A Knight of the Seven Kingdoms

While waiting for season 3 of House of the Dragon – a show I am possibly enjoying even more than Game of Thrones – HBO has dropped a third Westeros show, which is titled: A Knight of the Seven Kingdoms. This is a prequel to Game of Thrones.

This is quite a different beast (dragon) than the previous two shows. It is lighter on its feet – in the beginning at least – and shorter in duration: season one consists of only six episodes of around 35 minutes each. It is however filled with interesting stories and memorable characters and is quite frankly a must see.

The show is an adaptation of ‘The Tales of Dunk and Egg’ series of novellas by George R. R. Martin, beginning with ‘The Hedge Knight’. It’s about a knight – Ser Duncan ‘Dunk’ the Tall (Peter Claffey) and his young squire Egg (Dexter Sol Ansell). Duncan’s master has died, but he made him a knight before he departed. Now Duncan wants to enter a tournament in Ashford.

At first glance, Dunc comes across as something of a lovable goof, but there’s an underlying depth to him that becomes evident early on and that’s what makes this series so compelling. The magic lies in the slow-burn revelation: as viewers, we’re right there with him on his journey, uncovering his layers as he uncovers them himself.

His partner in adventure, the quick-witted and resourceful Egg – brilliantly brought to life by Dexter Sol Ansell – adds the perfect dynamic: where Dunc stumbles, Egg steps in with sharpness and charm, making their bond one of the show’s strongest assets.

At the gathering in Ashford, a contingent of Targaryens arrives and, as we’ve come to expect from this family, their presence spells trouble. The tension escalates when Duncan strikes Prince Aerion ‘Brightflame’ Targaryen in defense of a lady’s honor, setting the stage for the fifth episode’s trial by combat.

This is where the show gets really exciting: a trial of seven, pitting seven knights against seven others in a brutal, no-holds-barred showdown. It’s easily one of the most visceral medieval battles I’ve ever seen on screen, with cinematography so stunning it leaves you breathless.

A Knight of the Seven Kingdoms feels refreshingly vibrant. It balances sharp humor, razor-sharp writing, and rich character development, all while delivering the lavish production values you’d expect from a Game of Thrones universe.

I eagerly await season 2 arriving in 2027. In the meantime, House of the Dragon Season 3 arrives in June 2026, promising an all-out war as the Dance of the Dragons erupts into full-scale battles. With the story hurtling toward its four-season climax, the stage is set for epic, fire-breathing chaos.

15 Thoughts on The Rings of Power Season 2

Episodes viewed: 8 of 8

The second season of The Lord of the Rings: The Rings of Power has arrived. The first season of this incredibly expensive series received a lukewarm response, so how does Season 2 measure up? Here are some thoughts:

1). Sauron’s return to physical form after being betrayed and defeated by Adar and his Orcs is a fantastic way to kick off the season. The opening sequence is stunning.

2). Speaking of Adar, he remains my favorite character in the series. Who is he, exactly? According to lotr.fandom, Adar is a mysterious figure from the Second Age, known as ‘Lord-father’ by the Orcs. He was likely one of the first Elves captured and tortured by Morgoth. Once Sauron’s lieutenant, Adar became disillusioned with Sauron’s cruelty toward the Orcs and ultimately betrayed him.

3). The settings are once again breathtaking. It’s great to see familiar The Lord of the Rings landmarks, and the world-building continues to impress.

4). Woke Alert: I’m all for diverse casting, but it should feel natural. Andor is a great example—where all races and genders are represented without it feeling forced. However, adding a few Black characters among the Elves feels like tokenism. On the other hand, Arondir’s existence has already established that Southern Elves are Black, so perhaps I’m overthinking this.

5). The Elves repeat too many lines from the original trilogy, like “the light of the Eldar is fading.” Isn’t it a bit tiring that the Elves are still in the same situation 3,000 years later? They’ve been talking about leaving Middle-earth for ages—when will they finally depart?

6). In Season 1, it seemed like The Stranger might be Gandalf, but he could also be Saruman. This would make more sense, as Saruman likely came to Middle-earth before Mithrandir. This twist could give Peter Jackson’s Saruman a deeper, more tragic backstory, showing him as a force for good before his fall. By the end of the season, we finally find out…

7). The Dark Wizard could also be Saruman. His appearance – sitting on a throne – resembles him. However, this character is already evil. He’s played by Ciarán Hinds, and as always, Hinds delivers a great performance.

8). What’s lurking in the cave where Isildur is being held? This horror sequence rivals Frodo’s torment in Shelob’s lair: intense and chilling.

9). The Ring of Power makes Durin’s father even more stubborn and greedy, reminiscent of Thorin Oakenshield’s downfall in The Hobbit. Exploring the origins of the Balrog is a nice touch as well.

10). The siege of Eregion is filmmaking on a scale rarely seen in television, rivaled only by Game of Thrones. The decision to use Peter Jackson’s cinematography style was wise. This is how you film a massive battle with Orcs and a hill troll.

11). Howard Shore composed the beautiful opening theme, while Bear McCreary handled the rest of the score. McCreary introduces some fresh ideas, like the heavy metal end credit music in episode 7, sung by hilltroll Damrod, or so it appears.

12). Tom Bombadil finally appears, and he’s just as he is in the book; merry and always singing. He helps The Stranger discover his true identity, and naturally, they sing together. Rory Kinnear (Tanner in James Bond) is perfectly cast as Bombadil.

13). Elves and Uruks are like two sides of the same coin. Both races were created by magic, and it’s tragic that they are doomed to wage war on each other, reflecting the broader tragedy of war.

14). Speaking of tragedy, two major characters die at the end of the season, and both deaths are genuinely sad.

15). Nori’s monologue at the end, in the style of Samwise, avoids being cringeworthy and is actually well-delivered. Overall, Season 2 is a significant improvement over the first. The Rings of Power has finally found its footing, and I’m excited to see where it goes next.

Return of the Dragon (House of the Dragon SE2)

Good morrow television lovers. In case you didn’t realize it yet, House of the Dragon is back with a vengeance! Right off the bat in the first episode, a shocking murder takes place. It’s revenge for a certain killing in season 1’s finale, which was a stunning ending to a brilliant first season.

House of the Dragon was my favorite series in 2022, which also saw the release of many other big fantasy shows like The Lord of the Rings: The Rings of Power on Amazon Prime, Andor on Disney Plus, and The Sandman on Netflix. These were all good, but HBO’s House of the Dragon ruled the streaming year by far if you ask me.

If you haven’t seen it yet, it is definitely not a repetition of Game of Thrones because rather than another epic adventure series, it is more like a Shakespearian family drama like The Godfather and executed perfectly. The Targaryans are a deliciously dysfunctional (and occasionally incestuous) family, and one bloody betrayal follows the other. It also has loads of politics and strategizing, which I love, so now that war between the Blacks and Greens is inevitable, it is set to be another immensely satisfying season.

Why is the drama so effective? First of all, the outstanding writing. There are many fantastic characters and every scene is bristling with emotion. It’s like a chess play taking place with fantastic dialogues and superb acting. All very real.

Each side has a powerful female leader. Rhaenyra Targaryen, the rightful heir to the Iron Throne is passionate and wise, and it’s hard not to be on her side. The Greens have Alicent Hightower, a very clever and determined political strategist who you definitely don’t want to have as your enemy.

Each side also has a Dragon riding sociopath. Daemon, who has been a fascinating scene stealer since the very first episode, is with the Blacks. He supports his wife Rhaenyra – if it suits him – but now he seems to be after the Iron Throne for himself. On the other side, we have the eyepatch wearing Aemond, who rides the biggest dragon of the realm: Vhagar. We know he is capable of terrible deeds, and whatever his destiny will be is one of the most intriguing questions for me (I don’t know because I never read the book ‘Fire & Blood’ on which the show is based).

After the shocking murder in the first episode, the following two episodes (2 and 3) are a little more quiet, and then in the fourth episode we are treated to one of the most spectacular finales in television history. I was amazed…

House of the Dragon has been renewed for a third season, so we won’t get served up a conclusion to this high drama with dragons any time soon. Like in Game of Thrones, the current rulers of the Iron Throne are not of our liking, and we very much would like to see the other party take over. But how this can be done is hard to say. One thing’s for certain: there will be much much more fire and blood before this historic feud in Westeros is over, and I will be there enjoying every minute of it.

Recensie: The Sicilian (Mario Puzo, 1984)

De schrijver van de bestseller ‘The Godfather’ uit 1969 heeft nog een aantal populaire boeken over de maffia geschreven. Met ‘The Sicilian’ heb ik ze allemaal gelezen (hij schreef ook ‘The Last Don’ en ‘Omerta’).

‘The Sicilian’ gaat over het prachtige, maar door problemen geteisterde eiland Sicilië dat in de jaren na de oorlog – na het desintegreren van de fascistische overheid van Mussolini – formeel wordt geregeerd door de Christendemocraten en informeel door ‘de vrienden van de vrienden’ – de maffia – met aan het hoofd de almachtige Don Croce.

De mensen zijn straatarm en worden volledig uitgeknepen door de machthebbers. In dit tijdsgewricht vol onrecht staat er een volksheld op die het volk wil bevrijden: Salvatore ‘Turi’ Giuliano. Samen met zijn beste vriend Gaspare ‘Aspanu’ Pisciotta begint hij een guerrillabeweging. Vanuit de bergen plegen zij overvallen en kidnappen ze belangrijke figuren voor losgeld. De buit distribueren ze vervolgens onder de boeren en het gewone volk. Giuliano wordt de Robin Hood van Sicilië.

Na zeven jaar bandieterij, escaleren de zaken volledig en de geliefde Giuliano is gedwongen naar Amerika te vluchten. En de man die hem daar als geen ander bij kan helpen is Michael Corleone die aan het einde is gekomen van zijn periode onderduiken op het door Italië geregeerde eiland. Maar zal Giuliano in staat zijn te ontkomen aan de sluwe Don Croce?

Mario Puzo

Het talent van Mario Puzo is dat zich feilloos kan verplaatsen in mannen met macht (ja, het zijn altijd mannen); hoe ze praten, hoe ze denken en hoe ze hun acties bepalen. Hoe erg je als lezer ook op je hoede bent voor de volgende maffia-valstrik of het volgende verraad, hij blijft je altijd een stap voor. The schrijvers van Game of Thrones en House of the Dragon zijn Puzo wel wat verschuldigd, vind ik.

‘The Sicilian’ kan beschouwd worden als een soort spin-off verhaal in de saga van ‘The Godfather’. Een verhaal dat een deep dive neemt in de ziel van de Siciliaan, de geschiedenis van het land en de oorsprong van de mythische maffia. De bandiet Giuliano bestond echt en het verhaal is deels gebaseerd op zijn leven.

In 1987, verfilmde Michael ‘The Deer Hunter’ Cimino het boek met Christopher Lambert als Giuliano en John Turturro als Pisciotta. Het werd geen succes helaas. Lambert weet totaal niet te overtuigen en eigenlijk is geen enkele keuze van de filmmakers goed uitgepakt. Het is niet spannend, niet meeslepend en niet romantisch. Het is niet vreselijk om naar te kijken, maar ik heb er eigenlijk niets positiefs over te melden. Het boek daarentegen is zeer de moeite waard.

Lees ook: 15 Differences Between The Godfather Novel and Movie