Mijn 10 favoriete videogames aller tijden

Ik zou mezelf niet echt gamer noemen, maar toch heb ik wel enige liefde voor het medium. Vorig jaar heb ik van mijn bescheiden bijverdiensten in België een Playstation 5 gekocht – en na jaren van niet gamen ben ik nu weer af en toe achter de console te vinden, vaak samen met Rosa.

Ik speel momenteel o.a. Robocop: Rogue City, GTA V, Hot Wheels Unleashed 2 – Turbocharged, en Red Dead Redemption 2 (de best beoordeelde game ooit op IMDb). Van die games is Robocop: Rogue City mijn favoriet. Het is een stijlvolle, gewelddadige shooter met Peter Weller (de originele RoboCop) in de hoofdrol. Het verhaal is een echte RoboCop original en speelt zich af tussen de gebeurtenissen van RoboCop 2 en RoboCop 3.

Hoewel de graphics van moderne games prachtig zijn, weten de games nog minder te betoveren dan de spelletjes die ik in mijn jeugd speelde. Mijn leven als gamer bestaat uit vier fases: in mijn hele jonge jaren speelde ik games op de Commodore 64 – spelletjes die je moest laden met een cassettebandje. Daarna kwam de Nintendo 8 Bit, een fantastische console waarvan ik de games in mijn lagere schooltijd kapot heb gespeeld.

In mijn studietijd had ik een Playstation 2 waarmee ik honderden uren in de werelden van GTA heb doorgebracht. En nu dus een PS5, waarmee ik me weliswaar vermaak, maar die me nog niet volledig heeft ingepakt. Maar GTA VI moet nog uitkomen, dus ik voorspel dat dat het grote verschil gaat maken. Tussen deze fases door heb ik ook nog verschillende games op de PC gespeeld.

Als ik nadenk over mijn favoriete games en de magie daarvan, is er nog geen PS5 titel doorgedrongen tot de Top 10. Dit gaat hopelijk veranderen het komende jaar. Hierbij mijn top 10 beoordeeld aan de hand van jeugdherinnering en de mate waarin een game je echt kan meevoeren in een andere wereld.

10. Manhunt (Playstation 2)

In dit spel speel je een veroordeelde moordenaar die door een sadistische snuffmovie-producent wordt opgesloten in een jachtterrein vol gewelddadige gangs. Je missie: vermoord alle gangleden om door te mogen naar het volgende level. Hoe gruwelijker de kill, hoe meer punten. Deze game is zó extreem spannend dat dit voor mij nooit is geëvenaard door welke andere game dan ook. De sfeer is intens duister en beklemmend. Een echt donkere parel van Rockstar North.

09. Ikari Warriors (Nintendo 8-bit)

Deze uiterst simpele shooter van de NES uit 1986 heb ik opgenomen simpelweg omdat ik me er zoveel uren mee vermaakt heb. Het spel is erg moeilijk – en een gemiddeld potje duurt vijf minuten – maar met de code ABBA kun je steeds weer drie nieuwe levens krijgen en het spel uitspelen. Hier doe je geloof ik anderhalf tot twee uur over.

08. Blue Max (Commodore 64)

Een vergelijkbaar verhaal als Ikari Warriors, alleen was ik hier pas vijf jaar oud toen ik deze game eindeloos speelde. Je bestuurt een bommenwerper die in de Eerste Wereldoorlog gebouwen moet vernietigen en vijandelijke vliegtuigen moet neerhalen. De game is verrassend speelbaar en nog steeds erg vermakelijk.

07. Grand Theft Auto IV (PC)

GTA IV kwam uit in 2008 en was qua ontwerp een enorme sprong voorwaarts ten opzichte van andere games uit die tijd. Het openwereldontwerp en de mechanics waren indrukwekkend vernieuwend. Ook het verhaal over een Oost-Europese crimineel die een stad à la New York op stelten zet wist me te raken. Het enige nadeel vond ik het sociale systeem waarbij je allerlei vriendschappen moest onderhouden. Daar ben ik niet zo goed in…

06. Super Mario Bros. (Nintendo 8-bit)

Samen met Duck Hunt was dit mijn allereerste game-ervaring op de NES – een enorme upgrade ten opzichte van de Commodore 64. Super Mario Bros. is simpelweg een prachtige game: eindeloos herspeelbaar, met iconisch leveldesign en fantastische muziek.

05. Duke Nukem 3D & Wolfenstein 3D (PC)

Hier smokkel ik stiekem een extra titel de Top 10 binnen. Deze twee klassieke first-person shooters uit de jaren ’90 zijn extreem vermakelijk en heerlijk gewelddadig. In de ene neem je het op tegen aliens, in de andere tegen nazi’s. Vijanden aan flarden schieten met een arsenaal aan wapens en explosieven blijft simpelweg leuk. Ik speel ze allebei nog weleens op de PC – for old times’ sake.

04. StarCraft (PC)

StarCraft is een briljant ontworpen strategiespel met een enorme culturele impact, vooral in Zuid-Korea. Je voert oorlog als één van drie rassen: de marine-achtige Terrans, de steeds evoluerende insectachtige Zerg en de machtige, mysterieuze Protoss. Ik geef toe dat ik het spel nooit heb uitgespeeld zonder cheatcodes (‘show me the money’), maar het heeft me ongelooflijk veel plezier gegeven.

03. Grand Theft Auto: San Andreas (Playstation 2)

Een cadeautje van Loesje voor Sinterklaas 2004. Het jaar daarop heeft ze me nauwelijks gezien ;-). Dit openwereld-gangsterspel is een ode aan de gangster- en hiphopscene van Los Angeles in de jaren ’90. De mogelijkheden in het spel zijn bijna eindeloos, het verhaal is fantastisch – met onder andere Samuel L. Jackson als corrupte agent – en de soundtrack is ronduit waanzinnig.

02. Super Mario Bros 3 (Nintendo 8-bit)

Tijdens een vakantie in Frankrijk, eind jaren ’80, speelde ik dit voor het eerst in een arcadehal op een camping. Ik was meteen verkocht. Het leveldesign is schitterend en de mogelijkheden en geheimen zijn vele malen uitgebreider dan in het originele Super Mario Bros.. Dit is zonder twijfel een van de beste en meest vermakelijke spellen ooit gemaakt.

01. Grand Theft Auto: Vice City (Playstation 2)

Een gangsterspel in een open wereld, gemodelleerd naar Miami in de jaren ’80, met een verhaal dat voelt als een mix tussen Scarface en Goodfellas? Dat móét wel mijn favoriete game aller tijden zijn. Met Ray Liotta als Tommy Vercetti, die zich van net vrijgekomen maffialid opwerkt tot ultieme gangsterbaas van Vice City. Dit spel was een droom die uitkwam en liet zien wat er allemaal mogelijk was binnen het medium. Hoe indrukwekkend GTA VI ook gaat worden: ik verwacht niet dat ze dit ooit nog gaan overtreffen. Een absolute klassieker.

LEES OOK: Mijn 10 favoriete comics & graphic novels

Scarface (1983)


‘He loved the American dream. With a vengeance’

Directed by:
Brian De Palma

Written by:
Oliver Stone

Cast:
Al Pacino (Tony Montana), Steven Bauer (Manny Ribera), Michelle Pfeiffer (Elvira Hancock), Mary Elizabeth Mastrantonio (Gina Montana), Robert Loggia (Frank Lopez), F. Murray Abraham (Omar Suarez), Paul Shenar (Alejandro Soza), Miriam Colon (Mama Montana), Harris Yulin (Mel Bernstein), Angel Salazar (Chi Chi)

Miami, the 1980s: Bad fashion, worse music, neon-lit nightclubs, yeyo, Cubans, Colombians, chainsaws, bikini-clad women, submachine guns, swimming pools, sports cars, hot tubs, and DEA agents. Welcome to the world of Tony Montana, the world of Scarface!

Brian De Palma’s Scarface is a bold, brash remake of Howard Hawks’ classic. Scripted by Oliver Stone – who wrote it while recovering from cocaine addiction in France – the story remains largely the same as the original, but the setting shifts dramatically. Instead of Prohibition-era gangsters, we follow the ruthless rise and fall of Cuban drug kingpin Tony Montana in the seedy underworld of Miami’s cocaine boom.

The film tracks Tony’s journey from a penniless refugee to a feared drug lord. Arriving from Cuba on an immigrant boat alongside his best friend Manny (Steven Bauer), Tony starts off running small-time hustles before proving himself as a vicious enforcer. His brutal ambition propels him up the ranks of Miami’s drug empire, ultimately overthrowing his boss, Frank Lopez, and taking everything – his empire, his woman (Michelle Pfeiffer’s icy Elvira), and his lucrative Bolivian connections.

But the higher Tony climbs, the faster he spirals downward. Paranoia sets in, fueled by mountains of cocaine. His marriage crumbles. His violent possessiveness over his sister hints at some unsettling, unspoken obsession. His reckless decisions alienate his allies, and when he crosses his powerful supplier Alejandro Sosa, the consequences are deadly. The film hurtles toward its legendary, blood-soaked climax, culminating in one of cinema’s most iconic shootouts.

What makes Scarface so compelling is that Tony Montana never truly enjoys his success. Unlike typical gangster flicks that revel in the spoils of crime, Scarface portrays a hollow, joyless ascent. Tony achieves everything he ever wanted, yet the moment he reaches the top, his downfall begins. The film’s bleak tone lingers from start to finish, reinforcing the idea that whether under communism or capitalism, Tony is doomed by his own insatiable greed and self-destruction.

Should you watch it? Absolutely. If only to understand its massive influence on pop culture, especially hip-hop. It’s violent, darkly funny, and features Al Pacino burying his face in a literal mountain of cocaine. Jeppy says go watch it. Okay?

Rating:

Quote:
TONY MONTANA: “You wanna fuck with me? Okay. You wanna play rough? Okay. Say hello to my little friend!”

Trivia:
Bodycount: 42.

5 Reasons ‘Scarface’ Rarely Makes it to Critics’ Favorite Lists

Me, I want what's coming to me.

‘Me, I want what’s coming to me.’

Although Brian De Palma’s 1983 gangster movie ‘Scarface’ is legendary within the popular culture domain, it is hardly considered a masterpiece, such as ‘The Godfather’, ‘The Godfather Part II’ and ‘GoodFellas’. Should it?

Yes, I definitely think so. There is no other movie that shows the rise and fall of a gangster more effectively than Scarface. Okay, the high is pretty brief – and consists mostly of a musical number (‘Push it to the limit’), during which Tony Montana (Al Pacino) is buying tigers and snorting lot’s of cocaine. But I guess that is what a gangster’s high would ultimately feel like; empty, shallow and unsatisfying. Even the kick of having the desirable Elvira (Michelle Pfeiffer) doesn’t last more than five minutes screentime.

The late film critic Roger Ebert – who awarded ‘Scarface’ a maximum of four stars – said it very poignantly. ‘The movie has been borrowed from so often that it’s difficult to understand how original it seemed in 1983, when Latino heroes were rare, when cocaine was not a cliché, when sequences at the pitch of the final gun battle were not commonplace. Just as a generation raised on ‘The Sopranos’ may never understand how original ‘The Godfather’ was, so ‘Scarface’ has been absorbed into its imitators.’

‘Scarface’ is listed in IMDb’s Top 250 (position 117), but that list is put together by users’ votes. On critic lists, such as the AFI 100 Best American Films, the All Time 100 (by Time) or Rotten Tomatoes’ 100 highest ranked films, it doesn’t appear. So what is it about ‘Scarface’ that obstructs it from being seen as a masterpiece, like the before mentioned gangster classics? Here are the five most probable reasons:

1.  The chainsaw scene
Scarface 1 - The chainsaw scene
Gangster films are violent, that is accepted. But Coppola and Scorsese have a way of turning even the most off-putting bit of violence into something really stylish and cinematic. The way De Palma handles the chainsaw scene, 24 minutes within the movie, is just plain ugly. ‘Now the leg huh’, remarks the sadistic Hector as he puts the saw in Tony Montana’s friend. This scene alone puts ‘Scarface’ in the extreme cinema league. And films that are extreme in this sense are rarely considered as Academy Award contenders.

2. The general ugliness
Scarface 2 - Ugly Car
Most of it is done deliberately, but the look and feel of ‘Scarface’ is just ugly dugly. That shirt that Montana is wearing, holy Christ! Also look at the sets. Miami in the eighties is just terrible. From the refugee camp where Montana and his partners murder the communist Rebenga, to the Miami Beach area where they start their careers as drug runners, these locations are just god awful. The language doesn’t help either: ‘Why don’t you try sticking your head up your ass, see if it fits’, Montana tells Hector. Can you hear Vito Corleone utter such a line? Or how about this one: ‘This town is like a great big pussy just waiting to get fucked.’ That doesn’t sound like ‘Casablanca’ does it? Last but not least: the music. From the cringe worthy synthesizer sounds to eighties hits like ‘She’s on Fire’. It is so wrong, it’s right.

3. The general foulness
Scarface 3 - The Clown
‘Scarface’ is in the end a very cynical movie in which the American Dream can only be achieved through extreme violence and corruption. Tony’s quest for power leads to ton’s of dead bodies: even a clown is whacked for god’s sake! A world in which a vile assassin like Tony Montana is the ultimate hero, is just very hard to accept. And the film gets uglier and uglier as it progresses. Tony’s drunken diner speech is the ultimate example of the repellent worldview on display. ‘Is this it? That’s what it’s all about, Manny? Eating, drinking, fucking, sucking? Snorting? Then what? You’re 50. You got a bag for a belly. You got tits, you need a bra. They got hair on them. You got a liver, they got spots on it, and you’re eating this fucking shit, looking like these rich fucking mummies in here… Look at that. A junkie. I got a fucking junkie for a wife. She don’t eat nothing. Sleeps all day with them black shades on. Wakes up with a Quaalude, and who won’t fuck me ‘cause she’s in a coma. I can’t even have a kid with her, Manny. Her womb is so polluted; I can’t even have a fucking little baby with her!’ It is kind of depressing when he puts it like that.

4. The sister storyline
Scarface 4 - Sister Shooting at Tony
Incest is never a pleasant topic, and even though nothing actually happens sexually between Tony and his sister Gina, it still raises some controversy. It also adds further to the already unpleasant vibe that the movie creates. Tony’s sickening jealousy of every man who even looks at his sister, let alone touches her, leads to aggression and eventually the murder on his best friend Manny. One of the hardest parts to watch involves Gina walking into Tony’s study, undressed, asking him to fuck her while shooting at him.

5. The over-the-top climax
Scarface 5 - Climax
The climax of ‘Scarface’ is so over the top that it is hard to comprehend during the first viewing. Many gangster films end with a massacre, but this is Rambo on cocaine. Fitting how this ending may be, it is so much of everything, that it may affect the judgment of its more critical audience.

None of this really matters though. ‘Scarface’ is a true classic. And though it may not always be appreciated as it should, ‘every dog has its day.’ ‘Scarface’ could go right to the top.

10 Management Lessons From Highly Successful Gangsters

By Jeppe Kleijngeld

Running a large company or criminal empire, what’s the difference? The demands for its managers and leaders are very similar for sure. As a leader, your vision needs to inspire others and your actions need to have significant impact. You also need to be able to effectively solve problems and prevent painful blunders. Taking a close look at 10 highly successful gangsters from popular movies and television series can be inspirational. Eventually most of them went down, but they all had impressive careers as criminal CEO’s. What can business leaders learn from their successful approaches and significant failures?

1. Plan all your actions carefully
Neil McCauley
The Gangster: Neil McCauley, Heat

The Lesson: In the spectacular opening scene of Michael Mann’s Heat, criminal chief Neil McCauley and his team of robbers manage to take down a huge score. The key to their success? Planning, planning, planning. McCauley is a perfectionist; every detail needs to be scrupulously prepared, nothing can be left to coincidence. It there is even a slight chance that something is wrong; he will walk away from a job no matter how much money is at stake. Off course, there is a slight bump in the road for McCauley and his team later on, but that is only because pulling armed robberies is a highly volatile business. But even with a terrific investigation team on their tail lead by a fanatical Al Pacino, they manage to take down another – even larger – score later on in the movie.

2. Build a team you can rely on
Joe Cabot
The Gangster: Joe Cabot, Reservoir Dogs

The Lesson: ‘I should have my head examined for going with someone I wasn’t a 100 percent on…’ Yeah, you should have Joe. As a manager, your most important task is to choose the right people around you and make them perform optimally. When you have a crucial project to realise – a diamond heist in Joe Cabot’s case – you don’t want to take any chances on whom you hire for the job. Joe’s negligence at this point, allowed a special LAPD-agent to infiltrate his crew, leading to a disastrous outcome for the project and all those involved.

3. Always look out for opportunities and know when to strike
Henry Hill
The Gangster: Henry Hill, GoodFellas

The Lesson: In Wiseguy, the novel on which the classic mob movie GoodFellas is based, protagonist Henry Hill describes his bewonderment at how lazy many people are. Great entrepreneurs like him are always looking for new ways to make money. Once in a while, a golden opportunity arises and a highly successful business manager will recognize this once in a lifetime chance and grab it. In Henry Hill’s case, this was the Air France heist in 1967. He walked away with 420.000 US dollars from the Air France cargo terminal at JFK International Airport without using a gun; the largest cash robbery that had taken place at the time. This was Hill’s ticket to long term success within the Mafia.

4. Analyse, decide and execute with conviction
Michael Corleone
The Gangster: Michael Corleone, The Godfather

The Lesson: Your success as executive depends for a great deal on the way you make decisions and follow them through. When his father, family patriarch Don Vito Corleone, is shot by Virgil ‘The Turk’ Sollozzo, Michael Corleone knows the threat of his father’s killing will not be over until Sollozo is dead. That is his analysis. Then, without any hesitation, he decides to kill Sollozo despite the hard consequences that he knows will follow. The third part – the execution – he performs flawlessly, killing Sollozo and his bodyguard Police Captain McCluskey in a restaurant. Michael later in the film again proves to be an extremely decisive leader when he has the heads of the five families killed when they conspire against the Corleone family.

5. Support the local community
Young Vito Corleone
The Gangster: Young Vito Corleone, The Godfather Part II

The Lesson: For long term success, you need more than just great products (in the mob’s case: protection, gambling and theft). You will need commitment from all your stakeholders and especially goodwill from the communities you operate in. Young Vito Corleone sees that gangster boss Fanucci is squeezing out everybody in the neighbourhood he lives in. Nobody is happy with him. So he murders Fanucci and takes over as neighbourhood chieftain. Rather than squeezing out people, he starts helping them. Every favour he does for somebody, earns him a favour in return. Those are a lot of favours and a lot of people who think he deserves his success and wealth. They are willing to give everything for their Don.

6. Don’t be afraid to use your subconscious
Tony Soprano
The Gangster: Tony Soprano, The Sopranos

The Lesson: As a leader, you want to base your decisions on hard facts as much as possible, but sometimes your intuition is much more powerful than the greatest performance dashboard in the world. In the first season of HBO’s monumental Mafia series The Sopranos, family patriarch Tony Soprano’s own mother tries to have him whacked. He had revealing dreams about this before it happened, but refused to look at the painful true meaning of these dreams. Through therapy, he learned to use his subconscious like a true expert, so when his friend Big Pussy Bonpensiero starts ratting for the FBI in season 2, he knows something is wrong. In a fever dream, Big Pussy (as a fish), reveals the hard truth to Tony. When he wakes up, he knows exactly what to do. Big Pussy must sleep with the fishes. Tony’s new ability to listen to his subconscious makes him a much more effective leader.

7. Think and act faster
Nucky Thompson
The Gangster: Nucky Thompson, Boardwalk Empire

The Lesson: After a botched assassination attempt on bootlegger and crooked politician Nucky Thompson, his enemies are left numb and indecisive of what to do next. Nucky – on the other hand – immediately makes a counter move. He goes to see his enemies and tells them the attempt on his life changed his perspective on things. He will abandon the bootlegging business and politics, so his enemies can take over. In secret however, Nucky books a trip to Ireland the next day, where he purchases a huge amount of cheap and highly qualitative Irish whiskey. His enemies underestimated him. By thinking and acting faster than his opponents, Nucky manages to surprise them and outperform them in business.

8. Take compliance seriously
Al Capone
The Gangster: Al Capone, The Untouchables

The Lesson: He was the king of his trade; the bootlegging business in Chicago. He made millions importing booze and selling it to bars and clubs. The thing that brought him down was income tax evasion. Managers can learn a simple truth from this mistake; compliance is your license to operate. Off course in Capone’s case this was a little different because he did not have any legal income to begin with, but many CEO’s of businesses have fallen into the same compliance trap. Sure, sometimes it is cheaper to pay a fine than to spend a fortune on meeting some obsolete policy, but you should never fail to answer to the most important rules and regulations. So even when it is sometimes tempting to bend the rules, in the end: being non-compliant is always more costly than being compliant.

9. Ride the Industry Waves
Tony Montana
The Gangster: Tony Montana, Scarface

The Lesson: Every industry has its waves, and a great CEO knows how to ride these waves. Take the drug business in the 1980’s. Cocaine was coming up big time in Florida. After Montana gets rid of his weak boss Frank, he sets up a massive cocaine trade in Miami and surroundings. His supply chain is very efficient. He imports the stuff straight from the source in Bolivia. Nobody can compete with that. It isn’t before long that Montana is Florida’s one and only cocaine king.

10. Keep your friends close and your enemies closer
Don Vito Corleone
The Gangster: Don Vito Corleone, The Godfather

The Lesson: You want to know what your competitors are up to? Invite them over for dinner and a meeting. Don Vito Corleone does it all the time. When he invites the heads of the five families for a sit down, in this powerful scene in The Godfather, he learns a great deal. It is not Tattaglia he should worry about, but that treacherous Barzini. Now that he understands the conspiracy against the Corleone family, he can help his son Michael take the necessary precautions.