Tagarchief: Cosa Nostra

This Thing of Ours (2002)

Posted on by Jeppe Kleijngeld


‘21st Century Criminals, 21st Century Payoff…’

Directed by:
Danny Provenzano

Written by:
Ted A. Bohus
Danny Provenzano

Cast:
Frank Vincent (Danny Santini), Vincent Pastore (Skippy), Danny Provenzano (Nicholas Santini), Edward Lynch (Johnny Irish), Louis Vanaria (Austin Palermo), Christian Maelen (Robert Biaggio), Chuck Zito (Chuck), Michael DelGaizo (Patsy deGrazio), Pat Cooper (John Bruno), James Caan (Jimmy ‘the Con’)

During the height of the phenomenon that was The Sopranos, this low budget independent mob movie was released starring many familiar mob actors, some of whom that were featured in the show, like Vincent Pastore (Big Pussy Ponpensiero), but also Frank Vincent – who would be introduced in The Sopranos two years later, and also James Caan (!), although he is just in one scene, yet featured on the cover in a clever marketing move.

But the film’s most intriguing element isn’t on-screen, it’s the backstory. Writer, director, and star Danny Provenzano was reportedly connected. His script was obviously strong enough to attract these mob-film veterans, yet he barely got to enjoy the release. Weeks before its nationwide theatrical debut, Provenzano pleaded guilty to racketeering and began serving a 10-year prison sentence.

Can wiseguys thrive in the 21st century? That’s the central question of the movie. Provenzano plays Nicky, a mobster with an ambitious plan: using a special microchip to transfer over a billion dollars to a secret Cuban bank account. His uncle Danny (Frank Vincent) must approve and finance the scheme. Success would bring not just massive profits but also a rise through the rigid ranks of their crime family. The problem is that both the FBI and rivals within their own family are making plans as well, leaving the multi-million-dollar heist balanced on a knife’s edge.

The concept is solid, but the execution stumbles. Only one scene truly delivers on the promise of 21st-century mobsters. This happens when Nicky and his crew pitch their digital heist to their greasy old bosses. The rest of the film offers the usual wiseguy dialogue and violence, none of it fresh. It adds nothing new to the overexploited genre, and Provenzano’s intended statement about the Cosa Nostra – whether they can adapt or if the life itself is a curse – never comes into focus.

Rating:

Quote:
ROBERT BIAGGIO: “It’s about time we brought that thing of ours into the 21st century, huh?”

Trivia:
Apart from mob veterans Frank Vincent, James Caan and Vincent Pastore, it also stars other mob regulars Joseph Rigano (Casino, Analyze This), Vinny Vella (Casino, The Sopranos), and Daniel P. Conte (GoodFellas, The Sopranos).

TV Dungeon: Corleone

Posted on by Jeppe Kleijngeld

(2007, mini-series, Italy)
AKA: Il capo dei capi

Directed by: Alexis Cahill & Enzo Monteleone

Cast: Claudio Gioè, Daniele Liotti, Simona Cavallari, Salvatore Lazzaro, Gioia Spaziani, Massimo Venturiello, Marco Leonardi

How does one become ‘il capo dei capi’ or boss of all bosses? That question is answered in the mini-series Corleone. In a fifty year period, Toto Riini grows up from little boy in Corleone on Sicily to the highest ranking member of the Sicilian Cosa Nostra (literally ‘Our Thing’). He does so by slowly murdering anybody who opposes him or who has any real power within the Mafia.

The Corleoneses, Toto Riina and his underboss Bernardo Provenzano, are provincial Mafiosi. They join the Mafia at a young age to escape from poverty. They rise to the top of the organisation quickly. In Sicily’s capital Palermo, the Corleoneses are perceived as hicks by the Mafia, but they are smart, ambitious and extremely ruthless as the Palermeans are about to find out. Riina was known as ‘the Beast’. It is a well chosen name considering the extreme high bodycount that can be attributed to him.

The mini-series is based on the book by Giuseppe D’Avanzo and Attilio Bolzoni. The makers wanted to not only show Riini’s rise to power and how he made it to the top, but also show the struggles of the law that wanted to put an end to him and his Mafia. Many judges and policemen died in this decade long battle. That much becomes clear in Corleone. For a long time, the law didn’t stand a real chance, but through sacrifice and perseverance they eventually got results.

To make the distinction between the good side and the evil side, the writers of this mini-series introduced a fictional character in this otherwise largely fact-based story. The true-hearted Biagio Schirò grows up with Riini in Corleone, but rather than becoming a mobster like his friends he joins the police. He follows Riini’s career closely and tries to bring him down, along with many real historical law figures, such as judge Giovanni Falcone. They stand for everything that the mob doesn’t.

In terms of production design, the makers did a good job of capturing the old times on the beautiful Sicily. Dramatically however, the series falls short. There isn’t enough suspense or character development to keep the viewer entertained for six times 100 minutes. Not even close. They could have told this story in a three hour mini-series. Now it quickly becomes repetitious. A shame, because the right basis is there.

Donnie Brasco (1997)

Posted on by Jeppe Kleijngeld


‘In 1978, the US government waged a war against organized crime. One man was left behind the lines.’

Directed by:
Mike Newell

Written by:
Joseph D. Pistone (book ‘Donnie Brasco: My Undercover Life in the Mafia’)
Richard Woodley (book ‘Donnie Brasco: My Undercover Life in the Mafia’)
Paul Attanasio (screenplay)

Cast:
Johnny Depp (Donnie Brasco / Joseph D. Pistone), Al Pacino (Benjamin ‘Lefty Two-guns’ Ruggiero), Michael Madsen (Sonny Black), Bruno Kirby (Nicky), Anne Heche (Maggie Pistone), James Russo (Paulie), Zeljko Ivanek (Tim Curley), Gerry Becker (Dean Blandford), Robert Miano (Sonny Red), Brian Tarantina (Bruno)

The imposing but low-ranking mobster Lefty (Pacino) meets Don the Jeweller (Depp). Donnie’s connections check out, so Lefty takes him in as a friend and associate. It turns out to be a mistake of historical proportions. Donnie is really an undercover FBI-agent named Joe Pistone, whose mission is to infiltrate the Mafia.

This movie is based on a true story. Joe Pistone managed to infiltrate a fraction of the New York Bonanno family in the late seventies and wrote a book about his experiences. The happenings in the book have been somewhat altered to create a more tense mob thriller. A choice that has turned out well. There are certainly moments of great tension, such as the scene where Donnie has to take his boots off in a Japanese restaurant in which he has hidden a microphone. Or the jail scene in which Donnie’s pals are discussing the way ‘the rat’ should be murdered when discovered.

The acting in this film is especially well performed. It is truly amazing how much sympathy Pacino arouses as the hapless mobster Lefty. We know he’s a cold-blooded killer (26 hits under his belt), but we almost cry for him when we see his desperate schemes tragically fail. Depp certainly holds his ground as Pacino’s partner in crime. It’s intriguing to see how he becomes more and more like a wiseguy, which is especially apparent when he acts alpha male around his wife and threatens a fellow undercover agent.

The film moves with great speed. In reality it took Donnie years to come close to the crew of Sonny Black (Madsen), but in the film this is done within two scenes. Some things have been dramatised such as Donnie’s relation with his wife Maggie (Heche), who understandably can’t deal with her husband’s absence. Also the ending in which Lefty is sent for (to get whacked), is done to dramatise the movie. In reality it was Sonny Black who got killed when Donnie’s identity was discovered. Mind you, these are only observations. All film making choices are well justified and every scene altered from reality gets the impact that it is aiming for.

The art-direction is another achievement that deserves mention. The New York scenery looks great, as well as all the terrible outfits that the wiseguys dress in. Altogether, Donnie Brasco is a remarkable movie that lost none of its impact over the years. It’s certainly not easy to just fuhgetaboutit.

Rating:

Quote:
LEFTY: “Sit down there. You were gonna walk out on me? You don’t walk out on me. I walk out on you.”

Trivia:
The newspaper picture of the murdered boss is the famous picture of murdered mob boss Carmine Galente, who was killed in a Brooklyn restaurant in 1979.