral niet na de belangrijke vijfde aflevering. Daarna vond ik het steeds lastig om niet af te haken. Maar de onbekende Tom Sturridge als het titelkarakter is goed gecast, en heeft iets fascinerends over zich. Ook ziet de serie er fantastisch uit en zitten er genoeg boeiende personages om het toch absoluut de moeite waard te maken.

5. Willow

Streamen Via: Disney Plus

Nog een traktatie (hoop ik!) die in november op Disney Plus zal verschijnen is de serie Willow. Met Warwick Davis in de hoofdrol, maar zonder Val Kilmer (Kilmer’s ex-vrouw Joanne Whalley keert wel terug). Een nieuwe aanwinst voor de cast is Christian Slater. De film Willow uit 1986 kwam uit de koker van George Lucas en is één van de beste fantasy films uit de jaren 80’ (na The Empire Strikes Back, Return of the Jedi en Excalibur). Als de serie hetzelfde gehalte aan epische verhalen, donkere magie en heerlijke slechteriken heeft als de film wordt het nostalgisch genieten. De schrijvers en regisseurs brengen de nodige ervaring mee, maar kunnen zij het fantastische bronmateriaal omtoveren tot een moderne interpretatie die precies de juiste snaren weet te raken? We gaan het zien.