Lucky Luciano (1973)


‘The detailed account of the world’s most powerful gangster who built an empire on a sea of blood.’

Directed by:
Francesco Rosi

Written by:
Jerome Chodorov
Tonino Guerra
Lino Iannuzzi
Francesco Rosi

Cast:
Gian Maria Volonté (Charles ‘Lucky’ Luciano), Vincent Gardenia (Colonel Charles Poletti), Rod Steiger (Gene Giannini), Charles Cioffi (Vito Genovese), Larry Gates (Judge Herlands), Magda Konopka (Contessa), Dino Curcio (Don Ciccio), Karin Petersen (Igea Lissoni), Edmond O’Brien (Commissioner Harry J. Anslinger), Charles Siragusa (Himself)

Biography of Charles ‘Lucky’ Luciano, perhaps the biggest mob leader in history. The film focuses on his Sicilian years. After serving a nine-year prison sentence, Luciano is pardoned in 1946 for services rendered to the United States, on the condition that he relocate to Sicily, where he is to spend the rest of his days.

The second part of his career is inevitably less thrilling than his earlier years, when he seized control from the old Sicilian bosses. That first chapter of his life was depicted in the 1991 film Mobsters – not a great film by any means, but far more action-packed than this one.

Its opening features a bloody shooting montage in which Luciano has his rivals assassinated during the Night of the Sicilian Vespers. The remainder of that film centers on the Anti-Narcotics Agency’s efforts to make Luciano’s life difficult, while he continues to run his criminal empire from Sicily.

Anyone expecting a typical Mafia plot will need to adjust their expectations. The film plays more like a documentary, with frequent and often confusing jumps in time.

On the positive side, the mobsters are not glamorized; they are shown for what they are. But the unfocused plot and sloppy storytelling offer little insight into what truly drove Luciano, making this not much of a biography at all. A shame, because with its decent cast and professional production design, something far better could have been achieved.

Rating:

Quote:
GENE GIANNINI: “I go to New York they’ll kill me.”

Trivia:
Charles Siragusa, the former chief of the U.S. Narcotics Bureau who tracked down the real Lucky Luciano, stars as himself.

Bulletproof Gangster (2011)


‘Based on the true story of Danny Greene the man the mob couldn’t kill’

Directed by:
Jonathan Hensleigh

Written by:
Jonathan Hensleigh
Jeremy Walters
Rick Porrello (book ‘To Kill the Irishman’)

Cast:
Ray Stevenson (Danny Greene), Vincent D’Onofrio (John Nardi), Val Kilmer (Joe Manditski), Christopher Walken (Shondor Birns), Linda Cardellini (Joan Madigan), Tony Darrow (Mikey Mendarolo), Robert Davi (Ray Ferritto), Fionnula Flanagan (Grace O’Keefe), Vinnie Jones (Keith Ritson), Steve Schirripa (Mike Frato)

Bulletproof Gangster (also known as Kill the Irishman, after the book it’s based on) is a biopic about former union man turned Irish mob boss Danny Greene, set during the Cleveland Mafia war of the 1970s, in which his enemies failed time and again to kill him. Hence the title although Kill the Irishman might be more fitting, since they mostly tried to kill him with bombs rather than bullets.

It’s a classic rags-to-riches story. Greene starts as a dockworker, albeit a well-read one. He didn’t finish school but was famously self-educated. With the backing of mobster John Nardi, he rises to become a popular union president.

Meanwhile, his old neighborhood friend Joe (Val Kilmer) joins the Cleveland PD, following his former friend’s career and narrating the story. After Greene’s arrest, he’s barred from union work for life, so he enters the garbage business with mobster Jack Licavoli’s blessing.

But when mob boss John Scalish – who ran the Cleveland mob since the 1940s – dies, a brutal gang war erupts between Greene and Nardi on one side and Licavoli on the other. That summer, bomb after bomb rocks Cleveland, killing many gangsters. How long can the seemingly blessed Irishman survive?

This gangland tale covers one of the few untold chapters of American Mafia history. Director Jonathan Hensleigh, screenwriter of Die Hard With a Vengeance, clearly has a penchant for explosives, and it shows in this appropriately explosive film. The cast features many familiar faces from gangster movies, including Paul Sorvino as Tony Salerno.

Of the cast members, especially Vincent D’Onofrio and Christopher Walken stand out as the historical mob figures John Nardi and Jewish gang boss Shondor Birns.

Bulletproof Gangster might not be a biopic as captivating as GoodFellas, Casino or Donnie Brasco, but offers what you might expect: an entertaining mob film with one retaliation after the other.

Rating:

Quote:
DANNY GREENE: “I’m an Irish catholic with the grace of God on my shoulder. I’m not going anywhere until he says so.”

Trivia:
The plot to kill the Irishman (Danny Greene) involved an unprecedented breach of FBI security when a clerk was bribed by the mob and actually stole a list of confidential informants from a top secret room. Cleveland agents acted quickly, plugging the leak and arresting their clerk.

TV Dungeon: Romanzo Criminale

(2008 – 2010, Italy)

2 Seasons (22 Episodes)

Directed by:
Stefano Sollima

Cast:
Francesco Montanari, Vinicio Marchioni, Alessandro Roja, Daniela Virgilio

The story of the Magliana gang, who controlled organised crime in Rome between 1977 and 1992. We witness the establishment of the group by three ruthless criminals; Il Libanese, Il Dandi and Il Freddo (the cold one). Each one of the friends has a very different personality, but they share the same ambition; to take over Rome. No crime is too big for Banda Della Magliana: drugs, kidnapping, murder, prostitution, they are literally involved in all criminal activity in the city.

The series is based on true events and people. The Magliana’s were the first organised gang in Rome. After a successful kidnapping, the leader type; Il Libanese, initiates that he and his associates form a gang. The others agree, but Il Freddo insists that they are all equals and have no leader. This will turn out to be a tough ideal to hang on to later on.

Off course they have opponents to deal with; a competitive gangster called Terrible is their first major obstacle. Then there is a communist cop who is keen on tracking them down. Finally, the Mafia – who traditionally had no foot in Rome – stick their beak in. Once the gang reaches the top, the only direction they can go is down. This is what eventually happens. Like all criminal empires, it ends.

Perhaps the best thing about this series is the cast. Each one of the actors is extremely believable in his/her role. For a show about gangsters, there are also quite a few strong female characters. Another strong point is the production design; the recreation of the seventies and eighties is convincingly done, enhanced by a groovy soundtrack and stylish camera work and editing.

The biggest downside is the length of the series. It is told in two parts of about 10 hours each. This is too long. Especially in the first part, there is too little going to keep the tension on an adequate level. Surely it is realistic, but sometimes just boring. Also humor is missing; it could have taken a few pages out of The Sopranos’ book. Still, after La Piovra, this is the best series about organised crime to come out of Italy.

White Heat (1949)


James Cagney Is Red Hot In ‘White Heat’!

Directed by:
Raoul Walsh

Written by:
Ivan Goff (screenplay)
Ben Roberts (screenplay)
Virginia Kellogg (story)

Cast:
James Cagney (Cody Jarrett), Virginia Mayo (Verna Jarrett), Edmond O’Brien (Hank Fallon / Vic Pardo), Margaret Wycherley (Ma Jarrett), Steve Cochran (Big Ed Somers), John Archer (Philip Evans), Wally Cassell (Cotton Valletti), Fred Clark (Trader Winston), Marshall Bradford (Chief of Police), Paul Guilfoyle (Roy Parker)

White Heat opens in High Sierra – a nod to the 1941 Humphrey Bogart classic directed by Raoul Walsh – where the Jarrett Mob executes a daring heist on a treasury train, making off with 300,000 dollars in government money. The stage is set for a relentless manhunt as the authorities vow to dismantle the gang and reclaim the stolen fortune.

At the helm of the Jarrett gang is Cody Jarrett, a volatile and psychopathic criminal plagued by deep-seated mother issues. James Cagney delivers a career-defining performance, infusing Jarrett with terrifying intensity and unpredictable rage.

Director Raoul Walsh, who previously collaborated with Cagney on The Roaring Twenties, masterfully guides this explosive portrayal, cementing White Heat as a trendsetter for modern crime thrillers.

The supporting cast shines, particularly Virginia Mayo as Verna Jarrett, the bubblegum-chewing femme fatale, and Margaret Wycherley as the sinister Ma Jarrett – a character whose malevolence rivals the likes of the mother character Livia from I, Claudius and The Sopranos. Cagney’s unhinged outbursts and chilling charisma make Jarrett one of cinema’s most unforgettable villains.

From its gripping opening to its spectacular, thematically resonant finale, White Heat is a relentless and timeless masterpiece. The film’s iconic line – “Made it, Ma! Top of the world!” – isn’t just Jarrett’s delusional triumph; it’s a fitting tribute to the film itself. Few movies achieve such enduring power, but White Heat stands tall among the greats.

Rating:

Quote:
CODY JARRETT: “Big Ed, Great… Big… Ed. Know why they call him that? Because his ideas are big. Someday he’s gonna get a really big one, about me. It’ll be his last.”

Trivia:
The unusually close relationship between Cody Jarrett and his domineering mother was inspired by real life bank robbers Kate Barker (aka Ma Barker) and her sons.