The Outfit (1973)

Nobody plays rougher than The Outfit…Except maybe Earl, Cody and Bett!

Directed by:
John Flynn

Written by:
Donald E. Westlake (novel ‘The Outfit’ as Richard Stark)
John Flynn (screenplay)

Cast:
Robert Duvall (Earl Macklin), Karen Black (Bett Harrow), Joe Don Baker (Jack Cody), Robert Ryan (Mailer), Timothy Carey (Jake Menner), Richard Jaeckel (Kimmie Cherney), Sheree North (Buck’s Wife), Felice Orlandi (Frank Orlandi), Marie Windsor (Madge Coyle), Jane Greer (Alma Macklin)

Forgotten, gritty ’70s crime flick loosely adapted from a novel by Richard Stark (a follow-up to ‘The Hunter’, the book that inspired Point Blank and Payback).

The novel’s central character, Parker – named Earl Macklin here for some reason – has a score to settle with the crime syndicate known as the Outfit. After they murder his brother in retaliation for a robbery the two pulled on one of their banks, Macklin decides they owe him payback.

True to Parker’s nature, he demands compensation in his own way: together with his buddy Jack Cody and girlfriend Bett Harrow, he begins hitting the Outfit’s operations one by one. In return they set a trap for him, but Macklin is not a man easily cornered. It ends in a memorable shootout in the mansion of the Outfit’s top boss.

The film is directed by John Flynn (Rolling Thunder), who also wrote the screenplay. Flynn was a fine, efficient, and sadly underrated filmmaker who specialized in lean, mean crime pictures. He’s a director admired by Quentin Tarantino – as Tarantino noted in ‘Cinema Speculation’, his book on ’70s cinema – and it’s easy to see why. The film is stylishly shot and Robert Duvall is great in the lead tough guy role.

That said, it misses the real hard-boiled coolness or cinematic innovation that made John Boorman’s Point Blank, which was again based on similar source material, such a memorable film.

Rating:

Quote:
EARL MACKLIN: “Now, the Outfit’s gonna pay me money for my trouble. I figure 250.000 to make things right. Tell your friends. That’s the bill: 250. I hit you until you pay me. What I take in between is extra.”

Trivia:
The Outfit (1973) (much like The Friends of Eddie Coyle (1973) and other crime films of this period) has been included on many lists of lesser known films recommended by 21st century film analysts.

What Will Be Tarantino’s 10th and Final Film?

It is well established that Quentin Tarantino wants to complete his career as director with a total of 10 films. With Once Upon a Time in Hollywood (2019) as his ninth, that that leaves just one final movie to cap off an iconic career.

Tarantino has taken long breaks between projects before. After Jackie Brown (1997), he didn’t return with another feature until Kill Bill: Vol. 1 in 2003. So the current six-year gap since Once Upon a Time in Hollywood isn’t unusual, but fans are still eagerly waiting for news.

In 2023, it looked like Tarantino had settled on his swan song: The Movie Critic. The film was to center on a character inspired by a real-life reviewer for an adult magazine Tarantino encountered as a teenager while restocking porno mag vending machines. During his work, Tarantino said he came to really appreciate the writing of this film critic.

“He was as cynical as hell. His reviews were a cross between early Howard Stern and what Travis Bickle might be if he were a film critic”, Tarantino said. Tarantino wanted an actor he had never worked with as the main character and Brad Pitt was said to be in talks to join the cast, though not as the title critic. The project sounded promising, but in 2024, Tarantino shelved it for artistic reasons. Just like that, The Movie Critic was off the table.

There was also buzz about Tarantino tackling a Star Trek film – an unusual move, given his preference for original stories (with Jackie Brown, adapted from Elmore Leonard, being the lone exception). But on the ReelBlend podcast, he suggested that a Star Trek film perhaps wouldn’t ‘count’ as his tenth. That project, too, now seems dead.

So what’s next? According to The Hollywood Reporter, while rewriting The Movie Critic, Tarantino toyed with an ambitious idea: a ‘farewell metaverse’ in which characters from his past films might reappear in a ‘movie within a movie’ format – either as their original characters or as fictionalized versions of the actors who played them. But for now, that’s just speculation.


In my DVD collection, I left over a single place for Tarantino’s final film. His filmography as director so far: 1. Reservoir Dogs, 2. Pulp Fiction, 3. Jackie Brown, 4. Kill Bill (counting as one film), 5. Death Proof, 6. Inglourious Basterds, 7. Django Unchained, 8. The Hateful Eight, and 9. Once Upon a Time in Hollywood.

The only concrete Tarantino-related project currently in the pipeline is The Continuing Adventures of Cliff Booth, a spin-off from Once Upon a Time in Hollywood. In this film, Brad Pitt’s character – stuntman and all-around tough guy Cliff Booth – becomes a Hollywood studio fixer. The film is being directed by David Fincher for Netflix, marking the first time since From Dusk Till Dawn (1996) that Tarantino is writing but not directing a film.

So what about the final film? At the 2025 Sundance Film Festival, Tarantino addressed this very question. “I don’t want to rush into production”, he said. “I’ve been in a hurry for the last 30 years, but not right now.” The reason? His family. “My son turns five next month, and my daughter is two and a half. The idea of taking on a huge project when my kids are so young doesn’t appeal to me.”

Tarantino added that he wants to wait until his son is at least six. “That way, he’ll know what’s going on, he’ll be there, and it’ll be a memory for the rest of his life.” That could mean production starts sometime next year, but only if inspiration strikes.

Interestingly, Tarantino revealed at Sundance that he’s currently working on a stage play. While he didn’t share any details, he hinted that if the play turns out well, it might be adapted into his final film. “If it’s a fiasco, it’s just a play. But if it succeeds, maybe it becomes the movie.”

So there you have it: while Tarantino’s tenth film remains a mystery, we know he’s not in a rush. In the meantime, The Continuing Adventures of Cliff Booth promises to deliver more of the filmmaker’s signature style even if he’s not in the director’s chair this time. And who knows? That stage play just might be the unexpected final chapter in a legendary career.

Reservoir Dykes: Four Times Tarantino Referenced the Netherlands (VIDEO)

My first video for Jeppy’s Video Circus in 2025 is another pop culture special.

I’m kicking off the year with another deep dive into pop culture – this time, exploring how Quentin Tarantino has (knowingly or not) woven the Netherlands into his cinematic universe.

Most fans remember the famous Pulp Fiction dialogue about Dutch culture (you know the one). But fewer people realize that Tarantino’s nods to the Netherlands go beyond that. In fact, subtle references pop up in Reservoir Dogs, Jackie Brown, and Kill Bill: Vol. 2 – and I break them down in this video.

Right after wrapping up the edit, I stumbled upon something fascinating: Tarantino once had an idea for a movie set entirely in Amsterdam. The film, The Vega Brothers, would’ve brought together Vic Vega (Michael Madsen’s character from Reservoir Dogs) and Vincent Vega (John Travolta’s character from Pulp Fiction) in a prequel.

In a ReelBlend podcast, Tarantino explained the concept: the film would follow Vincent Vega as he runs a nightclub for Marcellus Wallace in Amsterdam. His brother Vic comes to visit, and – naturally – chaos ensues. Honestly, it sounds like it could’ve been an instant classic.

Sadly, the idea was shelved. Tarantino felt both actors had aged out of the roles and didn’t want to go The Irishman route with de-aging tech. A real shame, because that setting and those characters could’ve made for something special.

Anyway, check out the video below for all the Dutch connections you might’ve missed in Tarantino’s films. Hope you enjoy it!

Dungeon Classics #37: Coffy

FilmDungeon’s Chief Editor JK sorts through the Dungeon’s DVD-collection to look for old cult favorites….

Coffy (1973, USA)

Director: Jack Hill
Cast: Pam Grier, Booker Bradshaw, Robert DoQui
Running Time: 90 mins.

‘Coffy is the color of your skin’, sings Denise Bridgewater in the opening theme of Coffy – a blaxploitation classic starring Pam Grier and one of Quentin Tarantino’s all-time favorite films. From the moment the stylish opening credits roll, it’s clear this movie is something special. Grier plays Flower Child ‘Coffy’ Coffin, a nurse whose sister’s life is shattered by heroin addiction. Fueled by rage, she sets out on a ruthless mission of revenge. Disguising herself as a drug-addicted prostitute, she lures street-level pushers into a trap – before blowing their brains out. But she doesn’t stop there. Determined to take down the real power players, she goes after the slick pimp and drug dealer King George, as well as the dangerous mob boss Vitroni. Directed by Jack Hill – an early collaborator of Roger Corman and Francis Ford Coppola before cementing his legacy as the king of blaxploitation – Coffy delivers everything the genre is known for: gritty action, bloody vigilante justice, and plenty of nudity, not least from Grier herself. While her acting faced some criticism at the time, her sheer star power is undeniable. She owns this film, elevating it beyond mere exploitation and securing its place in movie history as an absolute cult classic.