Cannibalism Now!

In Cannibal Holocaust from 1980, a four-headed film crew heads into the Amazon jungle to shoot a documentary about cannibalism. They never return. When their cans of film are found later on, the gruesome truth about their faiths is uncovered. The film has been extremely controversial since its release and is still banned in several countries. Cannibal Holocaust remains a very unpleasant viewing today due its nauseatingly realistic scenes of violence and mutilation. Still, the shocking subject matter seems to have a certain appeal on many people. What is it with cannibalism that fascinates people so much and how is this fascination translated into cinema?

In Western civilization, cannibalism is considered as something perverted, disgusting, extremely primitive, sick and demented. In most countries there is not even a law against cannibalism. Whenever an occasional case of cannibalism does come to light, the perpetrator is mostly convicted of another act such as murder or necrophilia. The eating of individuals from the same species does still occur, but it happens very marginally. The fact that it still happens means that it is definitely human. We can only admit to this repressed fascination by engaging in fantasy. Through books, music and – off course – movies we can come to terms with the cannibal inside of us.

Cannibals in cinema go back a long time. As far as I can tell, the first movie that features cannibalism is the short Queenie and the Cannibal from 1912. It is the beginning of a very long list. Last century alone, 90 movies premiered with the notion ‘cannibalism’ in the title. Movies that feature the theme cannibalism encompass several genres and subgenres. Very often they are horrors, adventures or crossovers. Mostly, they are also exploitation and sexploitation flicks (or straight out porn). Many can also be classified as racist – as natives are portrayed as savage flesh eaters. Some examples of these types of cannibal movies include; Emanuelle and the Last Cannibals (1977), The Mountain of the Cannibal God (1978), Cannibal Ferox (1981), The Flesh (1991) and Diary of a Cannibal (2007). Human’s fascination with the subject is also translated into the zombie film. After all, despite the fact that they are dead, zombies are still humans that eat other human’s flesh.

Exploitation films that deal with cannibalism are often horrors, but there are quite a lot of comedies as well. Ivan Reitman’s second feature film is the Canadian comedy-horror Cannibal Girls about three beautiful young women who lure men with their seductive charm to their home in order to kill and eat them. By drinking their blood and eating their flesh the women maintain their youthfulness and immortality. Eating Raoul is a 1982 black comedy in which cannibalism is used for the central gag. Another black comedy and horror is Motel Hell (1980) about a farmer / hotel owner who makes meat products with special ingredients. Auntie Lee’s Meat Pies (1992) already tells you all you need to know with its title and Trey Parker from South Park made Cannibal! The Musical (1993) in his college days. This blend of comedy, biography and musical is loosely based on the history of Alfred ‘Alferd’ Packer who was convicted for cannibalism in 1874.

While Italians can often be credited for nasty exploitation cannibal films, the French are largely responsible for putting cannibals in the Art House. A Taste For Woman (1964) is a black comedy by French director Jean Leon from an adapted screenplay by Roman Polanski. This is about a vegetarian restaurant that acts as cover for a sect that eats women as part of a full moon ceremony. Jean-Luc Godards Week End (1967) shows the savage journey of a bourgeois couple through France. They eventually fall prey to hippy cannibals. In Delicatessen (1991) by Marc Caro and Jean-Pierre Jeunet a butcher / landlord sells human flesh to his odd tenants in a post-apocalyptic world. Finally Les amants criminels (1999, François Ozon) is a thriller that retells the Hansel and Gretel legend, only with the wicked witch replaced by a woodsman with cannibalistic tendencies.

While the Art House and Grindhouse cinemas have had their taste of cannibalism, mainstream Hollywood has also exploited the theme for big time box-office return. The Silence of the Lambs was a sleeper hit in 1991, and its main star Hannibal ‘The Cannibal’ Lecter, portrayed by Anthony Hopkins, returned in Hannibal (2001) and Red Dragon (2002). Especially the first sequel has scenes of explicit cannibalism in it, just look at the scene in which Lecter feeds on Ray Liotta’s brains. In Sin City (2005), the mute serial killer Kevin (Elijah Wood) kills prostitutes, mounts their heads on a wall like hunting trophies and cannibalizes their remains, feeding the leftovers to his pet wolf.

Not a Hollywood film, but immensely popular was The Texas Chain Saw Massacre in 1974. In it, a group of friends stumble upon a family of cannibals in rural Texas. The film was made independently by director Tobe Hooper for just around 140.000 dollars. Due to its graphic content, the film was banned in several countries, but did make 30.8 million dollars at the U.S. box office alone. It got five sequels and a remake in 2003. A quite similar film is The Hills Have Eyes, which is a cult classic directed by Wes Craven in 1977. The story revolves around a family of mutant cannibals that prey on a family who have been stranded in the Nevada desert. In 1991, Craven also made The People Under the Stairs about a psychotic and cannibalistic couple played by Everett McGill and Wendy Robie who also played a couple in Twin Peaks. They ‘keep’ people between the walls of their house and eat the occasional liver.

While Cannibal Holocaust and The Texas Chainsaw Massacre only pretend to be based on reality, there are also real real-life stories about cannibalism that have been turned into movies. Think about Grimm Love aka Rohtenburg. This movie is based on the true story of self-confessed cannibal Armin Meiwes and the ‘internet cannibal movement’. In March 2001 Meiwes killed and partially ate a man he had met on the internet. The eating was based on a mutual agreement. The movie was banned in Germany after Meiwes filed a complaint against it. True cannibalism is also found in Alive (1993). This film tells the story of the Uruguayan national rugby teams’ plane that crashed in the middle of the Andes Mountains in 1972. The survivors have to take desperate measures to stay alive, including eating their deceived friends and family members.

Except for voluntary cannibalism there are also quite a few examples of people who force or trick people into eating other humans. Look no further than The Cook, the Thief, His Wife & Her Lover (1989) and Titus (1999) based on a play by William Shakespeare. There is also Jennifer’s Body (2009), starring Megan Fox and Amanda Seyfried and written by Oscar winning screenplay writer Diablo Cody. In it, Megan Fox plays a high school beauty queen who eats her boyfriends.

Judging from this overview, movies that feature cannibalism come in many forms and vary strongly in quality. Compared to food, they range from the cheapest junk to the highest culinary achievement. Either way, the theme has successfully manifested itself into cinema and still fascinates people to this day and will undoubtedly continue to do so in the future.

My 10 Favorite Horror Movies Ever

Checked and double checked. Darlings killed! This is it:

10. Bad Taste (1987)

Peter Jackson’s inventive low budget debut film is a delight in gory horror and awesome humor. It’s about aliens coming to New Zealand to set-up a supply chain in human flesh for their intergalactic fast food restaurants. What they didn’t count on was secret agent Derek (played by Jackson himself) and his team! Great to see that the visionary director behind The Lord of the Rings trilogy started his career with this hilarious B-movie.

Greatest Moment: The vomit scene: ‘ahhhh, l think the gruel is ready!!’

09. The Bride of Frankenstein (1935)

Back at the old days, they made great films too, you know. And the Universal Monster Movies are not to be ignored when you’re rating your all-time favorite horrors. The beautiful gothic scenery, spot-on art direction, excellent make-up effects, the universal themes, the humor (the monster smoking a cigar!)… The Bride of Frankenstein is the best in its genre and at least as impressive in the time it was made as its contemporary counterparts. Ehhh, which contemporary counterparts by the way?

Greatest moment: The monster and the hermit.

08. Army of Darkness (1992)

You want some more Evil Dead? Come get some! Ash is back with a chainsaw attached to his wrist and a boomstick on his back. This time around he’s kicking Evil’s ass in medieval times. Isn’t it groovy? Well, yes it is. Besides Raimi’s action-packed script and trademark camera tricks, fans can enjoy a brilliant turn from B-Movie star Bruce Campbell. With his masterful comic timing, loads of one-liners and his lady man skills, he makes Ash a truly lovable hero. Not to mention a horror icon. Hail to the King baby!

Greatest moment: The pit.

07. Scream (1996)

This postmodern take on the slasher genre is both an incredible homage and superb addition to the genre. The screenplay by Kevin Williamson is masterfully written and director Wes Craven finds exactly the right balance between suspense, teenage stupidity, humor and extreme violence. Followed by three decent sequels (and a tv-show), but this first one is the best by far.

Greatest Moment: The revelation who the killer is.

06. Predator (1987)

The first Predator is an unique movie that holds a very special place in my heart. The concept is fairly simple (mysterious alien hunts and kills soldiers and mercenaries in South American jungle), the execution is flawless. It features the greatest team of warriors ever assembled that faces off against the greatest alien ever created for cinema. It’s just awesome in every way.

Greatest moment: There are many great scenes featuring the predator, but Schwarzenegger’s team butchering an entire guerrilla army is so bad-ass that I have to pick that one.

5. Dead Ringers (1988)

Two bodies. Two minds. One Soul. Separation can be a terrifying thing.
No monsters or killers are needed to make a creepy film. The human psyche can be terrifying enough by itself. Jeremy Irons gives an Oscar worthy double performance as a pair of twins who become mentally intertwined together. Brilliant psychological horror by master of bodily transformation, David Cronenberg.

Greatest Moment: The superbly creepy credit sequence and the unsettling ending.

04. Psycho (1960)

Psycho is such an inspirational film that it spawned an entire genre of slasher / serial killer movies. With its groundbreaking narrative techniques and tension building it’s hard to deny the importance of Hitchcock’s masterpiece in cinema history. Janet Leigh is a joy to watch and so is Anthony Perkins in his lunatic performance.

Greatest moment: The shower scene off course, which is completely shocking to this day.

03. A Nightmare on Elm Street (1984)

The scariest horror movie of my childhood and frankly an almost traumatic experience. I recently saw it and even though the scare effect is weakened down somewhat, it is still a deeply chilling experience. Master of Horror Wes Craven takes all the terrible emotions the worst nightmares can cause and uses them to maximum effect.

Greatest moment: The protagonist Nancy has a number of terrifying dreams.

02. Evil Dead II (1987)

Groovy! Comedy and scares are effectively combined in this sequel to Raimi’s classic The Evil Dead*. Yes, it is a sequel, the beginning is just an altered summary of the first flick. Bruce Campbell makes Ash a true horror icon as he chops up his girlfriend and fight his own hand. Slapstick humor and rapid chainsaw action make this a true classic in the genre and Raimi’s best film. They don’t make ‘m like this anymore. Classic.

Greatest moment: In the cellar with sweet Henrietta. Complete madness.

01. Dawn of the Dead (1978)

This is it, my all-time favorite horror movie. What makes it so good? It is just a trip to become part of Romero’s apocalyptic zombie world for a couple of hours. When used properly as in Dawn of the Dead, zombies are really a marvelous invention. They can be sad, scary, or comical and at the same time serve as a metaphor for the consumerist society. The shopping mall as a zombie survivor stronghold works incredibly well. The movie features well written characters, appropriately disgusting special make-up effects by Tom Savini and great music. It is the most atmospheric horror film; very rich in ideas and horrific imagery. I love it.

Greatest moment: Going shopping off course!

*OMITTED:

The Evil Dead (1981)

In 1980 three friends went out to shoot a cheap horror movie that was destined to become a genre classic. The handsome one, Bruce Campbell, became the actor of the group. ‘He was the one that girls wanted to look at.’ Sam Raimi later became a top director in Hollywood (directing Spiderman). And finally, Rob Tapert became a successful producer. The Evil Dead is still a very effective horror flick to this day with many unforgettable moments, such as the tree rape scene and blood-soaked finale.

Greatest Moment: The gory climax in the cabin.

The Hills Have Eyes

Director: Wes Craven
Written by: Wes Craven
Cast: Dee Wallace Stone, Michael Berryman, Robert Houston

Year / Country: 1977, USA
Running Time: 86 mins.

A lesser known movie by horror master Wes Craven is The Hills Have Eyes, the shocking account of a family (the Carters) trapped in the desert and attacked by a family of cannibals. It reminds very much of The Texas Chainsaw Massacre, both in story as in creepy execution.

Craven builds the tension up steadily. The cannibals are not seen for a long time (only heard) and then, during the nighttime, they appear and deliver a tremendous blow to the Carter family. Afterwards, the surviving Carters strike back and eventually become as brutal as their attackers when they seek revenge.

The movie is based on the legend of Sawney Beane and his family, a feral clan who inhabited and roamed the highlands of Scotland’s East Lothian County, near Edinburgh, in the early 1400s. They captured, tormented and ate several transients. They were eventually captured on the order of Scotland’s King James and brutally executed without a trial, inspiring the aspect of the film that the Carters become bloodthirsty themselves.

This is only Craven’s third movie after the horror movie The Last House On the Left (1972) and The Fireworks Woman (1975), an adult movie he directed under the alias Abe Snake. The Hills Have Eyes is very raw and contains violence that is still shocking by today’s standard. Some of Craven’s fans even say it is his best movie. It might just be true.

Rating:

Biography: Wes Craven (1940, Cleveland – 2015, Los Angeles) is the maker of a number of classic, genre bending horror films. The debut was the gruesome The Last House On the Left in 1972. In 1984 he reinvented the youth horror genre with A Nightmare on Elm Street, which became a genre classic and a popular horror franchise. Twelve years later, he again created a commercial and critical success with Scream. This film also spawned many sequels, three of them directed by Craven and all successful. Craven also occasionally worked within other genres, such as drama/music with Music of the Heart in 1999.

Filmography (a selection): The Last House on the Left (1972) / The Hills Have Eyes (1977) / Deadly Blessing (1981) / Swamp Thing (1982) / A Nightmare on Elm Street (1984) / The Hills Have Eyes Part II (1985) / The Twilight Zone (1985-86, TV-episodes) / The Serpent and the Rainbow (1988) / Shocker (1989) / The People Under the Stairs (1991) / New Nightmare (1994) / Vampire in Brooklyn (1995) / Scream (1996) / Scream 2 (1997) / Music of the Heart (1999) / Scream 3 (2000) / Cursed (2005) / Red Eye (2005) / Paris, je t’aime (2006, segment: ‘Pere-Lachaise’) / My Soul to Take (2010) / Scream 4 (2011)