Tagarchief: Mad Max

Mad Max

Posted on by Jeppe Kleijngeld

Director: George Miller
Written by: James McCausland, George Miller, Byron Kennedy
Cast: Mel Gibson, Joanne Samuel, Hugh Keays-Byrne

Year / Country: 1979, Australia
Running Time: 88 mins.

With the newest entry Furiosa: A Mad Max Saga approaching fast in 2024, it was time to revisit the old trilogy.

In the first Mad Max from 1979, we find ourselves in the early stage of an apocalypse. Australia (never mentioned as such) is suffering from ecocide, lawlessness and scarcity of fuel. The poorly funded Main Force Patrol is still active and tries to bring down the bikers that terrorize the highways.

The movie starts with a bunch of patrolmen who are chasing down a couple of psychotics and we immediately get a good sense of what we’re in for: very fast cars, dangerous stunts and major car crashes. We get introduced to the cool, leather outfit and shades wearing cop Max Rockatansky (Mel Gibson). Where others fail, he gets the job done. But after he dispatches the psychotic cop killer Nightrider, a gang of biker outlaws come after him and kill his wife and child. Now Max goes out for revenge and turns into a lone warrior who scavenges the barren waste land.

Prior to his film career, director George Miller served as a medical doctor in Sydney, stationed in a hospital emergency room where he encountered numerous horror-like injuries and fatalities similar to those portrayed in the film. Additionally, his upbringing in rural Queensland exposed him to numerous car accidents, and he tragically lost at least three friends to such incidents during his teenage years. So that’s clearly where his inspiration came from.

Miller is still developing his trademark style in this movie. The high speed chases, crashes and stunts are looking great considering the low budget. He employs innovative camera techniques to achieve the distinctive Mad Max look that he would refine in the sequels. It’s a highly original movie and within the carsploitation genre an absolute classic.

Rating:

Biography: George Miller (1945) is an Australian filmmaker, best known for his Mad Max franchise. In 1971, George attended a film workshop at Melbourne University where he met Byron Kennedy, with whom he formed a friendship and production partnership, until Kennedy’s death in 1983 (Mad Max Beyond Thunderdome is dedicated to him). Together they made the first Mad Max movie in 1979 for a budget of 400.000 Australian dollars. It earned 100 million dollars at the box office worldwide and became the most profitable film of all time (the record was not broken until The Blair Witch Project 20 years later). Miller’s Mad Max: Fury Road (2015) earned Oscar nominations for best film and director. The latest entry in the series – Furiosa: A Mad Max Saga – will be released in May 2024.

Filmography (a selection): Furiosa: A Mad Max Saga (2024), Three Thousand Years of Longing (2022), Mad Max: Fury Road (12015), Happy Feet 2 (2011), Happy Feet (2006), Babe: Pig in the City (1998), Lorenzo’s Oil (1992), The Witches of Eastwick (1987), Mad Max Beyond Thunderdome (1985), Twilight Zone: The Movie (1983, segment), The Dismissal (1993, TV episode), Mad Max 2 (1983), Mad Max (1979), The Devil in Evening Dress (1975, short)

2024 belooft een fataal jaar te worden voor de wereld…

Posted on by Jeppe Kleijngeld

Dit fragment is onderdeel van een tweeluik over de huidige staat van de planeet.

Lees ook deel 2: Het einde van de geschiedenis is uitgesteld

BOEM! De natuurherstelwet van de EU is afgeknald. Ondanks dramatische rapporten van Europese natuurorganisaties over de stand van de natuur krijgt de wet in Brussel onvoldoende steun. En het volk, het merendeel althans, juicht. Ze zijn blij dat hun echte problemen, zoals woningnood, nu zullen worden aangepakt of in elk geval niet verder zullen worden belemmerd. De mens gaat nu eindelijk weer eens voor op de insecten en de vogels. Hoera.

Het kortetermijndenken heeft met het slopen van deze wet een grote strijd gewonnen, maar dit is pas het begin…

Er zijn dit jaar Europese verkiezingen, en dit besluit laat zien wat voor uitslag we kunnen verwachten: een overweldigende meerderheid voor rechts / populistisch rechts. En daarmee nog meer steun voor het verder vergiftigen, exploiteren en afbreken van onze leefomgeving.

Wanneer Trump ook nog wordt gekozen tot president van de VS is de nachtmerrie compleet: de wereld wordt dan grotendeels bestuurd door politici die weigeren de grootste bedreigingen voor de planeet aan te pakken en al hun pijlen richten op winstmaximalisatie op de korte termijn.

Het feit dat dit überhaupt kan gebeuren – PVV in Nederland de grootste en hoogstwaarschijnlijk ook populistische overwinningen in de EU en de VS – toont de huidige mindset, het collectieve (on)bewustzijn, van de mensheid aan. We kiezen er massaal voor om op onze huidige ramkoers door te gaan in plaats van het roer radicaal om te gooien. Op korte termijn kunnen we lekker op oude voet door blijven consumeren, maar op langere termijn is het fataal.

De mens lijkt te zijn vergeten dat we onderdeel zijn van een ecosysteem. Wanneer je radicaal gaat ingrijpen in dit systeem – wat de mens doet – gaat dit zich op den duur keihard tegen je keren. Dit is allang gaande, en de kansen om het tij nog te keren nemen in hoog tempo af. Het erge is dat deze mindset niet wordt bestreden, maar eerder wordt toegejuicht. Of de mensen halen er laconiek hun schouders over op.

Shell maakte onlangs bekend de CO2-reductiedoelen voor 2030 naar beneden bij te stellen. Waar waren de woedende politici die zeiden er alles aan te zullen doen om dit walgelijke besluit te bestrijden? De moreel verwerpelijke plannen van Shell gedijen uitstekend in de huidige wereld met de heersende mindset.

Waar gaat dit uiteindelijk toe leiden? In mei verschijnt het vijfde deel van de serie Mad Max in de bioscoop (Furiosa: A Mad Max Saga). Deze films hebben ons met succes een beeld voorgeschoteld van de apocalyptische wereld waar we naar op weg zijn: geen natuur, geen grondstoffen, en een uitgedunde mensheid. Ik vrees dat deze films actueler dan ooit zijn en 2024 lijkt de voorgeschiedenis van deze filmserie heel accuraat te gaan vertellen.


Afbeelding: Mad Max Beyond Thunderdome

Lees ook: Gaat de mensheid de komende eeuw overleven? 

Not Quite Hollywood

Posted on by Jeppe Kleijngeld

Director: Mark Hartley
Written by: Mark Hartley
Features: Dan Burstall, Bob Ellis, Dennis Hopper, Russell Mulcahy

Year / Country: 2008, Australia / USA
Running Time: 99 mins.

The title Not Quite Hollywood is not a misnomer. The exploitation pictures that have been coming out of Australia since the early seventies are characterized by sleazy sex and cheap violence. This delicious story of OZploitation explores the realms of Australian B-cinema through interviews with key players from the industry as well as fans and critics like Quentin Tarantino.

Not Quite Hollywood is basically told in three segments; sex, horror and car movies. The first genre took off in the seventies when new freedoms were won and the strong censorship was cut down. Besides sex, sex, sex, this segment also treats some of the more commercial Australian export successes such as Stork and the Barry McKenzie movies, prime examples of bad taste. The films that came out in this time are placed in a cultural context. As one of the interviewees describes it: The movies were not about who Australians really were, but how they wanted the outside world to think they were.

The second part focuses mostly on horror films. Apart from absolute rubbish, some very competent horror films were made in Ozzy. The slasher Patrick was such a huge success that the Italians even made an unauthorized sequel called Patrick Vive Ancora. The final chapter is all about car movies such as the famous Mad Max, a genre the Australians do very well.

This film is the perfect pick for a beer night with your mates. The upbeat and often hilarious documentary not only entertains, but also provides many ideas for fun exploitation flicks to (re-)watch later on. If the whole Ozzy slang is unknown to you, subtitles are recommended.

Rating:

Biography: Mark Hartley has made Australian B-cinema his specialty. After directing several documentaries / making-offs on classic Australian cult movies, he made the ultimate documentary about OZploitation called Not Quite Hollywood. He is also Australia’s busiest music video maker, directing over 150 promos for local and international artists including Powderfinger, The Living End, Sophie Monk, The Cruel Sea and Joe Cocker.

Filmography (a selection): A Date with Destiny (1990, short) / Which Way Did They Go, Skip (2003, short doc) / Turkey Shoot: Blood and Thunder Memories (2003, short doc) / Meet the Team: The Making of ‘The Club’ (2003, short doc) / ‘Fantasm’ Penetrated (2004, short doc) / Puttin’ on the Show: The Making of ‘Starstruck’ (2004, short doc) / A Dream Within a Dream: The Making of ‘Picnic at Hanging Rock’ (2004, doc) / Crashing the Party: The Making of ‘Don’s Party’ (2005, doc) / Thrills and Nuclear Spills: The Making of ‘The Chain Reaction’ (2005, short doc) / Jaws on Trotters: The Making of ‘Razorback’ (2005, doc) / The Adventures of Bazza in Chunderland: The Making of ‘The Adventures of Barry McKenzie’ (2007, doc) / Not Quite Hollywood (2008, doc).

Dungeon Classics #5: Escape from Absolom

Posted on by Jeppe Kleijngeld

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Escape from Absolom (1994, USA)

Director: Martin Campbell
Cast: Ray Liotta, Lance Henriksen, Stuart Wilson
Running Time: 114 mins.

Actually, this movie – also known as No Escape – is not that good. But it’s childhood nostalgia and has a few things going for it. Ray Liotta is a great actor for starters. And the costumes, that remind of Mad Max, are awesome. In the year 2022 (close now) all US prisons are run by private enterprises (sounds realistic enough). Liotta’s character is a marine who has shot and killed his commanding officer. He is shipped off to a desolated island where there are no guards and no walls; convicts run the show. There are two camps: the barbaric outsiders and the more civilized insiders. Liotta joins the later. He has escape on the brain constantly… but first, there is some fighting that needs to be done. From the producers of Aliens and The Terminator, the tagline promises. No, it’s not that good, but like I said: sweet memories.