Cult Radar: Part 12

Posted on 1 november 2025 by Jeppe Kleijngeld

FilmDungeon.com is glad to explore the video trenches to find that oddball treasure between the piles of crap out there. Of course, a treasure in this context can also be a film that’s so shockingly bad it’s worth a look, or something so bizarre that cult fans just have to see it. Join us on our quest and learn what we learn. Hopefully we’ll uncover some well-hidden cult gems.

Researched by: Jeppe Kleijngeld

Across 110th Street (USA, 1972)

Directed by: Barry Shear
Written by: Luther Davis, Wally Ferris
Cast: Anthony Quinn, Yaphet Kotto, Anthony Franciosa

Tarantino’s Jackie Brown opens to the same rip-roaring title song as this movie: ‘Across 110th Street’ by Bobby Womack. It’s a homage to an exploitation classic, a New York set crime thriller about a gang of black criminals who rob the mob, sparking a brutal chase involving both the Mafia and the police. The police duo in charge consists of the corrupt captain Frank Matteli (Anthony Quinn) and Lieutenant William Aylesworth Pope (Yaphet Kotto); a street guy versus a guy who wants to do it by the book. Their chemistry is electric, giving the movie an emotional and moral backbone amid the chaos. The film was slammed at the time for the extreme violence, and while the film is indeed gritty, it is generally well acted and executed. Beneath the grit lies a sharp commentary on race, corruption, and urban decay in 1970s America. Watching it now, it’s easy to see why Tarantino holds it in such high regard.

The Curse of Frankenstein (UK, 1957)

Directed by: Terence Fisher
Written by: Jimmy Sangster (screenplay), Mary Shelley (novel)
Cast: Peter Cushing, Hazel Court, Robert Urquhart, Christopher Lee

Peter Cushing stars as Dr. Frankenstein and Christopher Lee as the creature in Hammer Studios’ retelling of the Frankenstein legend. Directed by Terence Fisher, who would go on to make Horror of Dracula a year later, this film is often regarded as one of the finest adaptations of Mary Shelley’s novel, even rivaling the classic Universal versions. Told in flashback from a prison cell, Victor Frankenstein recounts the story of how his obsession with discovering the secret of life led him to commit unspeakable crimes. For a film made in 1957, the horror remains remarkably effective, due in large part to Lee’s chilling performance. As Hammer’s first color horror film, The Curse of Frankenstein was notable for its bold use of gore in color and its vivid gothic style. It marked the beginning of the studio’s signature brand of horror and launched a successful series of sequels, with Fisher directing several of them.

Dark Star (USA, 1974)

Directed by: John Carpenter
Written by: John Carpenter, Dan O’Bannon
Cast: Dan O’Bannon, Dre Pahich, Brian Narelle

John Carpenter’s debut film gives us a cynical look at outer space travel. Not the majestic kind Kubrick showed us in 2001: A Space Odyssey, but more like space travel as a monotonous, blue-collar grind. Dark Star is the name of the ship that looks like a surf board. The job of its crew is to destroy unstable planets. And while this may sound exciting, the five crew members – who have been on board Dark Star for twenty years – are mostly bored out of their minds and increasingly detached from reality. Co-writer and actor Dan O’Bannon originally conceived the idea of an alien aboard the ship, but budget limitations forced him to turn that concept into the film’s now-infamous beach-ball creature. His alien idea would later become Ridley Scott’s Alien (1979). Tarantino once called this movie a masterpiece. I don’t see it that way, but I like the 2001 parody concept and the execution, including the inventive special effects, is certainly well done.

Man Bites Dog | C’est arrivé près de chez vous (Belgium, 1992)

Directed by: Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Written by: Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Cast: Benoît Poelvoorde, Jacqueline Poelvoorde-Pappaert, Nelly Pappaert

In this notorious cult classic from the French part of Belgium, a three-headed camera crew follows the gleefully depraved serial killer Ben, as he spends his days gruesomely murdering people for sport and profit. During the shoot, the crew becomes more and more complicit in Ben’s crimes. The sheer amount of killings is not very realistic, but the profiling of the killer, chillingly portrayed by Benoît Poelvoorde, convinces in all its sickness. The mockumentary concept was pretty new at the time, and the approach – taking the viewer inside the mind of a horrible human being, who – when he’s not busy killing people against depressing urban backdrops – is offering his warped and racist views in interviews – makes for disturbing cinema. The filmmakers, who worked on a shoestring budget, wanted to make something different, and they have succeeded in this task. C’est arrivé près de chez vous (‘It Happened Near You’) became a unique, deeply unsettling, and darkly comic milestone of cult cinema.

The Lady in Red (USA, 1979)

Directed by: Lewis Teague
Written by: John Sayles
Cast: Pamela Sue Martin, Robert Conrad, Louise Fletcher

Farm girl Polly moves to Chicago, where she becomes romantically involved with gangster John Dillinger. The film is curious in that it’s not really about Dillinger, but about his girlfriend and the unwitting role she played in the gangster’s famous demise at a movie theater. It traces Polly’s own descent into crime: she starts out as a seamstress, tries her hand at prostitution, and eventually ends up in jail. After Dillinger’s death, she organizes a dangerous but lucrative armed robbery on her own. Written by John Sayles, directed by Lewis Teague, and produced by Julie Corman – indeed, Roger Corman’s wife – the film unmistakably feels like a Corman-style exploitation picture, complete with plenty of bloody, machine-gun action. In his 2021 book ‘Once Upon a Time in Hollywood‘, Quentin Tarantino mentioned that in an alternate Hollywood universe, he directed a remake of this film. It certainly sounds like something he’d do well. Who knows – maybe an idea for his tenth and final movie?

Revenge of the Sith is 20 Years Old. It Is a Prophetic Vision of America Today

Posted on 18 mei 2025 by Jeppe Kleijngeld

TRUMP WARS

Episode III

REVENGE OF THE MAGA

War! The republic is crumbling under ruthless attacks by Maga Lord Elon Musk.
There are assholes on both sides. Evil is everywhere.

In a stunning move, the fiendish president Donald J. Trump, has wiped out trillions in stock market value with an insanely stupid and useless trade war.

As the separatist MAGA-republicans attempt to siege the Capitol with their law enforcement hostages, Bernie Sanders is on his way to kick some Republican ass…

The Dark Side Calling
Exactly twenty years ago, Star Wars Episode III – Revenge of the Sith hit Dutch theaters as the dark turning point in the Star Wars saga. I remember the Darth Vader posters hanging all around the city where I worked. It was a monumental cinema experience, but it was also a dark movie that depicted the fall of a Republic, the rise of an Empire, and the death of democracy at the hands of a terrible authoritarian. Not to mention the tragic fate of all the characters we had grown to love.

Today, it feels less like science fiction and more like prophecy, as the United States of America – once the leading democracy in the world – is now rapidly becoming an authoritarian dictatorship.

The opening shot of Revenge of the Sith is a real triumph. Anakin and Obi-Wan fly through the besieged airspace above Coruscant, and it’s all filmed in one terrific and dizzying shot. Technically, this might be the best of the Star Wars movies.

When Anakin and Obi-Wan board the ship where Palpatine is held hostage by Count Dooku and General Grievous, we notice that Anakin is wearing black clothes. This is already a symbol of where he is heading. But he is still a good guy here, unwilling to leave his friend behind in a time of trouble.

Obi-Wan looks a bit like J.D. Vance, the vice president in Trump’s regime. But make no mistake – he is nothing like him in character. He is a great Jedi Knight, just as Qui-Gon Jinn predicted he would become. Vance also looks like Count Dooku (the great Christopher Lee), and he is closer to this Dark Lord in character, though nowhere near as smart.

Then – in the showdown with Count Dooku – we get the first warning sign of Anakin’s approaching downfall. “My powers have doubled since we last met, Count.” Overconfidence, pride, anger… these are all hallmarks of a character vulnerable to Dark Side manipulation. Add fear to that, and Palpatine will have an easy mark.

Count Dooku provokes Anakin, leading him to tap into the Dark Side. He uses his anger and aggression to defeat Dooku by cutting off both his hands. Then Palpatine urges him to kill Dooku, and he does. It turns out Anakin had told Palpatine about his mother and the slaughter of the Sand People. Palpatine is using that information to turn Anakin.

So he already has his hooks in the young Jedi. But Anakin is still a good person at this point. He refuses to abandon a wounded Obi-Wan and ensures the entire team escapes from the cruel cyborg General Grievous.

Then Anakin pulls off an amazing emergency landing with a spacecraft. Visually, this parallels the Trump era, where burning planes and helicopters seem to fall from the sky regularly due to Elon Musk’s firing of air traffic controllers.

Fear is the Mind Killer
The Senate gives the Chancellor permission to continue the war against the Separatists. Dictators always use emergency powers to dismantle democracy – and Palpatine and Trump are no exceptions. Trump’s emergency powers are invoked for bogus reasons. The USA is supposedly at war with Venezuelan gang members. That is ridiculous, but in Trump-land, that doesn’t matter.

The reason for these powers in Revenge of the Sith is that General Grievous is still alive. But we see that Grievous secretly works for Palpatine. The General is worried about Count Dooku’s death, but Palpatine assures him, “Soon, I will have a new apprentice. One far younger and more powerful.” He is clearly preparing for his masterstroke.

Revenge of the Sith has a terrific cast. Ian McDiarmid is especially powerful, delivering his lines as though in a Shakespearean play.

Meanwhile, Anakin learns from Padmé that she is pregnant. This is the happiest moment of his life, he tells her. Of course, their love is extremely dangerous in a time of Dark Side seduction. And then it happens: the nightmare. Anakin sees Padmé, his great love, dying, and it terrifies him.

A coaching session with Yoda seems to bring some enlightenment: “Be mindful. Fear of loss is a path to the Dark Side.” If only Anakin had truly understood what those words meant.

Missed Warning Signs
Anakin and Obi-Wan meet, and Obi-Wan is worried about Palpatine, who is about to receive even more executive powers from the Senate. This parallels America today, where Trump has already made Congress powerless and is actively ignoring the courts.

Anakin meets with Palpatine, who flatters him by proposing he become the Chancellor’s representative on the Jedi Council. There are beautiful shots here of Anakin and Palpatine – clearly staged to resemble Darth Vader and the Emperor walking together. “I need you to be the eyes, ears, and voice of the Republic.”

He gives Anakin a special task – just as Trump did with Musk, sending him into government agencies to extract data and build a massive surveillance system, yet another weapon for his dictatorship ambitions.

Anakin is brought before the Jedi Council. They accept him, but do not grant him the rank of Master. His angry response should have been a clear warning sign. There were plenty of warning signs during Trump’s campaign too – like mimicking Hitler and other fascist leaders in his speeches.

“It’s unfair”, says Anakin. That’s practically a direct copy of Trump. Narcissists like Trump are always playing the victim. “No country has ever been treated as unfairly as the United States”, Trump often complains. And he constantly claims to be the victim of a political witch hunt.

Standing With the Underdog
In that fateful Council meeting, Yoda utters one of the greatest lines of the film when learning that the Wookiees are under attack from the Separatists: “Go I will. Good relations with the Wookiees I have.”

The battle on the Wookiee planet Kashyyyk recalls Ukraine – a country with limited arms being attacked by a massive mechanized army (Russia). Yet they are stronger, because they are defending their freedom.

In the Ukraine war, Trump has sided with Russia, because he doesn’t care about Ukraine. It is just a pawn in a much greater battle for global control. Russia could be seen as standing in for the Separatists, though they see themselves as an empire.

The Ultimate Gaslighter
Things in Revenge of the Sith turn ugly very quickly. This is another hallmark of establishing a dictatorship. Events accelerate so fast that the good guys – in this case, the Jedi – can’t keep up.

They ask Anakin to spy on Palpatine, because “our allegiance is to the Senate, not its leader.” Most Republicans in the USA seem to have forgotten this pledge. They are 100% loyal to Trump, which is the heart of Project 2025.

Anakin argues with Padmé, who suggests that maybe the democracy they were trying to protect no longer exists. The parallel to the USA is stark: the political system is heavily influenced by money, and democracy is no longer functioning.

Palpatine’s final move is to portray the Jedi as attempting to illegally seize control of the Republic. Trump similarly convinced Americans that “evil” Biden was doing the same through the so-called deep state. By encouraging conspiracy theories, anti-science views, and mistrust in institutions, Trump sowed the seeds for victory.

“All who gain power are afraid to lose it. Even the Jedi”, Palpatine tells Anakin at a beautifully staged space opera. Also: “Good is a point of view, Anakin.” Indeed, we now have two competing truths: the Trump-Fox News truth and the Biden-CNN truth. On social media, we live in separate bubbles.

“The MAGA rely on their passion for their strength. They think inward – only about themselves.” “And the Jedi don’t?” This is classic MAGA: twisting narratives to vilify their opponents.

Palpatine tells Anakin the Sith legend of Darth Plagueis and the secret to immortality. This is the film’s Faustian moment. Many in the Trump administration made a similar bargain: loyalty in exchange for power.

ORDER 66 – PROJECT 2025
Before Palpatine’s rise in the Star Wars prequels, the Sith had been extinct for a millennium. Trump was also in a deep hole after losing the 2020 election. But he made a comeback – first by taking over the Republican Party, then by preparing for a return to power through Project 2025.

Trump is like Palpatine in many ways, particularly in his hunger for absolute power. Even physically, his grotesque expression mirrors Palpatine’s post-transformation face. And make no mistake – Trump is a manipulator, exploiting anyone in his way. While he lacks subtlety or strategy, he remains extremely dangerous. His bulldozer tactics may hinder him, but America’s fate remains undecided.

When the Jedi try to arrest Palpatine, the fate of the Republic is sealed. “I am the Senate!”, he screams. That’s typical Trump, who also believes his executive power should be limitless.

He kills three Jedi and convinces Anakin to kill Mace Windu. “He is a traitor”, Palpatine gaslights Anakin. Windu makes one last attempt to persuade him: “He has control of the Senate and the courts. He’s too dangerous to be left alive.” If there is one line in the film that best reflects the current Trump predicament, it is that one.

But Anakin – afraid of losing Padmé if Palpatine dies – makes a fateful choice and cuts off Windu’s hands. Windu is then killed by the now monstrous-looking Palpatine. “UNLIMITED POWER!!!” Anakin’s descent to the Dark Side is complete. Then he carries out Order 66. “Once more, the Sith will rule the galaxy, and we shall have peace.”

Trump seeks to rule the galaxy like Palpatine. He wants control over universities, the media, and the courts. He wants to own Canada, Mexico, Greenland, Panama, and Gaza. And he wants world leaders to bow before him in the Oval Office.

A pressing question remains: will Trump have his own Order 66? Will he use the military to suppress his own people and further his autocratic goals? The first steps already seem underway.

Final Transformation
Palpatine quickly consolidates his power. He sends Darth Vader to kill the Jedi younglings and Separatist leaders, then holds an emergency Senate session to declare the Republic reorganized into the first Galactic Empire.

Padmé utters the now-famous line: “This is how liberty dies – with thunderous applause.”

Exactly. This recalls Trump’s victory, cheered by many – including business elites. His sycophants continue to praise him no matter what terrible things he says or does.

The finale of Revenge of the Sith is painful and heartbreaking – as it should be. Yoda and Obi-Wan discover the murdered younglings. Obi-Wan tells Padmé what Anakin has done. Then, after their brutal duel on Mustafar, Anakin is burned alive. It’s dark, powerful stuff.

In their final confrontation, Anakin tells Obi-Wan he now sees the Jedi as evil. Just like Trump and Musk view Democrats and the values they once stood for – like climate protection, freedom, and diversity – as evil.

“I sense Elon is in danger. His Tesla stock is burning.”
Elon Musk has similarities to Anakin. A smart, energetic kid with a passion for technology, he once did good – like supporting Ukraine with Starlink satellites. But he crossed a line. He’s transformed into a Dark MAGA figure and caused massive harm.

Like Anakin kills the Jedi younglings, Elon Musk is responsible for the deaths of thousands of children by slashing USAID funds. He has sunk to a level of evil that few would ever imagine to be possible. The only solution to the Trump-Musk regime is now complete destruction.

That shot where the Vader mask closes over Anakin’s burned face is powerful. His transformation is complete.

Final Thoughts
After the death of Padmé and the birth of Luke and Leia, Yoda and Obi-Wan go into exile – like Harris, Biden, and Waltz, after failing to stop the Trumpian menace.

After all that darkness, the film ends on a hopeful note. Leia is delivered to her adoptive parents. Obi-Wan brings Luke to his aunt and uncle on Tatooine as they look out at the twin sunset.

The message: there is always hope.

The 20 Greatest Ultra Villains in Movies

Posted on 10 mei 2024 by Jeppe Kleijngeld

20. Bill the Butcher

Played by: Daniel Day-Lewis
Film(s): Gangs of New York (2002)
Line: ‘Ears and noses will be the trophies of the day. But no hand shall touch him.’

Nothing goes too far for William ‘Bill the Butcher’ Cutting in his personal mission to oppress the new immigrants whom Bill sees as mere cockroaches. His name is very appropriate: whenever he joins the street fights, he slaughters enemies by the dozens using his vast set of knives and stabbing weapons. He shows a softer side around Amsterdam, who he sees as the son he never had, but in the end, Bill is a bad man. Played to perfection by Daniel Day Lewis.

19. Mr. Joshua

Played by: Gary Busey
Film(s): Lethal Weapon (1987)
Line: ‘See, Martin, we have a problem. Since we have Murtaugh, we don’t really need you. But I believe in being thorough.’

The ultra blond Mr. Joshua is pretty much a badass. He shows his macho behavior in his intro-scene by letting his employer hold a lighter under his arm for a pretty long time. Riggs and Murtaugh have a lot of trouble with this ex-commando. In his mission to smuggle heroin into the United States, he lets nothing or nobody get in his way. He scores extra points for his pretty good fighting skills.

18. The Terminator

Played by: Arnold Schwarzenegger
Film(s): The Terminator (1984)
Line: ‘Your clothes – give them to me, now.’

Schwarzenegger is perfectly cast as a killing machine. The Terminator is one scary motherfucker. ‘Sarah Connor? Yes. Boom!!!’ He is efficient and unstoppable. The perfect invention really. James Cameron (director) and Stan Winston (special effects) have really outdone themselves. The highlight? There are many, but Schwarzenegger barging in the police station killing everybody is pretty damn exciting.

17. Amon Goeth

Played by: Ralph Fiennes
Film(s): Schindler’s List (1993)
Line: ‘Ah, an educated Jew… like Karl Marx himself. Unterscharfuehrer! Shoot her.’

Can a psycho Nazi killer still be charismatic? Leave it to Ralph Fiennes to pull it off. Even though Goeth commits horrible acts and certainly deserves to die for it, he can be touching in a strange and remote way. A truly remarkable bad guy, right up until his ‘Heil Hitler’ sent off.

16. Judge Doom

Played by: Christopher Lloyd
Film(s): Who Framed Roger Rabbit (1988)
Line: ‘Soon, where Toon Town once stood will be a string of gas stations, inexpensive motels, restaurants that serve rapidly prepared food.’

Christopher Lloyd who nailed the ultimately sympathetic ‘Doc’ in Back to the Future, plays a really scary dude here. Judge Doom is one malicious bastard and the type of villain we could use more of: wacky, evil-lookin’ and carrying a dark secret. Brilliant character in a brilliant movie.

15. Anton Chigurh

Played by: Javier Bardem
Film(s): No Country for Old Men (2007)
Line: ‘What’s the most you have ever lost in a coin toss?’

Chigurh is one weird psycho killer for sure. Armed with an oxygen tank and a shotgun he makes life very difficult for the people in the wasteland of the Texas-Nevada borderlands His entrance in No Country for Old Men alone is enough to earn him this position. Add to that his terrible haircut, his deep voice and his seemingly random killing spree and you got an A-grade villain that’s just hard to forget.

14. Freddy Krueger

Played by: Robert Englund
Film(s): A Nightmare on Elm Street series (1984-2003)
Line: ‘I’m your boyfriend now, Nancy.’

The child murdering Freddy literally gives his victims nightmares. Both his burned face and his evil mind tricks can make everybody crap their pants. Freddy is without a doubt the greatest supernatural killer to ever appear on the white screen.

13. Annie Wilkes

Played by: Kathy Bates
Film(s): Misery (1990)
Line: ‘You! You dirty bird! How could you?’

Pour Paul Sheldon. Being captured by his greatest fan is a nightmare beyond imagination. He is constantly walking on eggshells as the slightest provocation will set off Annie Wilkes big time. It’s hard to say what kind of disorder she actually ‘suffers’ from, but there is no doubt that she is completely batshit.

12. Skeletor

Played by: Frank Langella
Film(s): Masters of the Universe (1987)
Line: ‘I am Skeletor.’

Masters of the Universe is no masterpiece, but Frank Langella really elevates the movie with his highly enjoyable appearance. His portrayal of Skeletor, who was already a favorite villain in cartoons, became a most memorable bad guy. His looks are spot on, and he rules his underlings with an iron fist. It’s a total shame that He-Man kicks him into a dark, deep shaft at the end of the movie.

11. Saruman

Played by: Christopher Lee
Film(s): The Lord of the Rings Trilogy (2001 / 20 02 / 2003)
Line: ‘Hunt them down! Do not stop until they are found. You do not know pain, you do not know fear. You’ll taste men-flesh!’

While Sauron may be the real bad guy in The Lord of the Rings, Saruman makes a far greater impression. His voice is perhaps his greatest asset. The way he utters spells and commands is just the ultimate in evil cool. Christopher Lee, almost 80 when he played this, is remarkable in the role that he was born to play. When it comes to evil old wizards surrounded by Orcs, Saruman is the man.

10. Agent Smith

Played by: Hugo Weaving
Film(s): The Matrix (1999) / The Matrix Reloaded (2003) / The Matrix Revolutions (2003)
Line: ‘I will enjoy watching you die…Mr. Anderson.’

Who ever thought a software application could be this menacing? Smith may be funny with his monotone voice and robotic locomotion, but he can be vicious as well. It’s really hard to relax with this guy around, and he is always around. When you think he’s finally gone, he returns with clone abilities. Smith is an unstoppable force of destruction and can ultimately be only stopped by himself. Now that’s pretty bad.

9. Clarence Boddicker

Played by: Kurtwood Smith
Film(s): RoboCop (1987)
Line: ‘Can you fly Bobby?’

It’s not exactly his looks that make Clarence Boddicker ultra villain material. It is his ruthless and merciless attitude. He first shows his vileness, when he kicks one of his wounded cronies out of a moving truck. Soon after, he displays a real sadistic streak when he brutally murders Murphy. Although he’s a street level boss, he meets personally with Dick Jones, Vice President at OCP (Omni Consumer Products) showing he is also an intelligent and competent gang leader.

8. T-1000

Played by: Robert Patrick
Film(s): Terminator 2: Judgment Day (1991)
Line: ‘Thank you for your cooperation.’

Robert Patrick as the liquid metal T-1000 is an example of perfect casting. This unstoppable and constantly morphing killing machine is pretty scary at times. The fact that he is wearing a police uniform makes this even worse. Rather than ‘protect and serve’, he fanatically chases John Connor around while killing everybody that gets in his way. Glad to have Schwarzenegger around, the only one with a remote chance to stop it. Now that’s pretty telling.

7. Bill

Played by: David Carradine
Film(s): Kill Bill: Vol. 1 (2003) / Kill Bill: Vol. 2 (2004)
Line: ‘Do you find me sadistic?’

Bill is a murderous bastard, but he can be honorable as well. When the Bride arrives to take revenge on Bill for shooting her in the head, he grants her one night with her daughter, who she had presumed to be dead. Make no mistake though, in the duel that follows he would have killed her without mercy if it hadn’t been for her special skills. A classic villain who gets extra points for his great knowledge of martial arts and pop culture.

6. Major Arnold Toht

Played by: Ronald Lacey
Film(s): Raiders of the Lost Ark (1981)
Line: ‘You Americans, you’re all the same. Always overdressing for the wrong occasions.’

The boring communists in The Kingdom of the Crystal Skull showed again what great villains Nazi’s can be. Major Toht is an absolute favorite. A very unpleasant appearance and an equally disturbing voice can make someone cringe. It’s a true relief when his face starts melting towards the end of Raiders of the Lost Ark.

5. Emperor Palpatine

Played by: Ian McDiarmid
Film(s): Star Wars: Episode VI – Return of the Jedi (1983)
Line: ‘Welcome young Skywalker. I’m looking forward to completing your training. In time, you will call me…master!’

While the Ewoks made Return of the Jedi just a little too child friendly, Ian McDiarmid restored the balance with his dark portrayal of the Emperor. Allegedly, serial killer Jeffrey Damner was a huge fan of Palpatine. This figures, because Palpatine is a true incarnation of evil. Every line he utters comes out as pure poison. He is often underestimated because of his fragile old appearance, but make no mistake! When Palpatine starts using his dark side force techniques there is nobody who can stop him. Well there’s always one.

4. Hans Gruber

Played by: Alan Rickman
Film(s): Die Hard (1988)
Line: ‘Nice suit. John Phillips, London. I have two myself. Rumor has it Arafat buys his there.’

Another German villain to make the list. It is just hard to ignore their bad guy potential. Hans Gruber is the perfect baddie against Bruce Willis’ hero John McClane. He is both ruthless and smart, but certainly not without a sense of humor and style. You gotta hand it to this guy. Up till now, the Die Hard creators haven’t yet found a suitable replacement for him as the villains in the four sequels all made far less of an impression.

3. Frank

Played by: Henry Fonda
Film(s): Once Upon a Time in the West (1968)
Line: ‘I could crush you like a wormy apple.’

Not a businessman but ‘just a man’. If that is true, humanity is truly fucked. Look at Frank’s sins: killing a young boy in his first appearance, raping Jill McBain and off course the thing he did to royally piss off Harmonica. Nobody figured the sympathetic Henry Fonda could play a bad guy this well. He proved them dead wrong. Frank is one of the most accomplished villains ever, and Fonda should have won an Oscar for the part.

2. Dr. Hannibal Lecter

Played by: Anthony Hopkins
Film(s): The Silence of the Lambs (1991)
Line: ‘I’m having an old friend for dinner.’

Anthony Hopkins delivers a wicked and Oscar-winning performance as Dr. Hannibal Lecter. Charming, extremely intelligent, psychically strong: Lecter has it all. One of the few baddies in this list who actually survives the films he is in, Lecter stands above the regular laws of good and evil. He just does what he does. His character has been exploited a little too much in modern cinema and literature, but his turn in The Silence of the Lambs remains one of the most chilling and spellbinding performances ever in cinema history.

1. Darth Vader

Played by: David Prowse, James Earl Jones (voice)
Film(s): Star Wars Trilogy (1977 / 1980 / 1883)
Line: ‘If you only knew the power of the dark side.’

Its villains have always been the best thing about Star Wars, but Darth Vader is the baddest motherfucker of them all. It is hard to say which is cooler; his voice (and breathing), his name or his appearance. His introduction in A New Hope alone makes him the best movie villain ever. But he also has a fair share in fighting skills, force power and strategy. Just a fantastic character altogether.

5 Best Paul McCartney Solo Albums

Posted on 26 oktober 2021 by Jeppe Kleijngeld

Of the four Beatles, Paul McCartney has been arguably the most versatile and successful solo-artist. Yes, John Lennon had a lot less time since he died in 1980. Who knows what he would have produced hadn’t he been murdered? Of his output as a solo artist, especially his first two albums were great (‘Plastic Ono Band’ and ‘Imagine’), but after that the quality somewhat declined. George Harrison, same story. ‘All Things Must Pass’ and ‘Living in the Material World’ were brilliant, but the rest of his albums are far less memorable.

McCartney also peaked after the Beatles, but he continued to make great albums right up until his latest gem ‘McCartney III’. Below are the five albums he made post-Beatles that I love the most.

5. Venus and Mars

Recorded in New Orleans and released in 1975, this was the fourth studio-album McCartney released with his band Wings, and his sixth album after the Beatles-break-up. It is a sort of concept-album and features a number of beautiful compositions: the title-track that returns later (much like St. Peppers), ‘Rock Show’, ‘You Gave Me the Answer’, ‘Magneto and Titanium Man’, and ‘Listen to What the Man Said’. The album was a huge success. It reached number 1 in the US, the UK and other countries around the world (as did the single ‘Listen to What the Man Said’ in the US) and sold four million copies worldwide.

4. McCartney

His first album after the break-up in 1970 – which had a lot to do with the tension within the disintegrating band – was not received very well. John Lennon was one of the main critics. I think it contains a number of terrific songs, some of Beatles-level greatness. This makes sense since they were written during the band’s golden years: ‘Junk’, ‘Maybe I’m Amazed’, ‘Every Night’, ‘That Would Be Something’ are the best. Yes, the album is underproduced, but this gives it some of its charm. McCartney basically performed the whole album by himself and recorded it in secrecy. It is the perfect showcase for his amazing talent.

3. Band on the Run

Generally considered as the highlight of Wings’ output. It opens with the classic title track about McCartney’s search for freedom. ‘Band on the Run’ consists of three parts that form a perfect integrated composition. This is pure McCartney. There are only eight more songs on the album, but they are all beautiful. The album was recorded in Lagos, Nigeria, by a trio consisting of Paul and Linda McCartney and Denny Laine. The rest of the band had left. No matter, the final result was generally praised and it became a huge commercial success. Look out for actors James Coburn and Christopher Lee on the album’s cover.

2. Chaos and Creation in the Backyard

This 2005 masterpiece re-establishes McCartney as one of the greatest living musicians/songwriters. It took 18 months to make and Paul once again plays most of the instruments, like he did on his first album McCartney. The 13 songs are unusually reflective and intimate-sounding for the ex-Beatle, which is a good thing. They are all great, but my favorites are: ‘Fine Line’, ‘Jenny Wren’, ‘Friends to Go’ (dedicated to George Harrison), ‘A Certain Softness’ and ‘Follow Me’. The cover is from a photograph of McCartney strumming a guitar in his family’s backyard in Liverpool, taken by Paul’s brother Mike.

1. Ram

‘Ram’ is the only album credited to the husband-and-wife music duo Paul and Linda McCartney. It is a terrific collection of extremely enjoyable songs, like: ‘Too Many People’, ‘Uncle Albert/Admiral Halsey’ (Paul’s first number 1 hit in America without the Beatles), ‘Ram On’ and ‘The Back Seat of My Car’. The recording sessions also yielded the terrific non-album single ‘Another Day’. ‘Ram’, very much like Paul’s debut album ‘McCartney’, initially received unfavourable reaction from music journalists, but has since been recognized as one of Paul’s best efforts as a solo musician.